ensemble mosaik

Asia Ahmetjanova, Gedanken zur Grauzone by ensemble mosaik

Carola Bauckholt, Zopf by ensemble mosaik

Lauren Siess, cephalopoda by ensemble mosaik

Haukur Þór Hardarson, Fade by ensemble mosaik

Rachel Walker, Meaningless Boung Form by ensemble mosaik

Hannes Kerschbauer, Stainer Studie II by ensemble mosaik

Sergej Newski, Freeze Frame by ensemble mosaik

Volker Heyn, Sinclair Jungle Fragment by ensemble mosaik

Frank Denyer, The Hanged Fiddler by ensemble mosaik

Dan Peter Sundland, Improvisation by ensemble mosaik

Nico Sauer, Stoff by ensemble mosaik

Leandro Martin, Quartetango by ensemble mosaik

Ute Wassermann, Improvisation zu viert by ensemble mosaik

Elo Masing, converging / diverging by ensemble mosaik

Maximiliano Alejandro Soto Mayorga: FRAMED (2023) for Violoncello solo - 8’ (Mathis Mayr, Violoncello)

Haukur Þór Harðarson (1989)- Umbra (2024) Uraufführung im Rahmen der Klangwerkstatt Berlin am 14.11.2024 Kristjana Helgadottir – Flöte | Simon Strasser – Oboe | Sebastian Lange – Saxophon | Roland Neffe – Schlagzeug | Ernst Surberg – Klavier/Keyboard | Sarah Saviet & Chatschatur Kanajan – Violine | Karen Lorenz – Viola | Mathis Mayr – Cello | Arne Vierck – Klangregie Christian Vogel – Klarinette Solo Leitung: Christoph Breidler

UP TO THREE – AUGMENTED Wojtek Blecharz: »Rechnitz.Opera.Scene 6 / Means of Protection« (2018/19) for bass flute, two celli & electronics ensemble mosaik: Bettina Junge – augmented flute, Mathis Mayr – augmented cello, Niklas Seidl – augmented cello, Arne Vierck – sound director / recording (2020)

Concert October 3rd, 2020, at St. Elisabeth-Kirche Berlin Sara Glojnarić: sugarcoating #2 (2017) for clarinet, cello & piano Sara Glojnarić: Artefacts #3 (2020) for flute, percussion, piano, accordion, violin, cello & video Sara Glojnarić: sugarcoating #1 (2017/20) for ensemble mosaik Wojtek Blecharz: minute 0–10: Stimm[i](u)ng (2019) for two reversed celli & four instruments / minute 10–15: Opera Fiasko (fragment „Digital Forest“) (2017–18) for six record players / minute 15–25: Symphony #2 – 2nd Movement (2017) for violin solo & recorder mouth pieces / minute 25–30: Park-Opera (Act 5. Ballet) (2016) for wireless speakers / minute 30–43: ocean is not enough (2015/20) for 13 performers ensemble mosaik: Enno Poppe – conductor, Bettina Junge – flute, Simon Strasser – oboe, Martin Losert – saxophone, Roland Neffe– percussion, Ernst Surberg – piano, Christine Paté – accordion, Chatschatur Kanajan – violin, Karen Lorenz – viola, Mathis Mayr – cello, Niklas Seidl – cello, Matthias Bauer – double bass, Arne Vierck – sound director & recording

Concert October 3rd, 2020, at St. Elisabeth-Kirche Berlin Sara Glojnarić: sugarcoating #2 (2017) for clarinet, cello & piano Sara Glojnarić: Artefacts #3 (2020) for flute, percussion, piano, accordion, violin, cello & video Sara Glojnarić: sugarcoating – version 3 (2017/20) for ensemble mosaik Wojtek Blecharz: minute 0–10: Stimm[i](u)ng (2019) for two reversed celli & four instruments / minute 10–15: Opera Fiasko (fragment „Digital Forest“) (2017–18) for six record players / minute 15–25: Symphony #2 – 2nd Movement (2017) for violin solo & recorder mouth pieces / minute 25–30: Park-Opera (Act 5. Ballet) (2016) for wireless speakers / minute 30–43: ocean is not enough (2015/20) for 13 performers ensemble mosaik: Enno Poppe – conductor, Bettina Junge – flute, Simon Strasser – oboe, Martin Losert – saxophone, Roland Neffe– percussion, Ernst Surberg – piano, Christine Paté – accordion, Chatschatur Kanajan – violin, Karen Lorenz – viola, Mathis Mayr – cello, Niklas Seidl – cello, Matthias Bauer – double bass, Arne Vierck – sound director & recording

Concert October 3rd, 2020, at St. Elisabeth-Kirche Berlin Sara Glojnarić: sugarcoating #2 (2017) for clarinet, cello & piano Sara Glojnarić: Artefacts #3 (2020) for flute, percussion, piano, accordion, violin, cello & video Sara Glojnarić: sugarcoating – version 3 (2017/20) for ensemble mosaik Wojtek Blecharz: minute 0–10: Stimm[i](u)ng (2019) for two reversed celli & four instruments / minute 10–15: Opera Fiasko (fragment „Digital Forest“) (2017–18) for six record players / minute 15–25: Symphony #2 – 2nd Movement (2017) for violin solo & recorder mouth pieces / minute 25–30: Park-Opera (Act 5. Ballet) (2016) for wireless speakers / minute 30–43: ocean is not enough (2015/20) for 13 performers ensemble mosaik: Enno Poppe – conductor, Bettina Junge – flute, Simon Strasser – oboe, Martin Losert – saxophone, Roland Neffe– percussion, Ernst Surberg – piano, Christine Paté – accordion, Chatschatur Kanajan – violin, Karen Lorenz – viola, Mathis Mayr – cello, Niklas Seidl – cello, Matthias Bauer – double bass, Arne Vierck – sound director & recording

Concert October 3rd, 2020, at St. Elisabeth-Kirche Berlin Sara Glojnarić: sugarcoating #2 (2017) for clarinet, cello & piano Sara Glojnarić: Artefacts #3 (2020) for flute, percussion, piano, accordion, violin, cello & video Sara Glojnarić: sugarcoating – version 3 (2017/20) for ensemble mosaik Wojtek Blecharz: minute 0–10: Stimm[i](u)ng (2019) for two reversed celli & four instruments / minute 10–15: Opera Fiasko (fragment „Digital Forest“) (2017–18) for six record players / minute 15–25: Symphony #2 – 2nd Movement (2017) for violin solo & recorder mouth pieces / minute 25–30: Park-Opera (Act 5. Ballet) (2016) for wireless speakers / minute 30–43: ocean is not enough (2015/20) for 13 performers ensemble mosaik: Enno Poppe – conductor, Bettina Junge – flute, Simon Strasser – oboe, Martin Losert – saxophone, Roland Neffe– percussion, Ernst Surberg – piano, Christine Paté – accordion, Chatschatur Kanajan – violin, Karen Lorenz – viola, Mathis Mayr – cello, Niklas Seidl – cello, Matthias Bauer – double bass, Arne Vierck – sound director & recording

UP TO THREE – AUGMENTED Wojtek Blecharz: »Stimm[i](u)ng« (2019) for two reversed celli ensemble mosaik: Mathis Mayr – augmented cello, Niklas Seidl – augmented cello, Arne Vierck – sound director / recordning (2020)

UP TO THREE – AUGMENTED Annesley Black: »still listening« (2020) improvisation for violin, turntables & projections ensemble mosaik: Ernst Surberg – turntables, Chatschatur Kanajan – violin, Arne Vierck – sound director / recording (2020) Annesley Black – projections, voice

UP TO THREE – AUGMENTED Anton Wassiljew: »Poem 11« (2020) for bass clarinet, cello, live-electronics & video ensemble mosaik: Christian Vogel – clarinet, Mathis Mayr – cello, Arne Vierck – sound director / recording (2020)

UP TO THREE – AUGMENTED Katharina Rosenberger: »Urban Morphologies – Issue #08/20, Berlin« (2020) for oboe, viola, cello, electronics & video ensemble mosaik: Simon Strasser – oboe, Karen Lorenz – viola, Mathis Mayr – cello, Arne Vierck – sound director / recording (2020)

UP TO THREE – AUGMENTED Malte Giesen: »Study« (2020) for two instruments & electronics ensemble mosaik: Christian Vogel – augmented clarinet, Niklas Seidl – augmented cello, Arne Vierck – sound director / recordring (2020)

UP TO THREE – AUGMENTED Clemens Gadenstätter: »studies for portraits in a surrounding (with JLG) - Phase 1 (work in progress)« (2020) for oboes, keyboard & electronics ensemble mosaik: Simon Strasser – oboes, Ernst Surberg – keyboard, Arne Vierck – sound director / recording (2020)

UP TO THREE – AUGMENTED Bettina Junge / Ernst Surberg: »Sublime« (2020) for flute / electronics & synthesizer ensemble mosaik: Bettina Junge – flute / electronics, Ernst Surberg – synthesizer, Arne Vierck – sound director / recording (2020)

UP T0 THREE – AUGMENTED Clemens Gadenstätter – studies for portraits in surroundings (phase 1) (2020) for oboes, keyboard & electronics ensemble mosaik: Simon Strasser – oboes, Ernst Surberg – keyboard, Arne Vierck – sound director live-recording of the world-premiere on 1st of August 2020 at Acker Stadt Palast Berlin

far distance improvisation domino by Ernst Surberg, Simon Strasser, and Niklas Seidl

UP T0 THREE – IN BETWEEN Carlos Sandoval – Biberdam - Assut (2019) for three performers and electronics live-recording of the world-premiere on 18th of August 2019 at Acker Stadt Palast Berlin

UP TO THREE – IN BETWEEN Eduardo Moguillansky – lamento(Bemessung #4)(2019) for flute, clarinet and turntable live-recording of the world-premiere on 17th of August 2019 at Acker Stadt Palast Berlin

UP T0 THREE – IN BETWEEN Elisabeth Angot – N25 - Flöte Oboe Cello (2018/19) for flute, oboe and cello live-recording of the world-premiere on 17th of August 2019 at Acker Stadt Palast Berlin

AUGMENTED INSTRUMENTS Stefan Prins - Mirror Box Reflections (2014/2019) for flute, oboe, clarinet, percussion, piano, violin, viola, cello, conductor and live-electronics live-recording of the world-premiere on 23th of may 2019 at Kesselhaus Kulturbrauerei Berlin

AUGMENTED INSTRUMENTS Ann Cleare - luna / lithe / lair (2014/2019) for flute, oboe, clarinet, saxophone, percussion, piano, violin, viola, cello, conductor, and electronics live-recording of the world-premiere on 23th of may 2019 at Kesselhaus Kulturbrauerei Berlin

AUGMENTED INSTRUMENTS Amir Shpilman - Indestruction (2019) for flute, oboe, clarinet, saxophone, percussion, piano, violin, viola, cello, conductor, electronics, and dynamic speakers Andreas Kakogiannis – development of dynamic speakers Yair Kira – design of mobile loudspeakers live-recording of the world-premiere on 22th of May 2019 at Kesselhaus Kulturbrauerei Berlin

AUGMENTED INSTRUMENTS Klaus Lang - coelum obscurum (2019) for flute, oboe, clarinet, percussion, piano, violin, viola, cello, conductor, and electronics live-recording of the world-premiere on 22th of may 2019 at Kesselhaus Kulturbrauerei Berlin

AUTONOME MUSIK – SCHALTUNGEN Lisa Streich – Zucker for motorized ensemble(2016) for flute, clarinet, percussion, guitar, piano, violin, cello and conductor