PODCAST · arts
Filthy Fiction with Feelings Podcast
by Tasha L. Harrison
Filthy Fiction with Feelings is the craft-and-commentary podcast of author and editor Tasha L. Harrison where she breaks down her own romance writing process in real time. filthyficwithfeelingspod.substack.com
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"GOOD JOB, BESTIE": HOW TO LOAD LANGUAGE WITH HISTORY
How does a single word become the most loaded thing in your entire manuscript?Not because you wrote it beautifully — but because you’ve been investing in it for years without knowing that’s what you were doing.In this episode, Tasha breaks down one of her favorite structural craft moves: relationship vocabulary as architecture. Using the word “bestie” in A Soft Place to Land as the primary example, she traces how a word that started as ironic deflection between two best friends became — by Episode 12 — one of the most erotic and emotionally devastating words in the story. No announcement. No explanation. Just fifteen years of history doing exactly the work it was built to do.This episode also includes a bonus behind-the-curtain conversation where Tasha talks honestly about what it’s been like to write Season 1: where the story came from, which character surprised her, which scene cost her something personally, and what she’s most nervous about heading into Season 2.Mild spoilers for Episodes 12 and 13 of A Soft Place to Land throughout.In this episode:The difference between associative weight and relational weight — and why only one of them is yours as a writer. Why borrowed genre vocabulary (”good girl,” “sir”) does predictable work, and why built vocabulary does work nobody else can replicate. The five-step mechanics of loading a word with history deliberately. Why Theo’s Dominance developing without a D/s lexicon is a feature, not a limitation. A ROM 101 writing prompt you can use in your current manuscript today. Behind the curtain: how A Soft Place to Land started as 800 words and a vibe, why the two-entry-point architecture of the series was built on purpose, which character showed up fully formed and which one completely ignored his character notes, and what Tasha is most afraid to write in Season 2.Mentioned in this episode:A Soft Place to Land, Season 1 — serialized on Substack, Episodes 1–13 complete. Start from the beginning.Little Boxes — the first story in the Before We Fell companion series. New Year’s Eve 2021, New Orleans. The year Jade and Theo almost said it out loud. Drops March 20th on Substack.#20kin5Days — the next writing challenge runs April 22–26. Twenty thousand words in five days. Get on the list,ROM 101 — daily craft prompts and writing education, Monday through Friday on Substack.This week’s ROM 101 prompt:Find the word in your manuscript that your characters use only with each other. Ask what it’s protecting them from. Then find — or write — the moment the context changes and the protection falls away. Don’t announce it. Let the word carry the weight. Trust that it already does. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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THE MARKS HE LEFT: ON CLAIMING, CONSENT, AND AFTERCARE
This episode breaks down why the instinct to tend to what you’ve done is the first real evidence of care-based Dominance…… and what Episode 12 of A Soft Place to Land reveals about writing characters who arrive at power exchange through wiring rather than education.In this episode, we talk about:* What aftercare actually is — neurologically, not just as a kink community practice — and why most romance fiction skips the most revealing character beats by ending the scene when the sex ends.* The difference between knowing a word and knowing it’s yours. Why a 45-year-old man with internet access and a dead marriage isn’t a blank slate, and why the distance between ambient knowledge and lived practice is where the real characterization lives.* The two movements of care in Episode 12 — the emotional aftercare on the porch before the sex, and the physical aftercare in the sheets after — and why both are doing the same work from different directions.* Why “We’re okay” is a different sentence than “It’s okay” — and what precision in grounding language tells us about a character’s instincts under pressure.* How Devon, Khalil, and Theo each handle the aftermath differently — and what Jade’s body learns from the contrast.* The joke as a return signal — why “You smell like a Peloton class” is the aftercare completing its purpose.Spoiler warning: This episode discusses Episode 11 and Episode 12 of A Soft Place to Land in detail.Writing prompt: What does your character do in the aftermath that the internet couldn’t teach them? What instinct shows up that no forum thread prepared them for?Mentioned in this episode: A Soft Place to Land, Episode 11: “Things I Never Said” (Jade’s POV — the accidental reveal) A Soft Place to Land, Episode 12: “Yes, Teddy” (Theo’s POV — this episode’s focus)Announcements: Little Boxes drops March 20th — the first novella in the Before We Fell prequel series. New Year’s Eve 2021. New Orleans. The almost that’s going to sit in your chest for days. The next #20kin5Days writing challenge is scheduled for April 22–26, 2026. Prep framework drops the week before. Mark your calendar.Where to find everything: Read A Soft Place to Land from Episode 1: https://filthyficwithfeelingspod.substack.com/s/a-soft-place-to-landLittle Boxes — available March 20th: https://www.tashalharrisonbooks.com/book-shop/p/little-boxes-before-we-fell-1-preorderNew craft and commentary episodes drop alongside each chapter of A Soft Place to Land. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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11. SHE DIDN'T GET TO CHOOSE: CONFESSION VS. ACCIDENTAL REVEAL
Jade Thompson had a plan. She knew the conversation had to happen.She was working up to it. She had a whole framework for how she was going to tell Theo about Khalil, about the lifestyle, about the seven years of a parallel life she’d been running alongside their friendship. She was ready. And then she forgot to close a file.That’s the moment Season 1’s finale arc pivots on — not a dramatic confrontation, not a deliberate confession, just a video playing on a desktop in a quiet Atlanta house on a January morning while Theo stands in the doorway trying to figure out what he’s looking at.This episode is about why that pivot hits the way it does. Why the accidental reveal is structurally different from a chosen disclosure — and why that difference matters enormously for your story and your characters.A confession is an act of authorship. A discovery is an ambush. And what your character does in the first unguarded seconds after the ambush — before she can compose herself, before she can reach for language — is the truest version of her you will ever get on the page. The unguarded scramble is where she lives when nobody is watching, including herself.We get into all of it: why the gap between what your character intended to say and what she actually said is never neutral, why that gap is always characterization with roots worth finding, and what the best accidental reveals have in common structurally — including the sneaky way that a confessional phone call can leave a character too emotionally spent to lock the door afterward.This one connects directly to last week’s episode on the phone call as a confession booth, so if you haven’t heard that one yet, go back. But you can absolutely start here.Full spoilers for Episodes 10 and 11 of A Soft Place to Land.What we cover in this episode:The structural difference between a chosen disclosure and an accidental reveal, and why they are not interchangeable craft tools. Why the gap between what your character could have said and what she actually said is load-bearing characterization — and how to find the roots of that gap in your own manuscript. What makes an accidental reveal feel inevitable versus engineered. The specific mechanics of the reveal in Episodes 10 and 11 — why it landed where it did, and what the phone call to Khalil had to do with leaving the door unlocked. Why Jade goes smooth and pleasant-faced in the first unguarded seconds after Theo walks in, what that response reveals about her, and why it is more character work than any prepared speech could have been. Theo’s line that makes the gap audible: “I’ve known you for fifteen years and I didn’t know this about you.” The ROM 101 prompt: one question to bring to your own disclosure scenes this week, plus a bonus prompt about the person your protagonist cannot perform for.Referenced in this episode: Episodes 10 and 11 of A Soft Place to Land — “Ask For What I Want” and “Things I Never Said.” Both are available now on Substack.Last week’s episode: “The Confession Booth: Why the Right Witness Extracts What Your Character Won’t Admit.”A Soft Place to Land is a year-long serialized kinky romance published every Friday on Substack. Season 1 is complete — thirteen episodes, six days of story time, ten years of friendship finally cracking open. Start from Episode 1.ROM 101 drops on Monday with four writing prompts, craft breakdown on Tuesday (#Justthetipstuesday), and the ongoing argument that erotic fiction is some of the most psychologically rigorous storytelling available when writers treat it that way. Paid subscribers get extended craft essays and early access.Write the messy thing. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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10. THE PHONE CALL AS THE CONFESSION BOOTH
A Soft Place to Land | Season 1, Winter Act | Companion to Episode 10, "Ask for What I Want: Jade"In this episode, I'm breaking down the most structurally complex scene in the Winter Act — the phone call between Jade and Khalil the morning after the kiss. Why I chose a third-party confession over internal monologue. Why the person on the other end of that phone call matters more than most writers realize. And how the emotional fallout of one honest conversation accidentally created the conditions for the episode's cliffhanger.If you've ever struggled with getting backstory, secrets, or internal conflict onto the page without resorting to a character sitting alone thinking for three pages — this one's for you.What I Cover in This EpisodeWhy Jade doesn't process alone — and what happens when you let a character control the lighting in their own headThe problem with journal entries and internal monologue as disclosure tools (spoiler: characters lie to themselves, and nobody's there to call it)Why the identity of the third party changes everything — a best girlfriend commiserates, a therapist reflects, but a Dom expects honestyThe escalation ladder: a beat-by-beat structure for building confession scenes that earn the revelation instead of just delivering itSurface report → first push → direct challenge → the command → final extractionThe Dom voice as narrative device — how Khalil's specific authority gives him access to a register of speech that peer-to-peer conversation can't touchHow the emotional excavation of the phone call creates the cliffhanger — Jade doesn't leave the slideshow open on purpose. She's just too wrecked to remember to hide.The information gap that powers the rest of the Winter Act: you know, Khalil knows, Jade knows — and Theo is still in the darkThe Craft TakeawayEvery character has a person they reach for when the real version of themselves needs to come out. Not the friend who validates. Not the family member who comforts. The person who makes them tell the truth.Find that person. Give them leverage. Then put your protagonist on the phone on the worst morning of their life.Mentioned in This EpisodeEpisode 10 of A Soft Place to Land: "Ask for What I Want: Jade""Little Boxes" — the first book in the Before We Fell prequel series, set during Jade and Theo's 2021 New Year's Eve in New Orleans. This is the story of where Jade's compartmentalization started cracking. Available now for preorder now: https://www.tashalharrisonbooks.com/little-boxesJade's NYE word for 2025: AskThe slideshow: Jade's digital inspiration deck about integrated intimacyDiscussion QuestionsFor readers: How do you think Theo reacts to what he just saw? Does the slideshow break them or finally let them see each other completely?For writers: Who is your protagonist's confession booth person — the one who won't let the performance slide? What kind of authority do they hold, and how does that shape what truths are available?Up NextEpisode 11: The conversation Jade has been dreading for years — except now she doesn't get to control how it starts.Three episodes left in the Winter Act. The finale arc is here.New episodes of A Soft Place to Land drop weekly on Fridays. If this episode resonated, share it with a writer friend who needs to get their protagonist out of their own head and onto the phone with someone who won't let them lie.Subscribe for craft episodes, episode commentary, and the occasional argument about why dialogue is doing more structural work than most of us give it credit for.xo, Tasha Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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HIS HAND. HIS TRUTH
Craft & Commentary Podcast — A Soft Place to Land, Episode 9: "On the Other Side of the Wall"This week we're pulling apart the most psychologically revealing chapter in the Winter Act — and yes, it's the one where Theo Matthews is alone in the guest room with his hand on his dick. We talk about why romance has a male masturbation scene problem, how a solo fantasy can function as a character X-ray, and why every specific detail Theo's imagination produces maps directly to the Dominant identity he's spent decades suppressing. Plus: writing text exchanges as their own narrative form, why the friendship has to survive every sexual escalation in a friends-to-lovers arc, and the three-word spoken line that changes everything.What We Cover:The POV Flip: Why This Chapter Had to Be Theo's Episode 8 gave us Jade's fear. Episode 9 gives us Theo's certainty forming underneath the chaos. How to write companion POV chapters that add dimension instead of redundancy — each lens should reveal what the other couldn't access.The Solo Scene as Character X-Ray Breaking down Theo's fantasy beat by beat and what each detail reveals about his unclaimed Dominant wiring: orchestration over spontaneity, edging as psychological control, the punishment fantasy that pivots from physical to psychological, and the cataloguing instinct that proves his intensity isn't ego — it's devotion.The Physical as Emotional: Writing the Male Body With Interiority Why romance defaults to simple when it comes to male sexuality — and how Episode 9 pushes against every one of those defaults. Theo frightened by his own arousal. His body refusing to cooperate with his brain. An orgasm that resolves nothing and leaves him more desperate than before.The Text Exchange: A Masterclass in Tension Through Format Contact names as relationship shorthand ("Bestie" doing overtime). The typing indicator as micro-cliffhanger. Escalation through admission — mapping the pattern from humor to vulnerability to declaration. The wall between them as the liminal space where honesty becomes possible.The Bestie Paradox Why the emotional climax of this chapter isn't the orgasm — it's Jade hearing Theo come with her name on his lips and responding by asking if he needed a snack. How the friendship absorbing sexual truth without shattering is the proof of concept that makes a forty-episode slow burn sustainable."Ain't Nobody Playin'" Three words spoken aloud through a floor. The first time Theo's Dominant voice shows up in direct communication with Jade. Command and consent in the same sentence — D/s before either of them has the language for it.The Closing Image: Sex as Truth-Telling Unpacking the chapter's final line — the emerald dress on the floor, his hands in her hair, burying every lie deep inside her — and why closing images in serialized fiction carry disproportionate weight. Making one sentence operate on the erotic, emotional, and thematic level simultaneously.Seeds for Later What Episode 9 plants that doesn't pay off until much later: the cataloguing instinct that becomes worship, the possessiveness that evolves into claiming, the orchestration fantasy that reframes "a production" as devotion, and the question driving the rest of the season — What if the thing everyone told me was wrong with me is actually the thing she needs?Craft TakeawaysA character's fantasy life is the most honest space in your narrative. Don't waste a solo scene on generic heat — use it to tell the reader something they couldn't learn any other way.Write male characters' bodies with interiority, contradiction, vulnerability, and surprise. A man confused by his own arousal is a man your reader will believe. A man whose orgasm leaves him more undone is a man your reader will remember.Text exchanges are their own narrative form with native tools: contact names carry relationship identity, typing indicators create micro-cliffhangers, and the pause between messages is the text equivalent of a held breath.In friends-to-lovers romance, the friendship has to visibly survive every escalation or the reader loses faith. Show them being funny when things get heavy. The friendship surviving desire — that's the story.When writing characters who will eventually enter a power exchange dynamic, let their natural communication patterns foreshadow it. Dominance shows up in declarative statements and calm certainty. You don't need terminology. You need a character whose voice shifts when they stop performing.Final images carry disproportionate weight in serialized fiction. Push your closing line until it operates on at least two levels — plot, emotion, or theme. The best closing images are miniature thesis statements for the entire chapter.Discussion QuestionsFor Writers: How do you approach writing male interiority during sexual scenes? What are the pitfalls of defaulting to external description — what the body looks like, what the woman does — instead of internal experience? What does the male character lose when we skip his emotional processing?For Readers: Think about a character you've written or are developing. What would their solo fantasy reveal about them that no conversation or interaction could? What would their imagination produce if no one were watching? Would you be brave enough to put it on the page?Mentioned in This EpisodeA Soft Place to Land, Episode 8: "That Was Something Else" (Jade's POV — the couch scene)A Soft Place to Land, Episode 9: "On the Other Side of the Wall" (Theo's POV — this episode's focus)The "Before We Fell" prequel novella seriesAnnouncement: Little Boxes — Available NowLittle Boxes drops you into New Year's Eve 2021, New Orleans. Jade and Theo have been doing this for six years — spending every NYE together, a tradition that started the night they found out their partners were sleeping with each other. Four days in the French Quarter, too much bourbon, not enough sleep, and the kind of 3 AM honesty that happens when you're too tired to keep performing. They don't cross the line. But they drag their fingers right along the edge of it, and the almost is going to sit in your chest for days.The first of three novellas in the Before We Fell prequel series. Paid Substack subscribers get the ebook free.Where to Find EverythingRead A Soft Place to Land from Episode 1: https://filthyficwithfeelingspod.substack.com/s/a-soft-place-to-land?utm_source=substack&utm_medium=menuSubscribe on Substack: Little Boxes — COMING MARCH 20, 2026, and FREE to active Substack subscribers on VALENTINE'S DAY. (must be a subscriber prior to release) https://www.tashalharrisonbooks.com/book-shop/p/little-boxes-a-before-we-fell-prequel-novellaNew craft & commentary episodes drop weekly alongside each chapter of A Soft Place to Land. Subscribe so you don't miss the Winter Act finale arc — Episodes 11, 12, and 13 are coming, and you're going to want to be caught up. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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07: THE PARTY AS A PRESSURE COOKER: USING ENSEMBLE SCENES AND COUNTDOWN STRUCTURE TO FORCE A KISS
Filthy Fiction With Feelings, Episode 7: The Party, The Countdown, and The Kiss That Couldn't WaitThis week I'm breaking down Episode 7 of A Soft Place to Land — "Start As You Mean to Go On" — the episode where Jade and Theo finally run out of places to hide. After six episodes of slow-burn tension, it takes an entire New Year's Eve party full of people who can see what they refuse to admit, plus a countdown to midnight, to crack the bubble open.In this episode, I'm talking about:Why I wrote an ensemble scene instead of skipping straight to the kiss. Ensemble scenes are a pain in the ass. Multiple characters, overlapping conversations, keeping your protagonists in focus while a dozen other people move through the space. But Jade and Theo have spent ten years perfecting mutual denial in their private bubble. They needed external pressure — a room full of witnesses who could see the obvious truth — to make that denial unsustainable.What ensemble scenes do that private moments can't. They externalize internal conflict. They multiply the witnesses. They create inescapable proximity. And they raise the stakes of any confession. I break down how each of these functions works in the party scene and why I needed all four firing at once.Choosing which characters to deploy. Not every party guest gets dialogue. Marq does family pressure and backstory revelation. Ashley does direct confrontation and plants a seed that pays off later. Background guests create ambient scrutiny. The principle: each secondary character gets one job. Nobody speaks just to fill space.The toast as turning point. Jade stands up in front of everyone, champagne-brave, and publicly claims Theo in ways she would never dare sober. Why the toast works as a forcing function, and how social obligations give characters permission to be vulnerable.Using the countdown as structure. How midnight removes the escape hatch of "later" for a character who would otherwise process his feelings for another decade. How ritual expectations create unavoidable choice points. And how letting readers actually experience the countdown — hearing the numbers shrink — builds rhythm and tension that skipping ahead can't replicate.Writing a first kiss that communicates character. Why every physical choice in the kiss should reveal something about who these people are. How to handle interior monologue during action (fragments, not paragraphs). And why the first kiss has to change something — it should be a door that won't close again.The friendly peck versus the real kiss. The moment where Jade delivers the safe tradition and tries to pull away, and Theo refuses to let her. Why the interruption of ritual is where slow-burn romance actually happens.What I learned writing this episode. Practical craft takeaways on ensemble scenes, countdown structure, and earning an inevitable first kiss.Episode discussed: A Soft Place to Land, Season 1, Episode 7 — "Start As You Mean to Go On" (Theo's POV)Content note: This episode discusses erotic romance, BDSM dynamics, and contains discussion of sexually explicit content.Find the full episode of A Soft Place to Land and subscribe at https://filthyficwithfeelingspod.substack.com/s/a-soft-place-to-land Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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06: UNPACKING JADE AND HER LITTLE BOXES
Jade has been splitting herself into manageable pieces for seven years. Kink with Khalil. Vanilla romance that never satisfies. Theo in the friend box where he’s safe. This episode, we finally open one of those boxes—and meet the man who’s been holding it.Content WarningThis episode discusses past intimate partner abuse, consent violations, harmful early kink experiences, and features on-page D/s dynamics (non-sexual, caretaking in nature). References are not graphic but may be activating. Resources: RAINN at 1-800-656-4673 or rainn.org.What I’m Talking About* Compartmentalization as survival strategy — why Jade’s boxes make psychological sense after Devon* Introducing Khalil — the craft problem of bringing in a protagonist’s dom without making him a love triangle complication* The dress scene — dominance as care, not control* Seeding vs. revealing — why I talked about Jade’s boxes for five episodes before opening one* Integration as character arc — wholeness isn’t where she starts, it’s where she’s goingCraft Takeaways* The boxes have to make psychological sense—every compartment exists because of specific wounds* Mentor characters serve the arc, not compete with it* Put the new character on the phone, not in the room, to signal their role* Let interiority explain the dynamic before showing it in actionDiscussion QuestionHave you ever written a character who compartmentalizes as protection? What boxes did they build? What made the walls come down?Next EpisodeS1EP7: The Party — Guests arrive. Jade and Theo pretend everything’s normal. Everyone can see it except them.Copyright © 2025 Tasha L. Harrison Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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05: THE QUESTION THAT CHANGES EVERYTHING
Ten years of brutal honesty. Twenty questions they know by heart. And one new question that changes everything.Jade asks Theo how he plans to seek pleasure this year. When they answer, they discover they’ve been describing each other all along.What I’m Talking About* The anatomy of a bomb question — what makes certain dialogue crack a story open* Setup as fuse-laying — why this question works because of everything that came before it* The clarification request as delay tactic — Theo the lawyer, buying time while checking exits* Parallel confessions — both describing exactly what they want without saying each other’s names* Interruption as narrative mercy — why Keisha’s phone call pressurizes instead of defuses* Physical punctuation — the hug that says what neither of them canCraft Takeaways* The bomb isn’t the explosion—it’s the last thing placed on a pile of kindling you’ve been building for chapters* When characters ask for clarification on something they clearly understood, they’re buying time* The most devastating answers tell the truth sideways* Interrupting a confession at peak tension doesn’t reset the scene—it pressurizes itDiscussion QuestionWhat’s a question in fiction that completely reoriented a story for you? A line of dialogue that functioned as a before/after moment?Next EpisodeS1EP6: The Ritual of Becoming — Jade calls the one person who’s seen all her parts. And he tells her to stop hiding.Copyright © 2025 Tasha L. Harrison Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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04. THE SPACE BETWEEN: WRITING LIMINIAL INTIMACY, BANTER, AND STRUCTURAL PRESSURE
No kiss. No confession. No sex. Just Jade waking up with Theo's full body weight on her, his hand under her shirt, his morning wood against her hip—and then they smoke weed, make breakfast, and go grocery shopping.That's it. That's the chapter. And it changed everything.What I'm Talking AboutLiminal intimacy — that charged middle space where they're not quite friends anymore but definitely not lovers yetBodies knowing before minds do — how unconscious physical intimacy shifts the baselineThe Notes app as character device — Theo claiming private space for the first time in ten years, and why "Boundary" lands like a grenadeMundane settings forcing restraint — why I put their most loaded conversation in the Kroger produce aislePinch points in serial structure — how quiet chapters apply pressure without forcing resolutionCraft TakeawaysBanter metabolizes awkwardness without demanding resolutionContext changes everything, even when content stays the sameDistance creates desire—withholding creates wantingThe almost-touching is the pointNext EpisodeS1EP5: Question Seventeen — Jade asks a question that wasn't on the list. And when they answer, they discover they've been describing each other all along. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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03: Writing Vulnerability as Strength: What Chapter 3 Does With Masculine Surrender
Filthy Fiction With Feelings — Episode 3In this episode of Filthy Fiction With Feelings, I break down Chapter 3 of A Soft Place to Land, my serialized kinky romance about two best friends standing on the edge of something neither of them has language for yet.If you’re just finding this series, start with Episode 1. New episodes drop Fridays at 3pm EST.Chapter 3 functions as Pinch Point 1 in seven-point story structure—the moment where the antagonistic force reveals its true power and raises the emotional stakes. But in this romance, the antagonist isn’t a villain or an external threat. It’s my hero Theo’s internalized belief that needing care means failing. That vulnerability makes him unlovable. That asking for support is weakness.After a brutal confrontation with his ex-wife, Theo does something quietly radical.He asks his best friend Jade to hold him.Not to fix him.Not to reassure him.Not to fuck him.Just… to hold him.In this episode, I unpack why that single request is the most important thing Theo has done so far—and why writing masculine surrender as strength requires intention, restraint, and respect for the character’s wounds.What this episode covers:* Why Chapter 3 is a structural turning point, even though “nothing happens” on the surface* How internal antagonists function in romance built around emotional wounds* Why sexual vulnerability is often easier than emotional need* How caretakers struggle to receive care—and what that costs them* The difference between being guided through vulnerability and being controlled* How reciprocal care becomes the foundation for intimacy and power exchange* Why kink doesn’t start in the bedroom—it starts with trustCraft focus:* Writing masculine vulnerability without emasculating your hero* Making vulnerability cost something so it feels earned* Grounding emotional surrender in the body, not just thoughts* Showing the emotional labor on both sides of a care dynamic* Using small, quiet moments to create irreversible emotional shiftsThis episode is about learning to receive—and why that skill is the prerequisite for everything that comes later, sexually and emotionally.Because you can’t explore surrender if you think needing makes you broken.And you can’t build intimacy—kinky or otherwise—without reciprocal care.📖 Read A Soft Place to Land on Substack. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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02: WHEN LOVE LOOKS LIKE FRIENDSHIP
Featured Story: A Soft Place to Land - Episodes 1 & 2In This EpisodeTasha opens up about two of her biggest writing challenges: hating the drafting process and never starting stories in the right place. But with A Soft Place to Land, she's asking different questions—not whether the beginning is "right," but whether it's doing the specific work that dual POV friends-to-lovers romance requires.What We're ExploringThe Unique Challenge of Friends-to-LoversWriting intimacy that already exists vs. intimacy that's just beginningRevealing what's been there all along rather than building attraction from scratchMaking every interaction carry the weight of unspoken feelingsThe Real Job of First Chapters in Erotic RomanceWhy opening episodes need to establish emotional and psychological foundationHow to make sexual content feel inevitable rather than gratuitousThe difference between sex that's hot and sex that means somethingWriting Unspoken Feelings: Theo's Perspective (Episode 1)Using profession as a lens for self-deception (Theo the lawyer building the wrong case)Layering micro-intimacies that function as evidence of loveHow specificity creates weight: "Ethiopian roast I'd mentioned once, maybe twice" vs. "got his favorite coffee"Showing a character who notices everything while refusing to understand what he's noticingWhen One Person Knows: Jade's Perspective (Episode 2)Managing the asymmetry of awareness in dual POVThree ways awareness manifests:Body betrays before mind admits - Physical sensation showing desire she won't name verballyCaretaking as dominance - Control-as-care without language for it yetThe terror of domestic compatibility - Fearing need more than desireThe Hand on the Neck: When Touch Becomes ClaimingWhy this moment matters more than a kiss would haveIntimate without being sexual, vulnerable without being obviousSmall transgressions in slow burns: boundaries crossed so subtly both characters can pretend it didn't happenBuilding Toward Power Exchange Through FriendshipHow their existing dynamic contains seeds of eventual D/s relationshipTheo's need for space to be vulnerable = foundation for holding space as a DominantJade's need to not be smaller = foundation for surrender as radical trustWhy their friendship isn't something they'll leave behind—it's what everything else will be built onKey Craft PrinciplesSpecificity creates weight - Sustained attention is its own form of desireShow what your character fears most - The story should move inevitably toward itThe most erotic moments in slow burn aren't obvious - They're the small transgressionsAsymmetrical awareness creates dramatic irony - Readers know more than either character doesWhat's ComingWatching for moments where the foundation either strengthens or cracks under pressure. Where caretaking starts to feel like too much. Where gratitude starts to look like something else. Where ten-year-old boundaries blur in ways neither can ignore.Read AlongNew episodes of A Soft Place to Land post every Friday at 3pm EST on Substack.ConnectGot questions about writing kink with emotional depth? Want to discuss friends-to-lovers craft? Drop a comment or reach out—Tasha wants to hear from you.Filthy Fiction With Feelings: Where we build stories that tell the truth about desire, intimacy, and what it means to be seen completely and loved anyway. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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Cozy Kink: Where Shadow Work Meets Soft Dominance
Cozy Kink: Where Shadow Work Meets DominanceIn the inaugural episode of Filthy Fiction With Feelings, I’m laying the foundation for what this podcast (and my year-long serial romance experiment) is really about: erotic storytelling with emotional integrity.I introduce the concept of cozy kink—BDSM that centers safety, consent, communication, care, and character growth—and explain why my work isn’t dark romance with the edges sanded down, and it’s definitely not “vanilla with handcuffs.” This is kink as emotional architecture. Kink as shadow work. Kink as the most direct route to character transformation.We dig into:what I mean by “shadow work” and how it translates to romance craftthe difference between a character’s wound (what happened) and their shadow (what they believe because of it)why consent and communication are not only necessary, but genuinely sexy in my storieshow I use negotiation, scene structure, and aftercare to do character development on the pagethe reader contract I’m making with you when I say “cozy kink”If you want kink that’s not just hot, but meaningful, if you want romance that’s built for emotional depth—not just vibes—welcome. This is the work.IN THIS EPISODEWhat Filthy Fiction With Feelings is (and what it’s not)“Cozy kink” defined: safety + intimacy + growth, not shock valueShadow Work 101 (for people allergic to woo-woo)Wound vs. shadow: the craft distinction driving the romance arcCozy kink vs. dark romance: different emotional questions, different reader contractPower exchange as emotional architecture (making the quiet part negotiable)Why kink scenes must be load-bearing in the narrativeHow negotiation + aftercare create the best character breakthroughsCommon shadow themes: control, surrender, shame, worthiness, authenticityWhy consent and communication are sexy (and how they reveal character)What to expect next week: craft commentary on Episode 1 of the serialThis episode discusses BDSM/kink in a craft-focused context, including: power exchange, negotiation, consent practices, safewords/check-ins, and aftercare.Next week: I’m breaking down the craft and commentary behind the first installment of A Soft Place To Land—why the opening of a cozy kink romance looks different than you might expect, and what emotional foundation I’m building under the heat.If this episode resonated for you, subscribe on your favorite podcast platform and follow along on Substack. New chapters drop Fridays at 3 PM EST, and the first seven episodes are free. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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Welcome to Filthy Fiction With Feelings
Welcome to Filthy Fiction With FeelingsEpisode 00: Welcome to Filthy Fiction With Feelings - Season One IntroductionEpisode Overview This is the introduction to Filthy Fiction With Feelings, a year-long narrative experiment exploring erotic storytelling, emotional truth, and the craft that holds it all together. I'm Tasha L. Harrison—romance author, developmental editor, and your guide through this project where fiction and psychology talk to each other loudly, sensually, and without apology.What This Podcast Is:A space for commentary about the sensual, character-driven fiction with messy, fascinating psychology beneath itEach season explores a different narrative experiment with the same guiding principles: heat with heart, eroticism with emotional integrityNOT a recap podcast, NOT a craft lecture, NOT erotic fiction with the edges filed downA place where fiction and psychology talk to each other—where kink, longing, shame, fear, pleasure, and connection are treated as wisdom, not taboo.This Year's Project: A Soft Place to Land Ten years of friendship. One midnight kiss. And suddenly, Jade and Theo can't pretend they're "just friends" anymore.A year-long, slow-burn, grown-folks romance told across four seasonal acts about two best friends who've been choosing each other for a decade—quietly, consistently, intimately—without ever crossing the line. Until New Year's Eve.Meet The Characters:Jade Thompson (43): Brand designer who's built a life entirely on her own terms. She's learned the hard way that men who say they love her strength eventually try to relieve her of it—as if independence were a burden instead of a choice.Theo Matthews (45): Divorce lawyer starting over after his own divorce and cross-country move to Atlanta. He's tired of shrinking himself to fit relationships that were never going to work anyway.The Central Question: What happens when two people who already share trust, affection, and emotional safety discover they are also sexually—and psychologically—compatible in ways that terrify them both?How This Works:Every Friday at 3pm EST: New chapter of A Soft Place to Land drops on SubstackEvery Wednesday: Podcast episode breaking down what's happening emotionally and psychologically in the storyPaid Subscribers Get: Bonus scenes, behind-the-scenes craft notes, subscriber chat accessWhat I'll Be Talking About:The emotional work the narrative is doingHow I'm using desire to reveal characterWhy I made specific narrative choicesThe psychology beneath the eroticismHow shadow work shows up in the storyWhat these characters are really asking for when they ask for what they wantWho This Is For:Readers who want tension you can feel in your teeth, kink written with emotional depth and ethical clarity, characters that are messy and grown and vulnerableWriters trying to figure out how to integrate kink authentically, who want to understand the psychology beneath desire, who want to see emotional architecture built scene by sceneAnyone who understands that the erotic is where truth lives, that desire reveals character, that vulnerability is the gateway to intimacyAbout Me:Romance author for almost fifteen yearsDevelopmental editor specializing in emotional architecture in romanceI write cozy kink: BDSM that centers safety, communication, emotional intimacy, and character growthGen X Black woman with a BA in English LiteratureMy craft work is designed specifically for Black, Indigenous, queer, disabled, and racialized authors who want to write romance that goes deeperWhy I'm Doing This: I wanted space to talk about my writing in real time—how I do it, the parts I love, the parts I hate, the parts that challenge me. I've spent years helping other authors build emotional architecture. Now I'm building this story with intention and letting you watch me do it. Every choice, every scene, every emotional beat—made visible.What's Next: Next week, I'm diving into Chapter One of A Soft Place to Land, breaking down how I'm establishing the reader contract from page one, what shadow work looks like when it's just starting to surface, and why the beginning of a cozy kink romance looks different than you might expect.Connect With Me:WebsiteSubstackInstagramThreadsAt the End of 2026: A Soft Place to Land releases as a complete novel in ebook and print. But right now, you get to experience it as it unfolds in real time.Final Thought: Filthy Fiction With Feelings is the umbrella. A Soft Place to Land is this year's storm. Let's get filthy. Let's get emotional. Let's get into the story.I'll see you next week. Get full access to Filthy Fiction with Feelings at filthyficwithfeelingspod.substack.com/subscribe
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