Fixing A Hole - The Beatles podcast you didn't know you needed

Following a series of low key tours in 1972 and 72. Wings embarked on a 13 month world tour in the autumn of 1975. A tour which would see they start by playing cinemas and theatres in the UK, before progressing to huge arenas in the USA.The Wings Over The World tour would see Paul go from being ex-Beatle Paul. To Paul McCartney the founder of the multi million selling band Wings.In this episode we take a deep dive into the one and only Wings world tour. Looking at the setlist, the venues, the bootlegs and much more. Welcome to episode 54 of Fixing A Hole. The Beatles Podcast You Didn't Know You Needed.An extended version of this podcast is available on our Patreon channel:http://patreon.com/fixingaholeSample extended episodes can be downloaded via our Stan Store. https://stan.store/fixingaholeYou can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or our website:http://fixingahole.transistor.fmFixing A Hole YouTube Channel:https://www.youtube.com/@fixingahole62_70 Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

A couple of weeks back my daytime job took me to Wallasey, or more precisely New Brighton. Formerly the location of the Tower Ballroom, where The Beatles played 27 times during there formative years.Seeing the site of this long gone venue, got me thinking about other venues around the UK which have a Beatles connection. In this weeks episode we begin a new occasional series in which we deep dive into the back stories of these sites, some lost, while others are very much alive and working. In this weeks episode in the company of my co-host and producer Mark I tell the story of three venues. The Tower Ballroom, the Granada Walthamstow and the Empire Pool, Wembley.Welcome to episode 53 of Fixing A Hole. The Beatles Podcast You Didn't Know You Needed.An extended version of this podcast is available on our Patreon channel:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or our website:http://fixingahole.transistor.fmFixing A Hole YouTube Channel:https://www.youtube.com/@fixingahole62_70 Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

When Paul, George, Ringo and the John Lennon estate won control of the groups back catalogue in late 1989. It marked a changing point in the way The Beatles back catalogue was managed. Gone were the themed compilations from EMI, Rock 'N' Roll Music, Love Songs, Reel Music, etc. Instead we have been treated (on the whole) to a series of currated released designed for both the casual music lover and the die hard fan.Around the spring of each year The Beatles rumour mill starts to gossip with what Apple are going to give us this year. I've not heard anything yet, but with the four Sam Mendes feature films due in April 2028. In this episode Paul and Mark, what we would like to see and what we think us fans will receive.Welcome to episode 52 of Fixing A Hole. The Beatles Podcast You Didn't Know You Needed.An extended version of this podcast is available on our Patreon channel:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or our website:http://fixingahole.transistor.fmFixing A Hole YouTube Channel:https://www.youtube.com/@fixingahole62_70 Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

The Hoffner violin bass is an iconic symbol of Paul's days with The Beatles.Sometime during the 60's, or was it the 70's Paul's original 1961 Hoffner disappeared. Lost for 50 years, until some pure detective work by a few individuals discovered where it was hiding.In this episode Paul and Mark review the documentary feature 'McCartney: The Hunt For The Lost Bass'.If you enjoy reading Agatha Christie whodunits, or watching repeats of Columbo, you need too watch this documentary. To find out why, listen to episode 51 of Fixing A Hole. The Beatles Podcast You Didn't Know You Needed.An extended version of this podcast is available on our Patreon channel:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or our website:http://fixingahole.transistor.fmFixing A Hole YouTube Channel:https://www.youtube.com/@fixingahole62_70 Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

In August 2024 when we published episode 1, I had no idea that 20 months later we would be publishing weekly, or that we would reach the milestone of 50 episodes! To celebrate this achievement Mark and I take a look back at our highlights of the previous 49 editions. Share some details about our backgrounds and why Fixing A Hole came about. Plus tells a few stories about his 52 years of being a Beatles fan. Welcome to episode 50 of Fixing A Hole. The Beatles podcast you didn't know you needed.An extended version of this podcast is available from our Patreon site:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected] DM:Search Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or our website:http://fixingahole.transistor.fmand YouTube Channel:https://www.youtube.com/@fixingahole62_70Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

When you read the biographies of John, Paul, George and Ringo, it's very obvious how hard they worked to progress from 4 school boys playing music for fun, to becoming the entertainment phenomenon of the 20th Century.This work ethic did not stop when fame came. In fact with everyone wanting a piece of them, record company, Television, radio, journalists, fans. There daily schedule exploded.In this weeks episode we take a deep dive into 5th March 1963. A day of photoshoots and recording sessions.Welcome to episode 49 of Fixing A Hole. The Beatles podcast you didn't know you needed.An extended version of this podcast is available from our Patreon site:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected] DM:Search Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or our website:http://fixingahole.transistor.fmand YouTube Channel:https://www.youtube.com/@fixingahole62_70Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

Back in episode 20 of Fixing A Hole, my co-presenter and producer Mark declared that his favourite Beatles album is Revolver. That's the UK 14 track edition, not the edited 11 song Capitol version from American which I discovered back in 1975.I on the other hand have avoided this question, as depending on what day of the week it is, my favourite could be one of two, or three, or four.....In this episode Mark has finally made me put on record what my Top 10 favourite Beatles albums are. Well at least on the day we recorded this episode!Here then for you is my Top 10......Welcome to episode 48 of Fixing A Hole. The Beatles podcast you didn't know you needed. An extended version of this podcast is available from our Patreon site:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or via our website:http://fixingahole.transistor.fm Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com YouTube Channel:https://www.youtube.com/@fixingahole62_70

Back in the October of 2022, my good lady and I travelled into London, to see a lecture by world renowned Beatles expert Mark Lewisohn.Evolver 62 at the Bloomsbury theatre was a fascinating in site into the year The Beatles evolved from a club band to EMI recording artists and beyond. From his unique archive  Mark presented 62 facts about the groups progression in 1962.Now, a DVD and download via Amazon Prime allows every Beatles fan the opportunity to experience what I did back in 2022. In this weeks episode I review the original show and the new video release to give you my thoughts on this new release, which surprised me when it dropped a few weeks ago.Welcome to episode 47 of Fixing A Hole. The Beatles podcast you didn't know you needed.An extended version of this podcast is available from our Patreon site:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or via our website:http://fixingahole.transistor.fm Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com YouTube Channel:https://www.youtube.com/@fixingahole62_70

Since 1987 and the 20th anniversary of Sgt. Pepper's Lonely Hearts Club Band. You could be forgiven for thinking that every year their is a celebration of a Beatles anniversary.March 2026, marks a forgotten anniversary, at least as far as Apple are concerned. For on March 6th 1976 all 22 original UK Beatles singles were reissued in smart new picture sleeves. Amazingly all 22 plus a new release of Yesterday b/w I Should Have Known Better entered the UK Top 100. With some, Hey Jude, Get Back and Yesterday even hitting the Top 20.In this week's episode Mark and I discuss why this reissue series came about. And tell the story of a young 11 year old Beatles fan named Paul, purchasing his first brand new Beatles single.Welcome to episode 46 of Fixing A Hole. The Beatles podcast you didn't know you needed.An extended version of this podcast is available from our Patreon site:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or via our website:http://fixingahole.transistor.fm Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com

Unthinkable as it might appear today, by January 1967 The Beatles had not released any new recordings for 5 months. Back then, rumours started to circulate that John, Paul, George and Ringo couldn't come up with any new material, and was this the end of the Fab Four?In February, we got the answer. Yes, it was the end of the Fab Four, the mop top image of 63 and 64 was now a distant memory. With a new image, each Beatle having grown a moustache. There was also new music to support this new look. The first fruits of recording sessions which behan at Abbey Road in November 66, hit the streets. Strawberry Fields Forever b/w Penny Lane had arrived. Not only a masterpice on two sides of a 7" vinyl single, but also a taster of what would arrive in the summer of 67, Sgt. Pepper's Lonely Hearts Club Band.In this weeks podcast we take a deep dive into the story behind these songs and uncover why the public were not ready to embrace the new Beatles.Welcome to episode 44 of Fixing A Hole. The Beatles podcast you didn't know you needed.An extended version of this podcast is available from our Patreon site:http://patreon.com/fixingahole You can contact Paul and Mark via:Email:[email protected]:Fixing A Hole The Beatles Podcasthttps://www.facebook.com/profile.php?id=61562724166069 All previous episodes are available via all major podcast platforms, or via our website:http://fixingahole.transistor.fm Fixing A Hole is a 1386 Audio productionhttps://www.1386audio.com  YouTube Channel:https://www.youtube.com/@fixingahole62_70

In this week's episode Paul and Mark discuss what it was like to be a band looking for fame in the early 1960's and was it all they hoped it would be, when they achieved it! The discussion is centred around 4 British films originally released between the mid-60's and early 70's. The Beatles own 'A Hard Day's Night'. Two vehicles for 70's heartthrob David Essex 'That'll Be The Day' staring Ringo and 'Stardust'. Plus the now cult classic 'Slade In Flame'.Welcome to episode 43 of Fixing A Hole. The Beatles Podcast You Didn't Know You Needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Please get in touch via:Patreon:  https://www.patreon.com/FixingAHoleFacebook: https://www.facebook.com/search/top?q=fixing%20a%20hole%20beatles Email: [email protected] website: fixingahole.transistor.fm

In August 1963 Johnny Dean published the first issue if The Beatles Monthly. A UK magazine aimed directly at teen fans oof John, Paul, George and Ringo.For the next 6 years it documented the activities of the group, together with song lyrics, letters and pen pal connections. With exclusive pictures and a direct link to the band. It is an an often overlooked primary source for collectors, 60 years later.In this episode Paul and Mark discuss the background to the publication. How it began a reprinting in 1976. Before relaunching with new content in the October of 1982. Before finally calling it a day in 2003. Welcome to episode 42 of Fixing A Hole. The Beatles Podcast You Didn't Know You Needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Please get in touch via:Patreon:  https://www.patreon.com/FixingAHoleFacebook: https://www.facebook.com/search/top?q=fixing%20a%20hole%20beatles Email: [email protected] website: fixingahole.transistor.fm

In the summer of 2006 a new Beatles album was announced, 'Love'. The soundtrack to the Cirque De Solei production in Las Vegas.When the album appeared in November of that year it received a mixed reaction. You were either in the this is sacrilege camp. 'How dare they tamper with the band pack catalogue'. Or, you were of the mindset of being curious as to how, Giles Martin with the help of his farther, had mashed up Beatles songs and what these remixes would reveal of the the original sessions tapes.I am definetely in the later camp. With this album becoming one of the most played CD's in my collection.Of course the album was a huge seller. As was the song which ran in Vegas for 17 years.In this episode we take a deep dive into the show and its soundtrack. Welcome to episode 41 of Fixing A Hole, The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Please get in touch via:Patreon:  https://www.patreon.com/c/FixingAHole?utm_source=campaign-search-results&vanity=FixingAHoleFacebook: https://www.facebook.com/search/top?q=fixing%20a%20hole%20beatles Email: [email protected] website: fixingahole.transistor.fm

Episode 40: The 5th, 6th, 7th and 8th Beatles (Extended Episode) I’ve never understood the term 5th Beatle. There were only four members of the group, John, Paul, George and Ringo. However, I will concede that there were four individuals who were integral to the success of the band. In this weeks episode we look at four people Brian Epstein, George Martin, Neil Aspinall and Mal Evans who formed that inner circle around The Beatles and the influence they had on the band back in the 1960’s, but also guided the Beatles legend into the 21st Century. Welcome to episode 40 of Fixing A Hole, The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Please get in touch via: Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069 Email: [email protected] website: fixingahole.transistor.fm

Between their split in 1970 and Johns murder 10 years later. The media were obsessed with the question, ‘When are the Beatles getting back together?’ Even after the events of December 1980, the question became, ‘Are you going to regroup with Julian taking Johns place? However, as history tells us, John, Paul, George and Ringo did record together. Just not all in the studio at the same time, and not a Beatles reunion. Instead, it was three ex-bandmates helping their drummer record his third solo album ‘Ringo’ in 1973. In this episode we look at the story behind this album which included two hit singles ‘Photograph’ and ‘You’re Sixteen’. And the cast of musicians that help Ringo record his most successful album of the 1970’s.Welcome to episode 39 of Fixing A Hole, The Beatles podcast you didn’t know you needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from January 2026. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]: fixingahole.transistor.fm

By 1966 John, Paul, George, and Ringo were entering the third phase of their career.  No longer playing the clubs, chasing success. No longer interested in the trappings of Beatlemannia. By 1966 developing their creativity and songwriters and musicians was where they were at. The Beatles were no longer pop stars; they were becoming serious rock musicians. In this episode we look at this transition, through the final days of the touring Beatles. Looking at the evidence as to why they gave up touring to become a studio-based band. Welcome to episode 38 of Fixing A Hole, The Beatles podcast you didn’t know you needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from January 2026.. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]: fixingahole.transistor.fm

Having spent a month watching and listening to the newly remastered Beatles Anthology. In this week episode, Paul and Mark review the newly give their thoughts on how this this audio visual feast of Beatlemannia holds up 30 years after its debut.Mark had never watched the TV series, but he does own the accompanying albums. While as you would expect, Paul watched the series on TV, purchased the VHS collection and has been watching the DVD's for over 20 years.Our findings might surprise you! Welcome to episode 37 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from January 2026.. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Hello, Fixing A Hole listener. Yes, we're back following our extended Christmas break. Just a short episode to wish you a happy 2026 and give you an update on the new improved format of the podcast. Regular episodes drop from the Friday the 9th January 2026. Many thanks for your support during 2025. Best wishes Paul & Mark

If you watch the Beatles Let It Be film, you could be forgiven for thinking that by January 1969, The Beatles were finished. The writing was on the wall and they couldn't wait to go their separate ways.However, as always the truth is very different. 1969 is one of the most productive years in the bands history. Yes they work on solo projects, but they also collaborate on recordings for Apple artists and record another masterpiece in 'Abbey Road'.In this weeks episode, Paul and Mark discuss how productive John, Paul, George and Ringo were during that final 12 months of the 1960's.Welcome to episode 35 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from January 2026.. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Starting with the 50th anniversary of Sgt. Pepper's Lonely Hearts Club Band, Apple have gifted us deluxe boxed sets of the White Album, Abbey Road, Let It Be and most recently Revolver. Therefore it was assumed as 2025 marks the 60th anniversary of both Help! and Rubber Soul. That this year Beatles fan would gift one or both of these titles the super deluxe treatment.But this was not to be. Instead Apple decided to celebrate the 30th anniversary of the Anthology. A worthy release, but not the deep dive into the vault we fans were expecting.In this weeks episode we take a deep dive into both Help1 and Rubber Soul and ask the question, is Rubber Soul The Beatles first masterpiece?.Welcome to episode 34 of Fixing A Hole. The Beatles podcast you didn’t know you needed.  If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

For George, it must have been a double edged sword being a member of the worlds biggest band, with two of the greatest song writers. On the one hand George the budding songwriter was finding it difficult to get his compositions included on a Beatles record. But on the other hand he had two great mentors to learn from.By 1969 he had matured into a great composer. While My Guitar Gently Weeps, Here cones The Sun are classics, while Something is the equal of the best of John and Paul.By January 1969 George had built of a large reserve of unreleased material, that he can be seen in Peter Jackson's Get Back documentary talking to John about recording a solo album. Fast forward 12 months and George gifted us All Things Must Pass. A triple album box set.In this weeks episode we take a deep dive into Georges solo masterpiece.Welcome to episode 33 of Fixing A Hole. The Beatles podcast you didn’t know you needed.  If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

In last week’s episode we took a deep dive into 1962. The final year of John, Paul, George and Ringo’s musical apprenticeship. This week we look at the first year of the second phase of their career, 1963. In particular, we delve into their live appearances. As this was the year when they moved out of the clubs and halls and entered the world of the package tour circuit. It was also a transition period with regard their fame. As they were no longer the property of a small group of Merseyside teenagers, but now Beatlemania was a nationwide phenomenon. Welcome to episode 32 of Fixing A Hole. The Beatles podcast you didn’t know you needed.  If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected] 

By December 1962 John, Paul, George and Ringo had completed their apprenticeship. All the hard work they had put in slogging around the night spots of Liverpool and Hamburg had started to pay off. The year had begun with an audition for Decca and a single released in the UK from Polydor. National radio for the BBC soon followed. While by the end of the year they had a regional TV broadcast under their belt. Plus. Love Me Do, their first official UK single release reached number 17 in the charts. In this weeks episode we take a deep dive into 1962. We look at what The Beatles did that year and why it marks the end of the first phase of their career. We also look at what still exists among collectors.Welcome to episode 31 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you. Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

In 1966 plans were hatched to commission an animated feature based on The Beatles song, Yellow Submarine.However, with a production team which included the maker of 200 'Popeye' cartoon shorts. John, Paul, George and Ringo wanted nothing to do with it. In fact, The Beatles voices were recreated by a by an ensemble of British character actors and comedians!However, by the time the production was complete and the group watched this psychedelic jukebox of a film, they were 100% behind it.In this week’s episode we tell the story of this one of a kind animated film. Who was behind it, the music, the voice over artists, its premiere and the merchandise. In fact, the complete story. So settle down with a coffee (or tea) and listen toWelcome to episode 30 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

When did The Beatles creativity peak? For me the answer is 1967. Why 1967? That’s what Mark and I discuss in this week episode. We look at John, Paul, George and Ringo output in this pivotal year. A year of not just new music, Penny Lane, Sgt. Pepper’s, Hello Goodbye. But also, film making an equally creative statement, Magical Mystery tour, Our World and of course the Strawberry Fields Forever promotional film. Do you agree? Listen to this weeks episode to hear Pauls’ argument for 1967 being peak Beatles! Welcome to episode 29 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

In April 1966 The Beatles released their 12th UK single 'Paperback Writer'. A Paul composition which tells the story of a budding author who wants to get his book published.In 1968, journalist and author Hunter Davies published the first authorised biography of John, Paul, George and Ringo. Since then the floodgates have opened and their have been an avalanche of Beatles books about many different aspects of the bands career. Books about the record releases, television and radio broadcasts, their live concerts and much more.In this weeks episode Paul takes a deep dive into his Beatles library and selects 10 volumes which Beatles fans should own.Welcome to episode 28 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

April 1971 marked the first anniversary of Paul's statement that he was leaving The Beatles.During those 12 months the music landscape had changed. The loss of The Beatles was old news. T-Rex were literary riding high in the singles chart with Ride A White Song. Rod The Mod - Rod Stewart was about to hit number one in both the singles and album charts simultaneously in the UK and USA with Maggie May from his album Every Picture Tells A Story. Albums were now big business for record companies, as Led Zeppelin would prove. Plus Slade, Sweet and of course the legend that is David Bowie were waiting in the wings. Ready to dominate the early 70's charts.So was the solo work of John, Paul, George and Ringo relevant to music fans of the 1970's?In this weeks weeks episode we try to answer that question, By looking at the UK singles chart of 18 April 1971.Welcome to episode 27 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

By the end of 1970, John had released 4 albums outside of The Beatles. Two Virgins, Life With The Lions and The Wedding Album were Avant Garde pieces which had more in common with Revolution 9 rather than Strawberry Fields Forever. While Live Peace in Toronto was a record of a live concert performed as the Plastic Ono Band. Clearly Johns album output away form his band mates did not have the commercial appeal of Revolver, Sgt. Pepper, or Abbey Road. However, his solo singles fared much better on the charts. Give Peace A Chance, Cold Turkey and Instant Karma were all major hits. Then just before 1970 came to a close. John gave his masterpiece. John Lennon Plastic Ono Band, was a stripped back John, baring his soul about family, relationships and The Beatles. Imagine might be his most played song, but John Lennon Plastic Ono Band is the real john Lennon, laid bare. Welcome to episode 26 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

When the Beatles contract with EMI expired in the February of 1976. EMI were free to exploit the band back catalogue....or were they?With Paul signing a new contract with EMI subsidiary Capitol. EMI were mindful not to upset one of their most lucrative assets. Following the rerelease of all 22 UK Beatles singles, EMI and Capitol came up with a compilation of The Beatles rockier recordings. Which although housed in an ill conceived 50's influenced sleeve. The album was a great introduction for new fans.The following year came a live album compiled from tapes which had sat unreleased in the vault since the mid 60's. The Beatles At The Hollywood Bowl is a fantastic document of Beatlemania, which we all hoped would lead to more excavations of the vault, but no. What we received were compilations of Love Songs, Ballads, Film Songs.In this episode we look at the full story behind these themed compilations. What was released. What never left the vault and why.Welcome to episode 25 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

For 50 plus years Jacques Volcouve has been one of the world’s leading Beatles authorities and archivist. From his Paris home he has written 9 books, published 2 long running fanzines and run a media press agency for all things John, Paul, George and Ringo. On top of which he also built one of the greatest Beatles record and memorabilia collections. In this episode of Fixing A Hole, Mark and Paul chat with Jacques and discovered how this obsession with all things John, Paul, George and Ringo evolved. His work with radio and media companies and get the lowdown on his latest project, his podcast ‘Beatles’ Secrets’, which he hosts with Philippe Gault and is available on all major podcast platforms. Welcome to episode 24 of Fixing A Hole. The Beatles podcast you didn’t know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.  Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected] Jacques Volcouve and Philippe Gault podcast ‘Beatles’ Secrets’, is available on all major platforms including: SpotifyBeatles' Secrets | Podcast on Spotify Apple MusicBeatles' Secrets - Podcast - Apple Podcasts

By December 1973, no one could knock Paul's work ethic. It was now 3 years since he announced he was leaving The Beatles. In that time he had released 4 albums and 8 singles (in the UK). But although the albums had their moments, they were not on the same level as later Beatles albums - Sgt Pepper, White Album, Abbey Road. Now, on the eve of recording a fifth album, his new band Wings was falling apart. But as we have seen throughout his career, Paul is not one for rolling over and giving up. Instead with surviving Wings members wife Linda and Denny Laine he travelled to Lagos, Nigeria and under the most basic of conditions created his post Beatle masterpiece, Band On The Run.In this episode we tell the story of the recording of the album and discover why this is Paul's greatest post Beatles work. Welcome to this weeks edition of Fixing A Hole. The Beatles podcast you didn't know you needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

In last weeks episode we took an indepth dive into The Beatles record breaking appearance at Shea Stadium, New York in August 1965.This week we backtrack exactly 3 years to the August of 1962. When a film crew from a regional television magazine programme visited the Cavern in Liverpool, to film John, Paul, George and newly appointed drummer Ringo Starr, perform one of their now legendary lunchtime performances.This historic clip of The Beatles performing Some Other Guy demonstrates what a great live band they had become following years of playing clubs and halls around the north west of England and of course, Hamburg.In this episode of Fixing A Hole, we discuss how the filming came about. What other songs they performed that day. How due to sound issues a further recording date was organised. And how after all this effort, the clip was consigned to the vault until Beatlemania erupted in Great Britain in the autumn of 1963.Welcome to this weeks edition of Fixing A Hole. The Beatles podcast you didn't know you needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Visit our new patreon channel at patreon.com/fixingahole its currently free to join with new and exclusive material being added from 1 September.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

60 years ago, The Beatles played the biggest concert of their career. When on 15th August 1965 they played to over 55,000 fans at New York’s Shea Stadium. Only 2 years ago they had waved goodbye to the Cavern, the famous Liverpool city centre venue. Where playing to a few hundred fans at lunchtimes and evenings, they had grown the seeds of Beatlemania, before becoming the global phenomenon they still are today. The concert at Shea was not only the pinnacle of the groups live career. It was also the moment when touring by major artists stepped away from theatres and became the stadium events we still have today. In this episode we look at why this concert was so important and what audio-visual material of this ground breaking show has survived.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

By the mid-1960s, The Beatles had achieved global superstardom, but were increasingly frustrated by the limitations of touring and the expectations of their audience. "Rubber Soul," their previous album, had already hinted at a more introspective and adventurous direction, but "Revolver" would fully embrace the possibilities of studio experimentation.Released in the United Kingdom on 5 August 1966, "Revolver" is the seventh studio album by The Beatles. Widely regarded as one of the most influential albums in popular music history, "Revolver" marked a departure from the band's earlier sound and a bold leap into experimental territory, both sonically and lyrically. Many music fans consider this to be The Beatles masterpiece, including Fixing A Hole co-host Mark Wakely. In this episode we discuss the background to the album and why it has become so highly regarded.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Unlike in the USA where Capitol released Beatles singles in colourful picture sleeves. British 45's, with 2 exceptions came in Parlophone company sleeves. But unlike America where EP releases failed to ignite the imagination of teenage record buyers. UK fans were gifted 13 EP releases presented in colourful, laminated picture sleeves.Join us this week as we take a Magical Mystery Tour through The Beatles UK EP releases. We discuss why EP's were an important tool in EMI's commercial exploitation of The Beatles catalogue. The music which was released exclusively on EP. The EP's which never reach the public and where you can find this music today.So make a cup of coffee, pull up a chair, relax and tune-in to this edition of Fixing A Hole. The Beatles podcast you didn't know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Between their debut single 'Love Me Do' in October 1962 and their final 45, 'Let It Be' in March 1970, The Beatles released 22 original singles. Many of these releases featured songs that were unique to the 7" format at the time. Unlike many artists who would struggle to find a song to place on the B-side. The Beatles presented us with an embarrassment of riches, 'Rain', 'I Am The Walrus', 'Revolution' to name a few examples.They also gifted us with what could be the greatest 7" single of all time, 'Strawberry Fields Forever' / 'Penny Lane'. Which in a first for a UK single came in a beautiful, if fragile picture sleeve. In this episode, Mark and I discuss The Beatles 22 original UK EMI singles. Along the way we talk about how they were presented, contact pressings, unreleased singles, export 45's and the fact that EMI actually gave us an official 23 single, back in 1965!To find out more, tune in to this edition of Fixing A Hole. The Beatles podcast you didn't know you needed. If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

John Lennon has been quoted as saying "You haven't heard Sergeant Pepper, if you haven't heard it in mono"... and he's right. Yes, the songs are the same, but the mix is very different. Once you hear it in mono, you wont want to go back to stereo.So why did George Martin make mono and stereo mixes of the majority of Beatles recordings between Love Me Do in 1962 and the White Album in 1968? That's what Paul and Mark chat about in this weeks episode of Fixing A Hole. The Beatles podcast you didn't know you needed.If you’re a fan of the podcast, or you like to be a guest on an episode, we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Love it or hate it, music streaming is here to stay and for younger listeners is introducing the music of The Beatles to a whole new audience. The collectors out there who cherish their original first pressing vinyl, reel-to-reel tapes and cassettes may well be under the impression that with streaming being a non-physical music media that is stored in the cloud, the medium has nothing to offer them.  However, as always in reality streaming does offer Beatles collectors some unique releases. In this episode Mark and Paul chat about the how The Beatles arrived on download and streaming services and what is available for the hardcore collector.If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

In 1964 Dave Lewis discovered music courtesy of the Dave Clark Five. But with the arrival of Thunderbirds on the television and football at the local park, music quickly new took a back seat. Then in April 1969, The Beatles released the first new recordings from their January 1969 sessions at Twickenham and Savile Row, Get Back / Don’t Let Me Down. This would be the spark that ignited a lifelong passion for music.  Along the way Dave has spent 35 years in music retail. Become part of the inner sanctum of Led Zeppelin through his Tight But Loose fanzine and since 2009 been a freelance music journalist and author. Currently in the process of writing his memoirs. Dave joined us for a chat to discuss his love of the music of John, Paul, George and Ringo including his enviable collection of Beatles bootlegs, his 35 and still counting White Albums and what it was about The Beatles Get Back single 56 years ago that started him on this long and winding road in music. To discover more about Dave, his writing and collecting, visit his website:http://www.tightbutloose.co.uk/If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

In this week’s episode Paul and Mark take a peep into the world of alternate mixes.  Not those multi-format extended mixes record companies released in the 1980’s. Paul McCartney’s ‘No More Lonely Nights’ comes to mind. No, the alternate mixes of Beatles recordings which EMI inadvertently sent out to affiliated distributors across the globe.  Welcome to the world of high-hat intro’s, mysterious whispering, alternate backwards guitars and trumpet codas! Intrigued? Grab a coffee and listen to Fixing A Hole, the Beatles podcast you didn’t know you needed. If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Following on from last week’s pirate radio edition of Fixing A Hole we carry on with the pirate theme. Looking into the under the counter world of Beatles bootlegs. We trace the origins of these Illegal releases in the late 60’s with the infamous Bob Dylan boot  ‘Great White Wonder’ and the plethora of low-fi compilations of Beatles concerts, radio and television appearances which began to surface in the early 70’s. Through to the CD age and the arrival of Ultra Rare Trax which presented unreleased Beatles session recordings in wonderful sound quality. Along the way we discuss the sources of these recordings and what influence these albums had on Apples official Anthology series in the mid 90’s.Welcome to the wonderful world of Beatlegs! P.S. If you spot the mistake about Mal Evans early in this edition drop us a line via the email below. Unfortunately there is no prize, but we would love to hear from you. If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Unlike the United States where you could hear wall-to-wall pop music on the radio 24 hours a day. In early 1960's Great Britain, the airwaves were controlled by the BBC. With numerous restrictions imposed on them including the dreaded 'Needle Time', which impacted on the number of records that could be broadcast weekly by the network. The broadcasting of 'Pop Music' was limited to a few shows per week.Therefore, it was no surprise when Radio Caroline began broadcasting in the spring of 1964 off the coast of Essex. Signalling the arrival of pirate radio in the United kingdom.In this weeks episode of Fixing A Hole we look at the links between The Beatles and the pirates and in particular the events of May 1967, when 'Big L', Radio London struck gold with a world exclusive and broadcast the new Beatles album, 'Sgt. Pepper's Lonely Hearts Club Band'. If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

By the summer of 1964 The Beatles had conquered the world. Hot on the heels of their first visit to America, they were back at work. But not in the recording studio. This time it was the film studio, to make their first feature film ‘A Hard Day’s Night’. Back in the 60’s pop acts were fair game for feature films. Be it a cameo appearance or some convoluted storyline. ‘A Hard Day’s Night’ broke new ground with a story based around 24 hours in the life of John, Paul, George and Ringo. However, the financial reasons why the film was made go deeper than box office takings. In this episode of Fixing A Hole we take a look at the ‘BIGGER PICTURE’ as to why United Artists made the movie. If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

On 29 January 1964 while playing an 18-day residency at the Paris’ Olympia Theatre. The Beatles entered the Marconi Studios in Paris, for their first and only session for EMI outside of the United Kingdom. A session with a specific purpose. To rerecord two of their biggest hits ‘She Loves You’ and ‘I Want To Hold Your Hand’.  However, these weren’t straight rerecording’s, but German language versions with titles that translate as ‘Sie Liebt Dich’ and ‘Komm, Gib Mir Deine Hand’. This would be the one and only time they recorded foreign language recording of their hits. In this episode of Fixing A Hole we look into the story behind this unique session and where these recordings where released.If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Patrick Humphries is a well-respected music journalist and author. He worked for both the NME and Melody Maker from the mid-70’s and has written features for Mojo, VOX and Record Collector. In addition, he has authored books about Nick Drake, Bruce Springsteen, and Elton John among many others.In a change to our advertised episode. Patrick joined Mark and Paul to talk about his latest book, ‘With The Beatles, From The Town Where They Were Born To Now And Then’.During this fascinating conversation Patrick discusses the impact John, Paul, George and Ringo had on music and culture. Tells us why he wrote his book and shares stories of interviewing Paul, George and Ringo.Copies of Patrick’s book can be ordered direct from the publisher www.greatnorthernbooks.co.uk or from Amazon With The Beatles: From The Town Where They Were Born to Now and Then: Amazon.co.uk: Humphries, Patrick: 9781914227691: Books If you’re a fan of the podcast we’d love to hear from you.Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

At lunchtime on January 10th 1969, George Harrison walked out of Twickenham film studios and out on his band mates. As he left his parting words were, ‘I’ll see you in the clubs’. The Beatles January 1969 ‘Get Back’ sessions were all about throwing aside the excesses of ‘Sgt. Pepper’ and getting back to a more basic sound which would allow them to play live together as a group. Just as they had in the Cavern. In this episode of Fixing a Hole we take a look at the five-year period between 1957 and 1962 when John, Paul, George and Ringo’s served their apprenticeship in the dance halls and clubs of Merseyside and Hamburg and discover what audio and visual recordings of this important era in the groups development have survived.    If you’re a Beatles fan or just love music we’d love to hear from you. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

On their return from India in the spring of 1968. The Beatles set about recording the ‘White Album,’ a collection of 30 songs, many of which were written in Rishikesh.  In between these 6 months of recording sessions, they released their 18th single ‘Hey Jude’ and launched their own record label Apple. In episode 7 of Fixing a Hole we look at the 2021 Peter Jackson documentary ‘Get Back’. Which tells the story of why following this intensive period of work, John, Paul, George, and Ringo decided that 6 weeks after the release of the ‘White Album’, they would go back into the studio and write, rehearse, and perform 14 new songs in January 1969.  If you’re a Beatles fan, or just love music we’d love to hear from you. Please get in touch via:Facebook: Fixing A Hole https://www.facebook.com/profile.php?id=61562724166069Email: [email protected]

Ever since Paul McCartney announced he was leaving the group on 10th April 1970. Fans desire to hear new, or unreleased Beatles music has never stopped.  In this episode we tell the story of how a series of articles published in the New Musical Express back in 1974, lead to EMI searching the tape vault for unreleased Beatles recordings. Compiling two reels of tape of unreleased music and the executive meeting which took please in the Spring of 1976 to listen and determine what if anything was suitable for future release. Amazingly, like all key events in the story of The Beatles. A sound recording of that EMI meeting, almost 5 decades ago was made and leaked into the hands of collectors in the early 80’s.  That meeting and the sound recording would become, the catalyst for the Anthology project co-produced by Apple and EMI two decades later. In this episode we discuss the ‘Boardroom Tape’ as it has become known by collectors. Together with the chain of events that happened between that meeting in 1976 and the release of the Anthology project in 1995.  If you’re a Beatles fan, or just love music we’d love to hear from you. Please get in touch via: Linkedin: https://www.linkedin.com/in/paulhumbleyFacebook: Fixing A HoleEmail: [email protected]

 Each year between 1963 and 1969 The Beatles gifted members of the official UK fan club, specially recorded Christmas messages. These exclusive recordings have not only become collectors’ items. They inadvertently trace the story of the group. From the lovable ‘Moptops’ who conquered the world. Through the psychedelic years of peace and love. To John, Paul, George and Ringo starting to drift apart. In this episode we not only discuss the story of these fascinating recordings. We also look at how I discovered and first heard them. Along the way we touch on how EMI scheduled new Beatles releases to hit the lucrative Christmas market. Plus, the solo Christmas songs of John and Paul. Christmas time is here again, and this episode is a Christmas gift from me to you. If you’re a Beatles fan, or just love music we’d love to hear from you. Please get in touch via: LinkedIn: https://www.linkedin.com/in/paulhumbleyFacebook: Fixing A HoleEmail: [email protected]