Golem Milk

Setup Diagram – GUMI(FunkBassLine) This session is built around the E.Bass(Sadowsky Metro MV4)&AvalonDesign U5, Elektron Digitakt II acting as the main rhythm machine and MIDI sequencer. Drum Section Tracks 1–6 of the Digitakt II are used to trigger TR-909,808 drum samples, forming the core drum pattern for the session. MIDI Sequencing The Digitakt II also sequences external synthesizers via MIDI: • Track 9 → Like a Copenhagen Ambient Pad • Track 10 → Noise Pluck • Track 11 → Clavinet riff Audio Routing All instruments are routed via line outputs into the Antelope Audio Discrete 8 Pro. Recording The performance is recorded directly into Logic Pro. ⸻ BPM:124 https://youtu.be/5z1qc56eefU?si=HBKD1cnNXRiS2adS

Setup Diagram – Unlock314 Room Session This session is built around the Elektron Digitakt II acting as the main rhythm machine and MIDI sequencer. Drum Section Tracks 1–7 of the Digitakt II are used to trigger TR-909 drum samples, forming the core drum pattern for the session. MIDI Sequencing The Digitakt II also sequences external synthesizers via MIDI: • Track 9 → Bassline from a 303-style bass synth • Track 10 → Pluck sound from Roland JX-8P • Track 11 → Pad sound from Roland JUNO synthesizer series Organ The organ part is played independently on the Yamaha YC61, using its rock organ engine. Audio Routing All instruments are routed via line outputs into the Antelope Audio Discrete 8 Pro. Recording The performance is recorded directly into Logic Pro. ⸻ Session title: Roomwear Session – Unlock314 https://youtu.be/DN9ZPSXCVLA?si=pJH4Rz7wMv2thnOq

MilkDoop by Golem Milk

Micro_hole by Golem Milk

ShallotPeat blends a 70s–80s classic hard rock–inspired guitar riff with an 80s Minneapolis Sound–style rhythm section, driven by tight funk grooves and punchy drum programming. Layered on top are chiptune-style synth textures, adding a retro-digital edge that bridges analog rock energy and early computer-era sounds. A track built on groove, attitude, and nostalgia—reimagined for the present.

Always been into odd meters—after 18 years, I’m dropping a 15/8 track. I’ve experimented with polyrhythms and inserted even bars before, but this is my first full odd-time release. This niche groove is truly my musical identity.

sampling-guitar(Slice)&Nice sequence.

Lead Bass & DTM My fav instrument is UVI Falcon... This is a pop electronic track I created with it. The instrumental "Taberu Kusa" means edible grass.

I created a 70 BPM sequence on Elektron's Digitakt Ⅱ. This was to load a Jupiter-X JX-8P-type pad sound. Later, I got a 25-year-old Fender bass guitar. He had a PJ-type passive bass with the most conventional wiring, and I had wired it up, but I was shocked by the stale, Motown-like sound it produced. It's no wonder so many players crave a dry, crisp vintage bass! It sounds amazing!I remember when I bought it 25 years ago for 58,000 yen. It had a wet, young basswood smell that was different from what I hear now. It had a slimy, unremarkable sound without any real appeal. I hadn't used it in a while, so I gave it some maintenance for the first time in a while and played it...! Am I really allowed to have such a wonderful passive bass in my hands?

It's no exaggeration to say that this is the culmination of my musical perspective. Neosoul, funk, electro... Where the silence blooms Falling deeper, into you Underwater love I can feel it coming through Low my love, low my love, low my love to you

An alchemy of ambient, noise, electronic, and funk— a single plate overflowing with sounds that refuse to be separated. Through the Elektron Digitakt II, fragments collide and dissolve, revealing textures that are at once delicate and unhinged. A work teetering on the edge of control, and perhaps… gloriously crazy.

Here it is—thanks for waiting! Seems like the ultimate funk-pop instrumental was destined for me. Precision grooves built on the Elektron Digitakt 2, a tightly slapped bass, a Strat straight into a tube amp, a booming Wurlitzer, and a lead synth that’s both upper and mellow… Layered with exquisite voicings and lush chord work weaving into complex harmonies. All wrapped up in a mix that’s been studied to perfection. Looks like my signature dish is finally served.

loftsession#08_Sand_20250906 by Golem Milk

loftsession#07_Tight&Slappp_20250831 by Golem Milk

loftsession#06_DeepSummer_20250830 by Golem Milk

electro, synthpop

Aim for that water with graceful leaps and thrusts like a betta fish...! Sometimes I wonder how much of an explanation I should include. Even though the sound people hear is everything, if I don't say anything, they won't even be interested. So, if I were to describe the characteristics of this track to some extent, I would say that the performance was designed with this unique rhythm ensemble. Drum machines, electric bass, rhythm guitar, funk keys, vocoder, and top tunes, plus fuzzed lead guitar -- these are, of course, elements favored by the great pioneers of black music, and are nothing less than a timeless, authentic tribute to modern R&B. 　 On the other hand, of course, it's a big experiment: where to place the kick, how to rock the hi-hat, how to set the guitar amp, how to crush the bass slap, how rhythmic the keys are, or the voicing of them, how to open up pockets between parts and how to connect them. For example, bass slap is not a phrase that is easy to imitate. I think this is interesting, so please try copying it, if you are a bassist. Storytelling and singing are important for lead guitar, so when it's an instrumental piece it can easily become annoying or take too long to talk about, so this time I took inspiration from a few singers. I have a secret recipe for the overall arrangement of the song and the particular mix, so I make sure to do this kind of packaging work without fail. The sound of splashing water and the smooth flowing water, with the betta fish swimming coolly among the aquatic plants, I have a secret recipe for the overall arrangement of the song and the particular mix, so I make sure to do this kind of packaging work without fail. The sound of splashing water and the smooth flowing water, with the betta fish swimming coolly among the aquatic plants,

A good example of the tremolo characteristic of optical pickups. y adding a slight vibrato after your homemade compressor, you can create incredible fluctuations. The circuit is on github. github.com/GolemMilk/NuTremo

A good example of the tremolo characteristic of optical pickups. This is a sample of my own tremolo sound. The circuit is on github. https://github.com/GolemMilk/NuTremo

I’ve put together a new Loft Session. This time… I really hope you’ll check out the video too. I’d love for this to be one of the things that helps you decide whether the Elektron Digitakt II is right for you. https://youtu.be/A9LpqKWmsu8?si=LkeKmE_FBwhEsuTH #Digitakt2 #Elektron #Beatmaking #NoTalking #loftsession #HardwareSampler #LiveJam

A spontaneous one-take funk jam, full of freedom and groove-driven vibes. Just hit record and let the session flow. Don’t need anything complicated. Can you feel the sound that’s just there? It’s up to you. This is an experiment called funk— Only one chord. Yeah, I’m a bassist. If you’re into it, it’ll hit. If not, that’s fine too. That’s all there is. ・elektron digitakt2 ・bass sadowsky mv4(metroline made in japan) ・guitar fender american elite stratocaster いわゆる"いなたい"雰囲気で録音できるように仕上げました。 色々、長く書き連ねることはできるのですが、とにかく聴いていただければ そういう"セッション"を”録音”している、空気感を感じていただけたなら何よりです。 I made it so that it could be recorded in what you might call a "rustic" atmosphere. I could write about it at length, but I'd be very happy if you could just listen to it and get a feel for the atmosphere of "recording" that kind of "session."

This track features a Fender Stratocaster driven to full throttle through a tube amp. Enjoy the contrast between the right channel, which showcases the direct sound from the amp, and the left channel, where I've incorporated a custom-built fuzz pedal. Enjoy this laid-back, nostalgic, and organic session take.

リリースカットピアノの挙動はヤマハのエレクトリックグランドCP70、CP80のようなADSRを表すと気づき、今回大々的にフィーチャーしました。カラッとした明るいサウンドはイタリアシチリアの赤いオレンジジュースのように、爽やかな酸味。レトロポップ、フレンチポップ、シンセポップ…中田ヤスタカ率いるcapsuleの2012年作品"STEREO WORXXX"、ファッションデザイナーのMEGのアルバムとして制作された2008年の"BEAM"のサウンドを再構築しました。またリズムトラックにはelektron社のdigitaktⅡによるサンプリングシーケンスをあしらいました。80-90年代のゲームミュージック(チップチューン、8bit)のサンプリングや、公式のエクスパンションパックからもらった学校、自然、公共施設の音、これらを巧みに調理しました。(正直ドラムシーケンスだけで曲にしてもよいくらい！)キックやクラップ、ハイハットはroland jupiter-xから直接サンプリングした"本物の"808の音です。 In this new track, I’ve put the spotlight on a release-cut piano sound reminiscent of the Yamaha Electric Grand CP-70 and CP-80—characterized by an ADSR-style response that gives it a distinct bite and decay. The result is a crisp, bright tone—like a splash of Sicilian blood orange juice: vibrant, tangy, and refreshingly sharp. Sonically, the track draws inspiration from retro pop, French pop, and synth pop. I reimagined the aesthetic of capsule’s 2012 album STEREO WORXXX and MEG’s 2008 album BEAM, which was produced under the direction of Yasutaka Nakata. For the rhythm track, I used Elektron’s Digitakt II to craft a sampling-based sequence, blending elements of ‘80s and ‘90s video game music (chiptune, 8-bit textures) with environmental sounds—captured from official expansion packs featuring recordings of schools, nature, and public spaces. Honestly, the drum track alone could stand as its own piece! As a final touch, the kicks, claps, and hi-hats were directly sampled from the Roland Jupiter-X, giving you the authentic sound of a real TR-808.

Just got my hands on a new machine. My friend—I’ve been looking for you. A sea of samples, an endless sequencer, a swarm of inspiring effects, and uncompromising hardware. Its synergy with the computer is surprisingly seamless. It breathes. I finally have an instrument. A real one. Here’s my very first live performance with it. Let’s step into a new realm of sonic curiosity. You ready?

1. Rhythm track, 2. Pad track recorded by Roland Jupiter-X With just these two recordings, I was able to express the hustle and bustle of spring just before cherry blossoms bloom.

This is the first of the 14th instrumental album "Anno Domini" which is scheduled to be completed in 2025. No explanation needed. Experience the electrifying electric waves! 2025年にコンプリート予定の14番目のインストルメンタル作品集"Anno Domini"これの記念すべき１作目 説明不要。痺れるようなエレクトリックの波を体感してください！

Music overflowed like a fountain. The joy of creating a wonderful night by yourself.

This is the second of four Soundsamples of the original effector "TheBigFatDistortion". [Setting] LowgainCH,Gain10,Tone7,Vol.10 Fender Stratocaster American Elite (RearPU) →EXPro FA Cable→[BigFatDistortion]→EXPro OPREX cable→Marshall ORIGIN20(DI OUT)FULL10→AntelopeAudio Discrete8Pro→LogicPro(For Rec&Mix) ※Electric source:Tascam AV-P250LUV

This is the third of four Sound samples of the original effector "TheBigFatDistortion". [Setting] LowgainCH,Gain2,Tone10,Vol.10 Fender Stratocaster American Elite (center PU) →EXPro FA Cable→[BigFatDistortion]→EXPro OPREX cable→Marshall ORIGIN20(DI OUT)FULL10→AntelopeAudio Discrete8Pro→LogicPro(For Rec&Mix) ※Electric source:Tascam AV-P250LUV

This is the second of four Soundsamples of the original effector "TheBigFatDistortion". [Setting] HighgainCH,Gain5,Tone10,Vol.10 Fender Stratocaster American Elite (center+RearPU) →EXPro FA Cable→[BigFatDistortion]→EXPro OPREX cable→Marshall ORIGIN20(DI OUT)FULL10→AntelopeAudio Discrete8Pro→LogicPro(For Rec&Mix) ※Electric source:Tascam AV-P250LUV

This is the first of four Soundsamples of the original effector "TheBigFatDistortion". [Setting] HighgainCH,Gain10,Tone5,Vol.10 Fender Stratocaster American Elite (RearPU) →EXPro FA Cable→[BigFatDistortion]→EXPro OPREX cable→Marshall ORIGIN20(DI OUT)FULL10→AntelopeAudio Discrete8Pro→LogicPro(For Rec&Mix) ※Electric source:Tascam AV-P250LUV

What else do you need when you combine disco bass, drums, funk guitar cuts, bluesy crying guitar, and rock organ? !

Very artistic! Funny and cute. Emotional guitar improvisation. A rhythm section whose rhythm is as complex as a samba.

Funk and rock instrumental! Like howling, like shaking It's wobbling! The dolls in the photo are called "TAISHO'' and "May dolls,'' which are traditional Japanese dolls that are displayed in every household to wish for the healthy growth of boys, and are now rare even in Japan! "TAISHO" means general. This is how each feudal lord during the Sengoku period was called. In other words, we aimed for such wild and robust music!

ハードウェアシンセサイザーの良いところ満載で、倍音の吹奏にdipしてチョ！

20241113TheBassDay_JAM_SLAP take2.

TheBassDay2024記念にドンズバなベースあそび Using backingtrack↓ thx! https://youtu.be/KrkiRbZtz8s?si=0PXZY_rjJmk5N29-

Street at Autumn by Golem Milk

尊いシーケンスが出来たのでそのまま一発でジャムりました！

This is an original song I made when I was about 16. I was a kid who loved vintage clothing and was influenced by punk and melocore. The arrangement of the three-piece band at the time was left almost unchanged. I asked Hayden from Synthesizer V to do the vocals.

The slow rhythm of cumbia, with a touch of blues. conga, bongo,maracas,agogo,shaker,hammond organ noise,E.bass,Slide guitar(bottle neck),E.guitar,Voice,Vocoder,synthesizer

You could say it’s a well-crafted city pop instrumental！

A scorching summer song that will make only those who listen to it happy. You're lucky! illustration by DarkSummer

Aquarium ft.DarkSummer by Golem Milk

sampling by darksummer.

盆で帰郷したときに流すための曲(らしい) A song (apparently) to be played when returning home for Obon.

Styled in a pop and kitsch style. I want you to leave it to me to pull the bottom all the way. Japanese hiragana has "O" and "Wo", the former is used for "Ohayo (good morning)" and the latter is used for "Anata wo Aishiteiru (I love you)". The Japanese culture of "Wo" has a very unique beauty, and it is an important word that gives an impression of the "wabi-sabi" that the Japanese language has. And I named this song "Utsukushi Wo" (Beautiful Wo).

New release... You say SunRain 'ShizumanuTaiyo' in japanese. vocoder,bass,keys,drums and guitar.→GolemMilk voice,clap,scream.→DarkSummer manipulation,mixing→GolemMilk Oh my gosh! It's so cool. Surrender yourself to the swell of the big groove! genreTag:R&B,POP

Anemone(Alternative Techno Ver.) by Golem Milk

Ft.DarkSunnerのトラック。素材をダークサマー君に入れてもらって、リミックスとマニピュレーションを当方で実施しています。