Overheard at Chica's Café

In this episode, Sonia explores the idea of writing shortstories as a pathway into film—without becoming a screenwriter. With humor and honesty, she shares what she’s learning about modern “treatments,” storytellingfor the screen, and how actors can begin creating their own material in a constantly shifting industry.Topics include:The difference between shortstories and modern film treatments Why traditional treatments areevolving Creating visual, compellingstories for potential adaptation Moving from waiting for roles tobuilding original material

In this episode, Sonia shares her lived experience navigating identity in the entertainment industry—from early typecasting to evolving roles and the future of AI in performance.Topics include:Latinx representation in HollywoodTypecasting across cultures Middle Eastern representation in the 1990s Ethnomusicology and cultural depth AI and identity in acting Reclaiming narrative through creative work References and inspirations:Cultural and music studies from University of California, Los Angeles (Ethnomusicology) Ongoing discussions in diversity, casting, and AI ethics in entertainment .https://poeticresurrection.com/store/https://sonialozada.com/#RepresentationMatters#LatinxVoices#ActingIndustry#VoiceActing#Authenticity#DiversityInFilm#Storytelling#AIandCreativity

In this episode, I reflect on watching Bad Bunny’sperformances on Amazon and the Super Bowl stage — not just as entertainment, but as cultural memory brought into global light. With a background in Ethnomusicology from UCLA, I share how my academic research into Puerto Rican music — through texts such as El Jíbaro de Puerto Rico, La Música en Puerto Rico, La Música Folklórica de Puerto Rico, and Voz Folklórica de Puerto Rico — deepened my understanding of traditions like Jíbaro, Bomba, Plena, and Aguinaldo.But this episode is not only scholarly — it’s personal.I revisit childhood memories of my father playing Jíbaromusic loudly while driving down Chicago Avenue in Chicago, and the shame I once felt. I reflect on how that discomfort evolved into teenage pride and later adult understanding.I also honor my mother, who sang “Preciosa” and “En Mi ViejoSan Juan” in the kitchen, and my uncle who played guitar and cuatro, going door to door during the holidays performing Aguinaldos.This episode explores:What once felt too loud became legacy.What once felt distant became home.

What happens when you still love being on set, but thepassion for the dream doesn’t feel the same?In this episode, I talk honestly about discouragement inacting and entertainment — not the dramatic kind, but the quieter season where you keep showing up without a five-year plan or a constant sense of inspiration.This isn’t an episode about quitting or forcing motivation.It’s about staying present, redefining success, and letting the work be part of your life instead of the explanation for it.If you’ve ever felt discouraged but still here — still doingthe work — this conversation is for you.Music: Blue Ballsa by The Blue Cherries

As the year turns, we’re keeping it simple at Chica’s Café.No resolutions, no reinventions—just a pause, a coffee refill, and a moment to appreciate the conversations we’ve shared.This short New Year episode reflects on curiosity,observation, and the kinds of everyday moments that make us stop, laugh, and think a little differently. Thank you for being part of the conversations thisyear. Here’s to good stories ahead—and whatever unexpected dialogue wanders into the café next.Pull up a chair. The conversation continues.Blessings for the New Year.

On today’s episode of Overheard at Chica’s Café,Sonia pulls up a chair (and a warm cup of ginger tea) to talk about something every actor, voiceover artist, and podcaster knows all too well: what happens when you get sick… and everything on your creative plate comes crashing into amessy little pile.With her voice still not quite back to its usual sound—todaycomes with a complimentary side of rasp—Sonia dives into the hilarious, humbling reality of being a multi-hyphenate creative whose entire job depends on having a functioning throat. From the dreaded “booking-out” email to agents,to the guilt spiral of falling behind on content, to the dramatic inner monologues that only artists understand, this episode is a gentle reminder that being human comes first.Sonia shares compassion, humor, and honesty about navigating deadlines, expectations, and recovery while sick. She encourages listeners, especially those in creative fields, to release perfection, slow down, and trust that their audience—and opportunities—will still be there.Whether you’re an actor juggling self-tapes, a podcasterkeeping up with your release schedule, or simply someone who’s been under the weather, this episode is a soothing, funny exhale.You’re doing enough. You’re allowed to rest. Creativity will wait for you.In This Episode:• What really happens when creatives get sick• The guilt of “booking out” with your agents• The pressure of staying consistent while healing• Why raspy-voice episodes should count as a vibe• Releasing perfection and honoring your humanity• A gentle reminder that your audience won’t disappear

In this episode of Overheard at Chica’s Café, Sonia Iris Lozada explores the unseen side of acting — the hours of preparation that audiences never witness. From memorizing lines for a single scene, to scrambling with last-minute sides, to navigating the silence that follows auditions, actors carry invisible labor that shapes every performance. Sonia also touches on the growing reality of self-tapes, where actors double as their own crew — a topic she’ll expand on in a future episode.But invisible work isn’t unique to actors. Parents, teachers, creatives, and caregivers all hold hours of unseen labor that sustain lives and communities. With humor, compassion, and a touch of Los Angeles reality, Sonia reminds us that even the work that goes unrecognized mattersdeeply.

In this episode, I reflect on watching the Bad Bunny concert on Amazon and the pride of seeing Puerto Rican music honored on a global stage. From the African roots of Bomba, to the storytelling voice of Plena, to the worldwide reach of Salsa, I share both personal memories and insights from my background in Ethnomusicology.These rhythms are more than genres—they are history, resistance, and the heartbeat of Puerto Rico.References – Further ReadingBomba (Puerto Rico). WikipediaPlena: The People’s Newspaper. Smithsonian Folkways → linkHistory of Plena. La Casa de la Plena → linkMusic of Puerto Rico. Wikipedia“Bomba Pa’ Siempre” by Jimmy Fontanez“Llena de Plena” by Jimmy FontanezUsed with appreciation and respect for the traditions of Puerto Rican music.

Welcome back to Overheard at Chica’s Café, where the coffee is strong, the conversation is flowing, and the occasional biscotti mysteriously disappears. Today, we’re talking about something every entertainer knows too well: what do we do between gigs? Those in-between stretches where your phone is quieter than a stagehand after a blackout cue.You know, people think actors, musicians, or performers are constantly in the spotlight. But the truth? A lot of our lives are spent waiting. Waiting for auditions, waiting for callbacks, waiting for the gig that finally makes your family stop asking when you’re going to get a “real job.”But here’s the secret: the waiting doesn’t mean we stop expressing ourselves. In fact, those in-between times are prime creative hours.Think about it—expression doesn’t only happen on stage or onset. It happens in the things you do to stay alive and sane. Podcasting? Yep. Writing a poem no one else will ever see? Absolutely. Starting a memoir even if the first line is just, “Dear Diary, Hollywood is weird”? Go for it.Maybe it’s designing or decorating your place. I once rearranged my living room so many times between gigs, my couch now qualifies as a traveling performer. It’s seen more blocking than some actors I know.And cooking counts, too! Whipping up a new recipe? That’s performance art with edible applause. Just don’t burn the garlic bread, or the critics will be harsh—and by critics, I mean your own smoke alarm.The point is: as entertainers, we need to express. If we cork the creativity while we’re waiting for the next “yes,” we start to feel like unopened soda cans—eventually, something’s going to explode.So, write that song. Start that podcast. Paint the wall neon green if it makes you laugh—though maybe check with your landlord first. Expression isn’t about waiting for permission. It’s about keeping your creative pulse alive so when that next gig does come along, you’re not rusty. You’re ready.So, whether you’re in rehearsal, in between jobs, or just staring at the ceiling fan wondering if it could double as a set piece, remember: creativity doesn’t clock in and out. It’s who you are.And until that next big gig shows up—express yourself anyway. You might surprise yourself with what you create.Thanks for joining me here at Chica’s Café. Don’t forget to grab a refill on your way out—and maybe, just maybe, rearrange your couch tonight. It might inspire your next masterpiece. "Modern Jazz Samba" Kevin MacLeod(incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

The Healing Power of Laughter and Escape"Because sometimes Soul Work Looks Like Binge-Watching in Pajamas*Let’s be real — not every healing moment looks like a spiritual retreat in the mountains or hours of deep journaling by candlelight. Sometimes, healing looks like stretchypants, a perfectly timed meme, and laughing until you wheeze over a ridiculous comedy sketch.I’m Sonia Iris Lozada — actor, poet, and over-thinker turned wisdom whisperer — and in this week’s episode of Overheard at Chica’s Café, I talk about the underrated brilliance of laughter and the sacred pause of escapism.And no, I’m not talking about ignoring your feelings or bypassing reality. I’m talking about intentional joy. That full-body exhale that comes when you let go of the need to “fix” everything and just let yourself feel better for five minutes.A few years ago, I was going through grief, exhaustion, and burnout all at once. You know the kind — where even brushing your teeth feels like a workout.Instead of trying to meditate it away or “be productive,” I surrendered. I turned on a silly video. And I laughed. Not a polite giggle — I mean an ugly, snorting, can’t-breathe, just-peeled-myself-off-the-floor kind of laugh.That moment did more for my nervous system than any affirmation ever could.Escape Isn’t Weakness — It’s WisdomWe tend to treat escape like it’s a dirty word. But the truth is, conscious escapism is an emotional palate cleanser.Without it, we’d all be walking around like mannequins with unresolved childhood issues — smile painted on, dead behind the eyes. (Yeah… I said it.)Escaping into a feel-good story, a comedy binge, or a joyful distraction doesn’t mean you’re broken. It means you know when to put the heavy stuff down.

This month on Overheard at Chica’s Café, we are delighted towelcome the insightful Albert Bramante, a seasoned talent agent, as well as the accomplished author of Rise Above the Script. In this engaging episode, we dive deep into the intricate world of the current entertainment industry. Albertshares his expert perspective on the evolving landscape, shedding light on the myriad challenges performers face today. We also explore the subtle ways in which artists often unwittingly undermine their own potential, unraveling thecomplex web of self-sabotage that can hinder their careers.I assist performers, educators, and creators in unlockingtheir full potential by combining psychology, performance strategies, and AI to drive unstoppable progress. With over two decades of experience at the intersection of entertainment and education, I have coached actors to secure transformative roles, guided students to become top-tier professionals, and developed systems to help individuals overcome fear, imposter syndrome, and self-sabotage. As the CEO of Bramante Artists, I manage a diverse group oftalent in Broadway, film, television, commercials, and print. I focus on career development rather than simply booking roles, using psychological insights and industry strategies to foster long-term, purpose-driven success for talent. Inmy role as a college professor, I have taught psychology at Union County College and BMCC (CUNY), creating and delivering courses in Child Development, Personality, and Human Growth, with an emphasis on transformative learningexperiences rooted in practical application. As a practitioner of hypnosis and NLP, I provide powerful mental performance tools in my work, whether coaching actors, mentoring students, or speaking to creatives. My approach centers oneliminating internal barriers and enhancing clarity, confidence, and focus.Rise Above the Script – Available on AmazonI’m actively seeking partnerships in:Acting schools—Courses on the business of acting &mindset (based on my book)Colleges & universities—Guest lecturing, curriculumdevelopment, and student success initiativesPerformance & wellness programs – Hypnosis + NLPintegration for creative peak performanceAI in education & content—Training educators andcreators to work smarter with AI

AI & Entertainment: The Future of Creativity or the End of It?In this episode of Overheard at Chica’s Café, Sonia delves into the growing influence of AI in the entertainment industry, including voice cloning, script writing, AI actors, and music creation. Is AI a tool that empowers artists, or is it taking their place? Engage in this intriguing discussion about the essence of creativity in an era where machines can replicate human imagination. Sonia shares her heartfelt, artistic insights as a voice actor and poet.So what do we do now?We listenWe create with awarenessWe stay presentWith our voices and our whyBecause in the age of algorithms—The human soul is stillThe wildest art form

Welcome to another episode of Overheard at Chica’s Café. Itfeels like it’s been a lifetime, and to be completely honest, life has thrown quite a few curveballs my way lately. I know this is just a passing phase, but my aspirations of incorporating video into this season’s podcast? Well, they slipped through my fingers like grabbing for air. I’m healing from an injury,and my father’s health has taken a downturn, necessitating several trips to the bustling city of Chicago to be by his side. Although my heart was set on continuing the podcast, the clarity and drive to do so seemed to vanish like smoke in the wind.On the audition front, there’s little to report. I've had ahandful of commercial auditions, including some for voiceover work. I had a funny audition – love those because I love comedy. However, the world of TV andfilm feels like a barren desert for me, with productions migrating from California in search of better incentives elsewhere.In the legislative world, two bills have emerged inSacramento, known as AB 1138 and SB 630. According to the SAG-AFTRA website, this means the following:What’s in the Bills?These updates are designed to modernize California’s filmand TV tax incentive program and keep us competitive with other states and countriesRaises base credit allocations from 20-25% to 35-40%, with higher incentives for productions outside Los Angeles.Expands eligibility to include more diverse genres and formats.Doubles application windows and adds flexibility to better align funding with real-time demand.Limits delays for recurring series to ensure timely production or funding reallocation.Provides modest year-over-year increases to reflect rising production costs.Increases the indie project cap and funding, supporting the vibrant, local storytelling that happens across the state.I’ll keep you posted on if these bills pass as we reallyneed more productions in California.Also, please get your copy of my book Inspire Me: Awakening Dreams.

Welcome to a brief episode of Overheard at Chica's Café, where we discuss all things entertainment. This month, we address the current state of the industry, which has been slowed down due to the devastating fires in Los Angeles. As a resident of this city, I have personally experienced the effects of the Sunset Fire and had to evacuate my home.But amidst the chaos and destruction, one thing remains constant: our love for entertainment. This is why I have decided to record this month's episode in a new format, a video that will be uploaded to both Spotify and YouTube. I hope you will tune in and join me as I discuss the future of entertainment and interview guests about their own journeys in this ever-changing industry.So grab a cup of coffee, sit back, and let's dive into the world of entertainment. Thank you for your continued support, and I look forward to seeing you at Chica's Café for another lively and insightful discussion. See you soon!

The year of 2024 brought about a whirlwind of changes in society, politics, and spirituality. It was a time of both struggle and beauty, as people grappled with the shifting landscape of the world. And as we enter this new year. The anticipation for next year's guests was already building, with promises of even more exciting names from all corners of the entertainment industry. These guests would bring with them a wealth of knowledge and experience, sure to captivate and inspire audiences. A special thank you was in order for the 2024 guests who had graced the stage: Jane Shaw, a master sound designer whose work had brought plays to life; Alex Greenwood, a talented author and screenwriter; Mark Pearson, an experienced entertainment attorney; Dom Rambaran, a seasoned actor familiar with both the stage and screen; Jan Mullen, a music industry executive with an ear for talent; Jean Philippe Kaya, a multifaceted artist known for his skills as both a DJ and classical pianist; Inam Inamullah, a renowned artist, playwright, and poet; Matthew Carauddo, an author whose works had visually captured audience; Danny Mora, a dynamic actor whose performances left a lasting impression on all who saw them. and last but not least, Nathan Singer – Established Musician and author Their presence on the episodes had elevated it to new heights, setting the bar high for future guests to come. As the new year dawns, may it bring a wave of wonder and beauty, surrounding us with its flowing blessings. Let us embrace this fresh start with grateful hearts and open minds. And as we embark on this journey, let us never forget to express our gratitude for all that we have been given. Thank you for your support in the past year, and may our bond continue to grow stronger with each passing episode. Here's to another year of love, growth, and endless possibilities. Happy New Year! Poem/story  As the clock struck midnight, a cascade of colorful fireworks burst through the darkness, illuminating the sky with bursts of light and sound. The air was filled with the scent of sulfur and the cheers of people hugging and celebrating around me. In that moment, I could feel a surge of emotions - excitement for the future, hope for what is to come, and determination to face whatever challenges may arise. As I looked around at my loved ones and supporters, I felt overwhelming gratitude for their unwavering presence in my life. Together, we stood on the cusp of a new year, ready to embark on a journey filled with unity, health, kindness, and resilience. We held onto the power of hope to fuel our dreams, the courage to stand up for what is right even in the face of adversity and fear, and the wisdom to guide us through the unknown path ahead. And as we stepped into the new year, may we find peace within ourselves, strengthen our relationships with love, fulfill our purpose in our work, and cherish joy in every single moment. Here's to a Happy New Year full of endless possibilities and endless love!

Welcome to another edition of Overheard at Chica's Café where we have the talented musician and author Nathan Singer as our special guest. He shares with us his experience with his band, "Whiskey Shambles", and his transition from professional musician to published author while still being a part of the band. We share a few laughs and discover some similarities in our lives. Don't miss this entertaining and humorous interview! Get Whiskey Shambles T-Shirts/Hoodies https://amzn.to/493HBKZ https://www.youtube.com/@whiskeyshambles https://www.facebook.com/WhiskeyShambles/

Our guest on this episode is the lively and entertaining Danny Mora. His energy and charisma fills the conversation, and we knew this was going to be a lively and entertaining episode. With Halloween here, we couldn't resist talking about ghosts and all things supernatural. But it wasn't all fun and games - we delved into the current state of the film and television industry, discussing its future and how technological advancements like AI could potentially impact actors' opportunities and finances. We also shared our own experiences in the industry, including working with the talented Emilio Rivera on a play that brought us together with many other actors who have become lifelong friends. Don't miss out on this enlightening and entertaining conversation with our always fantastic guest, Danny Mora. Daniel Edward Mora is an actor known for his work in the multiple Oscar-winning Disney film COCO, A RECURRING ROLE IN THE Peabody Award-winning FX Network series THE BRIDGE, and another regular part in the web series SIN VERGÜENZA, which earned him a nomination to the Imagen Award for best actor in a series. A native of Los Angeles who was raised in San Diego, Mora joined the Army after graduating from high school. After spending three years as a paratrooper in the 82nd Airborne Division at Fort Bragg, North Carolina, he studied business administration at San Diego State University. Rediscovering a love for acting which had been planted in elementary school and later rekindled in a community college, Mora moved to Los Angeles to try his luck in the movie business. And lucky he has been. In addition to the acclaimed COCO and THE BRIDGE, his movie and television credits include: FRESH OFF THE BOARD, AVENGE THE CROWS, 911, THE MENTALIST and FILLY BROWN, a movie favorite that screened at the prestigious Sundance Film Festival. Along with his acting, Mora is a proud Army veteran who is currently an active member of the Coast Guard Auxiliary Reserve.

Our guest for this month's episode is Matthew Carauddo, an acclaimed author of the thrilling fantasy series "Diamond Dragons." In this podcast, we delve into his experience in acting and storytelling, as well as his impressive stage combat skills. Tune in for an engaging conversation!   OVERVIEW: In addition to acting, writing, singing and voice-over, Matthew Carauddo has over 15 years of experience in fencing, staged combat and martial arts (Wing Chun Kung Fu, Jujitsu, Shotokan Karate, Jeet Kune Do, Tricking). Matthew is a licensed fencing instructor, approved and examined by the Federation Francaise D’Escrime (FFE). He has taught hundreds of group fencing classes and one-on-one lessons behind the mask throughout the California bay area at schools, academies of fencing, summer camps, and parks and recreational facilities. ORIGINS: Matthew began acting as a child when he was around 9 years old. He pursued on-stage performance throughout middle school, high school, and all throughout college. https://diamond-dragons.com/ https://www.youtube.com/@diamonddragonstale To see and hear some examples of Matthew's more recent acting, singing, and voice-over work, visit this link: https://youtube.com/channel/UC9dXWUhBtw0VI5nUOxl1JvA/videos

On this month's episode of the Overheard at Chica's Café podcast, we have a special guest, Inam Inamullah, an internationally acclaimed playwright. Our conversation delves into his works such as Khali Plate (Empty Plate) and Ramzan and Jannat, a hilarious adaptation of Shakespeare's Romeo and Juliet. Exciting news for fans: Ramzan and Jannat will be embarking on a tour starting in October 2024! As a renowned artist, we also take a deep dive into Inam's creative process when it comes to designing sets for his plays. Be sure to tune in to this lively and insightful episode. Inam, originally from South Asia, is a world-renowned artist, poet, and playwright. His work has earned international acclaim for its depth, creativity, and spiritual insight. Despite the challenges he faced early in life, including the hardships brought on by polio, Inam found solace in his art. Through resilience and a profound sense of creativity, he transformed his struggles into a source of beauty and inspiration. Inam's artistic journey is not confined to the canvas alone; his passion for the written word is evident in his prolific contributions to poetry and playwriting. His works reflect a deep appreciation for the ancient wisdom imparted by Sufi sages, which has unveiled the mysteries of the universe to him. A graduate of UCLA with an MBA, Inam also serves as a Life Coach, guiding others through their own journeys of transformation. His commitment to giving back to the community led him to found the Glitter of Hope Foundation, a local charity dedicated to supporting single mothers and orphans, primarily within the refugee community. Inam's latest work, "Whispers of The Flight," offers readers a profound journey that promises to illuminate the path to inner transformation. Whether you're a spiritual seeker, a lover of allegorical tales, or someone on a quest for deeper understanding, this work ensures a transformative experience that resonates deeply with the soul. KHALI PLATE (EMPTY PLATE) https://www.youtube.com/watch?v=UFg4hbN7Ks4&t=958s The actual play starts at 15:50 clock counter   RAMZAN AND JANNAT (Romeo and Juliet) https://www.youtube.com/watch?v=zcCPdcv_gW4 The plat starts are 12:50 or so.   Amazon link: https://amzn.to/472w8tO - whispers of the flight Find out more about his artwork: https://www.inamgallery.com/ Whispers of Flight site: www.whispersoftheflight.com Inam’s life coaching site: www.elevatelife.guru

As an aspiring actor, studying the craft is an essential part of the journey. One aspect that actors often neglect is understanding the evolution of a character, from script to screen. We will explore the different approaches to acting and why stage acting is not the same as acting on screen. 1. "From Script to Screen: The Evolution of a Character" Every character begins on the pages of a script, but it takes a skilled actor to bring them to life. Understanding the backstory, motivations, and conflicts of a character is crucial in creating a believable and multi-dimensional performance. 2. "Breaking Down the Method: The Different Approaches to Acting" Actors have different methods and techniques when it comes to their craft. After I review the script I research what kind of work, interests and desires of the character. Whichever method you as an actor chooses, the key is to find a way to connect with the character and bring their truth to the role. 3. "Why Stage Acting is Not the Same as Acting on Screen" Stage acting and screen acting may seem similar, but they require different skill sets. On stage, an actor must project their voice & movements to reach a large audience, while on screen, subtlety is key. Also, stage actors have the luxury of a live audience, while screen actors must master the art of acting in front of a camera. 4. "The Dos and Don'ts of Auditioning: Tips from Industry Professionals" Auditions can be nerve-wracking, but they are an essential part of an actor's career. To help you ace your next audition, here are some tips from industry professionals. a. Arrive early and come prepared It's important to arrive at least 15 minutes early for your audition. This shows professionalism and gives you time to relax/mentally prepare yourself. Be sure to bring any required materials, and have your monologue (stage) or scene (film/TV) memorized. This is the same for Zoom & self-taping auditions, make sure your backdrop or room isn’t distracting while auditioning. Self-taping is another skill set. I find that having a reader with me as I self-tape is essential. Most of my bookings have come from having a fellow actor work with me. b. Dress appropriately Make sure your outfit is appropriate for the role you're auditioning for. Avoid wearing distracting clothing or accessories that could take away from your performance. c. Take direction well During an audition, the director or casting team may give you some direction on how to improve your performance. It's crucial to listen carefully and be open to their suggestions, as this shows that you are easy to work with and adaptable. Taking direction doesn’t mean your performance isn’t good but that they see something in you and want see what you can do with adjustment. d. Show confidence but don't be cocky Confidence is key in auditions, but there is a fine line between confidence and arrogance. Show off your skills without coming across as overconfident or arrogant. I’ve seen actors be overconfident where it projects as dismissive. Always be kind. e. Don't make excuses If something doesn't go as planned during your audition, don't make excuses or apologize excessively. Stay focused on your performance and adapt as best as you can. Take a deep breath to focus and center yourself. f. Be respectful of others Be respectful of those working behind the scenes, including casting directors, assistants, and other actors in the waiting room. Being kind and considerate goes a long way in making a good impression. g. Have fun! Auditions can be stressful, but remember to have fun with it! Enjoy the experience of performing and showcasing your talent. I have found in my auditions when I have fun with it, confidence shines through. Remember auditions are an opportunity to learn and grow as an actor. Keep these tips in mind and go into your auditions with confidence and a smile. Sonia Iris Lozada Blog Grieving Dreams Episode

The newest installment of Overheard at Chica's Café Podcast is an exciting interview with the multi-talented Jean Philippe Kaya. As a DJ, classical pianist, musician, and producer, Kaya has made waves in the music industry with his versatile skills and unique blend of genres. Listeners can expect to hear about his journey into the world of DJing, insights into his successful music career, and valuable advice for those looking to break into these creative fields. Don't miss this chance to gain insight from one of the most dynamic artists in the business. French native KAYA, born Jean-Philippe Kaya, skillfully blends his classical piano and composition background with a fervent passion for electronic music to push sonic boundaries. With roots from Cameroon and Congo, and having lived across three countries and two continents, the Los Angeles-based DJ/Producer draws from a rich tapestry of influences to craft his unique sound. KAYA discovered his love for DJing during the pandemic, rapidly gaining recognition for his signature sets blending nostalgic 90s piano house with high energy drops. He has performed across North America and Europe, sharing the stage with renowned artists like Deadmau5, MEDUZA, KREAM, Hugel, Joel Corry, Todd Edwards, A-Trak, and Habstrakt to name a few. His production prowess is showcased through his collaborations on prominent labels such as Ultra Records, Groove Bassment and Quincy Boy Records, garnering support from industry heavyweights including Pete Tong, SNBRN, Kaleena Zanders, Win and Woo, and Snakehips. KAYA’s music has resonated at some of the world’s biggest festivals including Coachella, EDC Las Vegas, Beyond Wonderland, and Electric Forest. With an upcoming mixtape on Phantom’s record label, Speed Dial, KAYA shows no signs of slowing down as he continues to hone his craft both in the studio and on stage, solidifying his place in the electronic music scene on fan at a time. https://kayamusique.com/ https://www.facebook.com/Kaya.musique/ https://www.instagram.com/kaya.musique/

Our special guest on the latest episode of Overheard at Chica's Café is Jan Mullen, a seasoned music industry executive with an incredible wealth of experience. Her career spans from the alternative punk bands in the vibrant 80's music scene to collaborating with renowned jazz musicians. In this highly informative and fascinating episode, Jan shares her vast knowledge and insights into the ever-evolving music industry. Listen as she takes us through her personal journey in the world of music and life. If you've ever been curious about the inner workings of the music business, this is an episode you won't want to miss. A 25-year veteran of the music industry, Jan Mullen has gained an in-depth knowledge of today’s music business. Artist management of several Top10 performers of the 90’s and 2000’s, as well as production of major international tours and festivals, brings a wealth of experience invaluable to the multifaceted entertainment industry of today. The successful artist management of such iconic performers as Seal, Mariah Carey, Counting Crows, Christian Sands, Keyon Harrold, Wallace Roney to name a few. – all multiple-Grammy winning, multi-Platinum recording artists - built a substantial and intuitive understanding of the creative process, guiding it to its unique and highest potential. Prior to launching All-In Music Jan brought this extensive mainstream music industry experience and vision to the vital jazz community, serendipitously becoming director of The Side Door Jazz Club in Connecticut for its first four years, establishing the club as one of the top rated and respected jazz venues in the country. She is also the Artistic Director of the iconic Scullers Jazz Club in Boston, celebrating 30 years of presenting the best music and artists in the field. Born in the UK, Jan began her career in London and Paris, moving to NYC to work with Island Records. She served in artist promotion and marketing at Island/Def Jam and then Chrysalis Records NY offices, and as Artist Relations consultant for the Zoom Corporation and NAMM convention. Her natural affinity for artist management began as product manager for several years at Columbia Records in New York, her roster included many of the label's most successful artists of the 2000s. Throughout the course of her career, Jan has consistently championed creativity, bringing all the honed skills of management, artist relations, creative marketing and promotion strategies to work on the artists behalf. International tour production and executive producing of recordings and documentary films were a natural and valuable extension of a multifaceted career in the business. Jan's first love is that of nurturing and promoting artist’s talent and vision, believing in providing them with, and exposing them to, the optimum environment to support and inspire their unique creativity to thrive and excel. Proud and honored to represent such brilliantly talented artists, All-In Music, LLC is fully dedicated to that cause! Linkedin

On our latest episode of Overheard at Chica's Café, airing in April 2024, we are joined by Dominic Rambaran, a fellow actor whom I have known for many years. We delve into his experiences in the world of acting and discuss the humorous and challenging moments he has encountered on stage and in the industry. Tune in to gain insight into the journey of an actor's life.  Hailing from the East Coast of the United States, he was raised in a supportive family and attended Phillips Academy before pursuing higher education at Northwestern University and Carnegie Mellon University. With a strong passion for theater and the arts, he achieved success in regional productions, followed by a stint on Broadway. He then ventured overseas to work for various entertainment venues before settling in Los Angeles, where he has since appeared in television shows, films, and numerous commercials.

The episode went on for longer than expected, so I decided to add a bonus segment where we discuss the impact of AI on actors and writers, as well as concerns about AI during the strikes.

This month's special guest on Overheard at Chica's Café is entertainment lawyer Mark Pearson. Although this episode may be longer than others, it is packed with fascinating discussions. We delve into the legalities and requirements for success in the music, film, and entertainment industries. AI and its impact on creative property also takes center stage in our conversation. If you're interested in learning about thriving in the constantly evolving entertainment world, this episode is a must-listen. And as a bonus, we go into further depth on the topic of AI due to the extended length of this episode in a separate episode. Mark A. Pearson is an attorney at ARC Law Group, where he advises creative, talented and entrepreneurial clients on legal issues in the entertainment industry. Mark considers himself lucky to work with Oscar nominated filmmakers, Grammy award recipients, Emmy winning talent, and lot of clients he acknowledges are, “far more talented than I am.” In another life, Mark spent a decade as television producer, which he says provides a unique perspective on the needs of his creative clients. As he explains, “I thrive on being a small part of helping creatives achieve their goals. My work is very, very rewarding.” When not working with his clients, Mark advocates for the Recording Academy and serves on the Board of Governors for the National Academy of Television Arts & Sciences (Emmy® Award) where he recently received the Governor’s Citation for his service to the Academy. You can reach Mark Pearson on his website: http://www.arclg.com/

In this episode of Overheard at Chica’s Café, Alex Greenwood shares an intriguing story about his writing journey and his encounter with a producer who requested him to write a treatment. Alex delves into the challenges and excitement of the process, providing valuable insights for aspiring writers. Throughout the episode, Alex and his previous co-host on the podcast, Chica and the Man, share their signature humor, resulting in a lighthearted and entertaining conversation. Join them as they laugh their way through this captivating episode, showcasing their strong friendship and passion for storytelling. J. Alexander Greenwood is a prolific author celebrated for his John Pilate Mystery Series and the Western novel "Big Cabin and Dispatches from the West," co-authored with the late Robert E. Trevathan. Alex's notable nonfiction includes "The Podcast Option" and "Kickstarter Success Secrets." He has produced the Mysterious Goings On podcast since 2016 and hosts the PR After Hours podcast. He has also contributed to “Chica and the Man” and “Going to Killing City,” a true crime show. After fourteen years at the helm of his Kansas City PR agency, in 2024, he accepted a leadership position at a major university. To learn more about his work, visit jalexandergreenwood.com. His latest book is: Pilate's Faith: Book Eight in the John Pilate Mystery Series

Happy New Year to all! As the year comes to an end, I want to wish everyone an amazing New Year filled with love, joy, prosperity, and most importantly, good health. We often take our health for granted, but it truly is the foundation for enjoying life's many blessings. Overheard at Chica's Café launched in July of 2022 as a way to bring some lightheartedness back into our lives after three years of pandemic struggles. In the upcoming year, we plan on adding more interviews at the suggestion of one of our listeners. These interviews will feature individuals from all areas of the entertainment industry, giving you a behind-the-scenes look at their journeys. We've also discussed important topics such as the writers' and actors' strike in several episodes this year. Sadly, our sister podcast, Chica and the Man, came to an end in September due to our busy schedules. It was a bittersweet goodbye since my co-host Alex is a dear friend of mine.  Overheard at Chica's Café is all about my friends, and I can't wait to introduce you to more of them. And not just my friends - I'll also be featuring associates I have worked with in the past. This will not only be entertaining but also educational as you'll get insight into what it takes to be in these positions in the entertainment industry. So, stay tuned for more episodes where friends meet at Chica's Café. This year we had amazing friends visit the café and I want to thank the following guests. Che Rae Adams – Let’s Talk Theater – Artistic Director of PlayPen in Philadelphia. Che’Rae has been a longtime friend. Kelly Keefe – Multi-Disciplinary Artist – Author, Musician and founder of Heartspace.co a mindfulness platform. Steve Walker – Theatrical Agent – Connor Ankrum & Assoc. in Los Angeles Marabina Jaimes – Actor, Voiceover Artist & Producer and I got signed to my voiceover agents DDO LA. because she helped me with my demo tape. I’m very grateful. Jane Witzenburg – Musician and Music teacher Doreen Calderon – Actor, Fatal Attraction Kristi Schultz – Theatre Maker, Director & Educator Norma Maldonado - Actor Denise Sanchez – Actor, Bosch Legacy – I play her mom on the Bosch Legacy TV Series. The links to the episodes are on our website:  https://overheardatchicascafe.com/chicas-cafe-podcast/ Thank you and many blessings and Happy New Year.

Join us in celebrating the beginning of a new year with our special guest, Sound Designer and Composer Jane Shaw. We delve into her journey into the world of sound design for theater, and explore her impressive list of credits. Our conversation is full of fun anecdotes about her career, as well as her hobbies outside of work. As one of the founding members of TSDCA (Theatrical Sound Design Composer Association), she has a wealth of knowledge about the history and current state of sound design in the theater world. So, if you're interested in learning more about this field, this episode is a must-listen! "I love supporting story and emotion thru sound and music. I am endlessly inspired by my directors, fellow designers, actors, singers, musicians, as well as the messy, wonderful, dirty, haunting, and tormented manmade and natural world that surrounds us."   Jane Shaw—Sound Designer & Composer Recent: Little Women (Seattle Rep, Milwaukee Rep), A Christmas Carol (Guthrie, composer), The Art of Burning (Huntington, Hartford Stage), The Wanderers (Roundabout, The Old Globe), The Railway Children (Northern Stage, music & lyrics with Mark Hartman), and The Engagement Party (The Geffen, Hartford Stage). New York: Playwrights Horizons, Manhattan Theatre Club, Theatre for a New Audience, National Black Theatre, Rattlestick, The Women's Project, Repertorio Español, New York Theatre Workshop, and over thirty productions with the Mint. Regional: The Alley, Shakespeare Theatre Company (DC), ACT (San Francisco), American Repertory Theater, Cleveland Play House, The Old Globe, Mark Taper Forum, Two River Theater, Cincinnati Playhouse, Milwaukee Rep, Hudson Valley Shakespeare Theater, Arena Stage, Asolo Rep, Dorset Theatre Festival, Denver Center, TheatreWorks Silicon Valley. Recognition: Drama Desk, Connecticut Critics Circle, Henry Award, Bessie Award, Premios ACE 2012, NEA/TCG Career Development Grant, Meet the Composer Grant, and several Lortel nominations. Member: USA 829, TSDCA (Theatrical Sound Designers and Composers Association). Ms. Shaw is a graduate of Harvard University and the Yale School of Drama, and hails from Lawrence, Kansas.  https://www.janeshaw.com/  

This month on Overheard at Chica’s Café, we welcome Che'Rae Adams. Che’Rae is the Artistic Director of PlayPen in Philadelphia and the founding director of LA Writer’s Center. We discuss the current state of theater after the pandemic and what’s to come for this creative community. Che’Rae gives us an insight into her journey as a full-time artist; from an actor, to director, dramaturge, and now Artistic Director. Listen in to hear her words of wisdom about the future of theater. Che’Rae has been the Producing Artistic Director of the LA Writers Center since 2006 where she develops new work with local writers. She was the Director of Operations and Programming for the Moss Theater in Santa Monica for seven years and has been the Development Executive for Playhouse Pictures Studios, Co-Artistic Director of the Road Theatre Company, and Managing Producer for the LA Women’s Theatre Festival. She began her career as the Assistant to the Staff Producer at The Mark Taper Forum where she worked on the writing workshop of the Pulitzer Prize winning Angels in America, Part II: Perestroika. As you can imagine, this was like a master class in new play development for her. Bitten by the new play bug, she went on to do other projects for the Taper that supported playwrights such as coordinating the Taper Lab Series and Mentor Playwright’s Series. There she worked with writers such as Luis Alfaro, Anthony Clarvoe, Han Ong, Oliver Mayer, Ellen McLaughlin, Alice Tuan and Mac Wellman. She has a master’s degree from the University of Cincinnati, College Conservatory of Music (CCM) and a Bachelor of Arts Degree from California State University, Northridge. For almost two decades, she has produced the Directors Lab West which takes place at the Pasadena Playhouse annually. Che’Rae has developed and directed the West Coast premiere productions of several new plays including plays by Lee Blessing, Ken Hanes, Tim Toyoma, Patricia Cardosa, John DiFusco, Jon Bastian, and Abi Morgan. She has also provided direction and/or dramaturgy for productions with Cincinnati Opera Outreach, Disney/ASCAP Musical Theatre Workshop, Highways Performance Space, and Troupe Vertigo at the John Anson Ford Amphitheatre. She has worked with prominent performers such as Tonya Pinkins, Lynn Redgrave, Kim Fields, and Carlos Alazraqui; as well as award winning directors and choreographers such as Vincent Paterson, Tom Hulce, Jane Jones, Bonnie Story, Kitty McNamee, and Tina Kronis; and distinguished designers such as Sara Clement, Cricket S. Myers, and Ming Cho Lee. As a producer for Directors Lab West she has curated close to two decades of programming (workshops, panels, and master classes) at the Pasadena Playhouse. This annual event hosts fifty international midcareer directors free of charge. Highlights include Vincent Paterson, Moises Kaufman, Jason Alexander, Martin Benson, Marc Masterson, Todd London, Sheldon Epps, George Furth, Anne Cattaneo, Des McAnuff, Jessica Kubzansky, Chay Yew, Jack O’Brien and Bill Rausch. Che’Rae is an advocate for diversity, equity, and inclusion. She spent the last two years of the pandemic producing diverse online programming with HowlRound TV in response to the social inequity taking place in our society. Recently, she curated Breathe: A BIPOC Reading Series in response to George Floyd’s murder; Home: Asian Voices Reading Series to amplify Asian-American stories; and The Voices of Afghanistan project where monologues were constructed from interviews with Afghan artists in hiding. Check out her previous interview on the podcast. LA Writers Center PlayPen in Philadelphia, PA Info video on PlayPen on YouTube

My life and acting updates. It's been a few months since my last post, mainly due to the writer's and actor's strike. Negotiations between SAG-AFTRA and AMPTP are ongoing, but I'm grateful for the updates each day. In the meantime, I've been attending many commercial auditions in person and through self-tapes. Although I haven't booked any of them yet, being put on avail several times in the last month tells me that I'm headed in the right direction. As a matter of fact, I have another call-back on Monday Oct 30th so let's hope for the best. There have been several changes recently as well. For one thing, I got signed by DDO Agency for voiceover, thanks to my friend Marabina Jaimes who helped me put together my voiceover demo. Last week, I had an audition for dubbing animation which was pretty exciting. Unfortunately, Chica and the Man Podcast aired its last episode on Sept 30th of this year. Working with Alex Greenwood was great fun, but our busy schedules prevented us from continuing further. Nevertheless, we still keep in touch and remain good friends. Check out the blog. Currently, I'm working on updating my YouTube channels as they're overdue for new content. This year has witnessed both loss and gain, but it's always important to be thankful for what we have regardless of life's circumstances. Join me in celebrating life and all its blessings.  

This month, join us at Overheard at Chica's Café as we welcome Kelly Keefe to the show. We'll have a great time as we share stories about the lessons we've learned through entertainment and life. She'll discuss her music releases, books, and how she developed Heartspace.co through mindfulness. Listen in for helpful hints from the entertainment industry and learn how to find success in your artistic endeavors. Kelly Keefe is a multi-disciplinary artist, including comedy, music, writing, and more. As a wordsmith, best-selling author, innovative leader, empowerment guide, and Reiki teacher and the founder of The Heartspace.co established in 2016 helping individuals and groups elevate into states of thriving. She works deeply with the Divine Feminine energy to endlessly create uplifting experiences, creations, and teachings. Her music is a multi-dimensional experience created intending to expose and elevate the different facets of herself, and as a reflection - of everyone. Kelly is a world traveler serving, performing, and creating as needed and desired. Ready to thrive and live alive? Welcome to The Heartspace. Instagram: @iamkellykeefe Heartspace.co TheKellyKeefe

In this month's episode, I'm joined by Steve Walker, a theatrical agent. We talk about what it takes to be a successful actor, from preparing for auditions, marketing oneself and honing one's skills. Listen in as Steve gives us a crash course on the responsibilities of an agent and the things actors should focus on. Steve Walker has been a talent agent for 17 years with Connor Ankrum & Associates in Los Angeles. He holds a Master's Degree in Administration from New York University and used to oversee the daily operations of multiple small theater companies before relocating to the West Coast. With a deep-rooted admiration for actors, Steve values the effort they put into preparing for auditions.

This month we welcomed Marabina Jaimes, an amazing fellow actor. Our conversation was so lively that we kept interrupting each other! We touched on the SAG-AFTRA Actor's strike, a labor dispute concerning television and film. While it's still permitted to make commercials and do dubbing, many unions are supporting the writers and actors faced with the stalemate. Marabina has won numerous awards for her diverse talents. Sonia mentions the movie she appeared in alongside Bob Odenkirk—'Life Upside Down'. Tune into this fun and informative episode. Stage, Film, and Television Performer, Voice Talent, Director, and Producer. Best known as "Mara" the Emmy Award Winning Host of PBS "Storytime", Carmen in Klasky-Csupo's "Santo Bugito" (CBS), and Principal subject in the documentary "Now En Espanol" (PBS).   A multiple award-winning producer, she adds a Telly and Omni Award for Co-Hosting/ Co-Producing @TheTrendTalkShow, and just won "Best TV Pilot" for Renee Vaca's "Inland Empire" at the Mexican American Film Fest.   Hispanic Lifestyle Magazine named her a "Latina of Influence" and she is the Lead Bilingual Voice Over Coach at www.AcademiaDeLaVoz.com. Recent credits include Bosch Legacy, High Heat, The Patient's of Dr. Garcia, and This Fool. Marabina Jaimes' website. Marabina Instagram. Life Upside Down with Bob Odenkirk.

This month's episode is with musician, songwriter and music teacher Jane Witzenburg. We discuss her journey into acting and music and how she progressed during difficult times. Her band Summercatz has performed throughout the Los Angeles area. Jane is currently teaching privately and at in the Los Angeles Unified School District. http://summerlinmusicstudio.com Summercatz Band website Butterfly Video Insane Song Video

On this month's episode of Overheard at Chica's Café, I have the pleasure of interviewing Doreen Calderon, a fellow actor and long-time friend of mine. We've shared the stage together in a musical, and right now you can catch her in Fatal Attraction on Paramount+. Our conversation covers her experiences as an actress and how she helps other actors develop their skills. Doreen Calderon is an American television, film and theater actress. She can be seen in the recurring role of "Maureen Walker" in Fatal Attraction (Paramount+). In 2022, she played!"Raquel Torres” in the Oscar nominated Live Action Short, Please Hold. Recent TV credits include White House Plumbers (HBO), Riverdale (CW), Loot (AppleTV), and Call Me Kat (FOX). Doreen has been a core performing member of the nation's longest running Asian-American improv-comedy troupe, Cold Tofu, since 2017. She is also a Certified Impact Catalyst (coach), and a professional Dream Interpreter.   imdb.me/DoreenCalderon IG: @doreen_calderon IG: @the.recognized.actor Youtube Channel: @DoreenCalderon TheRecognizedActor.com cellardoordreams.com/

In today's episode we have Kristi Schultz, a theatre maker, director and educator. We discuss her journey from college to New York where she worked at a strip house. Don't get too excited she wasn't stripping. Her stories from that time are entertaining and are the premise of her solo show Operation Dollhouse. We discuss how she got started in Los Angeles. Join in to this interesting and might I say, educational episode of life in the dollhouse. Kristi Schultz is a hyphenate Theatre maker and Teaching Artist using interdisciplinary movement-driven performance practices to reinvent classics, adapt literature, and devise original work. Kristi is on the Theatre Faculty at Marlborough School in Los Angeles and Artistic Director of the Marlborough Ensemble Theatre.  Kristi developed the Musical Theater and Dance Program at New Roads School. Her productions of IN THE HEIGHTS and CHICAGO, received several Jerry Herman Award nominations including Best Production. She won the award for Best Staging & Choreography for IN THE HEIGHTS. In the years under her guidance, the New Roads Dance program grew exponentially. At New Roads, she was an Artistic Producer for the Moss Theater, producing guest productions and developing guest artist partnerships. She also implemented a workshop lab for Performance Activism. She has been a guest faculty member at the Arkansas Arts Center Children's Theatre, Bluepalm Arts, Rembiko Edinburgh Project, and CalArts Interim Project teaching acting, movement, and composition, and leading professional development for Faculty, as well as guest Directing.  From 2006 to 2010, she was Producing Artistic Director of the award-winning LA company, Zoo District, helming their 3 year residence at [Inside] the Ford as part of the Ensemble Theatre Collective. At the Ford, she directed a critically acclaimed production of Ionesco's THE SUBMISSION and THE FUTURE IS IN EGGS, produced and performed in THE DEFENDERS in Los Angeles and San Francisco, the show garnered 5 Garland Award Honorable Mentions. For Zoo District, she received grants from the Doris Duke Foundation, Network of Ensemble Theatres, Flintridge Foundation, and LA County Arts Commission. At the Ford, she curated and presented original works in progress in SHOT IN THE DARK and JOUR DE BOSSE CABARET. She was commissioned by Padua Playwrights to direct the World Premiere of Murray Mednick's play, DESTRUCTION OF THE 4th WORLD. Currently, she is dedicated to championing new voices with several projects on deck. As Covid struck in 2020, she was directing the premiere of FLESH by Ash Nichols at INKFest at the Broadwater, and her last live performance was a workshop of THE INCIDENT at MeetCuteLA.  She is working on her own solo performance piece, OPERATION DOLLHOUSE. She has been a Company Member and Festival Producer for SON OF SEMELE ENSEMBLE, continuing to produce original work for the Quick Creation Festival throughout COVID in a virtual format.  She could also be seen performing with the Grand Guignolers. She is an Associate Producer for the SSDC Director's Lab West 2023. Other work in New York incudes Third Rail Dance in SPUN, Director at New York's Theatre Studio, Inc., Choreographer for Yale Drama Cabaret's ROCKY HORROR. She spent many years as a musical theatre performer and dance captain, making special appearances as a singer/entertainer at a variety of New York and Los Angeles corporate events, industrials, and fundraisers, including The Drama League's annual Broadway Bash. An alumna of Carnegie Mellon University School of Drama, the British American Drama Academy, SITI Company Intensives, Frantic Assembly Train, and the SDC Director's Lab West, she is a member of AEA, TCG, and the Network of Ensemble Theatres.    Theatre Maker, Director, Educator www.kristischultz.com @schultzie56

Norma and I have been friends for many years. Our friendship began during an audition, and we've stayed in touch ever since, discussing how the entertainment business has changed over time. We cover topics like what they expect of an actor when they are auditioning, working on a self-tape or going into the casting office, and how long it usually takes to complete an audition from start to finish. This episode gives you an idea of what to expect if you're interested in pursuing a career in acting. Norma Maldonado Bio Born on Governors Island, New York County, New York, actress Norma Maldonado has had a love for acting since childhood. She is of Puerto Rican and Spanish heritage. Norma's father, Juan Arturo Maldonado, was in Air America for the US Air Force. Her family frequently relocated and required her to adapt to many new surroundings. She has starred in dozens of film and television projects including Showtime's Hombre, The Good Doctor, Recurring Guest Star on Jane the Virgin and The Fosters. She had guest roles in The Librarians. Superior Donuts, Amazon's Mad Dogs, Mad Men, Breaking Bad, The Closer among many others. She earned her Bachelor's degree in Psychology at the University of Puerto Rico and completed one year of clinical psychology at Albizu University. Later, she went on to earn a Masters in Communications from the University of Georgia. Over the years, she developed an ear for languages and accents. Her fluency in English, Spanish and Serbian has helped open doors to many interesting roles, including that of a rape counselor in a short film for the United Nations. She helps St. Jude's Children's Hospital, Susan G. Komen Foundation, and groups working to stop the sex trafficking of children and young people.

Oops! I forgot to get a guest for this month. If you listen to my other podcast, you'd know why. It's a downer, so I don't want to discuss it here. I decided I'd tell you about some films and TV shows and my experience with them. I basically just go through a few on my resume which you can catch on my website, https://sonialozada.com/resume/. You can see that on my IMDB profile. Most of my experiences on the set have been exciting and fun. Check out the tidbits you can find out about life as an actor.

Denise Sanchez is the January guest on Overheard at Chica's Café. We met when I played her mom on the TV Show, Bosch Legacy. It was a great experience. Denise is fun and we talk about her career and self-care. We share our acting experiences, laugh and enjoy our conversation. Check out this entertaining episode. Denise Sanchez was born in Connecticut, where she spent her childhood and teenage years. She earned a degree in broadcast journalism before changing course and moving to NYC to pursue a modeling career. While living in Manhattan, she fell in love with acting, ultimately leading her to leave New York for Los Angeles. She has appeared in numerous national commercials, and is best known for her recurring role as Alicia on FX's acclaimed series "Mayans M.C." Denise has appeared in NBC's hit series "The Good Place", The CW's "Crazy Ex-Girlfriend," CBS' "Criminal Minds," and ABC's "General Hospital," among other series. Soon to be seen starring in Amazon's "Bosch" spin-off titled "Bosch: Legacy" (IMDb TV series releasing 2022), fans will meet her character Reina Vasquez, a first generation Latinx American cop who takes Maddie Bosch (Madison Lintz) under her wing as Harry Bosch (Titus Welliver) embarks on the next chapter of his career and finds himself working with his one-time enemy, Honey Chandler (Mimi Rogers). Check out Denise Sanchez' Website: http://www.denisegsanchez.com/ Overheard at Chica's Café Website: https://overheardatchicascafe.com/

It's that time of the year where most of us reflect on what we did or didn't do in 2022. Looking forward to an upward emotion in 2023. I'm hopeful. Even though, like many others, I've had a challenging year in various aspects of my life. I feel hopeful and excited about the new year. It might be a dream, but I'm okay with it. We need to flourish with possibilities. As many know from my podcasts and blogs, I love comedies, enjoying a quiet evening with family and friends and quotes. Salvador Dali "Have no fear of perfection—you'll never reach it." Dr. Seuss "You'll never get bored when you try something new. There's really no limit to what you can do." Pablo Picasso "Action is the foundational key to all success." Alan Cohen "Do not wait until the conditions are perfect to begin. Beginning makes the conditions perfect." Antonio Banderas "Expectation is the mother of all frustration." S. Lewis "You are never too old to set another goal or to dream a new dream." Melody Beattie "The new year stands before us, like a chapter in a book, waiting to be written." Taken from the Loving Kindness Meditation May you be happy, May you be healthy, May you be safe, May you live with ease Que seas feliz, que estés sano, que estés a salvo, que vivas con tranquilidad I wish you a safe and Happy New Year.

This is an entertaining episode with one of my favorite people Lindsay Jones, a Tony Awards nominated Sound Designer &amp; Composer. He explains how he got started in his career of composing music and sound design. We give a shout out to TSDCA.org (Theatrical Sound Designers and Composers Assoc.) which he is a founding member. We discuss the importance of music on film and stage projects, referring to well-known songs and their influence. In theatre, he has been nominated for the Tony Awards of Best Score and Best Sound Design of a Play. His Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill. His off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 500 productions in regional theatres across the US. Awards include seven Joseph Jefferson Awards and twenty-four nominations, 2 ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. In film/television, he has created original score for over 35 projects, including HBO Films’ A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; TV shows such as Sony Pictures’ series Family Practice for Lifetime Television, shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices andCleaveland. His current score for Dinosaur Discoveries is now playing at the Houston Museum of Nature Science. In podcasts, Lindsay is currently the in-house composer/sound designer for the weekly podcast The Imagine Neighborhood, produced by the Committee For Children as well as the in-house designer for the Play On Shakespeare series for Next Chapter Podcasts. Other podcast and audio drama work includes A Streetcar Named Desire (starring Audra McDonald) for Audible, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Hamlet for KPBS/The Old Globe, Soundstage for Playwrights Horizons, Twelfth Night and Measure For Measure for Chicago Shakespeare, and The Intersect for Micromass. In education, Lindsay is currently an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he’s taught include Yale, Juilliard, Northwestern, Purdue, DePaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. In advocacy, Lindsay is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. He is also a founding member of NO MORE 10 Out Of 12’s, an advocacy group dedicated to safe working environments in theatre. Lindsay Jones: <a href="https://www.lindsayjones.com/" title="Click to open in a new window or tab https://www.lindsayjones.com/">https://www.lindsayjones.com/ TSDCA: <a href="https://tsdca.org/" title="Click to open in a new window or tab https://tsdca.org/">https://tsdca.org/ Imagine Neighborhood: &nbsp;<a href="https://www.imagineneighborhood.org/" title="Click to open in a new window or tab https://www.imagineneighborhood.org/">https://www.imagineneighborhood.org/

Rick Garcia and I have been friends for many years and I just had no idea how much he's done in music, film and TV. Listen to this informative interview and learn what it takes to be successful.&nbsp; Rick Garcia was born and raised in San Diego, a small south Texas town located 80 miles from the Mexican border. After leaving South Texas he moved to Austin where he began his music career performing and touring with local bands before relocating to Los Angeles... ...as lead singer for bands, THE GREEN CAR MOTEL and earlier ACT of FAITH. In 2004, Garcia found his way into the world of film; he co-wrote and performed several songs which included the theme song for COLLATERAL starring Tom Cruise, Jamie Foxx and directed by Michael Mann. He has written and performed songs for the Academy Award winning film BROKEBACK MOUNTAIN, SEVEN POUNDS and THE INTERPRETER. In 2010, he co-composed the award-winning film score for ANOTHER HARVEST MOON starring Ernest Borgnine and Doris Roberts.&nbsp; In 2011, Garcia co-wrote, co-produced and performed songs for the Academy Award winning animated film RANGO, starring Johnny Depp, directed by Gore Verbinski. Working on that film also permitted Garcia to perform songs in character voice as the four Mariachi Owls, the characters who narrated the film in song. In 2014, he co-wrote, performed and co-produced the songs for numerous Disney animated projects including Disney Junior’s night-time series QUIET IS and the made for TV Disney Junior movie LUCKY DUCK starring Broadway stars Christian Borle and Megan Hilty.&nbsp; Garcia was asked to co-compose, arrange and co-produce the opening and closing music for the 2015 PASADENA ROSE PARADE in Pasadena, California.&nbsp; In 2016, he co-wrote and co-produced songs for the feature film FALLEN, a fantasy-thriller starring Lola Kirke and Joely Richardson and directed by Scott Hicks.&nbsp; In 2017, screenwriter and award winning film director Issa Lopez reached out to Garcia to co-write, co-produce and perform the theme song for her 2018 film TODO MAL. In conjunction with the film release, the theme song was released as a single in Latin America. Also, he worked and provided songs for the MGM film OVERBOARD starring Anna Farris, Eva Longoria and Eugenio Derbez. In 2019 Garcia co-composed, co-produced and performed the theme song for REPLICAS starring Keanu Reeves and directed by Jeffrey Nachmanof. Garcia has worked with renowned film composers Hans Zimmer, Gustavo Santaolalla, James Newton Howard, Heitor Pereira and William V. Malpede to name only a few. Also, Garcia has worked with renowned film directors, Gore Verbinski, Ang Lee, Michael Mann, Issa López and Howard Deutsch. He has established himself as one of the most respected and sought after singer-songwriters' working in film and music today. He's been asked to participate in ASCAP and Grammy Association panels to discuss the various aspects of the film music industry.&nbsp; Garcia is currently writing and producing songs for a number of upcoming films and is working with various renown recording artists on some exciting new projects.&nbsp;

Danny Mora is my guest this month. We reminisce about our first play together many decades ago. Where he couldn’t locate the entrance to the stage and the hysterical experiences of that night. We laugh about funny acting experiences and how we got into acting. This is a very enjoyable and entertaining episode – just like Danny. You’ll learn about acting, life and how to have fun. Tune in I know you’ll enjoy this episode. Daniel Edward Mora is an actor known for his work in the multiple Oscar-winning Disney film COCO, A RECURRING ROLE IN THE Peabody Award-winning FX Network series THE BRIDGE, and another regular part in the web series SIN VERGÜENZA, which earned him a nomination to the Imagen Award for best actor in a series. A native of Los Angeles who was raised in San Diego, Mora joined the Army after graduating from high school. After spending three years as a paratrooper in the 82nd Airborne Division at Fort Bragg, North Carolina, he studied business administration at San Diego State University. Rediscovering a love for acting which had been planted in elementary school and later rekindled in a community college, Mora moved to Los Angeles to try his luck in the movie business. And lucky he has been. In addition to the acclaimed COCO and THE BRIDGE, his movie and television credits include: FRESH OFF THE BOARD, AVENGE THE CROWS, 911, THE MENTALIST and FILLY BROWN, a movie favorite that screened at the prestigious Sundance Film Festival. Along with his acting, Mora is a proud Army veteran who is currently an active member of the Coast Guard Auxiliary Reserve.

In this month’s episode we have Che’Rae Adams, Artistic Director of Playpenn and LA Writer’s Center. She’s has been a friend for decades. I’m not telling you how long, but decades. We discuss all entertainment. The enjoyment and love for our fields and our trials and tribulations of working in theatre and TV/Film. We discuss funny mishaps in theatre. Casting and self-taping. What it takes and how we work in our perspective careers. Join in. If you’re an actor, dramaturg, or in entertainment, you’ll find this conversation engaging. https://www.playpenn.org/ http://www.lawriterscenter.org/

Uli Bella is a founding member of the music group, Ozomatli. He and I have been friends for many years and I was excited to interview him for the show. We talk about the new album Marching On and its singles: El Destino &amp; Marching On. Ozomatli’s journey from the formation of the group to the current core members. Their music collaborations with Gaby Moreno, Lisa Lisa and B-Real of Cypress Hill. Ozomatli's collaborative, energetic blend of multi-cultural music and activism has earned them three GRAMMYs®, four Hollywood Bowl shows, a TED Talk and much more. Since forming in 1995, the Los Angeles-bred lineup has inspired and energized listeners as far away Burma and Mongolia: Ozo's messages and music, sung in both Spanish and English, need no translation. Like The Doors, X, Los Lobos, the Red Hot Chili Peppers and other L.A.-based artists who take cues from the city and also reflect and unearth its movements, Ozomatli reaches from the curbs to the high-rises. Ozomatli's commitment to social justice is ongoing. Their 2019 single "Libertad," with founding members Chali 2na (Jurassic 5) &amp; Cut Chemist, was the first release together since Ozomatli's 1998 debut album. It highlighted the struggle of Latin workers in the U.S. who sacrifice everything to help family on the other side of the border wall. In 2008 the U.S. State Department appointed the band United States Cultural Ambassadors; in 2009 and 2010 Ozo performed for President Barack Obama. Hometown honors arrived in 2013, when April 23 was deemed "Ozomatli Day" in perpetuity, and in 2011, Ozomatli was awarded the NCLR (National Council of La Raza) Capital Award. In 2022, Ozo's new songs, stronger-than-ever brotherhood and creativity culminated in Marching On. Produced by David Garza (Fiona Apple, Sparta) at El Paso's Sonic Ranch, the LP's 11 songs are a unified blend of the members' influences and ideas. Guests include J.J. Fad and Lisa Lisa on "Fellas," while "Mi Destino," sung in both English and Spanish, features Cypress Hill's B-Real and Guatemalan singer-songwriter Gaby Moreno, who also lends her vocals to the title track "Marching On". If the city of Los Angeles had a soundtrack, it would be Ozomatli's music. As founding members Jiro Yamaguchi and Uli explain: "You drive down Sunset Boulevard and turn off your stereo and roll down your windows and the music that comes out of each and every different car, whether it's salsa, cumbia, merengue, Hip Hop, funk or whatever, it's that crazy blend that's going on between that cacophony of sound is Ozomatli, y'know?" Band members: Raúl Pacheco – Lead &amp; Backing Vocals, Guitar, Tres, Jarana Asdrubal Sierra - Lead &amp; Backing Vocals, Trumpet, Piano Justin 'El Niño' Porée - Percussion, Rap Vocals, Lead &amp; Backing Vocals Ulises Bella - Saxophone, Lead &amp; Backing Vocals, Requinto, Jarocho, Keyboard, Melodica Wil-Dog Abers - Bass, Marimbula, Backing Vocals Jiro Yamaguchi - Drums, Percussion, Backing Vocals Ozomatli – Moving On @ulibella https://ozomatli.com/ https://www.facebook.com/ozomatli/ https://www.youtube.com/user/OzoVideos

The premier episode of Overheard at Chica's Café is honored to present Jerry Bell. A legendary singer and martial artist. We discuss how he got started in both martial arts and as a singer. We have a great treat as he sings the song Just Believe in Love! Check it out.&nbsp; Jerry Bell is a stylist in all facets of life, whether it's singing, martial arts, or acting. His passion for music emanates from early vocal training while growing up in Philadelphia in a musical family which has produced gold and platinum albums for two decades. One of his brothers is Archie Bell of Archie Bell &amp; The Drells, which has the hits; "Tighten Up," "Showdown," "I Can't Stop Dancing," "Let's Groove," and many more. Also, starting with his own group while still in high school, known as The Delusions. Jerry's vocal skills came from his mother, who was a church singer, Jerry also had a band out of Miami, Florida named the Miami Ocean Liners, which later became KC &amp; The Sunshine Band. As life would have it, he would go back to Philadelphia and join forces with his best friends McFadden &amp; Whitehead who were the top writers for Philadelphia International Records, recording such hits as "Ain't No Stopping Us Now," "Bad Luck," "Back Stabbers," "Cowboys to Girls," "For The Love Of Money," and many more. Jerry would later move to California where he would become friends with Marvin Gaye and learned many vocal and stage techniques as well as singing background vocals for Marvin Gaye. Later he would team up with more of his friends such as James Baker, Austin Lander and Tony Churchill and began to sing lead and backup vocals for New Birth. After leaving The New Birth in 1979, he then would join up again with other friends, Philip Bailey, Ralph Johnson, Marlon McClain and become one of the lead vocalist for Motown recording artist Dazz Band. He has also recorded as a solo artist in 1980 on MCA Records, releasing his solo LP "Winter Love Affair". Prior to signing with Motown, The Dazz Band was formerly known as Kinsman Dazz and includes the merging of Bell. In 1981, Jerry Bell was invited into the group as one of the vocalists by Ralph Johnson of Earth Wind &amp; Fire. Jerry had a solo LP on MCA at that time, called "Winter Love Affair," but joined the group as well. New Birth, originally called the The Nite-Liters, was formed by Tony Churchill and Harvey Fuqua. In 1975, Tony Churchill, James Baker, and Austin Lander asked Jerry Bell to join the group. Jerry sang for New Birth 1976 until 1979. Influences Mother Mattie Bell, older brother Archie Bell, Marvin Gaye, James Brown, David Porter, John Whitehead, Kenny Gamble, Larry Graham, Curtis Mayfield, Isaac Hayes, Donny Hathaway, Stevie Wonder, George Benson, Theodore Life, Al Jarreau, Bobby Womack, The Delfonics, The Moments, The Temprees, Bobby Harris, Reggie Andrews, Tony Churchill, Austin Lander, James Baker, Jimmy Bo Horn, The Miami Oceanliners. Sounds Like The Delfonics, Will Downing, Stevie Wonder, Donny Hathaway, The Unifics, The Dazz Band, The Gap Band, Marvin Gaye, New Birth, The Temprees, The Moments.&nbsp; Instagram: @jerrybellofficial&nbsp; https://www.jerrybellmusic.com/&nbsp; Get Jerry Bell's just-released single here: Keep it Real https://www.youtube.com/user/jerrybelltheblackryu

Welcome to Overheard at Chica’s Café, Where Friends Meet is an entertainment podcast. After producing two other podcasts, Poetic Resurrection, which is An introspective look at life and our Perceptions and Beliefs. It’s a self-help poetry site and Chica and the Man, As Unscripted as it Gets, is about two podcasters, Alex and Sonia who talk about anything that comes to mind on the day of the recording. One of the episodes of Chica and the Man was called Overheard at Chica’s Café and I thought what a fun name for a podcast. It’s not gossip, just hearing two friends talk. This one is light, and interesting, and the goal is to have it bring a smile to your face. Tune in. Peace. Sonia Poetic Resurrection https://poeticresurrection.com/ Chica &amp; the Man: https://chicaandman.com/