Palaeocast

The Carboniferous period is host to some of the largest arthropods to have ever lived. Giant taxa such as the griffenfly Meganuera and the millipede Arthropleura are almost talismanic and are often depicted in reconstructions of the period. Since many other groups also have giant representatives in the Carboniferous, what is it about this time that allows for arthropods to grow to such large sizes? Arthropods breathe very differently to how we do with many using a series of branching hollow tubes called trachea for gas exchange throughout the body. This tracheal system uses diffusion and advection to exchange oxygen and carbon dioxide from areas of higher concentration to lower concentrations. In 1995, a study in the journal Nature suggested that elevated oxygen concentrations in the Carboniferous (approximately 30%, as opposed to 21% today) allowed for gigantism in arthropods since oxygen could diffuse deeper/further into their larger bodies. A recently published study in the same journal is now casting doubt on that interpretation and in this interview, we are joined by one of the authors, insect physiologist Prof. Jon Harrison from Arizona State University. He introduces us to the tracheal system and its link to the size of insects in the Carboniferous.

The Carboniferous period is host to some of the largest arthropods to have ever lived. Giant taxa such as the griffenfly Meganuera and the millipede Arthropleura are almost talismanic and are often depicted in reconstructions of the period. Since many other groups also have giant representatives in the Carboniferous, what is it about this time that allows for arthropods to grow to such large sizes? Arthropods breathe very differently to how we do with many using a series of branching hollow tubes called trachea for gas exchange throughout the body. This tracheal system relies upon the process of diffusion where oxygen and carbon dioxide will be exchanged from areas of higher concentration to lower concentrations. In 1995, a study in the journal Nature suggested that elevated oxygen concentrations in the Carboniferous (approximately 30%, as opposed to 21% today) allowed for gigantism in arthropods since oxygen could diffuse deeper/further into their larger bodies. A recently published study in the same journal is now casting doubt on that interpretation and in this interview, we are joined by one of the authors, insect physiologist Prof. Jon Harrison from Arizona State University. He introduces us to the tracheal system and its link to the size of insects in the Carboniferous.

Prof. Paul Barrett of the Natural History Museum, London, recently authored A History of Dinosaurs in 50 Fossils. We took this as an opportunity to get an overview of what we really know about dinosaurs and how it's even possible to tell their story with just 50 specimens. In this episode, Paul discusses the history of dinosaur research, the current state of the science and what are still some of the big unknowns.

Petrified Forest National Park in northeastern Arizona, USA is a hub for Triassic palaeontology and has exposures representing 20 million years of the Late Triassic Chinle Formation. Visitors marvel at the colourful fossilised trees from which the park takes its name, but a whole host of animals called these swampy forests home 225 million years ago. In this episode, we talk to Dr. Adam Marsh, lead palaeontologist at the National Park. We explore the history, geology, and palaeontology of Petrified Forest, along with exciting research centred around specimens from the park. Research is ongoing, with many groups of palaeontologists working on Petrified Forest specimens, and we hear about directions it might go in the future.

Today, there is only one living species of rhynchocephalian: the tuatara of Aotearoa/New Zealand. Despite today's paucity of species, this was once a diverse group of reptiles, with a wide range of lifestyles from swimming in the ocean to climbing trees. Once highly abundant around the world, reasons for their decline are still debated and may have had to do with competition from their relatives, the squamates, or changing environments. Rhynchocephalians are related to lizards and snakes within Lepidosauria, but despite their outward appearance, are not lizards themselves and have a number of differences that make them distinct. In this interview, we speak to Dr. Victor Beccari, an expert in rhynchocephalians, and discuss this and more about this fascinating group of reptiles.

We've been given exclusive access to a brand new study examining the chemistry of a mosasaur tooth found within the Late Cretaceous Hell Creek Formation, North Dakota. The remarkable circumstances of how this tooth was discovered meant that multiple lines of chemical evidence could be reliably gathered, each acting as a powerful palaeoenvironmental proxy providing clues as to how and where this giant aquatic predator lived. The results of the study now mean that a revision of mosasaur palaeoecology is required and that food webs in one of the world's most famous fossil deposits might need redrawing. Joining us in this episode are the lead authors Nathan Van Vranken (Eastern West Virginia Community and Technical College) and Melanie During (Uppsala University & Vrije Universiteit Amsterdam). Their study "King of the Riverside", a multi-proxy approach offers a new perspective on mosasaurs before their extinction is open access and available in BMC Zoology now!  

The iguanodontians were an incredibly successful group within the Cretaceous. They could reach incredible sizes, with the largest species even matching the proportions of some sauropods, and they also had an incredible palaeogeographic range, meaning that their remains are found all over the world today. In the late Jurassic, they were a lot less diverse and much smaller, so the late Jurassic and early Cretaceous are key times for understanding the evolution of this group. Cariocecus bocagei is a newly described iguanodontian from the Early Cretaceous of Praia do Areia do Mastro, Portugal. Whilst it is only know from a partial skull, there are numerous useful characteristics that help identify it as a new species and fill in our understanding of iguanodontians in this important time in their evolution. Joining us in this episode is Dr Filippo Bertozzo of the Royal Belgian Institute of Natural Sciences.

Grassy biomes, including grasslands, savannahs and crops, cover over 40% of all land on Earth. They play a significant role in carbon and silica cycles and have a large impact upon the climate. Grasslands (grass-dominated ecosystems) have shaped the evolution of numerous groups of organisms, most obviously grazing mammals, and can support a huge amount of biodiversity. Humans evolved in the savannas and through domestication of grasses formed agriculture, leading to a modern diet dominated by grasses such as oats, rice, wheat and corn. As anthropogenic climate change threatens large scale uncertainty, it's vital that we understand the controls that govern the success of this fundamentally important group. It is only by studying the evolutionary history of grasses that we might be able to predict how they will fare in future. Joining us in this episode to speak about the challenges of piecing together the evolutionary history of grasses from a relatively poor fossil record is Prof. Caroline Strömberg of the University of Washington.

Grassy biomes, including grasslands, savannahs and crops, cover over 40% of all land on Earth. They play a significant role in carbon and silica cycles and have a large impact upon the climate. Grasslands (grass-dominated ecosystems) have shaped the evolution of numerous groups of organisms, most obviously grazing mammals, and can support a huge amount of biodiversity. Humans evolved in the savannas and through domestication of grasses formed agriculture, leading to a modern diet dominated by grasses such as oats, rice, wheat and corn. As anthropogenic climate change threatens large scale uncertainty, it's vital that we understand the controls that govern the success of this fundamentally important group. It is only by studying the evolutionary history of grasses that we might be able to predict how they will fare in future. Joining us in this episode to speak about the challenges of piecing together the evolutionary history of grasses from a relatively poor fossil record is Prof. Caroline Stromberg of the University of Washington.

Determining the origin of teeth in vertebrates is an incredibly significant but notoriously difficult problem within palaeontology. Teeth didn't evolve in the mouths of our ancestors, but are first seen as part of the external skeletons of jawless fish as structures called 'odontodes'. These would later migrate into the mouth with the evolution of jaws, becoming the teeth we have today, but odontodes still remain present in the skin of modern cartilaginous fish, giving them their rough texture. The oldest known odontodes are from the late Cambrian Period and represent the very first evidence for vertebrates in the fossil record. Unfortunately, they are only ever found as part of fragmentary pieces of exoskeleton, however, given that their specific construction is only known in vertebrates, there is little else they could possibly be… Joining us for this episode is Dr Yara Haridy, University of Chicago, who set out to use modern new scanning techniques to better understand the nature of these first teeth and what they tell us about the evolution of vertebrates. What she discovered was unexpected, but also led to better understanding of the purpose of odontodes in the dermal exoskeletons of our ancestors.

Determining the origin of teeth in vertebrates is an incredibly significant but notoriously difficult problem within palaeontology. Teeth didn't evolve in the mouths of our ancestors, but are first seen as part of the external skeletons of jawless fish as structures called 'odontodes'. These would later migrate into the mouth with the evolution of jaws, becoming the teeth we have today, but odontodes still remain present in the skin of modern cartilaginous fish, giving them their rough texture. The oldest known odontodes are from the late Cambrian Period and represent the very first evidence for vertebrates in the fossil record. Unfortunately, they are only ever found as part of fragmentary pieces of exoskeleton, however, given that their specific construction is only known in vertebrates, there is little else they could possibly be... Joining us for this episode is Dr Yara Haridy, University of Chicago, who set out to use modern new scanning techniques to better understand the nature of these first teeth and what they tell us about the evolution of vertebrates. What she discovered was unexpected, but also led to better understanding of the purpose of odontodes in the dermal exoskeletons of our ancestors. Her research was recently published in Nature and is free to access.

Ants are a hugely successful family of eusocial insects with over 14,000 modern species described. They are known from every continent except Antarctica and show a wide range of ecologies. Whilst many of us are familiar with their highly organised social structures and castes, there still remain a lot of public misconceptions about how their societies function. The evolutionary history of ants is equally as impressive, with roughly as many fossil ant species known as there are of dinosaurs! Since their appearance in the Cretaceous, several early lineages of ants (stem ants) have gone extinct. In this episode, we're joined by Dr Christine Sosiak of the Okinawa Institute of Science and Technology as we explore what some of these stem ants were like and ask how the different groups of ants fared over geological time.

Ants are a hugely successful family of eusocial insects with over 14,000 modern species described. They are known from every continent except Antarctica and show a wide range of ecologies. Whilst many of us are familiar with their highly organised social structures and castes, there still remain a lot of public misconceptions about how their societies function. The evolutionary history of ants is equally as impressive, with roughly as many fossil ant species known as there are of dinosaurs! Since their appearance in the Cretaceous, several early lineages of ants (stem ants) have gone extinct. In this episode, we're joined by Dr Christine Sosiak of the Okinawa Institute of Science and Technology as we explore what some of these stem ants were like and ask how the different groups of ants fared over geological time.

An ecosystem can be described as all the interactions that occur between organisms and their physical environment. The processes acting within an ecosystem operate on a wide range of spatial and temporal scales and include both biotic and abiotic factors. Ecosystem engineers are those species that have a significant impact on the availability of resources to other species and can be responsible for the creation, maintenance, modification or destruction of an ecosystem. The introduction, or even removal, of such a species can have profound effects on both physical and biological elements of an ecosystem. Whilst we can recognise the impact of ecosystem engineers in modern systems (e.g. the introduction of an invasive species), we don't fully understand what happens when an entirely new ecosystem engineering behaviour evolves. This has undoubtedly happened numerous times throughout geological time with the Great Oxygenation Event and the Cambrian Substrate Revolution being notable examples. Joining us for this episode is Dr Tom Smith, University of Oxford, who has been using a computational approach to try to model what happens when an ecosystem engineer is introduced into an environment. The open access study is available to read here.

Found in the fossil record between the Jurassic and the middle Miocene, Notosuchia was a highly diverse and strange group of crocodylomorphs, most notable for their terrestrial lifestyle. Joining us for today's episode is Dr Yohan Pochat-Cottilloux from the Laboratoire de Géologie de Lyon, who specialises in the study of crocodylomorphs. Together, we will explore the wide range of scientific methodologies that have so far been used to study the lives of these strange reptiles and discuss how they may have looked and behaved.

The field of evolutionary biology has been greatly influenced by the development of modern genetic methodology. The understanding of genes, genomes and the molecular mechanisms key to life on Earth are all goals of evolutionary biology in the 21st century, yet its potential applications seem to be near limitless. Palaeontology and evolutionary biology continue to be closely related and both, with their deeply rooted origins, have been essential to our understanding of macroevolution (major evolutionary change over long periods of time) ever since the major development of the theory in the 19th century. In this episode, Prof. Erica Bree Rosenblum introduces us to this diverse and constantly evolving field. We cover fundamental questions such as: what are genes and genomes and why does understanding them matter; which evolutionary roles do environmental and genetic mechanisms play; and what ultimately causes the rise and fall of species. In order to better understand life on Earth, we show how evolutionary biology brings together the fields of genetics, biochemistry, ecology, palaeontology and more.

In 12 years of podcasting, we have never actually taken the time to address the fundamentals of our field. Such questions could include: what is palaeontology, what is a fossil, how does one become a palaeontologist, and why is palaeontology important? For what should have been our very first episode, we've invited Prof. Roy Plotnick, University of Illinois Chicago, to help us outline everything you need to know about the field of palaeontology. Roy has had a long and varied palaeontological career, he maintains a blog all about the field, and he is author of the book Explorers of Deep Time.

It's been two centuries since the first dinosaur, Megalosaurus, was named by William Buckland and to commemorate the date, the Natural History Museum hosted '200 Years of Dinosaurs: Their Rise, Fall, and Rebirth'. This international conference provides a snapshot of dinosaur research in 2024, demonstrating just how far our understanding of this group has come since 1824. In our coverage of this event, we speak to many of the leading palaeontologists in the field, as we look back over the last 200 years of research and consider what the next 200 might reveal.

The Middle Jurassic is incredibly important to our understanding of pterosaur evolution; however, the remarkable rarity and incompleteness of Middle Jurassic pterosaurs has long hampered scientific understanding of the lineage. Joining us this episode on the other side of the microphone is one of Palaeocast's own team members, Dr Liz Martin Silverstone, a Technical Specialist at the University of Bristol who has recently described Ceoptera evansae, a darwinopteran pterosaur from the Isle of Skye. Together, we explore the new specimen, how it fits in to the group, and the insights it can give us in to pterosaur evolution.

Originally mounted in 1907, the Carnegie specimen is the best example of the sauropod dinosaur Diplodocus, and perhaps the most famous dinosaur skeleton in the world. Casts of the specimen, including the London example known as "Dippy", were distributed around the world during the early 1900s, and a final concrete cast was even created in 1957 for the Utah Field House at Vernal. Although the moulds used to create these casts were lost sometime during the 1960's, new ones created from the concrete skeleton have allowed second generation casts to be made, with some elements being incorporated into other iconic mounts.

LOOP 8.4: LOOP Showrunner Dan Tapster returns to give a retrospective on the series and its production. We look at went well and address criticisms; is it possible to keep everyone happy? We finish this series by discussing the show's take-home messages and Dan's hopes for Life On Our Planet's legacy. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 8.3: Episode 8's producer, Sophie Lanfear, joins us again to describe how difficult it was to wrap the series up, having to balance telling the story of the last ice age with conveying the message of the series. We speak about climate change and the 6th mass extinction and try to find any positives. Ultimately, if documentaries keep having to make this point, is the message really getting through? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 8.2: Prof. Danielle Schreve, Royal Holloway University of London, joins us to cover the last 2 million years of Earth's history. We explore the periodicity of glacials and interglacials and the control Earth's orbit around the sun has on climate. She then places the Holocene's megafaunal extinctions and major palaeobiogeograpical events within this climatic context. We finally look at the impact of human radiation on the world and the lessons we can learn from this time. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 8.1: Dave and Tom introduce episode 8 and round of this special series on Life On Our Planet. We talk about our favourite scenes and reflect on our time working on the documentary and how our perspectives of documentary making has changed. We'd love your feedback on this podcast series. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 7.3: We're taken into the field to film snow leopards by episode 7's Assistant Producer, Darren Williams. He reveals how difficult it is to get just a few minutes of video, both logistically and practically. We get to know the 'old male' snow leopard, trace his movements, and learn of his importance to the community. Darren then speaks about the emotional conflict of capturing his final moments on film. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 7.2: Prof. Christine Janis, University of Bristol, outlines mammalian evolution and focusses on the global events that governs their radiation. We look at why mammals survived the K-Pg mass extinction and how the archaic mammals radiated immediately after. We end by looking at how mammals, similar to what we learned about birds, are relatively insignificant to today's ecosystems. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 7.1: In the introduction to episode 7, Dave and Tom just about keep it together whilst reflecting on the most emotional scene of the show. We also celebrate the inclusion of the Antarctic Circumpolar Current in the series, before giving it a little rebranding to make the science even more approachable. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.4: Prof. Anjan Bhullar continues his overview of avian evolution with a look at how the birds fared after the K-Pg mass extinction. What was it that allowed birds to survive when the non-avian dinosaurs died out? Why didn't they just become dinosaurs again? What have birds been able to achieve in the time since and how important are they to modern ecosystems. Not an episode to be missed (unless you're Prof. Dan Field). Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.3: Documentary research takes you down a lot of unexpected avenues. If you're recreating something like the Chicxulub impact and the K-Pg mass extinction, then you need to be able to provide answers for things you didn't even know were questions. What colour was the asteroid? How bright was the flash? How long does it take to cook a Triceratops to death? Silverback Films researcher Edd Dyer returns to discuss the difficulties of finding such information. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.2: Dr Anjan Bhullar, Yale University, returns to speak further about dinosaurs. He's pressed on where he'd draw the line between dinosaur and bird, or whether there should even be a distinction between them at all. At what point does flight evolve and was it 'ground up' or 'tree down'? We find out that none of these questions are simple. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.1: Dave and Tom introduce us to episode 6 of Life On Our Planet and the pair touch upon the Chicxulub impact and the radiation of birds into the Cenozoic. Dave curtails the introduction with one of his worst puns yet. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 5.3: We're exploring feather evolution with Dr Anjan Bhullar, University of Yale. We trace feathers up the theropod family tree and question whether or not they would be present in ALL dinosaurs. Anjan does NOT sit on the fence with this question or any other. Were dinosaurs brightly coloured? How intelligent were they? Do not miss some of these mind-blowing insights! Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 5.2: Producer Barny Revill returns to talk about his second episode. With the public spotlight firmly fixated on the dinosaurs, how much effort had to go into their GCI models and does the reputation of the series depend on getting them right? In light of this, how much room is there for telling the stories of other groups of organisms? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 5.1: It's episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it "Deinonychus"? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producing CGI feathers and we address T. rex controversies. Finally, we're served up a confusing 'dinosaur sandwich' metaphor. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 4.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 4.2: We get down to details with Producer Barny Revill and analyse some of the different elements of episode 4: What were the challenges of working in such inhospitable environments? How do you recreate a flood of biblical proportions? How did you guide Industrial Light and Magic in the creation of their CGI models? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 4.1: Against the odds, we've all made it through the PTME. It's now time to focus on episode 4, with the reptiles and their adaptation to different environments. We touch upon biomechanics and crank up the VFX dial to 11. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.4: With researcher Ida-May Jones, we explore the Venn diagram of academic and documentary research. She introduces us to the strawberry dart frogs and the extraordinary lengths that mothers will go to to care for their young. With such high-tech equipment to record behaviours, it's unsurprising that something new might be encountered! Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.3: Prof. Mike Benton, University of Bristol, gives us an overview of the major events in tetrapod evolution. He reveals some of the surprising traits that lobe-finned fishes 'pre-possessed' that were re-purposed for use on land. But were the biggest hurdles to terrestrialisation oxygen, moisture or gravity? We follow through the evolution of tetrapods into their many groups before the 'Great Dying' almost ends it for all of them. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.2: Producer Sophie Lanfear gives us our first insights into how documentaries are shaped. She tells us about the enormous scope of episode three and the difficulty of trying to fit in so many significant events. We analyse her use of emotion throughout the episode and she explains why she opted to use comedy. Finally, we look at the problem of anthropomorphism in documentaries. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.1: We introduce episode three of Life On Our Planet and discuss one of the most significant stories in the series. We're in agreement that lichens are the unsung heroes of the whole series and that Arthropleura is the crunchiest animal to ever exist. We talk about the 'fishapod' Strepsodus and its locomotion. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.4: Silverback researcher Edd Dyer joins us to introduce us to his part in the creation of the series. The title 'researcher' really doesn't do justice to the incredible scope of his role which includes far more than just looking up facts. We talk about his route into the industry and the necessary skills for the job. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.3: Hydrodynamicist Dr Tom Fletcher, Silverback Films, returns to explore the science behind Dunkleosteus. How much of the fossil is known? How does the model compare to the latest reconstruction of the animal? How much of the design is dictated by hydrodynamics? and is Dave ironically cool? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.2: Prof. Christian Klug, University of Zurich, is our first academic guest. He introduces us to the Cambrian explosion, the Great Ordovician Biodiversification Event and the Late Ordovician Mass Extinction. Christian is an expert on cephalopods and he tells us more about their biology and his thoughts on the vertical orientation of Cameroceras in this series. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.1: We introduce episode two of Life On Our Planet and discuss our roles in its creation. We're down deep in the geological time with all the "crunchy and squishy" organisms. We talk about our favourite scenes, jellyfish reproduction and the proper pronunciation of cephalopod. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

In LOOP 1.2 we are joined by showrunner Dan Tapster. He's the one responsible for pulling everything together, designing the story and creating the best production team. We learn about how LOOP first got started, why both CGI and modern footage was used, and how to cram billions of years of evolution into just 8 episodes.   Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP. Images courtesy of Netflix.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP. In episode 1.1, we introduce ourselves and explain our roles in the documentary. We look forward to the release of the series and discuss the scope of episode 1 and some of the 'rules of life'. Images courtesy of Netflix.