Reduced Shakespeare Company Podcast

Helen Joo Lee and Lucky Stiff are two of the nine solo performers guiding audiences through the Goodman Theatre production of David Byrne and Mala Gaonkar's Theatre of the Mind, a uniquely interactive and immersive theatrical experience now running in Chicago through July 12, 2026. Helen and Lucky share stories about the audition process and reveal the new skills they get to call upon; how so many wildly different actors become David Byrne; the value of controlled violence and being a not-so-secret potty mouth; the variety of special interactions they've had with different audience members; how the show is like the world’s loveliest, sweetest escape room; and the power of giving (and receiving) a gender-affirming haircut. (Length 21:03) The post David Byrne’s ‘Mind’ appeared first on Reduced Shakespeare Company.

At Cincinnati Shakespeare Company, Pericles boldly goes where no Pericles has gone before. Artistic Director Brian Isaac Phillips discusses how his space-age setting for Shakespeare's underrated Romance is weirdly more relatable than the maritime travel in the original; how they've changed very little language (apart from some references of ‘sea’ to ‘sky’); how there's nothing new under the sun (from any galaxy); how he and his cast are playing it straight and not campy or spoofy; how companies don't program Pericles unless they have a passion for it, which always shows; how this bucket-list show gives both actors and audiences the opportunity to complete their personal canons; and the rewards of producing a less-well-known play that carries less baggage for audiences than, say, Romeo and Juliet or Hamlet. (Length 21:33) The post Science Fiction Pericles appeared first on Reduced Shakespeare Company.

Professor Caroline Bicks holds the inaugural Stephen E. King Chair of Literature at the University of Maine, and is the first scholar to be granted extended access by King to his private archives. That research has led to Monsters in the Archives: My Year of Fear with Stephen King, her new book that digs deep into King's original manuscripts and discovers connections to William Shakespeare along the way. Bicks reveals how she was able to confront her fears sparked by King's books and meeting the man himself; how King initially conceived The Shining as a Shakespearean tragedy; how King's depictions of teenagers reaching "mental puberty" corresponded with her own investigation into Shakespeare's works; the importance of "public-facing scholarship;" and the incredible value of reading books for their literary value at the same time you're already reading for pleasure. (Length 30:35) The post Year Of Fear appeared first on Reduced Shakespeare Company.

Playwright Jacques Lamarre returns to discuss his epic new work, Circus Fire, which commemorates one of the worst fire disasters in U.S. history, and which Hartford's Theaterworks is producing as part of its 40th anniversary season. Jacques reveals the origins of his own fascination with the topic; how this is the largest production Theaterworks has ever mounted; how it's already been extended twice, despite some public controversy; where Jacques got his start as a playwright (and who gets the credit and/or blame); the inspiration he takes from Tectonic Theater’s The Laramie Project; how this event changed live performance across the country; how even a story of tragedy needs – like the circus itself – moments of joy. (Length 31:27)  The post Hartford’s Circus Fire appeared first on Reduced Shakespeare Company.

Actor, author, director, and educator Ben Crystal returns to discuss his book Shakespeare on Toast, which just celebrated its 10th anniversary and is now available in short entertaining clips on Instagram. Ben shares how the book came to be and the origins of its terrific title; how he and his father wrote the definitive work for the 21st century Shakespeare's Words: A Glossary and Language Companion, and how the books continues to be improved and an online resource; how bringing his scholarship to social media combines his academic and artistic skills; incredible insights into 17th-century language from 21st-century students; and the importance of providing a holistic way into Shakespeare's works. (Length 28:02) The post Shakespeare On Toast appeared first on Reduced Shakespeare Company.

Matthew Croke, former clown, RSC actor, and current podcast consigliere, returns to discuss where the RSC Podcast should go in its next 1000 episodes. Matt and Austin discuss the huge recent bump in German listeners; share tips and cautionary tales for our fellow content creators; compare podcast editing platforms Descript and Riverside; tease a possible new recurring segment; reveal the importance of breaking eggs when you're learning to make an omelette; engage in shameless product placement; and strategize how we can continue to build our community of RSC fans and theatre lovers. (Length 27:15) The post RSC Podcast Whisperer appeared first on Reduced Shakespeare Company.

After shocking upsets in last week's Rounds of 64 and 32, our Ides of March Madness tournament continues with a Sweet 16 consisting of Nick Bottom vs. Richard III, Beatrice vs. Sir John Falstaff, Juliet vs. Cassius, Marc Antony vs. Margaret, Aaron vs. Hamlet, Emilia vs. Prince Hal/Henry V, Lady Macbeth vs. Caliban, and Paulina vs. Viola. Judges DeeDee Batteast, Nate Cohen, Elizabeth Dennehy, Gregory Linington, and Austin Tichenor call it the way they see it and reveal how some unjustifiable seeding gets exposed when characters go head-to-head; how “the noblest Roman of them all” fares against a teenage girl from Verona; how Queen Margaret begins as Juliet; Aaron’s aristocratic origins; how the possibility of playing these characters with the Back Room Shakespeare Project became an important contributing factor; several come-from-behind victories when the outcome looked obvious; and how characters who appear across multiple plays have a decided(ly unfair?) advantage. Who will win the crown of Shakespeare's Best Character? Hear here! (Length 52:41) The post Ides of March Madness 2026 (Part 2) appeared first on Reduced Shakespeare Company.

It. Has. Come. Down. To. This. RSC co-artistic director Austin Tichenor is joined by actors, directors, coaches, and Shakespeareans DeeDee Batteast, Elizabeth Dennehy, Gregory Linington, and director/mathemagician Nate Cohen to decide Shakespeare's Best Character in our (mostly) annual Ides of March Madness tournament. The distinguished panel reveals unexpected seeding for some characters fans won't see coming; some heart-stopping upsets; how the depth of some characters compares to the breadth of others; the kind of Rosalind we’re all dying to see; how Nate gamed out the entire season to arrive at this field of 64; threading the needle of Best vs. Great vs. Favorite; how some lesser-known characters punch above their recognition level; which character gets (appropriately enough) voted off the island in the first round; a bold approach to Shylock; and a Sweet Sixteen of undeniable greatness that will compete resolutely when our tournament concludes next week. #EdmundWasRight (Length 1:28:58) The post Ides of March Madness 2026 (Part 1) appeared first on Reduced Shakespeare Company.

William Sutton has memorized all of Shakespeare’s sonnets so you don’t have to, and created ILoveShakespeare.com (above), an online collection and examination of all 154 of Shakespeare’s sonnets organized by themes of Love, Death, Nature, Pain, and Time. Will is an actor, educator, and alumnus of The Shakespeare Institute in Stratford-upon-Avon, and reveals the possibly real reason Shakespeare wrote exactly 154 sonnets; how he mastered Elizabethan English by learning and speaking the sonnets; how you too can join the pantheon of actors who’ve come before us; how Shakespeare's words are only the beginning; that time he was invited to recite a sonnet at Shakespeare's gravesite; how he was able to pluck from memory Sonnet 138; and the way in which a self-described ‘bear of very little brain’ has come to understand not only Shakespeare’s sonnets, but his plays. (Length 22:19) The post Memorizing Shakespeare’s Sonnets appeared first on Reduced Shakespeare Company.

The Coram Shakespeare Schools Foundation, one of the UK’s oldest cultural education charities, hosts the annual Shakespeare Schools Festival, which gives young people the confidence and skills to succeed in life by using the unique power of Shakespeare to transform lives. Mike Tucker, the head of the Foundation, discusses how they demystify Shakespeare (for teachers and students alike) by removing him from his pedestal; how the process of creating theater creates essential life skills; the importance of failing and learning you are more than your mistakes; the necessity of understanding that the value is in the process, not the product; and how the rehearsal room is not a luxury, it’s a training-ground for democracy. (Length 22:18) The post Shakespeare Schools Festival appeared first on Reduced Shakespeare Company.

Professor Ronan Hatfull literally wrote the book on the Reduced Shakespeare Company. His new book from Bloomsbury/Arden – Shakespeare in the Theatre: Reduced Shakespeare Company – is the very first full-length study to be published about the RSC. Focusing specifically on our Shakespearean reduction and adaptation, Ronan's book examines the origins and evolution of the company through the creation of The Complete Works of William Shakespeare (abridged), The Reduced Shakespeare Radio Show, William Shakespeare's Long Lost First Play (abridged), and The Comedy of Hamlet! (a prequel). Ronan shares his methodology; how he wanted to make his book accessible to the general reader; how he learned that the RSC carries on the 17th-century tradition of “drolls”; how the RSC injected a bit of danger and the unexpected into Shakespeare and influenced various folks like the Q Brothers and Potted Potter creator Daniel Clarkson; and how for a limited time, Arden Shakespeare is offering to RSC fans a 35% discount on the hardcover edition of the book! (Length 24:54) The post Reduced Shakespeare Book appeared first on Reduced Shakespeare Company.

Say hello to the newest UK incarnation of the Reduced Shakespeare Company! Efé Agwele, Woogie Jung, Kiran Raywilliams, and Tom Pavey join director and RSC founder Adam Long to discuss our brand-new tour of The Complete Works of William Shakespeare (abridged) that's hitting at least 29 cities across the UK in this first half of 2026. The gang talks about how they were cast; their origins both humble and impressive; incorporating micro Shakespeare moments; experience with something called the Jesus College Shakespeare Project; our first live conversation from the back of the bus to Oxford University; and the key importance for touring actors to be "pre-loved-up"! (Length 27:44) (PICTURED, above l-r: Kiran Raywilliams, Efé Agwele, Tom Pavey (seated), and Woogie Jung. Photo by Michael Wharley.) The post New RSCUK Actors appeared first on Reduced Shakespeare Company.

Our live celebration of 1000 weeks of podcasting onstage at Chicago's Annoyance Theater continues this week as Annoyance founder and directors Mick Napier and Jennifer Estlin discuss the evolution of their mentalism and closeup magic double-act. Mick and Jen share their early inspiration; a special appearance from telephone psychic Vanessa Sawyer from the Kenny Kingston Psychic Hotline; shout-out Chicago’s Magic Lounge, where Napier and Estlin have played before; and how the danger of knowing too much or overthinking a thing can sometimes destroy the magic of that thing; a fantastic definition of magic; how the value of most institutions is the generations of artists who’ve contributed to its legacy; and a partial answer to the question “Are magicians born or made?” (Length 26:17) The post Napier And Estlin appeared first on Reduced Shakespeare Company.

It's our 1000th episode! And we celebrated in high-style with a live recording onstage at Chicago's Annoyance Theatrewith Annoyance's founder and artistic director Mick Napier (Paradigm Lost, Exit 57) and its executive director Jennifer Estlin. Mick and Jen discuss the theatre's origins; how Mick wanted to set the Annoyance apart from what Second Citywas doing (but ended up returning to the mothership to direct a landmark production that changed the culture there forever); how Jen kept the Annoyance going during the pandemic; and how they both have made the Annoyance an artistic home for generations of multi-talented actors and improvisers. PART TWO OF OUR CONVERSATION WILL BE AVAILABLE NEXT WEEK, OR YOU CAN WATCH THE WHOLE THING ON YOUTUBE RIGHT NOW! (Length 22:44) The post The Annoyance Theatre (Episode #1000!) appeared first on Reduced Shakespeare Company.

Author James Finn Garner (Politically Correct Bedtime Stories) returns to discuss his latest satire, Politically Correct Peter Pan, and the difficulties of staying ahead of contemporary sensibilities. Garner reveals how his background as an actor informs his writing; how he gets to do what he loves; how he prefers editing what he's written to actually writing; the fun of playing in sandboxes other authors have created; the opportunities of his glorious Substack; and finally, the phenomenon of "Pansplaining." (Cover art by Lia Garner.) (Length 21:24) The post PC Peter Pan appeared first on Reduced Shakespeare Company.

What happens when you’re a five-person theatre company whose stage manager is too sick to fly and the shipping company won’t deliver your props and costumes? Reed Martin explains what happened last month when those hiccups affected our performances of The Ultimate Christmas Show (abridged) in Oregon and Washington. It’s a tale of improvisation; scrambling and calling on reserves; promoting from within; early mornings and late nights; the beauty of muscle memory; all hands being on deck all across the country; getting the chance to admire beautiful scenery; not panicking; the show going on; and the whole thing turning into a Christmas (ultimate) miracle. (Length 19:47) The post Joys Of Touring appeared first on Reduced Shakespeare Company.

Mary Hartman, the director of education at Bard on the Beach Shakespeare Festival in Vancouver, BC, Canada, shares her philosophy for Shakespeare education and its emphasis on play. Mary reveals why threads is a better term than themes; how Shakespeare’s plays should not be poetry readings; how she's developed the Discovery Zone, an extensive free resource for both students and educators; and how so much of Shakespeare’s power is not just in his words, but in the relationship of actors to each other and to the audience. NOTE: This conversation was recorded the night before we learned Tina Packer, the Founding Artistic Director of Shakespeare & Company in Lenox, Massachusetts and an acclaimed director, actor, writer, and teacher, died at the age of 87. Tina was a mentor to generations of artists, scholars, and educators, including Mary, and so this conversation is an unintentionally timely tribute to and celebration of the legacy of Tina Packer. (Length 19:30) The post Play(s), Not Work(s) appeared first on Reduced Shakespeare Company.

Cathy Sandrich is the Emmy-winning casting director of The Pitt, HBO's Emmy-winning outstanding drama beginning its second season this week. A veteran of various "big boy movies," Cathy reveals how she sees thousands of actors for hundreds of roles; the supreme importance of lists; how one starts over with every project; the importance of strong and truthful choices; how casting directors have to audition just like actors and, also like actors, don't like to be pegged; how good is always good but sometimes not quite right; and, most encouragingly, how great auditions are never wasted. (Length 22:09) The post Casting The Pitt appeared first on Reduced Shakespeare Company.

On its 30th anniversary, we present the complete audio of The Reduced Shakespeare Company Christmas, which walked so The Ultimate Christmas Show (abridged) could run, and was first recorded and broadcast on Public Radio International in 1995. Featuring conversations with both the crew of Yule-Sat and Charles Dickens; festive (and occasionally dated) partying at the RSC HQ in Northern California; the ten-minute "The Complete Christmas Carol (abridged);" and the original in-context version of that would-be holiday classic "Mrs. Santa Claus." (Length 47:35) The post The RSC Christmas appeared first on Reduced Shakespeare Company.

Jon Hudson Odom and Helen Joo Lee (above) reveal how they bring surprising joy to their portrayals of the iconic Mr. and Mrs. Cratchit in this year's Goodman Theatre production of A Christmas Carol. Jon and Helen share the various productions that have inspired them; how they keep the performances fresh; how their own families shape their instincts; how the Cratchits code-switch; the moving and very personal interactions they've had with audience members; the value of avoiding "toxic positivity;" the Shakespearean nature of this classic text; and the importance of scorning the kind of modern-day Scrooges who would find this kind of diversity too "woke." Also: a special appearance by Erin Allen, producer and host of the WBEZ podcast Curious City. (Length 22:52) The post Meet The Cratchits appeared first on Reduced Shakespeare Company.

Gregory Hirte (above) reflects on the twenty-five years (!) he's been in the Goodman Theatre's annual production of A Christmas Carol, and how both he and the show have changed in that time. Hirte reveals the benefits of being both an actor and a musician; the challenge of going where the work is; how he got started with Chicago's famed Piven Theatre Workshop; tales of onstage mishaps; his vote for, not the best, but the fastest Scrooge; and finally, how the beauty of the story keeps bringing back actors – and audiences – year after year. (Length 18:35) (PICTURED, above: Gregory Hirte in the 2023 Goodman Theatre production of A Christmas Carol, directed by Jessica Thebus. Photo by Liz Lauren.) The post Quarter Century Caroler appeared first on Reduced Shakespeare Company.

Matt Croke, Reed Martin, and Austin Tichenor remember the creation of the RSC's second radio show The Reduced Shakespeare Company Christmas in 1995, and how it paved the way for the RSC's eighth stage show The Ultimate Christmas Show (abridged). Matt, Reed, and Austin reveal their audio inspirations (like Firesign Theatre and 'Weird Al' Yankovic); how the new golden age of radio is called podcasts; how we failed to achieve novelty hit status with "Mrs. Santa Claus;" how we incorporated inside-baseball Ringling Brothers jokes and personal holiday memories; and how the heart the recording is its ten-minute reduction A Little Dickens: The Complete Christmas Carol (abridged); and how Austin went from playing parody Scrooge to playing the real guy for Chicago's Goodman Theatre. (Length 15:02) The post Remembering ‘Little Dickens’ appeared first on Reduced Shakespeare Company.

Friend of the pod Katherine Scheil is the author of Imagining Shakespeare’s Wife: The Afterlife of Anne Hathaway and the co-editor of the upcoming Palgrave Handbook of Shakespearean Biofiction, is the perfect person to talk about Chloé Zhao's film version of Hamnet, Maggie O’Farrell’s 2020 novel. Scheil highlights some of the differences between the novel and the film; some head-scratching marketing choices; how the novel and (especially) Jessie Buckley's performance, empower Shakespeare's wife in a way we've never seen before; and a curious similarity between Paul Mescal in Hamnet and Tim Allen in Galaxy Quest. (Length 23:21) The post Hamnet, The Movie appeared first on Reduced Shakespeare Company.

Folger Shakespeare Library director Farah Karim-Cooper's new book All the World's Your Stage explores for readers of all ages the life and times of William Shakespeare through eight of his most popular plays. Dr. Karim-Cooper discusses how this was one of her hardest books to write and reveals the surprising title of her favorite Shakespeare play; the relationship between profanity and a love of language; Shakespearean mythbusting; the confessions of a Texan sailor’s daughter; the value of Shakespeare – as well as museums, arts, and humanities – beyond their “relevance;” ; how Shakespeare wrote what may be the first Black power speech; and the importance of studying Shakespeare on the stage as well as on the page. (Length 27:37) (Photo of Farah Karim-Cooper above by Henri T.) The post Farah Karim-Cooper appeared first on Reduced Shakespeare Company.

Malkia Stampley (above) is directing the Goodman Theatre's 48th annual production of A Christmas Carol (in previews now, opening Sunday, and running through New Year's Eve), and reflects how her experience in other productions, as well as her background as both a performer and a person, informs her approach to Dickens's classic tale. Malkia reveals how she's amplifying the diversity the production has had for decades by allowing characters to sound like what they look like; how the story of Ebenezer Scrooge's redemption is perhaps more important than ever; how she's shaping the show around the talents the actors bring; how the story changes because of the way the world has changed; and how the timeless story of A Christmas Carol belongs to everyone. (Length 23:45) The post Malkia’s Christmas Carol appeared first on Reduced Shakespeare Company.

To celebrate the start of the podcast's 20th Season, playwright and author Andrew Moorhead returns to talk about his play This Purple F***ing Pot, a new office comedy now getting a limited site-specific run off-Broadway. Andrew reveals the ah-ha moment when the play's title first came to him; how he loves the sound of characters speaking; the various inspirations that helped inform his voice (including a certain three-person vaudeville theatre company); what made him become a playwright; the dramaturgical value of archetypes; and how a day job in marketing enables you to write not only great plays, but great descriptions of your plays. (Length 22:09) The post Purple F***ing Pot appeared first on Reduced Shakespeare Company.

Chicago's Improvised Shakespeare Company celebrates its 20th anniversary in 2025, and founder/director Blaine Swendiscusses the company's humble origins and how it now performs regularly in Chicago and Los Angeles and tours all across America. Blaine shares performing secrets; the nature of the high-wire act of improvising in iambic pentameter; how this stuff can be learned; how several of every performance's signature moments began as an attempt to solve a technical problem; and how the audience is the key ingredient to the alchemical magic that makes each performance work. (Length 19:39) The post Improvised Shakespeare Company appeared first on Reduced Shakespeare Company.

The Bible: The Complete Word of God (abridged), an irreverent celebration of “the greatest story ever accepted as fact” that was nominated for a Helen Hayes Award for Best New Play, celebrates its 30th anniversary this year, and Matthew Croke, Reed Martin, and Austin Tichenor reminisce about its creation and how much the world has changed since it premiered at the Kennedy Center in 1995. The original cast members reveal how they bent over backwards to make an entertaining innoffensive comedy; the genius of Steve Smith, the former director of Ringling Brothers Clown College; rave reviews from a Virginia nun and a minister from the Church of Scotland; and how, perhaps paradoxically, some of the show's biggest fans are the most religiously devout. (Length 19:24) The post Celebrating The Bible appeared first on Reduced Shakespeare Company.

Stage actor Shannon Cochran (August: Osage County) brings her horror movie bona fides (The Ring; The Hand That Rocks The Cradle) to the phenomenal new stage play Paranormal Activity, an original new story based on the successful film franchise now running at Chicago Shakespeare Theatre (followed by the Ahmanson Theatre in LA, American Conservatory Theatre in San Francisco, and the Shakespeare Theater Company in Washington DC). Shannon discusses the precision with which playwright Levi Holloway and director Felix Barrett ratchet up the tension; how everyone has demonic qualities they struggle to suppress (or, as actors, tap into); how to not play the ending; the importance of keeping audiences literally and metaphorically in the dark; and how making audiences laugh in a theatre is not even as great as making audiences jump, scream, and then laugh in a theatre! (Length 20:13) The post Shannon Cochran’s ‘Paranormal’ appeared first on Reduced Shakespeare Company.

A hundred years on from the Harlem Renaissance, Gerrad Alex Taylor has adapted Langston Hughes’s Shakespeare in Harlem, which is having its world premiere this month at the University of Maryland Baltimore County, running from October 30 to November 9, 2025. Taylor shares how he's collaborating with both Hughes and Shakespeare to canonize the Black experience; how we call upon our ancestors, both personal and literary;  the power of the written word, from dramatic poetry to a letter written to your city council; how Shakespeare takes us, in his "Seven ages of man" speech through a man's life, while Hughes takes us through a man's blues; and finally, Taylor’s mission to turn Shakespeare into a verb! (Length 21:48) The post Shakespeare In Harlem appeared first on Reduced Shakespeare Company.

The Q Brothers Collective (Othello: The Remix; Funk It Up About Nothing) have created Rome Sweet Rome, a wild and satirical new “add-rap-tation” of Shakespeare’s Julius Caesar now running at Chicago Shakespeare Theater through October 19, 2025. Bri Sudia and Danielle Davis are stand-out members of a glorious ensemble, and they discuss how they've gotten comfortable with rapping and the “Q Vibe”; how having a percussion background really helps; how joy and satire are sometimes the only tools we have in troubled times; and how a comedy about the unintended consequences of political violence feels more necessary than ever. (Length 13:40) The post Rome Sweet Rome appeared first on Reduced Shakespeare Company.

RSC artistic directors Reed Martin and Austin Tichenor are directing college productions of their comedies William Shakespeare's Long Lost First Play (abridged) and The Comedy of Hamlet! (a prequel), and they discuss the differences they discover in their scripts when other actors are performing them. Reed and Austin share how different actors bring different energies; the difference between a vaudeville and a play; how directing these young actors is like looking in a mirror; and how certain things just aren't necessary when you cast more than three actors. (Length 19:37) The post Directing Our Scripts appeared first on Reduced Shakespeare Company.

RSC artistic directors and co-authors Reed Martin and Austin Tichenor discuss how they've updated All the Great Books (abridged), which embarks on a US tour this fall. Reed and Austin share what changes they've made to this script (and all the RSC scripts) and how our scripts, like all plays, develop new meanings depending on the personnel performing them and the times in which they’re being performed. (Length 15:04) (PICTURED: Tré Tyler (Coach), Michael Faulkner (Professor), and Doug Harvey (Doug) in the Reduced Shakespeare Company production of All the Great Books (abridged), written and directed by Reed Martin and Austin Tichenor.) The post Updating Great Books appeared first on Reduced Shakespeare Company.

Our conversation with Nina Ruscio, the production designer of The Pitt, continues this week with further details of how unprecedented her design for HBO's Emmy-winning Best Drama really is. Nina compares her work on this show with other large projects she's designed; reveals the incredible amount of interior and exterior detail she puts into her designs, and how shooting The Pitt is very much like filming a play that’s happening live; gives props to fellow Cal alum Cathy Sandrich Gelfond on her Emmy win for casting The Pitt; shares the pleasure of working with star and executive producer Noah Wyle; and revels at how highly regarded The Pitt is by the medical community they’re depicting. (Length 15:14) The post Nina Ruscio Designs appeared first on Reduced Shakespeare Company.

Nina Ruscio, the Emmy-nominated (for The Flight Attendant) production designer of The Pitt on HBO, discusses how her design helped create this enormous – and enormously popular – show. Nina reveals how producer John Wells (The West Wing; E.R.) tasked her with creating a ground plan before the writers even started writing episodes; the joy of living a freelance, project-based lifestyle; how her background as an English major allows her designs to express literature visually; how memories from the musical she designed in college remain in her sedimentary layer; and the remarkable privilege of creating the world in which stories are invented. PART ONE OF A TWO-PART CONVERSATION. (Length 18:11) (Photo of Nina on her set for The Pitt by cinematographer Johanna Coelho.) The post Designing The Pitt appeared first on Reduced Shakespeare Company.

Playwright James Sherman (Chagall in School) returns to discuss his new play The First Lady of Television, now having its world premiere at Chicago's Northlight Theatre. Jim shares his inspiration for the play; how his subject Gertrude Berg, creator of The Goldbergs (1949-1957) on both radio and television, was the second most famous woman in America (after Eleanor Roosevelt); his gratitude for his amazing cast, and how they've helped shape the script's development through several readings and workshops; and how in rehearsals, he considers himself the head of the script department and lets the best suggestion win. (Length 20:44). (PICTURED: Cindy Gold as Gertrude Berg in the Northlight Theater production of The First Lady of Television, directed by BJ Jones. Photo by Greg Inda. Used by permission.) The post Television’s First Lady appeared first on Reduced Shakespeare Company.

Actors and now playwrights Michael Doherty and Will Mobley have written the wonderful new comedy Dogberry and Verges Are Scared, which is having its world premiere at the Philadelphia Fringe Festival from September 5-14, 2025. Mike and Will took time out from rehearsal to discuss the play's inspirations and origins; how clowns do table work in rehearsal; how they pitched each other ideas and realized they wanted to write a play instead of a clown show; how not all laughs are created equal; the value of believable characters driving even the silliest comedy; and the importance of finding a director who’s as heart-forward as they are comically fine-tuned. (Length 20:28) The post Dogberry And Verges appeared first on Reduced Shakespeare Company.

Joe Liss (Curb Your Enthusiasm, Strangers With Candy; Home Alone 2) and Dee Ryan (The Office, 10 Items Or Less, United States of Tara) are bringing their improvised horror parody Misery Loves Company to the Rochester Fringe Festival this September 12 & 14, and they discuss the wine-soaked origins of this "cockadoodie" good time. These two improv gurus share why this is the first time they've worked together; how you improvise a fight scene; the importance of age-appropriate casting; the value of not planning what you’re going to do; how and where they'll be teaching workshops in Rochester; and the glory of performing with a home-field advantage. (Length 21:49) The post Misery Loves Company appeared first on Reduced Shakespeare Company.

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what’s happening today but turn to Shakespeare to find out what’s at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

Tiffany Keane Schaefer is the writer and director of Twihard! A Twilight Musical Parody, now running at Chicago’s Apollo Theatre for a limited time. Tiffany discusses the origins of her musical at the Otherworld Theatre Company, which is dedicated exclusively to science-fiction and fantasy programming (and which she runs with her husband – and friend of the pod – Dylan Schaefer); how Twilight represents a time of hope; the metaphorical power of sparkly vampires and bare-chested werewolves; and how the parody musical genre was the only way to properly express her affection for the source material. (Length 22:31) (Photos from Twihard! A Twilight Musical Parody by Nadir Waxali.) The post Twihard! The Musical appeared first on Reduced Shakespeare Company.

Playwright Lauren Gunderson returns to discuss her new play Billie Jean, about tennis and civil rights legend Billie Jean King, now having its world premiere at Chicago Shakespeare Theatre. Gunderson reflects on the similarities between sports and theatre and how they inform this spectacular new work; its surprisingly fast and enviable development process; the parallels to her earlier plays; the echoes of Shakespeare’s Henry V and how Wimbledon resembles Agincourt; and how Billie Jean, as Brandi Carlile said, "came out at 50 so that come out at 15.” (Length 18:56) (PICTURED: Chilina Kennedy as Billie Jean King in Chicago Shakespeare’s world premiere production of Billie Jean by Lauren Gunderson, directed by Marc Bruni. Running July 18–August 10, 2025, in The Yard at Chicago Shakespeare. Photo by Justin Barbin.) The post Writing ‘Billie Jean’ appeared first on Reduced Shakespeare Company.

Amanda Giguere is the director of outreach for Colorado Shakespeare Festival and her research and work putting together touring productions of Shakespeare in schools has resulted in her new book Shakespeare & Violence Prevention. Amanda discusses how valuable this work is and how it began; addresses the counter-intuitive notion that Shakespeare – the author of such violent plays – can be so useful in this kind of work; how Twelfth Night is a perfect tool, even for elementary school students, and why Titus Andronicus really isn't; the importance of climate awareness; the vital distinction that it’s not the “Shakespeare Prevention Program,” it’s the “Violence Prevention Through Shakespeare Program;” and how violence, like heart disease, is preventable. (Length 20:44) The post Shakespeare Prevents Violence?? appeared first on Reduced Shakespeare Company.

Author and professor Daniel Pollack-Pelzner returns to talk about his new biography, Lin-Manuel Miranda: The Education of an Artist, which charts the growth of the award-winning 21st-century composer, lyricist, and cultural juggernaut, and details the many ways in which "artistic genius is a team sport." Pollack-Pelzner shares how he wanted to write something that would inspire his students; and reveals how Miranda agreed to open up his digital rolodex; how he can cite formative influences going back to elementary school; how early book buyers in the UK can win two tickets to see Hamilton in the West End; and most importantly, he stresses the extreme value of editors, especially if they’re related to us. (Length 26:00) The post Lin-Manuel Miranda appeared first on Reduced Shakespeare Company.

Breon Arzell is the choreographer for the Goodman Theatre production of The Color Purple, directed by Lili-Anne Brown with musical direction by Jermaine Hill, and he shares how their extraordinary Chicago cast transforms a show this team has worked on before. Breon reveals the importance of making art with the artists you’ve actually got in the room; how this show honors our ancestors; how we find find community both in the story and in life; how the Greek chorus breaks the fourth wall and cues the audience that they’re allowed to laugh; and the ultimate grace and blessing of finding divinity within. (Length 21:33) (PICTURED: Brittney Mack (Celie) and Shantel Renee Cribbs (Nettie) in the Goodman Theatre production of The Color Purple, directed by Lili-Anne Brown, choreographed by Breon Arzell, and musical directed by Jermaine Hill. Photo by Brett Beiner.) The post The Color Purple appeared first on Reduced Shakespeare Company.

Playwright and screenwriter Madhuri Shekar returns to talk about Dhaba on Devon Avenue, now having its much-delayed world premiere at Chicago's Writers Theatre in a co-production with Timeline Theatre. Shekar reveals the comic book origin stories of both herself and the play; the happy accident of writing a family play that resonates with older audiences; how Shakespeare and Bollywood have much in common; how superhero films have taught us important history our schools have missed; embracing the unintentional gift of time; and the Proustian power of a saag grilled cheese sandwich. (Length 20:32) (PICTURED: Anish Jethmalani and Tina Munoz Pandya in the Writers Theatre/Timeline Theatre co-production of Dhaba on Devon Avenue by Madhuri Shekar, directed by Chay Yew. Photo by Michael Brosilow.) The post Dhaba On Devon appeared first on Reduced Shakespeare Company.

'Tis the season for Shakespeare in the park(s)! Ian Gallanar, the founding artistic director of Chesapeake Shakespeare Company in Baltimore, discusses CSC's touring program Shakespeare Beyond, which is taking Ian’s highly localized but still mostly Shakespeare adaptation It’s the Comedy of Errors, Hon to parks and outdoor venues all over Maryland. Gallanar reveals how Shakespeare Beyond combines the best of Shakespeare, vaudeville, and circus; the beauty and versatility of the Shakespeare Wagon; the art of deploying local slang and specific Maryland references; having to deal with the withdrawal of already-earmarked NEA funds; shout-outs to the Atlanta Shakespeare Tavern; and the importance of blurring the false distinction between "Shakespeare" and "entertainment." (Length 20:42) The post Shakespeare Goes ‘Beyond’ appeared first on Reduced Shakespeare Company.

Actor, improviser, and founding member of Upright Citizens Brigade Matt Walsh (Veep, Manhunt) is touring this summer with Bluebird Improv and returns to the RSC Podcast to discuss how improv differs from acting (and sometimes doesn't). Matt reveals how improv is less about creation and more about discovery; the importance of and method for learning the value of patience; how he combined both acting and improv on Veep; why scripted punchlines are sometimes not as funny as improvised punchlines; the challenge of playing a racist monster in Manhunt; and (to unintentionally paraphrase Austin Powers) the importance of remembering that when onstage, just behave. (Length 27:46) The post Improv Is Magic appeared first on Reduced Shakespeare Company.

Host Austin Tichenor returns to Chicago's Back Room Shakespeare Project to perform in their production of William Shakespeare's Coriolanus on June 16, 2025 at the Hideout, and he discusses with the show's captain and first mate Sam Pearson and Gage Wallace how this cast and crew came together to embody the Project's ethos of "Serious actors. No director. One rehearsal. In a bar." Building on co-founder Samuel Taylor's notion these productions are "bad ideas," Gage and Sam reveal the core values that guide every Project production; how modern bars most resemble Shakespeare's original rowdy playhouses; how "youthful arrogance" is just another word for "incredible generosity;" and how audiences continue to flock to BRSP productions because they know their presence is not simply important, it's required. (Length 20:20) (Logo art by Collin Quinn Rice.) The post Preparing For Coriolanus appeared first on Reduced Shakespeare Company.

Actor, author, and comedian Jon Glaser (Parks and Recreation, Delocated, Inside Amy Schumer, Neon Joe Werewolf Hunter) is turning his recent comedy album Jon Glaser's Soothing Meditations for the Solitary Dog into a live show that combines interactive artwork with storytelling, silly comedy, and support for shelters and organizations that care for pets and their owners. Jon reveals his desire to find an outlet for passion projects that are stupid but also do great work; how the project is evolving and reaching new people; how his new Instagram page highlights portraits created at his "VIP Sip & Paint" live events; and how meditations designed for dogs can help soothe our own very real anger and existential despair. (Length 17:37) The post Glaser’s Dog Meditations appeared first on Reduced Shakespeare Company.

Beth Wolf, the founding producing artistic director of Midsommer Flight, discusses her company's upcoming production of Love’s Labour’s Lost, which has been performing for free in parks throughout Chicago since 2012. Beth reveals the planning that goes into her season; why Love's Labour's is such an important comedy right now; how for some reason outdoor summer Shakespeare is not everybody’s jam; her invaluable partnership with the Chicago Park District; the value of having a non-dogmatic approach to the text; the importance of theatre people being able to wear multiple hats; and how Midsommer Flight is a valuable stepping stone for early-career actors on the rise. (Length 19:53) The post Midsommer Flight Dream appeared first on Reduced Shakespeare Company.