Repertoire Radio Theatre

In 1941, at the height of radio’s golden age, writer-director Norman Corwin—the poet laureate of the airwaves—penned a satirical fable that sparkled with humor and humanity. Mary and the Fairy debuted on the Columbia Workshop, with Elsa Lanchester and Ruth Gordon lending their comic brilliance to a story that pokes gentle fun at American advertising, wish fulfillment, and the dream of instant happiness.The play follows Mary Pooter, a sweet but simple shopgirl from Punxsutawney, Pennsylvania, who wins a radio contest sponsored by Crinkly-Crunkly Bread—“Nature’s Own All-Out Campaign to Build Sturdy Bodies and Strong Nerves.” Her prize? A visit from the company’s Good Fairy, who promises to grant her five wishes. Unfortunately, this particular fairy is less enchanted than overworked—a weary cog in a corporate promotion machine whose magic, like most advertising promises, comes with fine print.As Mary’s dreams unravel—romance, fame, sophistication, and all—Corwin’s script veers from whimsy to poignancy, reminding us that no magic wand can grant self-worth or love. Mary and the Fairy is both poignant and comedic, a wry commentary on consumer culture that still feels surprisingly fresh today.In this Naples Players Radio Theatre revival, the story takes on new resonance—a laugh, a sigh, and a knowing nod to anyone who’s ever wished for more than life (or a fairy from New Jersey) could deliver.This Repertoire Radio Theatre production features the vocal talents of Kimberly Albrecht as Mary Pooter, Keneth Wetcher as the Fairy, Stenley Jean-Charles as Reggie… Jack Weld as Ronald DeVore and Michael Troop as the Romanian Prince.Music Acknowledgment & Fair Use NoticeMusic and sound effects were obtained through a special license from pond5.com and may not be copied or reproduced for any reason.Excerpts of historic recordings are used in this production for purposes of dramatic illustration, historical reference, and artistic context and have been edited and altered for dramatic purpose.All music excerpts are the property of their respective copyright holders and are used here in accordance with U.S. copyright law under the doctrine of fair use (17 U.S.C. §107).This audio presentation features:“The Farmer in the Dell (String Orchestra Version)”Traditional nursery rhyme.Performed by Kids Music / Children’s Music Symphony.Distributed by IIP-DDS.Source: YouTube.No ownership of these works is claimed, and no commercial use is intended. Listeners are encouraged to seek out and enjoy the complete original recordings from authorized sources.This performance is presented as a historical recreation of a classic radio broadcast. All rights to the original script and characters remain with their respective copyright holders. This production is non-commercial and for educational and entertainment purposes only. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit repertoireradiotheatre.substack.com

Originally broadcast on April 14, 1938 as part of The Royal Desserts Hour, Ever After is a whimsical and gently satirical sequel to Walt Disney’s breakthrough animated film Snow White and the Seven Dwarfs, released just the year before in 1937. At the time, Snow White had become a cultural sensation — praised as a “work of perfection” by critics and adored by audiences of all ages — and radio producers moved quickly to create stories that played with the world and characters that Disney had brought to life.Ever After was written by Keith Fowler and performed by an impressive pair of stage actors: Edith Barrett as Snow White and Vincent Price — yes, that Vincent Price — as Prince Charming. Before Price became famous for his iconic horror roles, he appeared frequently on radio dramas, bringing his suave theatricality to comedic and romantic parts alike. Their segment aired within a live variety program hosted by singer Rudy Vallée, blending music, comedy, and short dramatic sketches for a national radio audience.This playful “what happened next?” story imagines Snow White and Prince Charming three years into marriage — long after the traditional fairy-tale ending. Unlike Disney’s pristine fade-out, Ever After explores the humorous realities of royal domestic life: a distracted prince buried under affairs of state, a princess longing for affection, a forgotten anniversary, and the gentle chaos of learning how to live together once the magic settles.Part parody, part romantic comedy, and part affectionate tribute, the sketch offers audiences a charming glimpse into the ordinary marital squabbles of extraordinary characters. It blends familiar fairy-tale elements with smart, snappy 1930s radio humor, ultimately landing on the hopeful message that “happily ever after” is less a perfect ending and more a commitment to finding joy together — even when tempers flare and royal paperwork piles up.In revisiting this delightful radio gem, we honor a unique moment in entertainment history: when early Hollywood, Broadway talent, and national radio combined to breathe new life into beloved fairy tales.This Naples Players Radio Theatre production features the vocal talents of Michael Santos , Amy Hughes, Pat Ashton, Kip Jones, and Michael Troop . This audio file was recorded, mixed and mastered by Michael Troop.Music Acknowledgment & Fair Use NoticeMusic and sound effects were obtained through a special license from pond5.com and may not be copied or reproduced for any reason.Excerpts of historic recordings are used in this production for purposes of dramatic illustration, historical reference, and artistic context and have been edited and altered for dramatic purpose.All music excerpts are the property of their respective copyright holders and are used here in accordance with U.S. copyright law under the doctrine of fair use (17 U.S.C. §107).Featured recordings include brief excerpts from:•Heigh Ho - from Readers Digest Music, Wish Upon a Star Vol 2, film and fantasy favorites for the young at heart.No ownership of these works is claimed, and no commercial use is intended. Listeners are encouraged to seek out and enjoy the complete original recordings from authorized sources.This performance is presented as a historical recreation of a classic radio broadcast. All rights to the original script and characters remain with their respective copyright holders. This production is non-commercial and for educational and entertainment purposes only. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit repertoireradiotheatre.substack.com

Weight… 239 pounds. Fortune… Danger.”With those words — and the creak of a drugstore scale — 1940s radio audiences were introduced to one of the most distinctive sleuths of the Golden Age of Detective Drama: Brad Runyon, The Fat Man.Created (at least in name) by famed mystery writer Dashiell Hammett, The Fat Man premiered on ABC Radio in January 1946 and ran for five suspense-filled years. The title role was played by J. Scott Smart, whose deep, sardonic voice gave Runyon the perfect mix of toughness, intelligence, and dry humor. Beneath the tongue-in-cheek title was a detective every bit as capable as Sam Spade or Philip Marlowe — shrewd, streetwise, and always a step ahead of danger.Each week, listeners followed Runyon through smoky backrooms, city streets, and dark corners of post-war America as he solved murders, blackmail plots, and crimes of passion. The show’s hook — the detective’s size — became more than a gimmick; it was a symbol of confidence and self-possession. The Fat Man proved that courage and intellect, not appearance, were the real measures of a man.In 1951, Runyon made the leap to film in The Fat Man, directed by William Castle, with Smart reprising his role and circus legend Emmett Kelly appearing in a rare dramatic performance. Though only a handful of radio episodes survive, The Fat Man remains a classic example of American radio noir — a blend of wit, grit, and danger that still tips the scales of suspense.This Repertoire Radio Theatre production features the vocal talents of Jim Heffernan as the Brad Runyon,The Fat Man, Kenneth Wetcher, as Sloan, the painter, Eric Sivertson as Eddy, the police reporter, Vic Caroli as Maple, the interior decorator, Pam Dollak as Ariel, the dancer, and Betty Nordstrum as Eloise, the model. This audio file was recorded, mixed and mastered by Michael Troop.All music and sound effects were obtained through a special license from pond5.com and may not be copied or reproduced for any reasonThis performance is presented as a historical recreation of a classic radio broadcast. All rights to the original script and characters remain with their respective copyright holders. This production is non-commercial and for educational and entertainment purposes only. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit repertoireradiotheatre.substack.com