SoundWorks Collection

Go behind the scenes of "Springsteen: Deliver Me From Nowhere", the new film from Director Scott Cooper. We are joined today by production sound mixer Todd Maitland, composer Jeremiah Frates, Re-recording Mixer and Supervising Sound Editor David Giammarco, and Supervising Sound Editor Eric Norris.We discuss shaping the film’s sonic identity — from capturing live vocals on set, recreating Springsteen’s iconic studio environments, and blending Jeremy Allen White’s performances with Bruce’s original recordings, to using silence, heartbeat motifs, and era-specific gear like the Echoplex and the TEAC 114 tape recorder.Hear firsthand stories about filming at The Stone Pony, recording in the legendary Power Station, navigating the emotional father–son finale, and exploring Springsteen’s creative process through sound.

Step inside the sound design and mix of Paul Thomas Anderson’s newest film, One Battle After Another, with this in-depth look at the work of the sound team. Featuring Re-recording mixer, supervising sound editor, sound designer Chris Scarabosio, Re-recording mixer Tony Villaflor and Production Sound Mixer José Antonio García.We explore how immersive soundscapes were built, how tension was sculpted through long, slow-burn car chases, and how the mix strikes a nuanced balance between grit, realism, and cinematic scale. From chaotic riot sequences to the atmospheric “River of Hills” chase, the team breaks down how rumbles, rattles, wind, and road textures evolve into characters within the story.We also discuss what makes collaborating with Paul Thomas Anderson so distinct—his clear vision, his creative passion, and his fully hands-on approach to shaping every moment on screen.

Sara Bareilles’ song “Salt Then Sour Then Sweet”—written in collaboration with Andrea Gibson and Brandi Carlile for the documentary "Come See Me in the Good Light" directed by Ryan White —is a tender, emotionally charged meditation on healing and self-acceptance. The track carries Bareilles’ signature warmth and lyrical clarity, layered with Gibson’s poetic sensitivity and Carlile’s soulful, roots-driven intuition.The song moves like a journey through the textures of being human: the salt of old wounds, the sour of self-doubt and difficult truth, and ultimately the sweet arrival at compassion, resilience, and renewed connection. Its lyrics feel both intimate and universal, echoing the documentary’s themes of looking at oneself—really seeing oneself—in a softer, more generous light.“Salt Then Sour Then Sweet” stands as an anthem for anyone navigating their own evolution: a reminder that transformation is rarely linear, often messy, and always worth stepping into with courage. It’s a piece of music that honors vulnerability and celebrates the moments in life when clarity breaks through, turning pain into something beautifully human.Now Streaming on Apple TV:https://tv.apple.com/us/movie/come-see-me-in-the-good-light/umc.cmc.27uh51l7oh3ghql2gxb6xvb1sSUBSCRIBE ON YOUTUBE:http://bit.ly/SubscribeSoundWorksCollectionAUDIO PODCAST:https://linktr.ee/soundworkscollectionINSTAGRAM: https://www.instagram.com/soundworkscollection/TIKTOK:https://www.tiktok.com/@soundworkscollectionVIDEOS AND INDUSTRY NEWS:https://www.SoundWorksCollection.com

Go behind the scenes of SINNERS in this exclusive SoundWorks Collection featurette, which explores the creative collaboration that brought the film’s music and sound to life. The sound and music team dive into the ambitious process of crafting a 1930s Southern period piece centered around several groundbreaking musical performances.We explore the rarity and significance of music-driven storytelling, and the challenges of recording live on set—from hiding microphones in cars to navigating gravel roads at high speed. They detail how an empty mill was transformed into a vibrant juke joint filled with layered Foley, dancing, and dynamic sound, and how a complex one-take musical montage was developed through pre-visualization, choreography, rehearsals, and meticulous timing.Featuring Composer Ludwig Göransson, Executive Music Producer Serena Göransson, Supervising Sound Editor Benny Burtt, Re-recording Mixer Brandon Proctor, Re-recording Mixer & Sound Designer Steve Boeddeker, Production Sound Mixer Chris Welcker, Supervising Dialogue & ADR Editor David Butler and Music Editor Felipe Pacheco.

We chat with composer Danny Elfman about his new short film, A Danny Elfman Christmas Story — a whimsical exploration of the unlikely connection between one of Hollywood’s most inventive musical mind and the holiday season. From his hauntingly joyful work on The Nightmare Before Christmas to his fascination with the emotional balance between celebration and melancholy, Elfman’s take on Christmas music is anything but ordinary.Written and Narrated by: Danny ElfmanAnimation, Character, and Production Design: Pete CarsilloEditing and Visual Effects: Jon Mann-KriegerAudio Recording and Editing: Melisa McGregorFireside Photography: Bridget Fonda & Oliver ElfmanMusic by: Bartholomew Zanzibar III

In our exclusive SoundWorks Collection we chat with Actor, comedian, musician Fred Armisen about creating his new album, 100 Sound Effects.The goal was to create a number of specific and evocative sounds, but in addition to being a fun listen—pure and simple—100 Sound Effects has great value as an industrial tool, with sounds ready to be used in any number of entertainment projects. Some follow the basic blueprint, like doors shutting and glass breaking. Others are more abstract scenarios. With a track like Campfire Breakfast Conversation, Fred notes:“They could be used in a movie or a show as a distant sound. Like: ‘Listen, I think I hear campers down that way!’ Those can also be played on outdoor speakers, if you want to make your backyard sound like a popular camping area.”The majority of the album was recorded in studios, but occasionally ambient sounds were needed. Rather than rely on other sound effects records, Fred went outside and captured them himself on a portable digital recorder, pointing it at the sky, a car, or whatever was required. Some sounds demanded extra effort.“Glass breaking seemed like an easy part of the album,” he recalls, “but I forgot that I’d actually have to break and clean up glass. There’s this place in Van Nuys where you pay to go in and smash glass. It’s all very safe, and you have to wear goggles and a jumpsuit. What a great idea for a business. I want to go back and curate a smash room.”Fred also wanted to recreate other specific moments not usually found on sound effects records, like Music Venue Employee Kicking Everyone Out While Throwing Away Bottles—a surprisingly common scene for many of us—while also including versions of his personal favorite effects, which resulted in tracks like Small Theater Booing.With additional help and inspiration from Bill Hader, Mary Lynn Rajskub, Amber Coffman, Tim Heidecker, Riki Lindhome, and Alice Carbone Tench, Fred had a lot of fun making the album. The result, Fred Armisen’s 100 Sound Effects, is a sound effects album like no other—a fantastic contemporary entry in a classic category that can be used as a practical library or enjoyed for brain-stimulating deep listening.

In this exclusive SoundWorks Collection conversation, we chat with Oscar and Grammy-winning composer Gustavo Santaolalla and composer David Fleming about the emotional and sonic landscape of The Last of Us Season 2.The composers break down how they expanded the show’s haunting, intimate sound world—blending acoustic textures, raw instrumentation, and ambient tension to match the evolving journey of Ellie, Joel, and the world around them.

In this exclusive SoundWorks Collection conversation, discover how composer Theodore Shapiro created the haunting and minimalist score for the Apple TV+ series Severance. Known for his work on a wide range of films and shows, Shapiro takes a darker turn with this eerie, atmospheric soundtrack.We explore the stark piano motifs, analog synths, and dissonant strings and how the music perfectly captures the unsettling world of Lumon Industries.SUBSCRIBE ON YOUTUBE:http://bit.ly/SubscribeSoundWorksCollectionAUDIO PODCAST:https://linktr.ee/soundworkscollectionINSTAGRAM: https://www.instagram.com/soundworkscollection/TIKTOK:https://www.tiktok.com/@soundworkscollectionVIDEOS AND INDUSTRY NEWS:https://www.SoundWorksCollection.com

In this exclusive SoundWorks Collection conversation, we chat with Grammy-winning composer Finneas O'Connell as he delves into the creation of the haunting score for Disclaimer, a psychological thriller directed by Alfonso Cuarón.Finneas shares his creative process, inspirations, and how he utilized different character themes to enhance the narrative's tension and intimacy.SUBSCRIBE ON YOUTUBE:http://bit.ly/SubscribeSoundWorksCollectionAUDIO PODCAST:https://linktr.ee/soundworkscollectionINSTAGRAM: https://www.instagram.com/soundworkscollection/TIKTOK:https://www.tiktok.com/@soundworkscollectionVIDEOS AND INDUSTRY NEWS:https://www.SoundWorksCollection.com

In this exclusive SoundWorks Collection conversation, we explore the music of storytelling with Emmy-nominated Composer Duncan Thum, as he reveals the creative process behind his moving score for Netflix's Chef’s Table: Legends. Duncan discusses crafting the musical themes for the episodes featuring world-renowned chefs José Andrés and Thomas Keller—two culinary visionaries with distinct philosophies, yet equally compelling emotional journeys.From Andrés’ humanitarian energy and bold spirit to Keller’s refined precision and pursuit of perfection, discover how Duncan translated their stories into music that captures not only their cuisine, but their character.SUBSCRIBE ON YOUTUBE:http://bit.ly/SubscribeSoundWorksCollectionAUDIO PODCAST:https://linktr.ee/soundworkscollectionINSTAGRAM: https://www.instagram.com/soundworkscollection/TIKTOK:https://www.tiktok.com/@soundworkscollectionVIDEOS AND INDUSTRY NEWS:https://www.SoundWorksCollection.com

In this exclusive SoundWorks Collection conversation, we chat with Antonio Sánchez, the Grammy-winning composer and visionary drummer best known for his iconic score for Birdman. In this behind-the-scenes glimpse into The Studio, Sánchez shares his creative process for scoring the Apple TV+ series. Blending his deep jazz roots with masterful improvisation, Antonio constructs a rhythmic and emotive score that pulses in sync with the show's comedic storytelling.Antonio Sánchezwww.antoniosanchez.netSUBSCRIBE ON YOUTUBE:http://bit.ly/SubscribeSoundWorksCollectionAUDIO PODCAST:https://linktr.ee/soundworkscollectionINSTAGRAM: https://www.instagram.com/soundworkscollection/TIKTOK:https://www.tiktok.com/@soundworkscollectionVIDEOS AND INDUSTRY NEWS:https://www.SoundWorksCollection.com

In this exclusive video feature, we explore Wicked's emotional song, "Defying Gravity," featuring performances by Ariana Grande and Cynthia Erivo. We examine the various sonic and musical themes crafted by the sound and music team and highlight several pivotal moments in the song. Featuring Picture Editor Myron Kerstein, Composer John Powell, Re-Recording Mixer Andy Nelson, Re-Recording Mixer, Sound Designer and Supervising Sound Editor John Marquis, Supervising Sound Editor and Sound Designer Nancy Nugent Title, Production Sound Mixer Simon Hayes and Supervising Music Editor Jack Dolman. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST: https://linktr.ee/soundworkscollection INSTAGRAM: https://www.instagram.com/soundworkscollection/ TIKTOK: https://www.tiktok.com/@soundworkscollection VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com

In this exclusive SoundWorks Collection video we explore the captivating sound design and music of Pixar's Inside Out 2, an emotional rollercoaster that explores the inner workings of a young mind. We explore one of the most gripping scenes in the film, the hockey anxiety attack sequence, where sound and music merge to create a tension-filled experience. In this pivotal moment, the overwhelming chaos of Anxiety leads to a full-blown panic attack during a high-stakes game. Featuring Writer & Director Kelsey Mann, Composer Andrea Datzman, Re-Recording Mixer & Sound Designer Ren Klyce and Re-Recording Mixer Stephen Urata.

Discover the auditory brilliance behind the sound of Emilia Pérez with an inside look at the track, 'Bienvenida' sung by Selena Gomez. Featuring Sound Supervisor & Re-Recording Mixer Cyril Holtz, Supervising Sound Editor Aymeric Devoldère, Supervising Voice Editor Hortense Bailly and ADR Supervisor Carolina Santana.

The sound of WICKED transports you into the magical world of Oz with its soaring melodies and powerful orchestration. From the vibrant, bustling streets of the Emerald City to the mysterious and untamed lands beyond, the music pulses with emotion and energy. In this exclusive conversation, we dive deeper into several key scenes, unpacking the sound team's meticulous craft behind the scenes. From the striking opening sequence to the breathtaking finale, we explore how different audio elements were carefully designed to heighten the emotional impact. Featuring Supervising Sound Sound and Sound Designer / Re-recording Mixer John Marquis, Supervising Sound Editor and Sound Designer Nancy Nugent-Title, Re-recording Mixer Andy Nelson and Supervising Music Editor Jack Dolman. Recorded on November 8th on the Hitchock mixing stage at Universal Studios.

In this exclusive SoundWorks Collection conversation, we're talking with writer and director Jason Reitman about his new film, Saturday Night. This film takes place at 11:30 p.m. on October 11th, 1975, as a ferocious troupe of young comedians and writers changed television forever. Find out what happened behind the scenes. In the 90 minutes leading up to the first broadcast of Saturday Night Live. We're joined by writer and director Jason Reitman, Music Composer Jon Batiste and Music Editor Chris Newlin.

In this SoundWorks Collection exclusive, we take a deep dive into the sonic world of two of Marvel's most iconic characters: Deadpool and Wolverine. Join us as we chat live from the Savannah film festival featuring Composer Rob Simonsen and Re-recording mixer & Supervising Sound Editor Craig Henighan. Discover how Simonsen’s evocative score brings emotional depth and pulse-pounding energy to the chaos of these fan-favorite antiheroes. Meanwhile, Henighan reveals the secrets behind crafting the visceral soundscapes of brutal fights, sharp wit, and gritty adventures. Whether you're a Marvel fanatic, a film score aficionado, or simply curious about how sound shapes storytelling, this episode delivers a fascinating exploration into the art of cinematic sound and music.

In this episode of the Soundworks Collection podcast we chat with the sound team behind Director Todd Phillip's Joker: Folie à Deux. For Phillips, sound isn't just an afterthought; it's a vital part of his storytelling. And in this film, the collaboration between Phillips and his sound team creates an auditory experience that blurs the line between reality and madness. In this conversation we feature Co–Supervising Sound Editors and Sound Designers Erik Aadahl and Ethan Van der Ryn, Re-Recording Mixers Tom Ozanich and Dean Zupancic, Production Sound mixer Steven Morrow and Executive Music Producer, Supervising Music Editor, and Executive Producer Jason Ruder.

In this exclusive SoundWorks Collection documentary, we dive deep into the mesmerizing world of Dune: Part Two and discover the creative brilliance behind its groundbreaking sound design. Join Writer/Director/Producer Denis Villeneuve, Re-recording Mixers Ron Bartlett and Doug Hemphill, and Supervising Sound Editor & Sound Designer Richard King, as they reveal the process of crafting the film’s extraordinary sonic landscape. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST: https://linktr.ee/soundworkscollection INSTAGRAM: https://www.instagram.com/soundworkscollection/ TIKTOK: https://www.tiktok.com/@soundworkscollection VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com

On this episode of the SoundWorks Collection podcast, we’re diving into Netflix’s gripping thriller Woman of the Hour, directed by the multitalented Anna Kendrick in her remarkable directorial debut. Joining us today are Director Anna Kendrick, Re-recording Mixer Tony Solis, and Supervising Sound Editor Paul Stanley. We’ll explore how these creative minds collaborated to heighten the tension and intensity of the film through sound, and break down a few key scenes that offer fascinating insights into the filmmaking process.

In this exclusive SoundWorks Collection podcast episode, we feature an in-depth conversation with the sound crew behind the critically acclaimed TV series "The Bear".  Featuring Re-recording mixer and Supervising Sound Editor Steve Giammaria, Dialogue Editor Evan Benjamin, and Production Sound Mixer Scott Smith discuss the creative and technical challenges of bringing the show's dynamic kitchen and restaurant environments to life. The crew reflects on the show's early success and surprising cultural impact, as well as the challenges of capturing the authentic sounds of the chaotic kitchen scenes using multiple cameras, booms, and lavalier mics. They share insights into their innovative audio editing and mixing techniques, such as using auto-align, managing dynamics, and preserving production tracks to maintain the emotional impact of the dialogue.  We also discusses the importance of balancing noise reduction with preserving the life and energy in the audio, as well as overcoming challenges like background noise and improvisation. This episode provides a fascinating behind-the-scenes look at the exceptional sound work that has contributed to the success of "The Bear" and the creative process behind it, offering valuable insights for anyone interested in the art of sound design and post-production for television.

Today is a hard day, I think for, many of you who know my story, a big reason why I started the SoundWorks Collection was because of the many people throughout my life, early on in my career that had an incredible impact, influencing me and inspiring me to pursue sound and filmmaking. Ann was one of the first sound artists I met and worked with while I started my sound engineering degree around 2001. We spoke often on the phone and I would visit Ann over the years at her studio and home to catch up and chat. She is a pioneer in the audio world and her art and contributions will be remembered for a long time. We remember Ann Kroeber by revisiting our 2017 conversation about her Cinematic Winds library released on Pro Sound Effects.

In this episode of the Soundworks Collection podcast, we discuss Director Alex Gibney's new film, In Restless Dreams: The Music of Paul Simon. This wonderful documentary takes the viewer inside the studio while legendary songwriter, Paul Simon is making his new album Seven Psalms while looking back on his six-decade career with countless musical peaks from Sounds of Silence to Graceland. We are joined today by Director Alex Gibney, Supervising Sound Editor & Re-recording Mixer Tony Volante, Supervising Sound Editor & Music Editor Dan Timmons and Sound Designer Bill Chesley. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Join us as we dive into the captivating sci-fi soundtrack of 'ATLAS,' featuring Composer Andrew Lockington and Director Brad Peyton. We discuss their long term collaboration, their trip to Japan to record sounds of bullet trains and monk vocalizations and we break down several cues that defined the musical tone of the film. SUBSCRIBE ON YOUTUBE: ⁠http://bit.ly/SubscribeSoundWorksColl...⁠ AUDIO PODCAST SUBSCRIBE: ⁠https://linktr.ee/soundworkscollection⁠ MORE VIDEOS AND NEWS: ⁠https://www.SoundWorksCollection.com

In this exclusive video, we take you behind the scenes of the Netflix sensation 'RIPLEY' to explore the haunting sound and music that define the series. Featuring in-depth discussions with Composer Jeff Russo and Re-recording mixer, Supervising Sound Editor, and Sound Designer Larry Zipf, we reveal the intricate artistry that brings the world of 'RIPLEY' to life. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksColl... AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Join us as we embark on a journey through the sonic landscape of the hit FX series show  'Shogun', as we delve deeper into the soul-stirring melodies and atmospheric sounds that define this captivating series. Set in Japan in the year 1600, Lord Yoshii Toranaga is fighting for his life as his enemies on the Council of Regents unite against him, when a mysterious European ship is found marooned in a nearby fishing village. For this conversation, we feature the sound and music teams of 'Shogun' which take center stage, transporting viewers to a realm where every whisper holds weight and every clash reverberates with history. We are joined today by composer Leopold Ross, Supervising Sound Editor Brian Armstrong, re-recording mixer Greg Russell and re-recording mixer Steve Pederson.

Follow the epic journey of composer Andrew Lockington as he creates the extraordinary score for Netflix’s latest action/sci-fi film, ATLAS. Dive into exclusive behind-the-scenes footage of Lockington traveling the globe in search of sound, from exploring corners of Japan to recording in an abandoned underground station in London. Watch the score unfold at the legendary Abbey Road Studios, delivering a larger-than-life musical feat for Brad Peyton’s latest blockbuster.

We chat with Academy award winning director/producer Ron Howard and composer David Fleming, to discuss their latest film, "Jim Henson: Idea Man." This fantastic documentary delves deep into the life and legacy of the singular, creative visionary Jim Henson. From his early days puppeteering on local television to his worldwide success with Sesame Street and The Muppet Show. This inspiring film offers unprecedented access to Jim's personal archives, taking us on a captivating journey into the mind of this complex and inspiring artist. "Jim Henson Idea Man" takes us into the mind of this singular creative visionary, from his early years puppeteering on local television to the worldwide success of "Sesame Street," "The Muppet Show," and beyond. Academy Award®-winning filmmaker Ron Howard captures Henson's restless creativity, ambition, and artistic evolution in the style and spirit of his complex subject, an artist who revolutionized television, inspired generations, and created some of the world’s most beloved characters. Featuring new interviews with Henson's closest collaborators and children, as well as never-before-seen materials from his personal archives—including home movies, photographs, sketches, and diaries— Howard brings us an entertaining and insightful look at a man whose boundless imagination changed the world.

In this exclusive SoundWorks Collection video, we explore the sound effects tracks of "Can You Hear The Music" scene and how this Oscar nominated sound team collaborated with Director Christopher Nolan. Featuring Sound Designer / Supervising Sound Editor Richard King, Re-Recording Mixer Gary A. Rizzo, Re-Recording Mixer Kevin O'Connell and Production Sound Mixer Willie Burton.

The dynamic sound team behind the film Maestro discuss the live recording of Mahler’s Second at Ely Cathedral in London. Production Sound Mixer Steve Morrow discusses capturing the London Symphony Orchestra, Supervising Sound Editor Richard King, Re-Recording Mixers Tom Ozanich & Dean Zupancic and Music Supervisor Jason Ruder highlight the in depth sound mixing process to bring the scene to life. Posted with Permission from Netflix: Behind the Streams

Delve into the epic tale of Napoleon Bonaparte in Ridley Scott's cinematic masterpiece. Join us as we explore the mesmerizing world of "Napoleon," where the revolutionary backdrop of 18th-century France is painted with the strokes of impeccable storytelling and a captivating musical score and sound design. In this video, we dissect the pivotal moments of Napoleon's life, from the guillotine's chilling descent on Marie Antoinette to the triumphant Battle of Austerlitz. From the audacious coronation scene in 1804 to the haunting echoes of the Battle of Austerlitz in 1805. Witness the symphony of emotions as Napoleon faces love, betrayal, and the inexorable march of time. Featuring Paul Massey, Re-recording mixer, James Harrison, Sound Designer & Supervising Sound Editor, Stéphane Bucher Production Sound Mixer and William Miller Re-recording Mixer.

Embark on a cinematic journey into the soul-stirring world of "Maestro," directed by the multitalented Bradley Cooper. This exclusive SoundWorks Collection video delves into the profound sound and music that weave the tapestry of Leonard Bernstein's life. We explore various sonic scenes, the complexities of Bernstein's relationships, from his early romantic entanglements to the transformative encounter with Felicia Montealegre. We journey through decades of Bernstein's life, from the lavish parties of the 1950s to the emotional crescendo of Mahler's Resurrection Symphony in 1973, witness the intricate interplay of music and narrative. The film's exploration of Bernstein's personal battles and his enduring love for Felicia adds layers to the symphony of emotions. Featuring Director and Co-writer Bradley Cooper, Tom Ozanich, Re-recording Mixer, Dean Zupancic, Re-recording Mixer, Richard King, Sound Designer, Jason Ruder, Supervising Music Editor and Executive Music Producer and Steven Morrow, Production Sound Mixer. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

In this exclusive SoundWorks Collection video we explore the seamless integration of the blues, gospel, and spirituals of Director Blitz Bazawule's THE COLOR PURPLE. We delve into how the music becomes a character in itself, amplifying the triumphs and tribulations of Celie and the ensemble cast. From the hauntingly beautiful to the joyously uplifting, THE COLOR PURPLE weaves a sonic tapestry that mirrors the emotional richness of Alice Walker's Pulitzer Prize-winning novel. ABOUT THE COLOR PURPLE Torn apart from her sister Nettie (Halle Bailey) and her children, Celie (Fantasia Barrino in her major motion picture debut, reprising her 2005 role from Broadway) faces many hardships in her life, including an abusive husband simply called Mister (Colman Domingo). With the support of sultry singer Shug Avery (Taraji P. Henson) and stand-her-ground stepdaughter Sofia (Danielle Brooks, Tony-nominated for the role on Broadway), Celie ultimately finds extraordinary strength in the unbreakable bonds of a new kind of sisterhood. “The Color Purple” is directed by Blitz Bazawule from a screenplay by acclaimed playwright and WGA Award winner Marcus Gardley (“The Maid”). Bazawule is a Ghanaian multimedia artist who was a co-director on Beyonce’s Black is King and made his feature debut with the critically acclaimed Afrofuturistic “The Burial of Kojo.” SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Dive into Pixar's latest creation, "Elemental," where the relationship between Ward and Ember, embodying fire and water, take center stage. We explore the creative process that transforms abstract elements into relatable characters and the delicate art of sound design and music which infuse our characters with personality and emotion. Featuring Director Peter Sohn, Composer Thomas Newman and Supervising Sound Editor, Re-recording Mixer and Sound Designer Ren Klyce and Supervising Sound Editor Coya Elliott. ABOUT ELEMENTAL: In a city where fire, water, land, and air residents live together, a fiery young woman and a go-with-the-flow guy discover something elemental: how much they actually have in common. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Rev your engines for an exhilarating ride into the sonic universe of Director Michael Mann's latest film, "Ferrari." Join us as we jump into the drivers seat in this high-octane conversation with Mann's masterful sound team including Production Sound Mixer Lee Orloff, Re-recording mixer and Supervising Sound Editor Tony Lamberti, Re-recording Mixer Andy Nelson and Supervising Sound Editor Bernard Weiser. Together, we'll navigate the twists and turns of key scenes, dissecting the auditory horsepower behind every cinematic moment. Buckle up for a riveting exploration of the sound behind "Ferrari," where sound and cinema seamlessly race to the finish line.

In this exclusive SoundWorks Collection video, we chat with Director Greta Gerwig's sound team including Ai-Ling Lee - re-recording mixer / sound designer / supervising sound editor, Dan Kenyon - sound designer / supervising sound editor and Nina Rice - production sound mixer. Join us on a sonic adventure as we explore the intriguing contrasts between the whimsical, plastic realm of Barbieland and the everyday sounds of the Real World. In this video, we'll explore the specific sounds of Barbie's universe, from the click-clack of high heels on her Dream house floor to the glittery shimmer of her convertible cruising through the Barbie World streets. Get ready for a wild ride as we unravel the auditory secrets hidden in Barbie's world! ABOUT BARBIE: Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans. SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksColl... AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Amazon MGM Studios presents a conversation with the sound team behind “AIR”, moderated by Michael Coleman from SoundWorks Collection Featuring: Ai-Ling Lee CAS - Sound Design, Supervising Sound Editor, Re-recording Mixer Susan Dawes - Supervising Sound Editor Andy Nelson CAS - Re-Recording Mixer Willie D. Burton CAS - Production Sound Mixer.

We chat with Director Sam Green and Sound Designer & Re-recording Mixer Mark Mangini about the immersive sound opportunities they created for the film and how audiences are reacting to the various ways they can experience the film. An immersive documentary and profound sensory experience from filmmaker Sam Green that explores the elemental phenomenon of sound. The film is a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception of the world around us. 32 Sounds exists in three unique and equally exciting forms: one for a live audience, complete with individual headphones for each audience member and featuring live narration by Sam Green and live original music by JD Samson; another specifically designed for a completely immersive at-home experience; and a theatrical version of the film coming to a theater near you. MORE ABOUT THE FILM: http://www.32sounds.com SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksColl... AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

During the past 30-plus years, Gary Rydstrom, Mark Mangini and Wylie Stateman—as much as any three people in audio—have helped to create, shape and define the sense of what a modern film sounds like. Each entered the industry from a different background, each came of age working for independents, and each achieved remarkable success, both personally and professionally. In this special Keynote Conversation, Rydstrom, Mangini and Stateman sit down with Mix Editor Tom Kenny to discuss everything from the nature of sound and sound perception, to sound technology and the sound business. They’ll talk about the intermingling, and many times interchangeable, roles of sound editor, sound designer and re-recording mixer. They’ll talk about sound and music, sound moments and when it’s best to be silent. But most importantly, they’ll talk about the timeless role of “sound as storyteller.” Recorded at the 2023 Mix Magazine Sound for Film & TV on September 30, 2023 at Sony Studios

In this exclusive video feature, the SoundWorks Collection chats with the Emmy nominated sound team behind The Mandalorian (Season 3) and Obi-Wan Kenobi at Skywalker Sound to explore the sonic world of these exciting shows, now streaming on Disney+. Featuring: Matthew Wood, Co-Supervising Sound Editor David W. Collins, Sound Designer Danielle Dupre, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Julian Howarth, Production Mixer SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

In this exclusive conversation we chat with the sound team behind God of War Ragnarök to discuss the creative development of creatures, weapons, environments and cinematic scenes from this award-winning game. Featuring: Michael Kent - Sound Design Supervisor Beau Jimenez - Sound Design Lead - (Creatures, Bosses, Enemies) Bryan Higa - Sound Design Lead - Player (Atreus & Cratos) Alex Previty - Sound Design Lead - (Ambiences) & Technical Mixer (Interactive Gameplay) From Santa Monica Studio comes the sequel to the critically acclaimed God of War (2018). Fimbulwinter is well underway. Kratos and Atreus must journey to each of the Nine Realms in search of answers as Asgardian forces prepare for a prophesied battle that will end the world. Along the way they will explore stunning, mythical landscapes, and face fearsome enemies in the form of Norse gods and monsters. The threat of Ragnarök grows ever closer. Kratos and Atreus must choose between their own safety and the safety of the realms.

In this exclusive behind-the-scenes documentary, we explore the sound and music behind the harrowing new adaptation of "All Quiet on the Western Front." Featuring Director Edward Berger, Composer Volker Bertelmann, Supervising Sound Editor and Sound Designer Frank Kruse, Sound Designer Markus Stemler and Re-recording Mixer Lars Ginzel. War breaks out in Germany in 1914. Paul Bäumer and his classmates quickly enlist in the army to serve their fatherland. No sooner are they drafted than the first images from the battlefield show them the reality of war. Additional interview footage provided by Dolby Podcast: https://www.youtube.com/watch?v=GzhWo... SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksColl... AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

BONUS EPISODE: Conversation with Director and Executive Producer DEBORAH CHOW and Executive Producer MICHELLE REJWAN on OBI-WAN KENOBI moderated by Michael Coleman of Soundworks Collection. “Obi-Wan Kenobi” begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat—the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.

The Andor series will explore a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. The series brings forward the tale of the burgeoning rebellion against the Empire and how people and planets became involved. It’s an era filled with danger, deception, and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero. Featuring Re-recording mixer / Sound Designer / Supervising Sound Editor David Acord, Supervising Sound Editor Margit Pfeiffer, and co-producer and editor John Gilroy. More information: https://disneystudiosawards.com/andor/video/sound/ Watch on Disney+ https://disneyplusoriginals.disney.com/show/andor

The unexaggerated true story about the greatest musician of our time, "Weird Al" Yankovic. We discuss Director Eric Appel's story pitch, recording audience chants at a Weird Al concert, recording a flexitone and hand farts with legend "Musical" Mike Kieffer, sound design for LSD trips and crafting the musical performances for fan favorites, "My Bologna" and "I Love Rocky Road". Featuring Director Eric Appel, Supervising Sound Editor Anthony Vanchure, Sound Designer Mike James Gallagher and Re-recording Mixer Tony Solis. From a conventional upbringing where playing the accordion was a sin, "Weird Al" Yankovic rebels and makes his dream of changing the words to world-renowned songs come true. An instant success and sex symbol, Al lives an excessivelifestyle and pursues an infamous romance that nearly destroys him. Weird: The Al Yankovic Story is now streaming on The Roku Channel

Empire of Light is about the power of human connection during turbulent times. The romantic drama from director Sam Mendes, is an ode to this art form, drawing parallels between the magic of cinema and human connections. Hilary (Olivia Colman) is a cinema manager struggling with her mental health, and Stephen (Micheal Ward) is a new employee longing to escape the provincial town where he faces daily adversity. Together they find a sense of belonging and experience the healing power of music, cinema, and community. Featuring Re-recording Mixer Chris Burdon, Re-recording Mixer William Miller and Production Sound Mixer Stuart Wilson.

In this exclusive SoundWorks Collection video, Director Jordan Peele and Supervising Sound Editor, Sound Designer and Re-recording Mixer Johnnie Burn discuss the creative process for crafting the sonic world of NOPE. They explore the use of silence, haunting winds, slowed down peacock vocals and startling chimpanzee foley. A man and his sister discover something sinister in the skies above their California horse ranch, while the owner of a nearby theme park tries to profit from the mysterious, otherworldly phenomenon. "What they've orchestrated as the soundscape of this film is otherworldly in a way so haunting that I literally had nightmares just about these sounds. Some of them come from terrestrial terrors, allowing Peele to suggest scenes of grisly violence without making a gruesome visual spectacle. Instead, off-camera attacks are seen in shrewd glimpses, but the violence hits hard because of the wet, pulpy thuds of the blows coming down. You don't need to see the blood when you can hear it." MASHABLE.COM "NOPE has been hand-tooled for the kind of presentation you can only get in a real theater — preferably Imax, to take full advantage of the film’s striking production design and eerie sound mix, which ranges from a thunderous, cinderblock-shaking roar to the kind of hush that isn’t so much a stillness as a sonic vacuum: the kind of silence in which you hear nothing but your own heartbeat. Kudos to sound designer Johnnie Burn" THE WASHINGTON POST JOHNNIE BURN: Johnnie Burn is a British Film Sound Designer, Supervisor and Re-Recording Mixer working on films that use sound well, in London, New York & LA. Recent work is the immersive soundscape and sound design of Jordan Peele’s NOPE. His first film outing was Jonathan Glazers' extraordinary UNDER THE SKIN, which led him to meet director Yorgos Lanthimos in 2015 to work on THE LOBSTER, THE KILLING OF A SACRED DEER in 2017 and The Academy Award winning THE FAVOURITE in 2019. Johnnie had great success with Trey Edward Shults’ WAVES (2019), and more recently the incredible Francis Lee's AMMONITE. Before movies, Johnnie honed his skills on many of the best sounding ads and music videos of the last few decades, and has been lucky to have worked for icons including Travis Scott, Madonna, Prince, George Michael, David Bowie, Richard Ashcroft, UNKLE and even The Spice Girls, designed the sounds you heard on SKYPE, and continues to grow the HUGELEY talented team @Wavestudios London, New York and Amsterdam. WATCH NOPE: www.nope.movie JOHNNIE BURN: www.johnnieburn.com

In this episode we talk with audio engineer, songwriter, musician and record producer Alan Parsons about his new release, The Complete Albums Collection and his engineering experiences with quadraphonic, immersive audio and various mastering and playback gear. This beautiful box set was made with the full co-operation of Eric Woolfson's family and Alan Parsons. It includes the 11 original studio albums including The Sicilian Defence album that they originally recorded in 1979 and was previously unreleased until 2014 when it was included within The Complete Album Collection 11CD box set.  All albums half speed remastered at Abbey Road and cut from hi-res files transferred from the best available master tapes where analogue was originally used and from the original digital master tapes for all albums from 1983 onwards with everything approved by Alan Parsons. Includes 60 page 12” x 12” hardback book containing full lyrics, brand new sleeve notes and essay from Miles Showell, Abbey Road Studios on the half speed remastering process. MORE INFORMATION: www.the-alan-parsons-project.com ABOUT THE ALAN PARSONS PROJECT: The Alan Parsons Project was a progressive rock music entity comprised of engineer/ producer Alan Parsons and songwriter, musician and manager Eric Woolfson. They released 10 concept albums between 1976 – 1987 and have sold over 55 million albums world-wide.  Their focus was on very high quality studio sound production and they recorded most of their work at Abbey Road Studios in London. They used a variety of different lead vocalists and musicians on every album – choosing who they felt was the best for each song rather than being constrained to moulding the material for one specific artist.  They have been name-checked in The Simpsons and Austin Powers film and their music is used regularly in adverts, films, sporting events and is often sampled by US rap artists.

The SoundWorks Collection chats with The Flight (Joe Henson & Alexis Smith) about their recent project, Gotham Knights. We explore the creative process crafting the musical backdrop of Gotham City and the Batman Family - Batgirl, Nightwing, Red Hood, and Robin who vow to protect Gotham, bring hope to its citizens, discipline to its cops, and fear to its criminals. Batman is dead. A new expansive, criminal underworld has swept the streets of Gotham City. It is now up to the Batman Family; Batgirl, Nightwing, Red Hood, and Robin; to protect Gotham, bring hope to its citizens, discipline to its cops, and fear to its criminals. From solving mysteries that connect the darkest chapters in the city’s history to defeating notorious villains in epic confrontations, you must evolve into the new Dark Knight and save the streets from descent into chaos. Gotham Knights is an open-world, action RPG set in the most dynamic and interactive Gotham City yet. In either solo-play or with one other hero, patrol Gotham’s five distinct boroughs and drop in on criminal activity wherever you find it. www.gothamknightsgame.com THE FLIGHT: Ivor Novello award winning duo Joe Henson and Alexis Smith began collaborating in 2005 when they co-produced an album for Joe’s band Seventhsun. After realising they had a similar approach to life and wildly divergent musical tastes, they formed a creative partnership that quickly encompassed songwriting, production, and composition. The duo have worked with some of the biggest names in the music industry as well as being A-list composers for video games. 2014 saw the release of hit survival horror title Alien: Isolation, and they followed this up with Horizon: Zero Dawn, Assassin's Creed Odyssey, Horizon Forbidden West, and WB Games Montréal’s Gotham Knights. The Flight's television projects include the BAFTA nominated BBC documentary series Drugsland, and Kids on the Edge, produced for Channel 4 by Century Films. www.theflightmusicofficial.com

Join us for a conversation with musician-turned-engineer Jason LaRocca, who got his start with composer Mark Isham and has gone on to work with some of the top composers in film and videogames, including this year with Bear McCreary (The Lord of the Rings: The Rings of Power, video game God of War: Ragnarok) and Lorne Balfe (Dungeons & Dragons: Honor Among Thieves).