The Archive Project

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part two of a three-part series as part of the Portland Monument Project. The first episode revisited the city’s past, part two will look at the present, and the culminating episode explores what may come to fruition in the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode, we’re tracing the path of a monument that went from a guerilla artwork, to a museum piece, and will soon be a monument again. Join us as we travel from the top of Mount Tabor to the mouth of the Columbia River to learn more about this particular monument and its subject – York the Explorer – from art curators, historians, and some nice people enjoying an afternoon in the park.  Our guide for today’s episode is Archive Project editor and producer, Matthew Workman. 

In the words of the Los Angeles Times, “A new book by (Patrick Radden) Keefe means drop everything and close the blinds; you’ll be turning pages for hours.” Keefe is an award-winning investigative journalist, a staff writer at the New Yorker, the creator of a popular podcast, and the author of six books, including the bestsellers Rogues, Empire of Pain, and Say Nothing. “When I go out looking for a good story,” says Keefe, “I almost never find one. Instead, the really good ones tend to fall in my lap.” Say Nothing was prompted by reading an obituary. A wild-seeming rumor about the 90’s heavy metal band The Scorpions led to the podcast Wind of Change, a sweeping tale of government secrets, Soviet spies, propaganda, and 90’s power ballads. To call his research “meticulous” is an understatement. Keefe’s book, Snakehead, required over 300 interviews to complete. Say Nothing found him speaking to thousands of sources. While writing about the opioid epidemic in EMPIRE OF PAIN, Keefe was blocked from speaking to the Sackler family, so instead, he amassed thousands of correspondences from personal emails to Bar Mitzvah announcements. Though Keefe’s doggedness recalls the detective stories that inspired him early on, he is perhaps more hopeful than hardboiled. By approaching those forces that appear too vast to unravel, he proves that even institutions and systems that seem unassailable can, in fact, be broken down and examined—one interview, one receipt, one wedding invitation at a time. Like all the great whodunnits, his books contain breathtaking plot twists. Though he has, on at least one occasion, solved a murder mystery, Keefe is less interested in pointing to a perpetrator and more interested in holding up a mirror. The question at the heart of his work is one that pertains to everyone: What does it mean to be human? His newest book, London Falling, is an investigation into the mysterious death of 19-year-old Zach Brettler and its connection to both London’s criminal underworld and its elite circles. The author Katherine Rundell says, “Nobody writes like Patrick Radden Keefe; nobody makes achieving something so powerfully complex and difficult look so easy. It’s a form of intellectual generosity and, I think, a form of genius.” Patrick Radden Keefe is a staff writer at The New Yorker and the author of the New York Times bestsellers Rogues, Empire of Pain, and Say Nothing, which received the National Book Critics Circle Award for Nonfiction, was selected as one of the ten best books of 2019 by The New York Times Book Review, The Washington Post, Chicago Tribune and The Wall Street Journal, and was named one of the top ten nonfiction books of the decade by Entertainment Weekly. His previous books are The Snakehead and Chatter. His work has been recognized with a Guggenheim Fellowship, the National Magazine Award for Feature Writing and the Orwell Prize for Political Writing. He is also the creator and host of the eight-part podcast Wind of Change.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part one of a three-part series as part of the Portland Monument Project. This episode explores the city’s past, and part two will look at the present and the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode we’ll talk to the staff at the City’s Office of Arts and Culture who are leading this initiative, hear from experts, from historians, from passersby, and from other stakeholders who are questioning our past practices, and hope create change in how we, as a community choose our monuments – who gets to decide which ones are put up and where they go. Our guide for today’s episode is Archive Project editor and and producer, Matthew Workman. For a hands-on experience, join local nonfiction comic artist Shay Mirk for a free creative zine-making workshop on the monuments we need on May 9th and May 10th. Click here to learn more and register.

Jill Lepore is a Harvard professor and contributing writer to the New Yorker. Her books include The Secret History of Wonder Woman, New York Burning, These Truths: A History of the United States, and her latest, We the People: A History of the U.S. Constitution – and instant New York Times bestseller.   This year is the semi-quincentennial of the United States of America and, as Lepore points out, also the anniversary of constitutionalism.  There’s no better guide through American history than Jill Lepore, and it is a delight to spend an hour in civics class led by someone who readily references Mel Brooks and AI in a discussion about the Constitution. Lepore is interviewed by OPB’s Geoff Norcross, host of All Things Considered. They discuss Lepore’s Amendments Project, which catalogues all the amendments that have been proposed throughout history, and explore why it is so difficult to amend the Constitution and the story of how some of the amendments we do have (there are 27, including the 10 in the Bill of Rights) came to be. They talk about originalism and the pessimism of the framers, who believed that any man would be a tyrant if given power, and set up the checks and balances in our Constitution to give the legislature, the court, and the people – with the vote – the power to oust a tyrant.    A few notes to listeners just for clarity:   It’s mentioned “what is Congress doing right now,” this was during the November 2025 government shut down.  Jill is not in the room with the audience; Jill was unable to join us in Portland due to a last-minute travel issue (related to the shut down, frankly), but very gamely came in on video while Geoff Norcross and the audience were in the theater.   Jill Lepore is the David Woods Kemper ’41 Professor of American History at Harvard University and Professor of Law at Harvard Law School. She is also a staff writer at The New Yorker. As a wide-ranging and prolific essayist, and winner of the PEN prize for the Art of the Essay, Lepore writes about American history, law, literature, and politics. She is the author of many award-winning books, including the international bestseller, These Truths: A History of the United States (2018). Her newest book is We the People: A History of the U.S. Constitution, which was published this September.  As one of the local hosts of OPB’s “All Things Considered,” Geoff Norcross shares local and regional stories to audiences of NPR’s flagship newsmagazine. Previously, Geoff was the host of OPB’s “Morning Edition” for 15 years. He was part of the team that built the program into one of the most listened-to presentations of “Morning Edition” in the country. 

Each year, Portland youth spend months writing and competing in poetry slam competitions on high school campuses across the city. Each April, about 20 finalists compete for the title of city-wide Portland slam champ at Verselandia!, in front of an audience of nearly 1,000. The 2026 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 30 at 7 pm. For more information and tickets visit our website literary-arts.org. On this episode, we go backstage at Verselandia! 2025 to talk to student poets as they wait to take the stage at the Schnitz, and then hear them perform.  We’ll also hear some poems from people competing in this year’s Verselandia!, and talk to them about their work. A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.

April is National Poetry Month, and to kick things off, this year we have a conversation from the 2025 Portland Book Festival between two of our most accomplished contemporary poets: Pádraig Ó Tuama and Patricia Smith. Their conversation is moderated by Portland poet, musician, and Torah teacher, Alicia Jo Rabins. An Oregon Book Award finalist for her collection Fruit Geode, Alicia published her spiritual memoir earlier in 2026 with the wonderful title When We’re Born We Forget Everything. Alicia leads the conversation with Patricia Smith and Padraig O Tuama. Patricia Smith’s latest book is her new and selected, The Intentions of Thunder; and in fact, shortly after this event took place, in November 2025, the book was awarded the National Book Award for Poetry. Pádraig Ó Tuama is an Irish poet and theologian, and the host of On Being’s Poetry Unbound podcast. The event was titled “Testament,” and much of the conversation explores the poet as witness and bearing witness; both of one’s own life but also beyond that, including the form of the persona poem. Patricia talks about how coming up in the poetry slam community shaped her poetic voice and confidence, while Pádraig shares how a childhood in Ireland, where his poetic education was mostly focused on memorization, influenced his own trajectory. Patricia Smith is an inductee of the American Academy of Arts & Sciences and the recipient of the Ruth Lilly Poetry Prize for Lifetime Achievement. She is the author of nine acclaimed books of poetry, including Unshuttered and Shoulda Been Jimi Savannah. A Guggenheim Fellow, a National Endowment for the Arts grant recipient, and a four-time individual champion of the National Poetry Slam, Smith is a creative writing professor in the Lewis Center for the Arts at Princeton University and a former distinguished professor at the City University of New York. Pádraig Ó Tuama is an Irish poet who hosts On Being’s Poetry Unbound, and has written the accompanying (and forthcoming) volume to that podcast. With publications in the Kenyon Review, the New England Review, Poetry Ireland, Harvard Review and others, he’s also a seasoned broadcaster, having appeared on national radio stations in Ireland, the UK, the US, Australia and New Zealand. His latest poetry collections are titled Kitchen Hymns and 44 Poems on Being with Each Other: A Poetry Unbound Collection. Alicia Jo Rabins is a writer, musician, composer, performer and Torah teacher. She combines words, music, ritual and performance to create works of experimental beauty exploring the intersection of ancient wisdom texts, feminism, and everyday life. Rabins tours internationally as a musician and performer; she has performed and presented at Lincoln Center, Joe’s Pub, and in countries including Sweden, Guatemala and Estonia.

In this episode of The Archive Project, we feature poet and essayist Cathy Park Hong from Portland Arts & Lectures in January 2022. Hong became nationally famous in the spring of 2020 for her essay collection Minor Feelings: An Asian American Reckoning, a book so searing and powerful it landed her on the cover of Time magazine’s 2021 issue featuring the 100 most influential people in the world. Minor Feelings is a collection of seven essays is both a deeply personal account of Hong becoming—and being—an artist, and is also an account of her and her family’s experience as Korean Americans in this country. But she has emphasized that this is a book about America, not necessarily about being Asian. It is also a book infused with her sensibility as a poet, as someone who is fascinated with the endless mutability and power of language. Hong has published three acclaimed collections of poetry, and many listeners who know and have read Minor Feelings might be surprised to learn she primarily identifies as a poet not as an essayist. The theme of her talk is “community and belonging” and she threads a narrative through pop culture, religion, autobiography, and 20th century history, in order to try to understand the rise in hate crimes against Asian Americans during the pandemic, and the broader discrimination so many Americans experience in their daily lives. That she does this with anger, humor, and tenderness speaks to her remarkable powers as a writer and speaker. Cathy Park Hong is the author of three poetry collections and Minor Feelings, a New York Times bestselling book of creative nonfiction which won the National Book Critics Circle Award for autobiography and was longlisted for the Andrew Carnegie Medal for Excellence. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, and other journals. She is the poetry editor of The New Republic and full professor at Rutgers University–Newark.

This week features a conversation on humor in fiction featuring two masters of the genre: Kristen Arnett, author of Mostly Dead Thingas and, most recently, Stop Me If You’ve Heard This One, the story of a lesbian clown navigating life, love, and art in Florida; and Jess Walter, author of Beautiful Ruins and, most recently, So Far Gone, about a journalist living off the grid who is forced back into society to help his grandchildren. The conversation is moderated by OPB’s Jess Hazel, host of Morning Edition. As they discuss, Jess and Krisetn are both writers of place, and are often writing about people who might be thought of as outsiders or marginal. Kristen is a Florida writer, by her own description everything she writes is about Florida, specifically Orlando and Central Florida. And Jess ranges in his work but often, including in So Far Gone, returns to the American Northwest, here to the Eastern Northwest; he also delivers a defense of Spokane, his birthplace and long-time hometown. The episode starts with the author’s favorite knock-knock jokes, both of which are very personal choices and give some insight into what these funny writers find funny. What comes through as a primary connection between Jess and Kristen’s work is their fascination with people. Writing is a way to try to better understand people, including people drastically different from the writer, which is a deeply empathetic project. Humor is a way to understanding other people and to connecting with people across some of the things that might seem to divide us. Kristen Arnett is the author of the novel With Teeth, which was a finalist for the Lambda Literary Award in fiction, and the New York Times bestselling novel Mostly Dead Things, which was shortlisted for the VCU Cabell First Novelist Award. Her work has appeared in The New York Times, TIME, The Cut, Oprah Magazine, and elsewhere. She lives in Orlando, Florida. Jess Walter is the author of eleven books, most recently the novels So Far Gone, The Cold Millions and Beautiful Ruins; The Zero, a finalist for the National Book Award and Citizen Vince, winner of the Edgar Award for best novel. His work has been published in 34 languages and his short fiction has won O. Henry and Pushcart prizes, appeared three times in Best American Short Stories, and is collected in the books The Angel of Rome and We Live in Water. Walter lives in Spokane, Washington. Jess Hazel has hosted Morning Edition for OPB since 2024. They graduated with a BA in Journalism at the University of Montana and have previously hosted Morning Edition in Montana and Southern Colorado. Hazel has a voracious appetite for stories and treasures books that make them laugh, cry or cringe.

Portland Book Festival has been a proud partner of the National Book Foundation Presents program for many years now, and at the 2025 festival we featured a program called “The Cost of Hope,” moderated by National Book Foundation executive director Ruth Dickey, and featuring 2024 National Book Award in Nonfiction winner Jason De Leon, author of Soldiers and Kings: Survival and Hope in the World of Human Smuggling, and 2025 National Book Award finalist in Fiction Megha Majumdar, author of A Guardian and a Thief. The intersections between Jason’s book, in which he embeds with a group of smugglers moving migrants across Mexico over the course of seven years, and Megha’s novel, about two families in a climate-ravaged near-future Kolkata, are abundant. In fact, the two authors share a background in anthropology, and talk about how that education has shaped the way they interpret the world. Their wide-ranging conversation starts with a discussion of how hope can be “snarling and aggressive,” and idea of hope as a refusal to back down. They also talk about the ways both of their stories connect climate change and migration, and how inescapable that connection is. In different ways; for Jason, through reporting, and for Megha, through fiction, both books are able to interrogate huge systems through the individual lives, making these incomprehensible forces in the world legible by finding the storytelling. This is a conversation between two artists thinking deeply about some of the most pressing issues of the day, and approaching them from places of care and, indeed, ultimately, from places of hope. Jason De León is professor of Anthropology and Chicana/o Studies and Director of the Cotsen Institute of Archaeology at the University of California, Los Angeles. He is also Executive Director of the Undocumented Migration Project, a 501(c)(3) research, arts, and education collective that seeks to raise awareness about migration issues globally while also assisting families of missing migrants reunite with their loved ones. He is a 2017 MacArthur Fellow and author of the award–winning books The Land of Open Graves: Living and Dying on the Migrant Trail and Soldiers and Kings: Survival and Hope in the World of Human Smuggling, Winner of the 2024 National Book Award for Nonfiction. Megha Majumdar is the author of the New York Times bestselling novel A Burning, which was Longlisted for the National Book Award, nominated for the National Book Critics Circle’s John Leonard Prize, and a finalist for the American Library Association’s Andrew Carnegie Medal for Excellence. It was named one of the best books of the year by media including The Washington Post, the New York Times, NPR, The Atlantic, Vogue, and TIME Magazine. A 2022 Whiting Award winner, she was born and raised in Kolkata, India, and holds degrees in Anthropology from Harvard and Johns Hopkins. She is the former Editor-in-Chief of Catapult Books, and lives in New York. A Guardian and A Thief is her second novel. Ruth Dickey has spent 30 years working at the intersection of community building, writing, and art, and is the Executive Director of the National Book Foundation. The recipient of a Mayor’s Arts Award from Washington DC, and a grant from the DC Commission and Arts and Humanities, Ruth is the author of Our Hollowness Sings (Unicorn Press, 2024), and Mud Blooms (Harbor Mountain Press, 2019), and an ardent fan of dogs and coffee.   CW: The podcast version of this episode is uncensored and contains strong language. Listener discretion is advised!

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. At Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora. Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet. The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.” But, Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time. “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes. In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants. Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.

Colm Tóibín is the author of eleven novels, three short story collections and several works of nonfiction. He has written countless articles, plays, an opera libretto and a collection of poetry, and been a finalist for the Booker Prize multiple times He is perhaps best known for his novel Brooklyn, which was made into a movie that was nominated for three Oscars. Set in the middle of the 20th century, Brooklyn is about Eilis Lacey who leaves her small town in Ireland for New York. After building a life there, she is drawn back home and has to choose where she wants to forge her future. Tóibín opens his lecture with the moment of his father’s wake in his childhood home in which he hears, as a child, the real life story that would later inspire his character of Elis Lacey. From there, Tóibín’s talk is a captivating story of all of his stories, and a kind of master class for writing a novel. He is a writer known for rendering the quiet intimacies between characters, revealing powerful emotional undercurrents and their deep longings.  He is a writer who makes you care about the tiny details of a life – the buttons on a coat or the emotional reverberations of a silence. In this talk, he illuminates his craft, and pulls the curtain back on how his own life shaped his most famous novels. Colm Tóibín is the author of eleven novels, including Long Island, an Oprah’s Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster; as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. He was shortlisted three times for the Booker Prize. He was also awarded the Bodley Medal, the Würth Prize for European Literature, and the Prix Femina spécial for his body of work.

If you like Heated Rivalry – if you don’t, you’re the only one, but anyway – if you like Heated Rivalry and want more queer romance but wish it had more wine, we’ve got the books for you. This week’s conversation is features queer romance at the 2025 Portland Book Festival, with authors Jasmine Guillory, Adib Khorram, and moderator Anita Kelly. Jasmine Guillory is the New York Times bestselling author of  Drunk on Love, The Wedding Date, and The Proposal. A frequent contributor to The Today Show, she was at the festival for her first queer romance, Flirting Lessons. Adib Khorram is the author of I’ll Have What He’s Having and YA novel Darius The Great Is Not Okay. He serves on the board of directors for Authors Against Book Bans. He was at the festival for his adult romance book is It Had To Be Him. The event is moderated by Portland author Anita Kelly, author of How You Get The Girl and Donut Summer. Both books, Flirting Lessons and It Had To Be Him, involve escape – to Napa and to Milan, respectively – and the authors talk about the arduous research process of drinking a lot of wine. Jasmine speaks about writing a book as a way to learn about something she’s curious about – in her case the wine business and living in what is thought of as a tourist town, like Napa. And Adib describes a rosé-fueled semi-spontaneous trip to Italy for eight weeks, and how the pursuit of joy inspired his process. Romance is hot right now, and the conversation is very fun, but a heads up that it is a spicy conversation! There are a few bleeps, and portions might not for all ages or all ears. The episode includes content that might not be suitable for all audiences – and it’s unbleeped! Listener discretion is advised. Jasmine Guillory is a New York Times bestselling author. Her novels include Drunk on Love, The Wedding Date, the Reese’s Book Club selection The Proposal. Her work has appeared in The Wall Street Journal, Cosmopolitan, Bon Appetit, and Time. Jasmine is a frequent book contributor on the Today show. She lives in Oakland, California. Adib Khorram is the queer Iranian author of I’ll Have What He’s Having, which was an instant USA Today bestseller. He is also the author of the young adult novel Darius the Great Is Not Okay, which earned the William C. Morris Debut Award, the Asian/Pacific American Award for Young Adult Literature, and a Boston Globe–Horn Book Honor, and was named one of Time magazine’s 100 Best YA Novels of All Time; his other young adult novels Darius the Great Deserves Better, Kiss & Tell, and The Breakup Lists as well as the picture books Seven Special Somethings: A Nowruz Story and Bijan Always Wins, have garnered critical acclaim, starred reviews, and bestsellers. He grew up in Kansas City—the Milan of the Midwest—but he’d rather be in the real thing, sitting on a patio, enjoying an aperitivo. Originally from a small town in the Pocono Mountains of Pennsylvania, Anita Kelly now lives in the Pacific Northwest with their family. An educator by day, they write romance that celebrates queer love in all its infinite possibilities. They hope you get to pet a dog today

In 2016 Tara Roberts was living in Washington DC feeling, in a new way, the deep fractures in America, including the way we understand our history.  She felt called to be part of trying to heal these divisions.   It was a chance encounter with a photograph at the National Museum of African American History and Culture that changed the trajectory of her life.  It was of a group of Black women on a boat in diving gear who she quickly discovered  were from an organization called Diving with a Purpose, an underwater archeology group with a mission to discover and document the wreckage of slave ships scattered on the ocean floor around the world, and by doing so recover a crucial part of history. Roberts soon quit her job and joined the group to document their work, learning to scuba dive in order to do so. She turned that journey into an award-winning National Geographic-produced podcast called “Into the Depths” and became the first Black female explorer ever to be featured on the cover of National Geographic Magazine.  This work also resulted in a memoir Written in the Waters which both invites us into the fascinating and groundbreaking work below the surface of the Ocean around the globe, and her own personal transformation. Roberts has travelled the world as a diver, backpacker, and adventurer,  bringing to this conversation a global view of history and culture, and a devotion to tell the stories that can bring us together.  She is currently Explorer-in-Residence at the National Geographic Society. Here’s Tara Roberts in conversation with Shayna Schlosberg from the 2025 Portland Book Festival, on Literary Arts, the Archive Project. Tara Roberts spent the last six years following, diving with, and telling stories about Black scuba divers as they searched for and helped document slave shipwrecks around the world. Her journey was turned into an award-winning National Geographic-produced podcast called “Into the Depths” and featured in the March issue of National Geographic magazine. Tara became the first Black female explorer ever to be featured on the cover of Nat Geo. In 2022, Tara was named the Rolex National Geographic Explorer of the Year. Currently, she is an Explorer-in-Residence at the National Geographic Society. And her book Written in the Waters: A Memoir of History, Home and Belonging hits stands in January 2025. Tara also worked as an editor for magazines like CosmoGirl, Essence, EBONY and Heart & Soul and edited several books for girls. She was a Fellow at the MIT Open Documentary Lab. She founded her own magazine for women who are ‘too bold for boundaries..’ And Tara spent an amazing year backpacking around the world to find and tell stories about young women change agents. The journey led to the creation of a nonprofit that supported and funded their big ideas. Shayna Schlosberg is the Vice President of Community Connections at OPB and KMHD, where she leads initiatives to ensure that both organizations authentically reflect and serve the diverse communities of the Pacific Northwest. In this role, she shapes and drives the strategy, vision, and implementation of community representation and inclusion across all aspects of OPB and KMHD’s work. Shayna joined OPB and KMHD in 2022. Prior to that, she was the Director of Operations and Strategy at Women of Color in the Arts, a national service organization committed to advancing racial and cultural equity in the performing arts. From 2017 to 2021, she served as Managing Director of The Catastrophic Theatre, an acclaimed experimental theater company in Houston, Texas. Before that, she was Associate General Manager at the Alley Theatre, where she played a key role in expanding the theater’s international programming, particularly through partnerships with Latin American artists and companies. Shayna’s expertise has been recognized nationally—she has served on grant panels for the National Endowment for the Arts. She is a graduate of several leadership programs, including the National Association of Latino Arts and Culture’s Advocacy Leadership Institute, Women of Color in the Arts’ Leadership Through Mentorship program, and the 2020 New Leaders Council Fellowship. She was also a founding advisory committee member of the Houston BIPOC Arts Network Fund, a groundbreaking effort born out of the Ford Foundation’s America’s Cultural Treasures initiative. Shayna served in the Peace Corps in Armenia from 2010 to 2012.

Baldwin was key figure in the American civil rights movement of the last 1960s, and he is one of our most important American writers. Author of the novels If Beale Street Could Talk, Go Tell It on the Mountain, and Giovanni’s Room, he was also an essayist, poet, and playwright. Baldwin’s influence continues to grow, but even if you’ve never read a word James Baldwin has written – first, you should – you will find something to treasure in this conversation. Boggs’s biography centers on the artistic and intimate relationships that informed Baldwin’s life and work. Douglas Brinkley, author of Rosa Parks: A Life, said “Nicholas Boggs’s meticulously researched and passionately written Baldwin is the crown jewel of the ongoing James Baldwin revival. … this epic biography captures Baldwin in full.” Our interviewer is Mitchell S. Jackson, author of The Residue Years, Survival Math, and a Pulitzer Prize winning journalist. Jackson is one of the best interviewers — I genuinely think he should have his own talk show — and he brings so much care and curiosity to the conversation. We start with a passage from the audiobook, which is published by Macmillan Audio and read by Ron Butler. Nicholas Boggs is a writer and independent scholar, born and raised in Washington, DC, now living in Brooklyn, New York. He rediscovered and coedited a new edition of James Baldwin’s out-of-print collaboration with the French artist Yoran Cazac, Little Man, Little Man: A Story of Childhood (2018), and his writing has been anthologized in The Cambridge Companion to James Baldwin. He received his BA in English from Yale, his MFA in creative writing from American University, and his PhD in English from Columbia. Baldwin: A Love Story is Nicholas Boggs’ debut novel. Mitchell S. Jackson is the winner of the 2021 Pulitzer Prize in Feature Writing and the 2021 National Magazine Award in Feature Writing. Jackson is the critically acclaimed author of The Residue Years, Survival Math: Notes on an All-American Family, Fly: The Big Book of Basketball Fashion, and John of Watts (to be published soon). His writing has been featured on the cover of the New York Times Book Review, Time, Esquire, and Marie Claire, as well as in The New Yorker, Harpers, The New York Times, and elsewhere. Jackson’s nonfiction book Survival Math was published in 2019 and named a best book of the year by fifteen publications, including NPR, Time, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. Jackson is a contributing writer for the New York Times Magazine, covers race and culture as the first Black columnist in the history of Esquire, and serves as the John O. Whiteman Dean’s Distinguished Professor in the English Department of Arizona State University.

We’re back at the 2025 Portland Book Festival this week, with poets m. mick powell and Taylor Byas, and moderater Jae Nichelle.   Taylor Byas’s second collection, Resting Bitch Face, uses watching and surveillance to explore Black female subjectivity. Byas engages with multiple art forms — painting, film, sculpture, and photographs – to explore the perspectives of artist and muse, of watcher and watched.   Taylor is in conversation with m. mick powell, whose debut poetry collection Dead Girl Cameo: A Love Stroy in Poems features of chorus of pop stars – Aaliyah, Whitney Houston, Lisa “Left Eye” Lopes, and more – in an exploration of grief, sexuality, and celebrity. Powell refers to the collection as a documentary, and it includes imagery, speculative verse, and more.   Poet Jae Nichelle leads a conversation that starts from the prompt “pop culture poetry.” Engaging with pop culture, as these collections do, is an act of engaging with the cultural moment. Done well, it doesn’t “date” the work, but creates a time capsule – a documentary. Both collections are deeply researched, and Taylor and mick discuss their relationships to art, scholarship, and commerce, and the interplay between those different aspects of publishing this particular collections.    In the conversation, first we’ll hear m. mick powell read the title poem of their debut collection, Dead Girl Cameo, followed by a reading by Taylor Byas of the title poem of Resting Bitch Face and then a conversation between mick, Taylor, and the moderator, Jae.   A heads up – there’s some mature language that may not be appropriate for all listeners, and you’ll hear some bleeps in the opening poem.    Taylor Byas is an award-winning poet and a Black Chicago native currently living in Cincinnati, Ohio. Her poetry collection I Done Clicked My Heels Three Times won the Maya Angelou Book Award, the Ohioana Book Award, the CHIRBy Award, and the BCALA Best Poetry Honor. m mick powell is a queer Black Cabo Verdean femme, poet, artist, Aries, and the author of DEAD GIRL CAMEO (One World Books, 2025) and threesome in the last Toyota Celica & other circus tricks, winner of the 2023 Host Publications Chapbook Prize. An assistant professor of Gender and Sexuality Studies at the University of Connecticut, mick enjoys chasing waterfalls and being in love.  Louisiana-born Jae Nichelle (she/her) is the author of God Themselves (Andrews McMeel, 2023) and the chapbook The Porch (As Sanctuary) (YesYes Books, 2019). She was a finalist for a 2023 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship and won the inaugural John Lewis Writing Award in poetry from the Georgia Writers Association. Her poetry has appeared in Best New Poets 2020 (University of Virginia Press, 2020), the Washington Square Review, The Offing, Muzzle Magazine, and elsewhere. She believes in all of our collective ability to contribute to radical change. 

In this episode, we feature the beloved Irish novelist Emma Donoghue, in conversation with OPB’s Crystal Ligori, from the 2025 Portland Book Festival.  Emma Donoghue has extraordinary range, writing for the screen, and the stage, as well as authoring many acclaimed novels. Her international bestseller Room was a New York Times Best Book of 2010 and a finalist for the Man Booker, Commonwealth, and Orange Prizes, and it is what brought her fame and readers all over the world.   She joined us on stage to discuss The Paris Express, a novel based on an 1895 disaster at the Paris Montparnasse train station that went down in history when it was captured in a series of surreal, extraordinary photographs.  It’s a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia. Members of parliament hurry back to Paris to vote; a medical student suspects a girl may be dying; a secretary tries to convince her boss of the potential of moving pictures; two of the train’s crew build a life away from their wives; a young anarchist makes a terrifying plan, and much more.   Emma Donoghue is the author of sixteen novels, including the award-winning national bestseller Room, the basis for the acclaimed film of the same name. Her latest novel is The Paris Express. She has also written the screenplays for Room and The Wonder and nine stage plays. Her next film (adapted with Philippa Lowthorpe from Helen Macdonald’s memoir) is H Is for Hawk. Born in Dublin, she lives in Ontario with her family.  As one of the local hosts of OPB’s “All Things Considered”, Crystal Ligori seeks out unique stories from diverse communities, often focusing on food systems, pop culture, and LGBTQ+ communities. She also narrates OPB’s Emmy-award winning documentary food series “Superabundant” and was the longtime producer/editor for Literary Arts’ weekly radio program and podcast “Literary Arts: The Archive Project”. Before joining OPB, Crystal was a host at KUFO in Portland, OR, KZZU in Spokane, WA and KBGA in Missoula, MT. Her work has been heard nationally on NPR Newscasts, APM’s “Marketplace”, PRX’s “Living on Earth,” and NPR’s “All Things Considered”.  An alumna of the School of Journalism at the University of Montana, she has three SPJ awards for television feature reporting and LGBTQ+ Equity Reporting in audio, a Hearst Journalism Award for broadcast news radio features, and shares three regional Emmy awards for her work on Superabundant. 

In this episode, we feature two of Oregon’s most accomplished writers, Omar El Akkad and Karen Russell from a conversation that took place at the 2025 Portland Book Festival.  They were joined onstage by Willamette Week‘s arts and culture editor Rachel Saslow for a conversation about the ongoing American reckoning of its violent past and present. Russell’s novel The Antidote is set in the Great Depression Dust Bowl in a fictional town in Nebraska and examines the history of the American colonialism and the violence it enacted.  It is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities At the center of El Akkad’s book One Day, Everyone Will Always Have Been Against This is the present-day destruction and violence in Palestine, and the realization how much of the West’s moral promises are lies. The book is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage. At the time of the live event, both El Akkad and Russell were finalists for the National Book Awards in nonfiction and fiction respectively. El Akkad would go on to be given the award for nonfiction just a few weeks later, joining just a small handful of Oregonians ever to receive a national Book Award — including Ursula K Le Guin, William Stafford, Barry Lopez and Mary Szybist. A note to the listener this episode contains mature themes and discussions of violence that may not be suitable for all listeners. The Archive Project airs audio from live conversations and events, edited for length and clarity to better serve a listening audience. An earlier version of this episode omitted a portion of the conversation, as well as the audience Q&A. An extended edition is now available. Omar El Akkad is an author and journalist. He was born in Egypt, grew up in Qatar, moved to Canada as a teenager, and now lives in the United States. He is a two-time winner of both the Pacific Northwest Booksellers Association Award and the Oregon Book Award for fiction. His books have been translated into thirteen languages. His debut novel, American War, was named by the BBC as one of one hundred novels that shaped our world. His latest book is titled One Day, Everyone Will Have Always Been Against This. Karen Russell is the author of six works of fiction, including the New York Times bestsellers Swamplandia! and Vampires in the Lemon Grove. She is a MacArthur Fellow, a Guggenheim Fellowship, and a finalist for the Pulitzer Prize. She has received two National Magazine Awards for Fiction, the Shirley Jackson Award, the 2023 Bottari Lattes Grinzane prize, the 2024 Mary McCarthy Award, and was selected for the National Book Foundation’s “5 under 35” prize and The New Yorker‘s “20 under 40” list (She is now decisively over 40). She has taught literature and creative writing at the Iowa Writers’ Workshop, the University of California-Irvine, Williams College, Columbia University, and Bryn Mawr College, and was the Endowed Chair of Texas State’s MFA program. She serves on the board of Street Books, a mobile-library for people living outdoors. Born and raised in Miami, Florida, she now lives in Portland, Oregon with her husband, son, and daughter. Russell’s new book is titled The Antidote. Rachel Saslow is the arts and culture reporter at Willamette Week. She began her journalism career at the Washington City Paper in Washington, D.C., followed by a staff writer position at the Washington Post, where she wrote the Arts Beat column for the Style section. She now lives in her hometown of Portland, Ore., with her husband and their three children.

On this episode of The Archive Project, we feature Barbara Kingsolver in conversation with Jess Walter. Barbara Kingsovler is the author of seventeen books, including nonfiction, short stories, poetry, and novels. Her novels include modern classics like The Poisonwood Bible and The Lacuna. Kingsolver is known for socially engaged writing that embraces the psychological and emotional. As she has said, “A good book should be trouble and delight the reader.” And few do that as well as Kingsolver. Her latest novel is Demon Copperhead, set in rural Appalachia, where Kingsolver was raised and lives today. In the book, she remaps Charles Dickens’ Victorian classic David Copperfield onto her real-life community, to illuminate the poverty, broken social and education systems, the influence of industrial agriculture, and the targeting of Appalachians by Big Pharma, and the consequent pervasive and destructive opioid epidemic. Like Dickens, she tells the story of a resilient kid caught in the crosshairs. The novel is, in the words of The Times UK, “Like Dickens directed by the Coen brothers.” Indeed, despite the subject matter, this novel is a delight to read from the first line, thanks to Kingsolver’s inventiveness and Demon’s distinctive voice. Many critics praise it as her best book yet. Barbara Kingsolver is the author of ten bestselling works of fiction, including the novels Unsheltered, Flight Behavior, The Lacuna, The Poisonwood Bible, Animal Dreams, and The Bean Trees, as well as books of poetry, essays, and creative nonfiction. Her work of narrative nonfiction is the influential bestseller Animal, Vegetable, Miracle: A Year of Food Life. Kingsolver’s work has been translated into more than twenty languages and has earned literary awards and a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country’s highest honor for service through the arts, as well as the Dayton Literary Peace Prize for the body of her work. She lives with her family on a farm in southern Appalachia. Jess Walter is the author of six novels, including the bestsellers Beautiful Ruins and The Financial Lives of the Poets, the National Book Award finalist The Zero, and Citizen Vince, the winner of the Edgar Award for best novel. His short fiction has appeared in Harper’s, McSweeney’s, and Playboy, as well as The Best American Short Stories and The Best American Nonrequired Reading. He lives in his hometown of Spokane, Washington.

In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin’s legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula’s son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction. In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.” Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin’s work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian. This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022. “It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin Find your copy of these books through the Literary Arts Bookstore. Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America. Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city. Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers’ Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.

Join us in our third installment of this special episode where we spend the day at the 2025 Portland Book Festival. Saturday, November 8, in downtown Portland. Our Virgil is once again editor and producer Matthew Workman, who is taking a turn at the microphone as he searches for festival authors to get their book recommendations. It’s an exclusive, rare! Behind-the-scenes look at the festival, plus a great source for your to-read list and hopefully some gifting inspiration for the readers in your own life. We once again asked some of our featured festival authors to recommend books by other authors in the festival. We have a bit of a National Book Awards theme happening here too: We will hear recommendations from: Patricia Smith, author of The Intentions of Thunder, winner of the 2025 National Book Award in Poetry Jason De Leon, author of Soliders and Kings, winner of the 2024 National Book Award in Nonfiction Karren Russell, author of The Antidote, finalist for the 2025 National Book Award in Fiction Megha Majumdar, author of A Guardian and a Thief, finalist for the 2025 National Book Award in Fiction Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This, winner of the 2025 National Book Award in Nonfiction Renée Watson, author of All the Blue in the Sky Ruth Dickey, poet and executive director of the National Book Foundation Kristen Arnett, novelist and author of Stop Me If You’ve Heard This One A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.

This episode of The Archive Project features a lecture from Tommy Orange in Portland, Oregon. This lecture was the culminating event of the Multnomah County Library’s 2020 Everybody Reads program—an annual shared reading experience that includes city-wide events for readers of all ages. In his lecture, Orange details his experience as a Native American growing up and working in Oakland, California. He didn’t always want to be a writer, and he shares the twisting path that led him to this work. His debut novel, There There, is a winner of the PEN/Hemingway Award, the National Book Critics Circle John Leonard Prize, and the Center for Fiction First Novel Prize. It was shortlisted for the Andrew Carnegie Medal for Excellence in Fiction, and named one of the best books of the year by numerous publications. There There—and Orange himself in this lecture—explores a multitude of themes, from identity and ownership to the urban-rural divide. Link to “Ghost Dance” short film referenced in Orange’s lecture: https://www.youtube.com/watch?v=z5plHAdBums Tommy Orange is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California.

This episode of The Archive Project features author Salman Rushdie reading from and discussing his 1999 New York Times bestseller The Ground Beneath Her Feet. Just one year after almost a decade in hiding from the Iranian government, Rushdie made his first public appearance in Portland, discussing the ideas, both mythical and musical, that inspired this New York Times bestseller. In his remaking of the myth of Orpheus, Rushdie tells the story of Vina Apsara, a pop star, and Ormus Cama, an extraordinary songwriter and musician, who captivate and change the world through their music and their romance. Beginning in Bombay in the fifties, moving to London in the sixties, and New York for the last quarter century, the novel pulsates with a half-century of music and celebrates the power of rock ‘n’ roll. In this episode, Rushdie discusses the musical and mythological influences that inspired this ambitious work of magical realism. “The thing that I wanted to do most of all was to write a love story. And to find a way of writing a contemporary love story that was neither gushily sentimental nor fashionably cynical, but which could face up to great passion and try and make sense of it. And so, in my usual perverse way, while trying to write a modern story I found myself thinking about an ancient myth.” Salman Rushdie is the author of several novels, including Grimus, Midnight’s Children, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, and Shalimar the Clown. He has written collections of short stories, including East, West, and co-edited with Elizabeth West a collection of Indian literature in English, Mirrorwork. He has also published several works of nonfiction, among them The Jaguar Smile, Imaginary Homelands, The Wizard of Oz, and Joseph Anton, a memoir of his life under the fatwa issued after the publication of The Satanic Verses. His fourteenth novel, Victory City, released in 2023.

Angela Flournoy came to Portland for the 2025 Portland Book Festival, where she discussed her new novel The Wilderness in conversation with Renée Watson, award-winning author of skin & bones. The title of The Wilderness refers to what Flournoy describes as the true “coming of age” — instead of the transition out of adolescence, the decades from one’s twenties onward. The book revolves around four friends as they navigate those years, when you confront who you thought you might be as an adult, and what is actually happening in your life: your friendships, romances, success, grief, career, and so much more. The “found family” of long, deep friendship is the center of the book, and Flournoy and Watson discuss the constant choosing that creates and sustains a found family, the ongoing making and remaking that happens over decades of friendship. Angela Flournoy is the author of The Turner House, which was a finalist for the National Book Award, a finalist for the Center for Fiction First Novel Prize, a Barnes & Noble Discover Great New Writers selection, an Indie Next pick, and a New York Times Notable Book of the Year. Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, Los Angeles Times, and elsewhere. A graduate of the Iowa Writers’ Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She lives in New York. Flournoy’s latest novel is titled The Wilderness. Renée Watson is a #1 New York Times bestselling author. Over the past decade she has authored twenty books for young readers including Black Girl You Are Atlas and Cicely Tyson, which have collectively sold more than a million copies. She received a Coretta Scott King Award and a Newbery Honor for her novel Piecing Me Together and high praise for 1619 Project: Born on the Water, co-written with Nikole Hannah-Jones. Her debut adult novel, skin & bones, was published May 7th, 2024. Watson is on the Council of Writers for the National Writing Project and is a member of the Academy of American Poets’ Education Advisory Council. She splits her time between Portland, Oregon and New York City. Her latest middle grade title is All the Blues in the Sky.

This week we are bringing you a conversation that Literary Arts hosted in October 2025 with historian and political philosopher Timothy Snyder, author of On Tyranny, who spoke about his book On Freedom with Literary Arts executive director – and co-host of this show – Andrew Proctor. Timothy Snyder is the author of several books including Bloodlands and The Road To Freedom, as well as numerous articles and a popular Substack. He is a scholar of Eastern European history who Anne Applebaum has called, “one of our most original and perceptive thinkers.” He currently serves Chair in Modern European History at University of Toronto. He has won both the Carnegie and the Guggenheim Fellowship, the Literature Award of the American Academy of Arts and Letters, the Leipzig Book Prize for European Understanding and the Hannah Arendt Prize for Political Thought.  He speaks five languages and reads in ten, once telling a reporter, “If you don’t know Russian, you don’t really know what you’re missing.” The Guardian called him, “one of the most eloquent interpreters of the war in Ukraine.” He served as an advisor to UN Security Council, and has met privately with Ukrainian president, Volodymyr Zelenskyy. In the wake of the 2016 election, what began as a list of thoughts on an airplane napkin became On Tyranny: Twenty Lessons From The Twentieth Century. The book spent two years on the bestseller list and catapulted Snyder from respected historian to one of the most prominent voices in fight against authoritarianism. The lessons of On Tyrrany were widely shared, inspiring multiple poster campaigns and at least one rap song. With On Freedom, Snyder once again places the past in direct conversation with the present and the future. Freedom, for Snyder, is not external thing we may or may not achieve, but an ongoing, embodied struggle. With immediacy and striking humility, he draws lessons from history, not simply to predict future risk, but to claim agency in the present, to see clearly our potential as individuals, as a country and as a species. Timothy Snyder is the Richard C. Levin Professor of History and Global Affairs at Yale University and a permanent fellow at the Institute for Human Sciences in Vienna. His books, which have been published in over forty languages, include Bloodlands, Black Earth, On Tyranny, Road to Unfreedom, Our Malady, and On Freedom. His work has inspired poster campaigns and exhibitions, sculptures, a punk rock song, a rap song, a play, and an opera, and he has appeared in over fifty films and documentaries. He lives in New Haven, Connecticut

Every once in a while, a writer arrives in a historic moment who can explain it, even while it is still actually occurring. M. Gessen is one of these writers. They are a part of the lineage of other incredible writers of their moments, like George Orwell, and Hannah Arendt.  Gessen is the author of eleven books and has been a staff writer at the New Yorker since 2014, and is a columnist for the New York Times. They won the National Book award in 2017 for The Future is History: How Totalitarianism Reclaimed Russia, and became a household name with their bestselling book Surviving Autocracy, which was published in 2020 and written as both a warning and a call to action in the aftermath of Trump’s 2016 election.  Gessen’s talk is a rare glimpse into their childhood and early professional life – growing up in the Soviet Union and emigrating at the age of 14; their early experience in Boston and how it shaped their life personally and professionally; their return to Moscow as a journalist and a rare and strange meeting with Vladimir Putin, and how their grandmothers’ life stories shaped their work.   Gessen is one of the rare contemporary commentators on authoritarianism who has lived under such a regime, and in a democracy – and they have an urgent warning for us all.  “I’ve always thought that I was very lucky to know when I had to leave (Russia) because one of the hardest decisions that somebody has to make…is figuring out when your home is no longer your home. It was kind of a great favor that Putin did to me.” M. Gessen is a Russian American author, translator, and journalist. They’ve written 11 books, including Surviving Autocracy, The Future is History: How Totalitarianism Reclaimed Russia (winner of the 2017 National Book Award for Nonfiction), and an award-winning account of the Boston Marathon bombers titled The Brothers: The Road to an American Tragedy. They spent years covering Putin’s regime in Russia and was famously dismissed as the editor of the Russian popular science magazine Vokrug sveta for refusing to cover a Putin event they felt was propaganda. Gessen received a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the Hitchens Prize, an Overseas Press Club Award for Best Commentary, and the Hannah Arendt Prize for Political Thought. They’ve written for many US publications including The New York Times, The Washington Post, The Los Angeles Times, and The New Yorker. Gessen is a distinguished professor at the Craig Newmark Graduate School of Journalism at CUNY and a distinguished visiting writer at Bard College. They live in New York with their wife and children.  

In this episode, we feature Ta-Nehisi Coates in conversation with Omar El Akkad from the Arlene Schnitzer Concert Hall in October 2024.   Coates’ versatility and virtuosity as a writer makes him one of the most singular and important writers at work today. He first rose to national recognition as a staff writer at The Atlantic Magazine, and in particular for an article he wrote in 2014 titled The Case for Reparations. A year later, Coates published his second book, a long essay called Between the World and Me which became an international bestseller. Coates went on to write a novel called The Water Dancer, for Marvel’s Black Panther comic book series, and a published collection of essays titled We Were Eight Years in Power: An American Tragedy. For his work he has won a National Magazine Award, a MacArthur fellowship and the National Book Award, among many other prizes.    He joined us in fall 2024 to talk about The Message, a new book of essays set in Senegal, South Carolina and Palestine about how our stories – personal or political – can both hide and reveal the truth.     Coates is in conversation with Omar El Akkad, who is a journalist and author of the novels American War, What Strange Paradise and most recently One Day, Everyone Will Have Always Been Against This, his debut book of nonfiction which publishes in February 2025.  Ta-Nehisi Coates is an award-winning author and journalist. His books include Between The World and Me and The Water Dancer. He is currently a writer-in-residence at Howard University.  Omar El Akkad is an author and journalist. He was born in Egypt, grew up in Qatar, moved to Canada as a teenager and now lives in the United States. He is a two-time winner of both the Pacific Northwest Booksellers’ Award and the Oregon Book Award. His books have been translated into 13 languages. His debut novel, American War, was named by the BBC as one of 100 novels that shaped our world. 

Emily Wilson was cast as Athena in a stage production of The Odyssey at the age of eight.  It turned out to be a defining moment in her life, that ultimately set her on a course of decades of passionate and devoted study.  Her 2018 translation of The Odyssey garnered overwhelming critical acclaim, became a bestseller, and is defining how a generation reads Homer, and by extension understands the relevance of classical literature in general. She followed up, in 2023, with her translation of The Iliad.     Her genius has been to render these ancient stories in swift, unpretentious, contemporary language, allowing us to see that despite the rise and fall of empires, despite dramatic cultural shifts and technological progress, there are some essential truths about human nature—we are creatures of hubris and humility, of conflict and collaboration, of profound selfishness and of profound sacrifice.    It is not hard to see in Homer’s Greece a startling similarity to our present-day world. Wilson assures us this is embedded in the text, writing in her introduction to The Iliad, “For a twenty-first-century reader, there is nothing unfamiliar about a partisan society riven by constant striving for celebrity dominance and attention.”    “Tell me about a complicated man,” begins The Odyssey.  From this first line, Wilson establishes herself as one of the most astute translators working in the English language, a translator both of Ancient Greek and of human complexity.    “A translation, just like an original work of art, needs to have its own vision. And you need to have the humility to know that you can’t do everything. You have to commit to your own vision.” Emily Wilson is a classicist, translator, professor of classical studies at the University of Pennsylvania, and the author of the bestselling translations of Homer’s The Odyssey and The Iliad (winner of the 2024 Audie Award for Best Literary Fiction and Classics). In addition to Wilson’s Odyssey and Iliad, she has also published several other translated works, including translations of four tragedies of Euripides published in The Greek Plays: Bacchae, Helen, Electra, and Trojan Women, and translations of Six Tragedies by Seneca. Her other books include The Greatest Empire: A Life of Seneca, The Death of Socrates: Hero, Villain, Chatterbox, Saint, and Mocked with Death: Tragic Overliving from Sophocles to Milton. Wilson was named a fellow of the American Academy in Rome in Renaissance & Early Modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. Wilson is a Professor of classical studies and chair of the program in comparative literature and literary theory at the University of Pennsylvania. Wilson lives in Philadelphia with her family and pets.  

Every year, the Multnomah County Library chooses one book they hope the whole city of Portland will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. Here at Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall.   This year, the 2025 Everybody Reads selection is the memoir Solito by Javier Zamora. For information about how to engage with the program, visit the Multnomah County Library’s web site. I am thrilled to say Javier Zamora will be in Portland on Tuesday, March 11 at the Arlene Schnitzer Concert Hall for the culminating event of the 2025 Everybody Reads Program.   For now, let’s return to the 2024 Everybody Reads event, featuring Gabrielle Zevin and her novel Tomorrow, and Tomorrow and Tomorrow.   Gabrielle Zevin has been steadily publishing fiction for almost two decades and has also written occasional criticism as well as award-winning screenplays. But it was Tomorrow, and Tomorrow and Tomorrow that catapulted her to the stratosphere of literary stardom. It was a #1 New York Times bestseller and spent over 50 weeks on the fiction bestseller list.    To be sure, Tomorrow, and Tomorrow and Tomorrow is about video games, and makes a convincing argument for the power and potential of narrative storytelling in video games. But really, it is about making art, and questions about originality, appropriation, and ambition that come with that pursuit. And perhaps more so, it is a love story, about friends and creative partners, and the excitement, joy, tragedy, and betrayal that come with any long relationship. It’s about something, I’d wager, we’ve all been thinking about the past few years: connection.    Tickets for Everybody Reads 2025 with Javier Zamora are on sale now! Find your tickets here.  Gabrielle Zevin is a New York Times best-selling novelist whose books have been translated into forty languages.   Her tenth novel, Tomorrow, and Tomorrow, and Tomorrow, was a New York Times Best Seller, a Sunday Times Best Seller, and a selection of the Tonight Show’s Fallon Book Club. Tomorrow was Amazon.com’s #1 Book of the Year, Time Magazine’s #1 Book of the Year, a New York Times Notable Book, and the winner of both the Goodreads Choice Award for Fiction and the Book of the Month Club’s Book of the Year. Following a twenty-five-bidder auction, the feature film rights to Tomorrow were acquired by Temple Hill and Paramount Studios.  The Storied Life of A.J. Fikry also spent many months on the New York Times bestseller list. A.J. Fikry was honored with the Southern California Independent Booksellers Award for Fiction, the Japan Booksellers’ Prize, among other honors. A.J. Fikry is now a feature film with a screenplay by Zevin. She has also written children’s books, including the award-winning Elsewhere.   She is the screenwriter of Conversations with Other Women (Helena Bonham Carter) for which she received an Independent Spirit Award Nomination for Best First Screenplay. She has occasionally written criticism for the New York Times Book Review and NPR’s All Things Considered, and she began her writing career, at age fourteen, as a music critic for the Fort Lauderdale Sun-Sentinel. Zevin is a graduate of Harvard University. She lives in Los Angeles. 

This week features a conversation from the 2024 Portland Book Festival, featuring best-selling author Ijeoma Oluo, who is a self-described “writer, speaker, and internet yeller.” She discusses her latest book, Be a Revolution: How Everyday People are Fighting and Changing the World — and How You Can, Too with Portland’s Hanif Fazal, author of An Other World and co-founder of the Center for Equity and Inclusion. They engage in a very honest conversation about the impact that “being loud” about race and racism has had on Oluo’s personal life and mental well-being. She shares that thought she wouldn’t write another book because of that strain, but that through centering loving action that she found a new way of doing her writing work with this project. They also discuss the general writing life and process, and the importance, in the often difficult and consuming work of fighting for systemic change, of centering joy as an outcome of activism. Oluo’s book, Be a Revolution, highlights the way people all over the country are working to create real positive change for intersectional racial equity; as Fazal points out, giving new perspectives on big ideas through the stories of real, actual people. Their stories and Oluo’s work are intended to inspire action and change, and this conversation Ijeoma Oluo (ee-joh-mah oh-loo-oh) is a Seattle-based Writer, Speaker and Internet Yeller. Her work on social issues such as race and gender has been published in The Guardian, Esquire, Washington Post, ELLE Magazine, New York Times, NBC News and more. She has been featured on The Daily Show, All Things Considered, BBC News, and more. Her #1 NYT bestselling first book, So You Want To Talk About Race, was released January 2018 with Seal Press. Her second book, MEDIOCRE: The Dangerous Legacy of White Male America, was published December 2020 with Seal Press and her upcoming book, Be A Revolution: How Everyday People Are Fighting Oppression and Changing the World – and How You Can Too, was January 2024 with Harper One. Oluo was named one of the Most Influential People in Seattle by Seattle Magazine, one of the 50 Most Influential Women in Seattle by Seattle Met, one of The Root’s 100 Most Influential African Americans in 2017 & 2018, and is the recipient of the Feminist Humanist Award 2018 by the American Humanist Association, the Harvard Humanist of the year 2020, the Media Justice Award by the Gender Justice League, and the 2018 Aubrey Davis Visionary Leadership Award by the Equal Opportunity Institute. Hanif Fazal, author of An Other World, has developed and delivered innovative equity and inclusion programs across education, philanthropic, public, and non-profit sectors for over twenty years. He is currently the co-founder of the Center for Equity and Inclusion and is also an author, who writes about the fight for freedom, joy, and belonging in Black and Brown communities. His first book, An Other World, offers a hopeful path forward by nurturing identity and centering community. It’s a path where joy is the norm rather than struggle, where home and work are inclusive rather than exclusionary, and where Brown and Black relationships lead to a unique experience of freedom. Along with local and national news and podcast appearances, Hanif has spoken at South by Southwest, National Equity Summit, a two-time presenter at the CCAR summit on race, and many other equity and education-focused events. He is a National Pew Civic Change award winner, Multnomah County Hilltop award winner, and was awarded the Taste of Portland’s Changemaker award for his prolonged impact on equity and inclusion throughout Portland. Most recently, An Other World was awarded a silver medal at the 36th annual IBPA Benjamin Franklin Awards.

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county.  Here at Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora.    Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet.   The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.”    Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time.   “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes.    In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants.   Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign. Javier lives in Tucson, AZ, where he volunteers with Salvavision, The Kino Border Initiative, and The Florence Project.  

A life-long Northwesterner, Egan has spent much of his career exploring his home region. One might even say he is the quintessential Pacific Northwest writer. He served as the first Pacific Northwest correspondent for the New York Times and he also wrote one of the definitive books about our region in 1990, The Good Rain. During his eighteen-year tenure at the New York Times, Egan covered everything from the Exxon Valdez disaster to the OJ Simpson trial. In 2001, he and a team of reporters received a Pulitzer Prize for the series, How Race is Lived in America. Somehow, between reporting trips, he also found time to write multiple award-winning, best-selling books. He won the National Book Award in 2006 for The Worst Hard Time: The Untold Story of Those who Survived the Great American Dustbowl, which was a New York Times bestseller and led to a Ken Burns documentary. Egan joined us to talk about his most recent book is A Fever in the Heartland: The Klu Klux’s Plot to Take Over American, and the Woman who Stopped Them.  Once again, Egan turns his attention to an American disaster—this time, a social and political disaster of monstrous moral proportions, tracing the swift rise and eventual collapse of the Klu Klux Klan in 1920’s Indiana. A place and time, he notes, “where one in three white males swore on a Bible to uphold white supremacy.” A Fever in the Heartland is rigorously researched, and deeply — overwhelmingly — troubling. As a reader, it is not hard to draw parallels between these events that occurred a century ago, and all that is happening now. Egan himself said, in a recent interview, “I’m a big believer in the line that history doesn’t repeat itself but it rhymes.”  But, to explore such a dark chapter in our history requires a firm belief in our potential as a country and as a species. The only way to rise to that potential is to see ourselves clearly and learn from our past. Timothy Egan is an American journalist and author of ten books. The most recent, A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America, and the Woman Who Stopped Them, was an immediate New York Times bestseller. Egan worked for The New York Times for 18 years, first as the Pacific Northwest correspondent, and then as a national enterprise reporter. As part of a team of reporters Egan won the Pulitzer Prize for National Reporting in 2001 for writing a series called How Race is Lived in America. Egan lives in Seattle with his family.

This week’s episode features one of the most highly anticipated conversations from the 2024 Portland Book Festival. Author Rachel Kushner joined the festival with her most recent novel, the Booker Prize finalist Creation Lake, her take on a noir spy thriller. We paired her with Danzy Senna, whose new novel is Colored Television, the story of a struggling novelist attempting to break into Hollywood. We invited Oregon-based writer Mat Johnson, whose most recent book is the fantastic Invisible Things, to moderate their conversation.   This conversation was titled “Deceit and Dark Humor.” Both novels featuring protagonists who are knowingly lying to the people around them: Kushner’s narrator is a spy tasked with infiltrating an anarchist cooperative in France and is actively deceiving everyone she encounters, while Senna’s protagonist, Jane, spirals into more and more lies as she tries to create a television show with a big-shot Hollywood producer.   We have a special treat at the end of the episode. Another feature of Portland Book Festival is the annual launch of our Writers in the Schools anthology, featuring creative writing from Portland-area public high school students. We’ll hear from two students:   William Nobles, Franklin HS, short story Ceiling Man   Ari Romero, junior at Lincoln HS, piece called Missing the Mark   Rachel Kushner is the author of Creation Lake, her latest novel, The Hard Crowd, her acclaimed essay collection, and the internationally bestselling novels The Mars Room, The Flamethrowers, and Telex from Cuba, as well as a book of short stories, The Strange Case of Rachel K. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, and was twice a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Her books are translated into twenty-seven languages.   Danzy Senna is the author of four previous works of fiction, including the bestselling Caucasia and, most recently, Colored Television, as well as a memoir. The recipient of numerous awards and honors, she teaches writing at the University of Southern California.   Mat Johnson is a Philip H. Knight Chair of the Humanities at the University of Oregon. His publications include the novels Invisible Things, Loving Day, and Pym, the nonfiction novella The Great Negro Plot, and the graphic novel Incognegro. Johnson is the recipient of the American Book Award, the United States Artists James Baldwin Fellowship, The Hurston/Wright Legacy Award, and the John Dos Passos Prize for Literature. 

This episode of The Archive Project features author Salman Rushdie reading from and discussing his 1999 New York Times bestseller The Ground Beneath Her Feet. Just one year after almost a decade in hiding from the Iranian government, Rushdie made his first public appearance in Portland, discussing the ideas, both mythical and musical, that inspired this New York Times bestseller. In his remaking of the myth of Orpheus, Rushdie tells the story of Vina Apsara, a pop star, and Ormus Cama, an extraordinary songwriter and musician, who captivate and change the world through their music and their romance. Beginning in Bombay in the fifties, moving to London in the sixties, and New York for the last quarter century, the novel pulsates with a half-century of music and celebrates the power of rock ‘n’ roll. In this episode, Rushdie discusses the musical and mythological influences that inspired this ambitious work of magical realism. “The thing that I wanted to do most of all was to write a love story. And to find a way of writing a contemporary love story that was neither gushily sentimental nor fashionably cynical, but which could face up to great passion and try and make sense of it. And so, in my usual perverse way, while trying to write a modern story I found myself thinking about an ancient myth.” Salman Rushdie is the author of several novels, including Grimus, Midnight’s Children, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, and Shalimar the Clown. He has written collections of short stories, including East, West, and co-edited with Elizabeth West a collection of Indian literature in English, Mirrorwork. He has also published several works of nonfiction, among them The Jaguar Smile, Imaginary Homelands, The Wizard of Oz, and Joseph Anton, a memoir of his life under the fatwa issued after the publication of The Satanic Verses. His fourteenth novel, Victory City, released in 2023.

This week we have a conversation between one of the ultimate literary power couples: Paul Auster and Siri Hustvedt.    Paul Auster passed away in April of 2024. The New York Times obituary called him the “patron saint of literary Brooklyn.” He wrote screenplays, poetry, and nonfiction, but is probably best known as a novelist, and as an novelist his best known work is the New York Trilogy—City of Glass, Ghosts, and The Locked Room, all published in the mid-1980s–which he discusses in this conversation, along with his early career as a translator of poems from the French.    Siri Hustvedt is a novelist and essayist; her essays include the collections A Pleas for Eros and the memoir The Shaking Woman or A History of My Nerves. Her novels include The Summer Without Men and The Blazing World.  In this conversation she talks about the book she was writing at the time, The Sorrows of an American.    Auster and Hustvedt were married in 1982. They came to Portland in January of 2006 and interviewed each other. At times it feels as if you are eavesdropping on an especially intelligent dinner table conversation. Their respect for each other’s work is delightful to hear – and several of the questions they remark they’ve never asked the other! It’s a rare opportunity to listen in on two great minds in conversation.  Paul Auster was the bestselling author of 4 3 2 1, Bloodbath Nation, Baumgartner, The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature. Among his other honors are the Prix Médicis Étranger for Leviathan, the Independent Spirit Award for the screenplay of Smoke, and the Premio Napoli for Sunset Park. In 2012, he was the first recipient of the NYC Literary Honors in the category of fiction. He was also a finalist for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award (The Music of Chance), the Edgar Award (City of Glass), and the Man Booker Prize (4 3 2 1). Auster was a member of the American Academy of Arts and Letters and a Commandeur de l’Ordre des Arts et des Lettres. His work has been translated into more than forty languages. He died at age seventy-seven in 2024.  Siri Hustvedt is the author of a book of poetry, three collections of essays, a work of non-fiction, and six novels, including the international bestsellers What I Loved and The Summer Without Men. Her most recent novel The Blazing World was long-listed for the Man Booker Prize and won The Los Angeles Book Prize for fiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. She has a PhD in English from Columbia University and is a lecturer in psychiatry at Weil Cornell Medical College in New York. Her work has been translated into over thirty languages. 

This week’s episode features the trailblazing, legendary journalist: Connie Chung, in conversation about her new memoir, CONNIE. In her book, Chung shares the story of her decades-long career as an Asian woman in the white-male-dominated world of broadcast journalism, when she relentlessly pursued stories and fought hard for scoops. Her hard work – her schedule for many years was truly unbelievable, with six days of work on multiple programs at her own request — Her hard work, which she connects to her Chinese family tradition, catapulted her onto the co-anchor chair on the CBS Evening News and made her a household name. Chung relates her battles and her victories with wit and humor and doesn’t hold back from calling out the sexism and racism she endured throughout her career. The book is also a portrait of an era in broadcast news where the lines between serious investigative journalism and tabloid fodder became blurred, a line Chung was often forced to walk against her will. Journalist Lisa Ling, of CBS News, said, “For generations of Asian Americans, Connie Chung will always be our superhero. Someone who looked like us who, on a national stage, held our most important political leaders accountable. She was bold, aggressive, and unafraid. So many of us pursued broadcast journalism because she singularly showed us it was possible. I didn’t think I could respect her any more than I already do, but this most candid account of her journey reminds us that Connie Chung is nothing short of a true American icon.” Connie Chung was interviewed by Literary Arts executive director Andrew Proctor, in front of a live audience in September 2024. Connie Chung, pioneer news anchor and reporter was the first woman to co-anchor the CBS Evening News, the flagship news broadcast on CBS. Connie was only the second woman to anchor any network evening broadcast in television history.

This episode features readings and conversations from an event entitled “I See My Light Shining.”  The event was a part of the Elders Project, which is sponsored by Columbia University and features interviews with African Americans from across the country. Here in Portland, acclaimed writer Renée Watson interviewed dozens of Portlanders about their lives for the project. Through the episode, we’ll take you through the event and hear the stories of some of the elders Watson interviewed. In this episode, we interview Watson about growing up in a predominantly black neighborhood in Northeast Portland, and how that community shaped her as a person. The event was hosted by Watson, and our guide for the episode is The Archive Project producer Matthew Workman. Renée Watson is a #1 New York Times Bestselling author. Her young adult novel, Piecing Me Together, received a Coretta Scott King Award and Newbery Honor. Her children’s picture books and novels for teens have received several awards and international recognition. Many of her books are inspired by her experiences growing up as a Black girl in the Pacific Northwest. Her poetry and fiction center around the experiences of Black girls and explore themes of home, identity, body image, and the intersections of race, class, and gender. Watson was a writer-in-residence for over twenty years teaching creative writing and theater in public schools and community centers throughout the nation. She founded I, Too Arts Collective, a nonprofit that was housed in the Harlem brownstone where Langston Hughes lived the last twenty years of his life. The organization hosted poetry workshops for youth and literary events for the community from 2016-2019.  Watson is on the Council of Writers for the National Writing Project and is a member of the Academy of American Poets’ Education Advisory Council. Watson grew up in Portland, Oregon, and splits her time between Portland and New York City.

This episode features Malcolm Gladwell in conversation about his newest book, Revenge of The Tipping Point. He spoke with Literary Arts executive director Andrew Proctor in front of a live audience in downtown Portland in October 2024. The Tipping Point hit shelves in 2000 and became a true cultural phenomenon, spending a whopping 334 weeks on the New York Times bestseller list and turning everyone—from your priest to your barista—into budding social scientists. Multiple New York Times bestsellers followed, including Blink and Outliers, and in 2018, Gladwell co-founded Pushkin Industries, which that seeks to “expand the possibilities of spoken word audio,” and launched his wildly popular podcast, Revisionist History. In both his books and his podcasts, Gladwell reveals a world of hidden connections, everyday illusions, and overlooked details. He illuminates patterns in our policy and culture, and identifies the tiny tics that drive group behavior, introducing terms like, the Law of the Few, and the 10,000-hour rule into the larger cultural lexicon. Now, twenty-five years after The Tipping Point, Gladwell has returned to the ideas that first made him a household name. His new book, Revenge of The Tipping Point: Overstories, Superspreaders, and the Rise of Social Engineering, finds him once again exploring epidemics and viral behavior. This time, he is driven by a somewhat darker inquiry. We see the consequences of contagious phenomena and rethink the two most significant epidemics of our time: the opioid crises and Covid. Don’t worry, we are still treated Gladwell’s tremendous curiosity and humor, delving into such topics such as cheetah reproduction and the world’s most successful bank robbers. It is his most serious and personal book to date. With Revenge of The Tipping Point, Malcolm Gladwell again proves himself one our finest storytellers. But more importantly: He helps us reimagine the stories that we tell about ourselves. Malcolm Gladwell is the author of five New York Times bestsellers — The Tipping Point, Blink, Outliers, What the Dog Saw, and David and Goliath. He is also the co-founder of Pushkin Industries, an audio content company that produces the podcasts Revisionist History, which reconsiders things both overlooked and misunderstood, and Broken Record, where he, Rick Rubin, and Bruce Headlam interview musicians across a wide range of genres. Gladwell has been included in the TIME 100 Most Influential People list and touted as one of Foreign Policy’s Top Global Thinkers.

We have been proud to partner with the National Book Foundation to present conversations featuring National Book Award finalists as part of the annual Literary Arts Portland Book Festival. The 2024 event was on the theme of awards and activism. National Book Foundation executive director Ruth Dickey led a conversation between journalist Robert Samuels, co-author of His Name Is George Floyd, a finalist for the National Book Award and winner of the Pulitzer Prize, and poet m.s. RedCherries, author of Mother, a finalist for the 2024 National Book Award in poetry. RedCherries’s Mother is a multidisciplinary work of poetry and prose about Indigenous identity; the narrator has been adopted out of her tribe and raised by a non-Indian family, and is now an adult seeking to connect with her origins. RedCherries brings in oral testimony, family lore, and more exploring pasts and futures both real and imaginary. She explains some of the research that she did for the project, and how it came to be in the form it took in Mother. Likewise, in His Name Is George Floyd, Robert Samuels and his co-author conducted hundreds of interviews with his family and friends in order to understand George Floyd’s singular life, as well as reporting and research into the history of institutional racism in the United States to place that life in the context of the systems this one man was up against. The result is a portrait of a man as well as that man’s America. The day this episode airs on the radio is May 25, 2025, which marks five years since George Floyd’s death – the book, His Name Is George Floyd, reckons with that day and its aftermath, but is, crucially, also the story of his life. Both books are deeply personal stories that offer insight into wider histories, drawing together both individual and shared past, present, and future. As m.s. RedCherries says, “storytelling is an act of sovereignty;” telling stories ensure survival. Robert Samuels is a national enterprise reporter for The Washington Post who focuses on politics, policy and the changing American identity. He is also the co-author of His Name is George Floyd: One Man’s Life and the Struggle for Racial Justice, winner of the 2023 Pulitzer Prize in General Nonfiction and finalist for the 2022 National Book Award in Nonfiction.  Samuels has covered social issues in the District of Columbia, national politics and also serves as the newsroom’s analyst for figure skating. He grew up in the Bronx and is an alumnus of the Medill School of Journalism at Northwestern, where he was editor in chief of the school newspaper, the Daily Northwestern. He has also worked as a staff writer at The Miami Herald and the New Yorker.   m.s. RedCherries received an MFA from the Iowa Writers’ Workshop and a JD from Arizona State University College of Law. She is a citizen of the Northern Cheyenne Nation and lives in Brooklyn. 

Every once in a while, a writer arrives in a historic moment who can explain it, even while it is still actually occurring. M. Gessen is one of these writers. They are a part of the lineage of other incredible writers of their moments, like George Orwell, and Hannah Arendt.  Gessen is the author of eleven books and has been a staff writer at the New Yorker since 2014, and is a columnist for the New York Times. They won the National Book award in 2017 for The Future is History: How Totalitarianism Reclaimed Russia, and became a household name with their bestselling book Surviving Autocracy, which was published in 2020 and written as both a warning and a call to action in the aftermath of Trump’s 2016 election.  Gessen’s talk is a rare glimpse into their childhood and early professional life – growing up in the Soviet Union and emigrating at the age of 14; their early experience in Boston and how it shaped their life personally and professionally; their return to Moscow as a journalist and a rare and strange meeting with Vladimir Putin, and how their grandmothers’ life stories shaped their work.   Gessen is one of the rare contemporary commentators on authoritarianism who has lived under such a regime, and in a democracy – and they have an urgent warning for us all.  “I’ve always thought that I was very lucky to know when I had to leave (Russia) because one of the hardest decisions that somebody has to make…is figuring out when your home is no longer your home. It was kind of a great favor that Putin did to me.” M. Gessen is a Russian American author, translator, and journalist. They’ve written 11 books, including Surviving Autocracy, The Future is History: How Totalitarianism Reclaimed Russia (winner of the 2017 National Book Award for Nonfiction), and an award-winning account of the Boston Marathon bombers titled The Brothers: The Road to an American Tragedy. They spent years covering Putin’s regime in Russia and was famously dismissed as the editor of the Russian popular science magazine Vokrug sveta for refusing to cover a Putin event they felt was propaganda. Gessen received a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the Hitchens Prize, an Overseas Press Club Award for Best Commentary, and the Hannah Arendt Prize for Political Thought. They’ve written for many US publications including The New York Times, The Washington Post, The Los Angeles Times, and The New Yorker. Gessen is a distinguished professor at the Craig Newmark Graduate School of Journalism at CUNY and a distinguished visiting writer at Bard College. They live in New York with their wife and children.  

This week we have a conversation from the 2024 Portland Book Festival on first-generation American food: cooking that combines tradition and lineage with evolution and personal stories. The conversation features a cookbook author and home chef, restaurant co-owners, and a writer and food editor.   We’ll hear from Kristina Cho, author of the cookbook Chinese Enough, which blends the flavors of traditional Cantonese cooking with California ingredients, reflecting her current home, and a midwestern sensibility drawn from her upbringing in Ohio. Kristina is joined by Jolyn Chen and Louis Lin, co-owners of the Portland restaurant Xiao Ye, which bills itself as “first-generation American food.” Jolyn is the general manager of Xiao Ye, and Louis is the chef – they’re both business and life partners. They grew up in California, and each worked in hospitality for years before embarking on their own restaurant, where Jolyn designed the space and Louis designed the menu. Our moderator is novelist Rachel Khong, author of Real Americans, who was the editor of the esteemed food magazine Lucky Peach, and also grew up in California.   Kristina, Jolyn, Louis, and Rachel discuss the intersections between their Asian-ness, their American-ness, and their Asian-American-ness, and how that all plays out in their relationships to food. They also talk about how where they grew up shapes their understanding of both food and family, and how the cooking and food they were drawn to comes from what was accessible or not to them early on. This relates to a conversation about the idea of authenticity, which is often misunderstood as being about tradition, but Louis eloquently describes as being true to oneself and where you are – Kristina gives an example of one of the women in her family using Bisquick in her steamed cupcakes.   One thing I loved about this conversation is how clear it is that making food, and, crucially, feeding people – which is the ultimate goal, after all, of both home cooks and restauranteurs – is about nourishment but also about making art, and art that is reflective of both where you came from and where you are now.    Let’s get into the conversation about what it means to make first-generation American food. Here are Jolyn Chen, Louis Lin, and Kristina Cho in conversation with moderator Rachel Khong.  Kristina Cho is an award-winning cookbook author, recipe developer, home cook, baker, food stylist, and photographer. Her groundbreaking debut cookbook, Mooncakes and Milk Bread, won two James Beard awards and was described as an instant classic by The New York Times. Her latest cookbook is titled Chinese Enough.  Jolyn Chen has worn many hats and lived many lives; born and raised in a small suburb of Los Angeles, she attended Cal Poly Pomona’s renowned Collins College and received her Bachelor’s in Hospitality Management. She spent her early years in the industry working in Washington, DC, soaking up all that the burgeoning food scene had to offer. Most notably was her time at Rose’s Luxury, where she really began to foster her own sense of hospitality. In true Jolyn fashion, while working two part-time jobs, she took a third at El Camino Travel, a start-up boutique travel company specializing in small, curated trips to emerging destinations. It was through that experience that she discovered her passion for design.  Jolyn would move back to LA to pursue a career in Interior Design, completing the UCLA Extension program for Interior Architecture while working at Croft House & Ginny Macdonald Design. A few years later, she and Louis would begin their chapter in Portland, where she worked as a designer at Jessica Helgerson Interior Design before embarking on their own personal project, Xiao Ye.   Louis Lin is a child of Taiwanese immigrants and was born and raised in that same suburb outside of LA. Unlike Jolyn, Louis always knew where his path would take him. After getting his degree in Business Economics and Accounting at UC Santa Barbara, he enrolled at the Culinary Institute of America at Greystone. From there, his career in kitchens began; Louis spent his externship working behind Nancy Silverton at her fine dining Osteria Mozza. Upon graduating from culinary school, at the behest of his best friend, Louis moved to Washington, DC to work for James Beard winner Aaron Silverman at his first restaurant, Rose’s Luxury. Rose’s would go on to receive numerous accolades- Bon Appetit’s best new restaurant in 2014 and a Michelin Star, amongst others. When Silverman opened his second venture, Pineapple and Pearls, Louis would follow him as an opening line cook and help the tasting-menu restaurant earn 2 Michelin Stars in its inaugural year.  In 2017, Louis moved back to Los Angeles and began working at Evan Funke’s Felix Trattoria. It was there that he found his footing; working his way up from line cook to Chef de Cuisine, running day to day operations and overseeing the restaurant that has become the standard bearer for handmade pasta in the country.  Rachel Khong is the author of Goodbye, Vitamin, winner of the California Book Award for First Fiction, and named a Best Book of the Year by NPR; O, The Oprah Magazine; Vogue; and Esquire. Her work has appeared in The New York Times Book Review, The Cut, The Guardian, The Paris Review, and Tin House. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco’s Mission District. She lives in California, and her latest novel is titled Real Americans. 

Emily Wilson was cast as Athena in a stage production of The Odyssey at the age of eight.  It turned out to be a defining moment in her life, that ultimately set her on a course of decades of passionate and devoted study.  Her 2018 translation of The Odyssey garnered overwhelming critical acclaim, became a bestseller, and is defining how a generation reads Homer, and by extension understands the relevance of classical literature in general. She followed up, in 2023, with her translation of The Iliad.     Her genius has been to render these ancient stories in swift, unpretentious, contemporary language, allowing us to see that despite the rise and fall of empires, despite dramatic cultural shifts and technological progress, there are some essential truths about human nature—we are creatures of hubris and humility, of conflict and collaboration, of profound selfishness and of profound sacrifice.    It is not hard to see in Homer’s Greece a startling similarity to our present-day world. Wilson assures us this is embedded in the text, writing in her introduction to The Iliad, “For a twenty-first-century reader, there is nothing unfamiliar about a partisan society riven by constant striving for celebrity dominance and attention.”    “Tell me about a complicated man,” begins The Odyssey.  From this first line, Wilson establishes herself as one of the most astute translators working in the English language, a translator both of Ancient Greek and of human complexity.    “A translation, just like an original work of art, needs to have its own vision. And you need to have the humility to know that you can’t do everything. You have to commit to your own vision.” Emily Wilson is a classicist, translator, professor of classical studies at the University of Pennsylvania, and the author of the bestselling translations of Homer’s The Odyssey and The Iliad (winner of the 2024 Audie Award for Best Literary Fiction and Classics). In addition to Wilson’s Odyssey and Iliad, she has also published several other translated works, including translations of four tragedies of Euripides published in The Greek Plays: Bacchae, Helen, Electra, and Trojan Women, and translations of Six Tragedies by Seneca. Her other books include The Greatest Empire: A Life of Seneca, The Death of Socrates: Hero, Villain, Chatterbox, Saint, and Mocked with Death: Tragic Overliving from Sophocles to Milton. Wilson was named a fellow of the American Academy in Rome in Renaissance & Early Modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. Wilson is a Professor of classical studies and chair of the program in comparative literature and literary theory at the University of Pennsylvania. Wilson lives in Philadelphia with her family and pets.  

This week we have a 2024 Portland Book Fest conversation about Planet Earth, and remarkable people who are working to understand it and protect its wonders. Our moderator is Zoë Carpenter, a writer and editor who has reported all over the United States and South America for Rolling Stone, The Nation, Guernica, and other publications. She currently teaches for the Writers in the Schools program with Literary Arts.   Zoë led a conversation with two Portland-based writers. Ferris Jabr is the author of Becoming Earth: How Our Planet Came to Life, which shifts our perception of the planet from an inanimate place on which life evolved, but instead a planet that came to life and is itself alive. Jabr reveals a new vision of Earth as a vast interconnected living system – and humans are one of the most radical impacts on those systems. Jabr introduces readers to different people who are working to protect Earth’s ecology and find a way to stabilize the planet in the face of the climate crisis.    Amy Stewart is known for both the Kopp Sisters detective series along with popular works about the natural world such as The Drunken Botanist and Wicked Plants. Her latest book, which she wrote AND illustrated, is The Tree Collectors: Tales of Arboreal Obsession. Stewart profiles fifty remarkable people whose lives have been transformed by their obsessive passion for… trees. This passion comes from a deeper commitment to being in community and radical vision for the future.   Both books explore both the human relationship to the planet and the things that make it alive, and make it livable. It’s a wondrous conversation.    Ferris Jabr is a contributing writer for The New York Times Magazine. He has also written for The New Yorker, Harper’s, The Atlantic, National Geographic, and Scientific American. He is the recipient of a Whiting Foundation Creative Nonfiction Grant and fellowships from UC Berkeley and MIT. His work has been anthologized in several editions of Best American Science and Nature Writing. Ferris Jabr lives in Portland, Oregon, with his husband, Ryan, their dog, Jack, and more plants than they can count. His book is titled Becoming Earth: How Our Planet Came to Life.  Amy Stewart is the New York Times bestselling author of The Drunken Botanist, Wicked Plants, and several other popular nonfiction titles about the natural world. She’s also written seven novels in her beloved Kopp Sisters series, based on the true story of one of America’s first female deputy sheriffs. She lives in Portland, Oregon. Her most recent book is titled The Tree Collectors: Tales of Arboreal Obsession.  Zoë Carpenter is a journalist and fiction writer from Oregon. Her writing has been published in Rolling Stone, The Nation, Guernica, Narratively, and elsewhere. A recipient of the James Aronson Award for Social Justice Journalism, she has also received grants and fellowships from the Pulitzer Center, the Catwalk Art Institute, Fishtrap, and PLAYA. She has an MFA from the University of Michigan, where she was a postgraduate Zell Fellow. Prior that she was an editor at The Nation, where she worked on reported features, investigations, and opinion pieces for print and online. 

Each year, Portland area youth spend months writing and competing in poetry slam competitions on high school campuses across the city. And each April, 20 finalists compete for the title of city-wide Portland slam champ at Verselandia! in front of an audience of nearly 1,000.   We’re excited to share that the 2025 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 24 at 7 pm. For more information visit our website literary-arts.org.    This episode, the theme is looking forward and looking back. We’ll look back to the 2024 Verselandia!, hear some of the best poems of the night, and talk to the winner of last year’s competition about what it was like to win and how she’s preparing for this year’s event. We’ll also hear some poems from students competing in this year’s Verselandia.  We’ll also talk to student poets and educators about how they’re getting ready for this year’s Verselandia and what writing and performing poetry does for the participants.   A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.  

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county.  Here at Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora.    Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet.   The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.”    Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time.   “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes.    In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants.   Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign. Javier lives in Tucson, AZ, where he volunteers with Salvavision, The Kino Border Initiative, and The Florence Project.  

This week features a conversation from the 2024 Portland Book Festival, featuring best-selling author Ijeoma Oluo, who is a self-described “writer, speaker, and internet yeller.” She discusses her latest book, Be a Revolution: How Everyday People are Fighting and Changing the World — and How You Can, Too with Portland’s Hanif Fazal, author of An Other World and co-founder of the Center for Equity and Inclusion. They engage in a very honest conversation about the impact that “being loud” about race and racism has had on Oluo’s personal life and mental well-being. She shares that thought she wouldn’t write another book because of that strain, but that through centering loving action that she found a new way of doing her writing work with this project. They also discuss the general writing life and process, and the importance, in the often difficult and consuming work of fighting for systemic change, of centering joy as an outcome of activism. Oluo’s book, Be a Revolution, highlights the way people all over the country are working to create real positive change for intersectional racial equity; as Fazal points out, giving new perspectives on big ideas through the stories of real, actual people. Their stories and Oluo’s work are intended to inspire action and change, and this conversation Ijeoma Oluo (ee-joh-mah oh-loo-oh) is a Seattle-based Writer, Speaker and Internet Yeller. Her work on social issues such as race and gender has been published in The Guardian, Esquire, Washington Post, ELLE Magazine, New York Times, NBC News and more. She has been featured on The Daily Show, All Things Considered, BBC News, and more. Her #1 NYT bestselling first book, So You Want To Talk About Race, was released January 2018 with Seal Press. Her second book, MEDIOCRE: The Dangerous Legacy of White Male America, was published December 2020 with Seal Press and her upcoming book, Be A Revolution: How Everyday People Are Fighting Oppression and Changing the World – and How You Can Too, was January 2024 with Harper One. Oluo was named one of the Most Influential People in Seattle by Seattle Magazine, one of the 50 Most Influential Women in Seattle by Seattle Met, one of The Root’s 100 Most Influential African Americans in 2017 & 2018, and is the recipient of the Feminist Humanist Award 2018 by the American Humanist Association, the Harvard Humanist of the year 2020, the Media Justice Award by the Gender Justice League, and the 2018 Aubrey Davis Visionary Leadership Award by the Equal Opportunity Institute. Hanif Fazal, author of An Other World, has developed and delivered innovative equity and inclusion programs across education, philanthropic, public, and non-profit sectors for over twenty years. He is currently the co-founder of the Center for Equity and Inclusion and is also an author, who writes about the fight for freedom, joy, and belonging in Black and Brown communities. His first book, An Other World, offers a hopeful path forward by nurturing identity and centering community. It’s a path where joy is the norm rather than struggle, where home and work are inclusive rather than exclusionary, and where Brown and Black relationships lead to a unique experience of freedom. Along with local and national news and podcast appearances, Hanif has spoken at South by Southwest, National Equity Summit, a two-time presenter at the CCAR summit on race, and many other equity and education-focused events. He is a National Pew Civic Change award winner, Multnomah County Hilltop award winner, and was awarded the Taste of Portland’s Changemaker award for his prolonged impact on equity and inclusion throughout Portland. Most recently, An Other World was awarded a silver medal at the 36th annual IBPA Benjamin Franklin Awards.

In this episode, we feature the celebrated novelist and screenwriter Alice Hoffman. She’s in conversation with the former Director of the Multnomah County Library, Vailey Oehlke, at the Portland Book Festival in 2016. Hoffman has published over 40 books, including the 2024 novel about Anne Frank’s life, When We Flew Away. Most of her books have been novels, but shas also published short story collections, and books for young adults and children. Her work almost always contains a magical element, something she attributes to her childhood, in which she was a veracious reader of fairytales. Hoffman was at the Festival to discuss her book Faithful, which had just been published. She is perhaps best known for her novel The Dovekeepers, which Toni Morrison called quote “a major contribution to 21st century literature.” It is considered by many to be Hoffman’s masterpiece. “A book you love makes you feel like you are known.” Alice Hoffman is the New York Times bestselling author of Practical Magic, Here on Earth, and The Dovekeepers, which was praised by Toni Morrison as, “beautiful, harrowing, a major contribution to twenty-first century literature.” Hoffman has published over thirty novels, three books of short fiction, and eight books for children and young adults. Her work has been published in more than twenty translations and more than one hundred foreign editions. Hoffman’s novels have received mention as notable books of the year by The New York Times, Entertainment Weekly, The Los Angeles Times, Library Journal, and People Magazine. Her short fiction and non-fiction have appeared in The New York Times, The Boston Globe Magazine, Kenyon Review, The Los Angeles Times, Architectural Digest, Harvard Review, Ploughshares, and other magazines. Hoffman’s latest installment of the Once Upon a Time Bookshop Stories series titled The Bookstore Keepers is released February 2025.

In this recording, Michael Ondaatje shares his fourth novel, Anil’s Ghost. He begins by giving an overview of the plot, which is set in a civil war-torn Sri Lanka at the end of the twentieth century. The story follows Anil Tissera, a young woman born in Sri Lanka, and educated in England and America, who returns to her homeland as a forensic anthropologist to investigate human rights violations. Anil, along with archaeologist Sarath Diyasena, discovers the skeleton of a recently murdered man in an ancient burial ground, and becomes determined to identify the man and bring about justice to the countless nameless victims of the war. Ondaatje then shares selected readings from the novel, which paint the novel as a deeply powerful story of love, family, identity, and the attempt to unlock the hidden past.    On Anil’s choosing of her own name: “Later, when she recalled her childhood, it was the hunger of not having that name, and the joy of getting it, that she remembered most. Everything about the name pleased her. Its slim, stripped down quality, its feminine air, even though it was considered a male name.”  “Gamini rarely saw himself from the point of view of a stranger. Though most people knew who he was, he felt he was invisible to those around him.” Michael Ondaatje is a Sri Lankan-born Canadian poet, novelist, editor and filmmaker. Ondaatje’s literary career began with his poetry in 1967, publishing the books The Dainty Monsters, and then in 1970 the critically acclaimed The Collected Works of Billy the Kid. He is widely recognized for his nationally and internationally successful novel The English Patient (1992), which was adapted into a film in 1996. He is the recipient of multiple literary awards such as the Governor General’s Award, the Giller Prize, the Booker Prize, and the Prix Médicis étranger. Ondaatje is also an Officer of the Order of Canada, recognizing him as one of Canada’s most renowned living authors. 

This week we are taking you back to Portland Book Festival 2024, with a conversation on the theme of “reconciliation” featuring Renée Watson, discussing her latest book, Skin & Bones, and Joe Wilkins, author of The Entire Sky, plus one of my absolute favorite moderators, Pulitzer Prize winning journalist and author Mitchell S. Jackson. Renée’s novel, Skin & Bones, is about a plus-size Black woman building a life in Portland, Oregon, and navigating motherhood, daughterhood, friendship, and romance. Joe Wilkins’ The Entire Sky is set in rural Montana, and the cast includes a grieving, aging rancher, his daughter, and a runaway teen boy as they search for home. Despite the surface differences, the stories have a lot in common and the authors definitely had a lot to talk about. Moderator Mitchell S. Jackson does a wonderful job leading this conversation, covering common threads such as forgiveness, how fiction can be “the lie that tells the truth,” place and home. Every kind of reader will find something in this generous and wide-ranging conversation. Renée Watson is a #1 New York Times bestselling author. Over the past decade she has authored twenty books for young readers, which have collectively sold more than a million copies. She received a Coretta Scott King Award and a Newbery Honor for her novel Piecing Me Together and high praise for 1619 Project: Born on the Water, co-written with Nikole Hannah-Jones. Her debut adult novel, Skin & Bones, was published May 7th, 2024. Watson is on the Council of Writers for the National Writing Project and is a member of the Academy of American Poets’ Education Advisory Council. She splits her time between Portland, Oregon and New York City. She is also the writer of Black Girl You Are Atlas, and Cicely Tyson. Joe Wilkins is the author of the debut novel, Fall Back Down When I Die, praised as “remarkable and unforgettable” in a starred review at Booklist. A finalist for the First Novel Prize from the Center for Fiction and the Pacific Northwest Book Award, Fall Back Down When I Die won the High Plains Book Award and has been translated into French, Spanish, Italian, and German. Wilkins is also the author of a memoir, The Mountain and the Fathers, and four collections of poetry, including Thieve and When We Were Birds, winner of the Oregon Book Award. Wilkins lives with his family in western Oregon, where he directs the creative writing program at Linfield University. His latest novel is The Entire Sky. Mitchell S. Jackson is the winner of the 2021 Pulitzer Prize in Feature Writing and the 2021 National Magazine Award in Feature Writing. Jackson’s debut novel, The Residue Years, won a Whiting Award and the Ernest J. Gaines Award for Literary Excellence. His essay collection Survival Math was named a best book of 2019 by fifteen publications. Jackson’s other honors include fellowships, grants, and awards from the John Simon Guggenheim Memorial Foundation, Creative Capital, the Cullman Center of the New York Public Library, the Lannan Foundation, PEN America, and TED. His writing has been featured on the cover of the New York Times Magazine, the New York Times Book Review, Time, and Esquire, as well as in The New Yorker, Harper’s Magazine, the Paris Review, the Guardian, and elsewhere. Jackson is a contributing writer for the New York Times Magazine and a columnist for Esquire. He holds the John O. Whiteman Dean’s Distinguished Professorship in the Department of English at Arizona State University. Jackson’s latest book is Fly: The Big Book of Basketball Fashion. 

This week we are featuring a conversation from the 2024 Portland Book Festival. The incomparable Richard Powers came to Portland to discuss his new novel, Playground, with Literary Arts Executive Director Andrew Proctor.   Any opportunity to spend time with Richard Powers and his vast, unique, amazing mind is a gift. He discusses how he chose to combine the setting of the ocean with the digital age and AI, and shares the astonishing story of how he became a novelist. He also talks about how his most recent trio of books – Playground, Bewilderment, and The Overstory – act as a kind of concerto, collectively challenging the idea of human exceptionalism, of exposing the falsehood of human independence from the non-human world. Of the book, Percival Everett, author of James, said: “Is there anything Richard Powers cannot write? The world here is complete, seductive, and promising. The writing feels like the ocean. Vast, mysterious, deep, and alive.”  A quick note for clarity: You’ll hear Andrew and Richard reference “next Tuesday” and “next week;” this conversation took place on Saturday, November 2, which was the Saturday before the 2024 presidential election.    Richard Powers is the author of fourteen novels, including The Overstory, Bewilderment, and Orfeo. He is the recipient of a MacArthur Fellowship, the Pulitzer Prize, and the National Book Award. He lives in the foothills of the Great Smoky Mountains. His new novel is Playground.

When Annie Dillard won the Pulitzer Prize in 1975, she was the youngest women ever to do so. She won for a book published the previous year called Pilgrim at Tinker Creek, which is a nonfiction book that meditates on writing, solitude, the natural world, and spirituality. The book had a profound impact at the time of its publication and garnered comparisons to Henry David Thoreau’s Walden.   Dillard has gone on to have genre bending career, publishing over a dozen titles including book-length nonfiction, novels, essays, and criticism, in addition to more than 25-years of teaching at universities in the Pacific Northwest and the east coast. In 2015 she was awarded the National Humanities Medal for her life’s work. In this talk, her characteristic sense of irony and humor elicits huge laughs from the audience and her generous spirit invites quiet attention when she tells a story. She reads two excerpts — first from Pilgrim at Tinker Creek and then from a book of essays called Teaching a Stone to Talk. Whether she is describing muskrats in Virginia or witnessing an eclipse in the Yakima Valley, she draws profound insights into the nature of existence and what the natural world has to tell us about ourselves. Annie Dillard is born in Pittsburgh, Pennsylvania in 1945, in a poet and author best known for her prose in both fiction and nonfiction. Dillard has been considered a major voice in American literature since she published Pilgrim at Tinker Creek in 1974 and won a Pulitzer Prize. Influenced by Henry David Thoreau and Walt Whitman, Dillard writes compressed, lyric poetry and prose that engages the balance of daily life within the frame of literature and ideas. Dillard’s numerous books include the poetry collections Tickets for a Prayer Wheel and Mornings Like This: Found Poems; the nonfiction books Pilgrim at Tinker Creek, An American Childhood, For the Time Being, and The Abundance: Narrative Essays Old and New; and the novels The Living and The Maytrees. A member of the American Academy of Arts & Sciences and a Fellow of the American Academy of Arts and Letters, Dillard also holds honorary doctorates at Boston College, the University of Hartford, and Connecticut College. Additional honors include grants from the National Endowment for the Arts and the John Simon Guggenheim Foundation, a New York Press Club Award for Excellence, an Appalachian Gold Medallion, a Campion Award, and an Academy Award in Literature from the American Academy of Arts and Letters. She received the National Endowment for the Humanities Medal in 2014, awarded to her by President Barack Obama.