The Bleeding Margin

We sat down with Paul Tremblay at the 2025 Miami Book Fair to discuss his novel Horror Movie, working in Hollywood and the horror of the unknown.

In an aggressively air-conditioned office on the campus of Miami Dade College last December, the editors of The Bleeding Margin had an unexpected conversation with superstar horror author Stephen Graham Jones, during which they discussed his latest novel, The Buffalo Hunter Hunter, his love of 80s horror films and, most interestingly, why Terminator 2 and Die Hard hold special places in his heart.

Acclaimed author Romina Garber joins The Bleeding Margin to discuss her new novel, The Last Vampire, and the expansive world-building that drives her fiction. We explore her long path through rejection, the immigrant identities woven through her work, the evolution of vampire mythology, and why she begins every story by constructing the universe first. Garber also reflects on craft, influence, and the future worlds she hopes to explore. A wide-ranging, insightful conversation for fans of fantasy, YA, and literary horror.

In this episode of The Bleeding Margin Podcast recorded at the 2025 Miami Book Fair, Vivian and John Mark sit down with DC author Lacey Dunham to talk about her debut Gothic novel, The Belles. We get into her journey from early childhood teacher and bookseller to novelist, the failed “serious” book that came before this one, and how she finally leaned into ghosts, dark academia, and Southern Gothic to write the story she actually wanted to tell. Lacey digs into outsiderhood, class, toxic white femininity, and the difference between belonging and conformity at a 1950s women’s college, and we explore how the hauntings in The Belles work on both supernatural and deeply human levels.Learn more about the author at her website.

In this episode of The Bleeding Margin, host John Mark King explores a defining but often overlooked trend in 1950s horror and science fiction: the detached narrator. From John Wyndham’s Day of the Triffids to Richard Matheson’s I Am Legend and Jack Finney’s Invasion of the Body Snatchers, the era’s storytellers often placed their narrators at a distance, watching catastrophe unfold rather than fighting it head-on. What does this narrative choice say about Cold War paranoia, the rise of mass media, and a culture of spectatorship? Tune in as John Mark unpacks how the “detached witness” reshaped horror storytelling in the atomic age.

In this first episode of The Bleeding Margin, from The Capitol Horror, host John Mark King dives into the work of one of his all-time favorite horror authors, Richard Laymon. A writer both beloved and maligned, Laymon’s pulp-infused tales are as unique as they are divisive. John Mark explores what makes Laymon’s voice so distinctive, why he stirs such strong reactions among horror fans, and why his stories remain unforgettable for those who dare to read them.