The Bodleian Libraries (BODcasts)

Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists In this lecture, Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists. She also discussed her educational work centred around Black American artists working in the book form and her curatorial work challenging the exclusion and erasure of Global Majority traditions and artistry in hand papermaking. Founded in 2019 by book artist and printmaker Tia Blassingame, the Book/Print Artist/Scholar of Color Collective brings Black, Indigenous and People of Color (BIPOC) book artists, papermakers, curators, letterpress printers, printmakers into conversation and collaboration with scholars of BIPOC Book History and Print Culture to build community, support systems. Biography: Tia Blassingame is an Associate Professor of Art at Scripps College, where she teaches Book Arts and Letterpress Printing, and serves as the Director of Scripps College Press. Her artist’s books and prints can be found in library and museum collections across the world. In 2019, Blassingame founded the Book/Print Artist/Scholar of Color Collective. Most recently, Blassingame has co-curated, with writer, book artist, publisher Stephanie Sauer, the NEA and Center for Craft grants-awarded exhibition, Paper Is People: Decolonizing Global Paper Cultures, held at Minnesota Center for Book Arts (14 April – 12 August 2023) and San Francisco Center for the Book (28 October -22 December, 2023). Tia Blassingame was the current Bodleian Printer in Residence, 2023. Book/Print Collective | Instagram: @bookprintcollective Programmed by The Centre for the Study of the Book, Bodleian Libraries.

In this session, we explore what Playford’s publishing activities can tell us about how music was incorporated into different social environments in seventeenth-century English society and the role music played in peoples lives. Although The Dancing Master was one of John Playford’s best-known and most widely distributed publications, it belonged within a music-publishing portfolio that provides something of a snapshot of the breadth of music-making activities in which people from different parts of society participated in the Commonwealth and Restoration periods. In this session, we explore what Playford’s publishing activities can tell us about how music was incorporated into different social environments in seventeenth-century English society, from the tavern to the concert room to the royal court, and what the writings of people known to have used his books, such as Samuel Pepys, tell us about the role music played in their lives. Rebecca Herissone is Professor of Musicology at the University of Manchester and a Fellow of the British Academy. Her research focuses on the musical cultures of early modern England, particularly issues of creativity, reception and manuscript and print cultures, which has led her to work extensively on the publishing activities of John and Henry Playford, Thomas Cross and John Walsh, and to consider the complex relationships between musical notation and performance in the period. She has written three monographs, most recently Musical Creativity in Restoration England (awarded the Diana McVeagh Prize by NABMSA in 2015), and has had articles published in journals including the Journal of the American Musicological Society, Musical Quarterly, Journal of Musicology, Music & Letters, and the Journal of the Royal Musical Association. She co-edited Music & Letters from 2007–19 and is now a Vice-President of the Royal Musical Association, Chair of the Musica Britannica Editorial Committee, Series Co-Editor of Cambridge Elements in Music, 1600–1750, a General Editor of the Works of John Eccles, and a member of the Editorial Boards of the Purcell Society and Music & Letters. Her current research focuses on Purcell’s reception, particularly the material traces we can uncover of the small network of individuals who preserved, performed and transformed his music in the 18th and 19th centuries. Alice Little is a Research Fellow at the Bate Collection of Musical Instruments, part of the Music Faculty of the University of Oxford. Her research focuses on collectors and collecting, particularly eighteenth-century tunebooks and their compilers, looking at what sources the collections were gathered from and what the selection of music says about the people and cultures that collected and used them.

This talk will consider how and why the frontispiece to this edition was different from those in earlier editions and place the image in relation to other images of ballroom dance bands before and after 1728. The music publisher John Playford built his success on the publication in 1651 of the first book to give tunes and dance instructions for country dances. He named it The English Dancing Master and in subsequent editions The Dancing Master. The frontispiece to the eighteenth and final edition of vol. 1 (c.1728) shows a trio of musicians – violin, oboe, bassoon – accompanying a group of country dancers in a ballroom. This talk will consider how and why the frontispiece to this edition was different from those in earlier editions and place the image in relation to other images of ballroom dance bands before and after 1728. The speakers will also examine Hogarth’s print A Country Dance and what it tells us about decorum and licence in mid-18th century ballroom dancing. Jeremy Barlow specialises in English popular and dance music from 1550 to 1750, and also has a particular interest in the illustration of music and social dance over the centuries. He has lectured on a variety of subjects for organisations such as the The Arts Society, U3A, the Art Fund and National Trust. His books include The Enraged Musician: Hogarth’s Musical Imagery (Ashgate) and The Cat & the Fiddle: Images of Musical Humour from the Middle Ages to Modern Times (Bodleian Library). The Bodleian Library has also published A Dance Through Time: Images of Western Social Dancing from the Middle Ages to Modern Times. Jeremy is well known for his work on Playford and has published an edition of Playford's dance tunes, The Complete Country Dance Tunes from Playford’s Dancing Master (1651–ca.1728) (Faber Music). Alice Little is a Research Fellow at the Bate Collection of Musical Instruments, part of the Music Faculty of the University of Oxford. Her research focuses on collectors and collecting, particularly eighteenth-century tunebooks and their compilers, looking at what sources the collections were gathered from and what the selection of music says about the people and cultures that collected and used them.

Conservation Scientist Prof. Dr. Mandana Barkeshli looks at lacquered bookbindings made by Persian artisans in the 16th to 19th centuries. Persian artisans are known for their contributions to the field of bookbinding, with the lacquered bookbinding technique being one of their notable breakthroughs. This intricate technique involves multiple layers, each with their own materials, methods, and motifs that have been used from the Safavid to Qajar periods. Professor Barkeshli delves into the details of each layer and explores the various treatments used during manufacture, as well as providing insight into the environmental enemies of the lacquered bookbinding. Prof. Dr. Mandana Barkeshli is Head of Research and Post Graduate Studies of De’ Institute of Creative Arts and Design UCSI University in Malaysia and Principle Fellow at University of Melbourne. Her current research project is titled, 'Paper Dyes Used in Persian Medieval Manuscripts: Creating a Materials Construction Digital Database'.

In this online event, Ana Paula Cordeiro, the creator of Body of Evidence, speaks from the workshop in New York City where she produced it. She will be joined in conversation by Merve Emre, Associate Professor of American Literature. Body of Evidence (2020) is an artist's book that examines the role of documentary evidence in defining national and individual identity. The red, white, and blue of the printing and binding echo a national story, viewed from the perspective of an immigrant, with quotations from Rebecca Solnit, Emily Dickinson, William James, Agnes Martin, and Fernando Pessoa. We open the conversation by examining the book’s unique structure, moving on to consider the questions posed by the book’s theme. What qualifies as a document? When does a document become evidence? And what does this evidence prove about an individual or a nation? How can an individual's narrative assert their integrity in face of dehumanization? The conversation will be launched after a live presentation of the copy of this book now in the Bodleian. Originally from Brazil, Cordeiro is based in New York and composes her book works at The Center for Book Arts in New York City, from where she will speak. In 2020 she was awarded a grant from the Pollock-Krasner Foundation. Her artist books are collected privately and institutionally. Book Arts programme from the Bodleian Libraries Centre for the Study of the Book. Supported by a generous donation to the Bodleian Bibliographical Press.

In this BodCast from the Friends of the Bodleian, Professor Dame Marina Warner interviews Anne Louise Avery, writer and art historian, on the subject of Avery's recent book, Reynard the Fox https://bodleianshop.co.uk/products/reynard-the-fox Based on William Caxton's bestselling 1481 English translation of the Middle Dutch, but expanded with new interpretations, innovative language and characterisation, this edition is an imaginative retelling of the Reynard story. With its themes of protest, resistance and duplicity fronted by a personable, anti-heroic Fox making his way in a dangerous and cruel world, this gripping tale is as relevant and controversial today as it was in the fifteenth century. Reynard the Fox is available to purchase at [http://www.bodleianshop.co.uk

Join Rebecca Abrams in conversation with Samuel Fanous to discuss her riveting and beautiful new book, edited with César Merchan-Hamann, Jewish Treasures from Oxford Libraries. You can purchase the book https://bodleianshop.co.uk/products/jewish-treasures

Panel Discussion to debate the proposed changes to the policy on Open Access for monographs in the next REF after REF 2021 which will have profound implications for researchers in the humanities and social sciences. Panellists: Richard Ovenden, Bodley's Librarian, Professor Julia Smith, Chichele Professor of Medieval History, Research Director, Faculty of History, Helen Snaith, Senior Policy Advisor, Research England, David Clark, Head of Academic Division, OUP

Russell Maret talks about the development of the primary themes of his artist's books - alphabet design, colour printing, and geometric form, also the influences of history and technology on his methods and subject matter.

Visiting fellow, Dr Robin Eagles of the History of Parliament Trust discusses his research into Robert Harley, Earl of Oxford

Michael Heseltine discusses his political career with Peter Hennessy. The Rt Hon Lord Michael Heseltine CH, one of the most influential politicians of recent times, discusses his distinguished political career with historian Lord Peter Hennessy.

Giovanni Paoloni discusses the influence of the development of the shortwave beam technology on Marconi and the Marconi Company Marconi's wireless revolution, the Bodleian's Byrne-Bussey Marconi Visiting Fellows, Giovanni Paoloni and Ines Queiroz, present findings from their research into Marconi and the early development of wireless technology. In the early development of wireless, short waves were considered of no technical and commercial consequence, and left behind as a research field. While working on the improvement of wireless for military communications, Marconi was once more first in understanding the existence of unexpected possibilities - starting a new 'wireless revolution'. Giovanni Paoloni discusses the influence of the development of the shortwave beam technology on Marconi and the Marconi Company.

Ines Queiroz explores how technical constraints have shaped strategies for wireless networks development Marconi's wireless revolution, the Bodleian's Byrne-Bussey Marconi Visiting Fellows, Giovanni Paoloni and Ines Queiroz, present findings from their research into Marconi and the early development of wireless technology. Ines Queiroz explores how technical constraints have shaped strategies for wireless networks development. Focusing on a South Atlantic case study which brings new perspectives on geographical implications of wireless communications networks at an early stage of development.

Jonathan Lloyd and Tiffany Stern, discuss performing Shakespeare in the past and now Accompanied by actors to help illustrate their points, Jonathan Lloyd, Artistic Director of Pegasus Theatre, and Tiffany Stern, Professor of Early Modern Drama, discuss performing Shakespeare in the past and now.

Robert Douglas-Fairhurst, Professor of English Literature, Oxford, gives a talk for Shakespeare Oxford 2016 series. When the tercentenary of Shakespeare's birth was celebrated in 1864, Robert Browning observed that he and his contemporaries had Shakespeare 'in our very bones and blood, our very selves'. In this talk, Robert Douglas-Fairhurst explores some of the ways in which the Victorians tried to keep Shakespeare alive in the nineteenth century: through theatrical revivals and literary allusions; through paintings and photographs; and especially through their fascination with the idea that, as Tennyson put it in his poem Vastness, 'the dead are not dead but alive'.

Carmen del Camino (Seville), gives a talk The unskilled scribe: Elementary hands and their place in the history of handwriting, a seminar held on 30th September 2016.

Teresa De Robertis (Florence), gives a talk for The unskilled scribe: Elementary hands and their place in the history of handwriting, a seminar held on 30th September 2016.

Marc Smith (Paris), gives a talk for The unskilled scribe: Elementary hands and their place in the history of handwriting, a seminar held on 30th September 2016.

Irene Ceccherini (Oxford) gives a talk for the unskilled scribe: Elementary hands and their place in the history of handwriting, a seminar held on 30th September 2016.

Teresa Webber (Cambridge), gives a talk in the the unskilled scribe: Elementary hands and their place in the history of handwriting, held on September 30th 2016.

Lauren Kassell (Reader in the History of Science and Medicine, Cambridge) gives a talk for the Bodleian libraries. If the star-crossed lovers Romeo and Juliet had lived in London, they might have consulted the astrologer-physician Simon Forman, whose casebook is shown in the exhibition Shakespeare's Dead. Lauren Kassell looks into the working life of a medical practitioner in Shakespeare's England.

Peter McCullough, Professor of English, University of Oxford, gives a talk on John Donne. John Donne's sermon, Death's duell, was part of an early Stuart vogue for funeral sermons. Professor McCullough discusses Donne's contribution to this genre, and looks at how this tradition is connected to the poetic and dramatic representations of death on display in the exhibition, Shakespeare's Dead.

This podcast talks about accidental deaths and the hazards of everyday life in Shakespeare's day Coroners' inquest reports into accidental deaths tell us about the hazards of everyday life in Shakespeare's day. There were dangerous jobs, not just building, mining and farming, but also fetching water, and travel was perilous whether by cart, horse or boat. Even relaxation had its risks, from football and wrestling to maypole-dancing or a game of bowls on the frozen River Cherwell.

This lecture will celebrate Shakespeare's immortality on the exact 400th anniversary of his burial. It will begin from Theseus' famous speech in A Midsummer Night's Dream about the magical, transformative power of poetry. It will argue that Shakespeare inherited from antiquity a fascination with the intimate association between erotic love, magic and the creative imagination, and that this is one of the keys to the enduring power of his plays. Sir Jonathan Bate, Provost of Worcester College and Professor of English Literature at Oxford University, is one of the world's most renowned Shakespeare scholars, the author of, among many other works, Shakespeare and Ovid, The Genius of Shakespeare, Soul of the Age and (as co-editor) The RSC Shakespeare: Complete Works. He co-curated Shakespeare Staging the World, the British Museum's exhibition for the London 2012 Cultural Olympiad, and he is the author of Being Shakespeare: A One-Man Play for Simon Callow, which has toured nationally and internationally and had three runs in the West End.

In this talk Andrew Dunning (Royal Bank of Canada Foundation Fellow) traces the development of the work of Alexander Neckam, one of the earliest known lecturers in Oxford, through manuscripts housed at the Bodleian. Leading up to the creation of the University, the priories of the Augustinian canons were among the most prominent intellectual foundations in twelfth-century Oxford. One of the earliest known lecturers in the town was Alexander Neckam, working at St Frideswide (now Christ Church) from around 1190, who practised a brand of education that promoted the development of individuals and the health of communities. Through manuscripts housed at the Bodleian, it is possible to trace the development of his work, and to uncover his peers at his later home in Cirencester. They emerge as precise scholars who produced books collaboratively, and later created a monument to his writings in an exchange with Malmesbury Abbey.

In the summer of 1594 William Shakespeare decided to invest around 50 Pounds to become a shareholder in a newly formed acting company: Lord Chamberlain's Men. This lecture examines the consequences of this decision, unique in English theatrical history. By examining the early modern theatrical marketplace and the artistic development of Shakespeare's writing before and after this moment, it is hoped that this talk shows why 1594 was, by some measure, Shakespeare's most important year.

Richard Ballam talks about the rich collections of games and pastimes he has recently donated to the Bodleian, the subject of the display Playing with History. Playing with History celebrates Richard Ballam's donation to the Bodleian of his rich and varied collection of games and pastimes. This small selection of items from the wider collection gives us insights into the presentation of history to children, and the ways in which they were encouraged to engage with contemporary issues, such as War and Empire through game play.

Keynote lecture by Margreta de Grazia, (Emerita Sheli Z. and Burton X. Rosenberg Professor of the Humanities, University of Pennsylvania) for the Marginal Malone conference held in Oxford on June 26th, 2015. Introduction by Tiffany Stern, Professor of Early Modern Drama, Faculty of English, University of Oxford

What do geniuses have in common, across the arts and sciences? And how do we distinguish genius from talent? Andrew Robinson, author of Genius: A Very Short Introduction, considers (a little of) the evidence.

A lunchtime lecture by Julie-Anne Lambert accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. The John Johnson Collection of Printed Ephemera is one of the lesser-known collections of the Bodleian. This talk discusses why and how was it formed, what ephemera are, and how can they contribute to our understanding of history.

Lunchtime lecture by Will Poole accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. Henry Savile (1549-1622) founded at Oxford in 1619 the two Professorships that still bear his name, one in Astronomy, the other in Geometry. He equipped his professors with a library, which they in turn augmented down the centuries, and that library was transferred to the Bodleian itself in 1884. The Savilian books therefore comprise one of the most historically significant scientific libraries in the West.

Lunchtime lecture by Richard Mulholland accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. Outside of the natural sciences, the work of Ferdinand Bauer (1760-1826), the pre-eminent eighteenth century natural history painter is little known. However, his botanical and zoological paintings on paper are considered to be among the finest in the world. Of particular interest is the unusual drawing and painting technique he used, recording colour information about specimens by annotating preliminary pencil sketches with numerical colour codes to be painted at a much later stage referring directly to a painted colour chart. This talk will discuss Bauer's botanical illustrations for the Flora Graeca (1806-1840), one of the most lavish Flora's ever published, the materials and techniques he used, and new research by the Bodleian's Conservation Research department to identify Bauer's 18th century palette, and recreate the lost colour chart that holds the key to fully understanding Bauer's considerable expertise as an artist.

A lunchtime lecture by Clive Hurst accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. Some dozen items bequeathed to the Bodleian Library by Francis Douce in 1834 feature in Marks of Genius, ranging from medieval manuscripts to a panoramic print of Shakespeare's London, from Mughal paintings to a bible presented to Elizabeth I. Three works are known by his name: the Douce Apocalypse, the Douce Pliny, and the Douce Ivory. But Douce wasn't only interested in the spectacular and grand - he collected nursery chapbooks, and nursery rhymes, indeed, he edited a volume of the latter in 1810. It is this area of his collection that this talk investigates.

'Buying beauty in the Victorian period' Dr Jessica Clark looks at the Victorian beauty industry, and the transition from disapproval of artifice to a celebration of the wonders of cosmetics. Drawing on the John Johnson Collection of ephemera at the Bodleian Library, Dr Clark explains what Victorian Britons considered beautiful and considers some of the products and techniques that women, and men, used to achieve physical perfection.

In this talk Stuart Lee will look at the various texts we may call The Hobbit. Starting with the 1937 edition (on display) he will look at the changes enforced on Tolkien after he had finished The Lord of the Rings and how he coped with these.

Fourth Lunchtime lecture accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. With Dr Dirk Obbink.

Third Lunchtime lecture accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. With Mr David Helliwell.

Second in the Marks of Genius series, with Dr Christina Dondi

Professor Michael Suarez, in the Lyell Lectures 2015, urges scholars to remember the books that most readers encountered: the cheaper abridged versions of popular novels and accounts such as Cook's voyages.

Professor Michael Suarez, in the Lyell Lectures 2015, locates the visual sources of a famous illustrated edition of Caesar's works and comments on the social and political significance of the subscription plate book.

Professor Michael Suarez continues the Lyell Lectures 2015, showing that archival evidence is necessary to understand the history of newspapers

Professor Michael Suarez traces the transatlantic journey of a famous image deployed against the slave trade.

Professor Michael Suarez continues the Lyell Lectures 2015, asking what role colour plays in bibliographical description?

Professor Michael Suarez gives the first Lyell Lecture of 2015.

Professor Robin Wilson, author of Alice's Adventures in Numberland, gives a talk on the history of studying Mathematics at Oxford, which is as old as the University itself.

Political biographers D R Thorpe and John Campbell speak about their subjects' careers culminating in the role of Chancellor of the University of Oxford. The discussion was chaired by Lord Patten of Barnes.

In this short talk Professor Martin Ceadel, Fellow and Tutor in Politics, New College, Oxford discusses the issue of military conscription and conscientious objection during the first world war.

Dr Adrian Gregory, Fellow and Tutor in History, Pembroke College, Oxford discusses the use of propaganda by all sides during the first world war.

A conversation between Professor Sir Hew Strachan and Professor Margaret MacMillan, chaired by Professor Patricia Clavin.

Marie-Claude Felton, Royal Bank of Canada-Bodleian Visiting Scholar, gives a talk for the Bodleian Library BODcasts series