The Creative Kind

This week I'm talking to Col Mac, a Brisbane-based interdisciplinary artist whose practice is grounded in painting but regularly extends into text, sculpture, and installation. His work explores time, place, memory, and history. Col has been a finalist in the Archibald Prize and the Brisbane Portrait Prize, with work featured in The New York Times and the Washington Post.In this conversation we're focused on critique; the different forms it's taken across Col's practice, from design briefs and university critique sessions, to the regular group he's kept going with artist friends since graduating, to the more public feedback loop of prize entries and outdoor projections. We get into what happens when you action too much feedback at once, how to filter voices without shutting them out, and why a second set of eyes sometimes surfaces something in your work that you couldn't yet name yourself.Find Col Mac here on instagram and here on his website. You can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, I'm joined by West Australian painter Wendy Marinich. We discuss what it actually looks like to build a body of work when you're in the middle of figuring it all out. Wendy came to painting a few years ago, after careers in floristry, catering, and working as a pasta maker at a well-known Perth restaurant. In that relatively short time, she's developing a practice that has a cohesive feel to it, full of mid-century warmth, bold colour, and a real sense of considered intent. I've been watching her work evolve for a while now, and I wanted to bring her on to talk about the process behind that, not from a place of looking back, but from right inside it.We talk about where ideas begin for Wendy;  that moment of instant clarity she had when she walked into her sister-in-law's house and saw a collection of vintage glass arranged by colour, and knew that was her next exhibition. We get into what happens when you have a clear concept but your instincts start pulling you somewhere else mid-series, and how she uses her body of work as a deliberate skills-building exercise. We also talk about the role of commissions, painting one-offs versus series, working on multiple pieces simultaneously, and why this year, for the first time, she decided not to book her exhibition before finishing the work.Find Wendy Marinich here on Instagram and her website You can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review and share if you enjoyed it,  it really does help other people find the show. Hosted on Acast. See acast.com/privacy for more information.

Today I'm talking with sisters Kass and Lauren Hernandez, the fibre artists behind Crossing Threads. This was an interesting conversation about what creative strategy actually looks like in practice; the real, week to week decisions that go into building a sustainable creative practice.Kass and Lauren are first generation Australians of Filipino heritage, living and working on Wangal and Gadigal Land in Sydney. They create one of a kind fibre and textile artworks; tapestries, woven pieces, soft sculptures, and framed textiles for both residential and commercial spaces.We talk about their weekly WIP structure (which they complete on Fridays and come back to fresh on Mondays), how they use Slack to communicate across the business, and why they time-track everything using Toggl. We get into how they filter every opportunity through a set of ROIs; financial gain, brand positioning, exposure, relationships, community, and creative growth; and why saying no is one of the most valuable things they do.We also chat about what it means to work with your sister, navigating feedback, dealing with imposter syndrome, and how becoming mothers was ultimately the catalyst for going full-time.This is one of those conversations that made me want to take notes! I hope you get as much out of it as I did. We mentioned a lot of different systems and tools in this one and you’ll find a complete list on the Substack post here. Find Kass and Lauren here on their website and here on Instagram.You can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review and share if you enjoyed it, it really does help other people find the show. Hosted on Acast. See acast.com/privacy for more information.

Sophie Vander is back, and this time we're going straight to your questions. Since Sophie's first appearance on the podcast back in August 2024, I have had a lot of follow up questions come in- it seems you had so much more you wanted to hear from her. So did I!Sophie is the founder and director of Curatorial+Co, a Sydney-based contemporary art gallery and consultancy on William Street in Woolloomooloo. She works with a stable of 45+ artists (80% of whom are female-identifying), leads a team of 11, and juggles gallery exhibitions, an art consultancy arm, and international art fairs, all at the same time.In this episode we cover a lot of ground, from the work Sophie saw at Art SG that completely stopped her in her tracks, to how she picks artists for international fairs, what actually puts her off an artist, and where she goes looking for new talent. We talk about the art market right now, honestly and practically, and what that means if you're an emerging artist trying to sell work. We chat about the gallery relationship; including the one thing she says almost never happens when artists come to her about representation, but really should.Links and people mentioned:Curatorial+Co website: curatorialandco.comCuratorial+Co on Instagram: @curatorialandcoMorgan Stokes: morganstok.es | @morganstok.esTheresa Hunt: @theresahuntartistSimon Cardwell: @cardwell.simonLynn Savery: lynnsavery.com.au | @lino_saverySophie Vander on the Build Beautiful podcast - hereSophie's first appearance on The Creative Kind: August 2024 episodeArtworks that Sophie Mentioned:Citra Sasmite at Art SGMarina Abramović at Art SGFor a more complete list- please check out the substack post here If you enjoyed this episode, please share it with an artist friend, it genuinely helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I’m talking with painter Alyssa Monks about how feedback, both internal and external, shapes an artist’s work and confidence.We explore what kinds of critique have helped her over her career and how she learned to distinguish useful feedback from noise. Alyssa shares how critical comments that bother you can sometimes be the most revealing.We also dive into the psychological side of creativity: transforming your inner critic from an adversary into a problem-solving partner, trusting your own vision while staying open to perspective, and why asking who you ask for feedback matters.Alyssa reflects on navigating personal and professional critiques, choosing when to ask for input, and why hope and curiosity are essential ingredients in the studio.You can find Alyssa here at her website:  alyssamonks.com,  Here on instagramAnd here on PatreonVideo Available here:If you'd like to watch this conversation, you can find selected episodes of The Creative Kind on YouTube and on Substack. Later this year I should be able to publish videos on Apple and Spotify and will update this feed then too.  Just search The Creative Kind Podcast or follow the link in the show notes to watch the full interview with Alyssa. Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by artist and writer Diana Weymar, whose practice involves textiles, language, and collective participation. Diana is best known for the Tiny Pricks Project, an ongoing body of embroidered text works responding to political language, poetry, and cultural moments.We talk about what it means to make and share work when the world feels overwhelming, and how artists decide what deserves their attention. Diana speaks about translating words into thread, the difference between reacting and observing, and why slowness can be a powerful artistic tool in a fast-moving information landscape.We also discuss criticism, community, and the tension between wanting to speak out and recognising you can’t respond to everything. Diana shares how the project evolved from a small personal experiment into a global participatory archive of over 5,000 pieces, and why she’s comfortable letting a project change shape over time.This conversation explores political art, creative responsibility, and the quiet but profound impact of making something by hand. We talk about uncertainty, nuance, and the idea that art doesn’t always need to resolve issues, sometimes it simply holds space for them.Find Diana Weymar  here on instagram and also over at @tinypricksprojectand her website here at www.tinypricksproject.comYou can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by landscape painter Debbie Mackenzie, who lives and works on Victoria’s Mornington Peninsula. Debbie shares how her paintings grow out of the places she spends time in, and how her ideas evolve naturally as she works toward a solo exhibition.We talk about what it means to build a body of work rather than individual paintings, and how each piece can influence the next. Debbie explains her unusual process of photographing inspiration and then never looking at the images again, relying instead on memory and feeling to guide her compositions.We also get into the realities behind the scenes; logistics, deadlines, long studio days, balancing family life, financial gaps between shows, and the emotional comedown that can happen after finishing a major series. Debbie also reflects on consistency, why she rarely changes her palette, and how small shifts like music or brushes can spark experimentation without disrupting cohesion.You can find Debbie on instagram here, her website here: www.debbiemackenzieart.comShe is represented bySYDNEY - Michael Reid Gallery - Southern Highlands & Michael Reid Northern BeachesMELBOURNE - Kelli Lundberg GalleryYou can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by Sydney based curator, writer, and artist mentor Amber Creswell Bell to talk about what it really means to be an artist right now, particularly in a slower market.Amber brings a broad perspective from working closely with emerging artists, running a national art prize, curating exhibitions, and spending years inside the commercial gallery system. We discuss what artists can focus on when sales slow, how to think more strategically about your practice, and why relying on luck alone rarely leads to sustainable outcomes.We talk about treating your art practice as a small business, understanding your audience, and using social media with intention rather than comparison. Amber shares her thoughts on what artists often spend too much energy on, how to research galleries and opportunities more effectively, and why being visible doesn’t have to mean chasing every trend. We also discuss the role of networking and community, the importance of finding a distinct visual language, and how art prizes can help artists build confidence, credibility, and new connections.Find Amber  here on her website or here on instagramYou can find the booking link hereUpcoming Masterclasses:MELBOURNE 13th MarchSYDNEY 28th MarchPOMONA (Sunshine Coast) 29th AprilBYRON BAY 30th AprilBRISBANE 20th JuneCANBERRA: to be announced soonYou can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

n this episode of The Creative Kind, I sit down with artists Fleur Woods and Hannah Jensen Fox to talk about the impact and significance of art workshops. Fleur, a fiber artist and paint carver Hannah, share their experiences teaching workshops and how these sessions have benefited their practices and personal growth.We explore the dynamics of workshops, the invaluable connections and community that form, and the surprising ways teaching has strengthened their own skills and confidence.  We also touch on the logistical and financial challenges of running workshops, and the rewarding ripple effects of teaching. Our conversation highlights their shared belief in the transformative power of creativity and the joy of fostering a safe, encouraging, and collaborative environment for artists.Find Fleur Woods here on her website or  here on instagramYou can find more information about Fleur’s courses hereFind Hannah Jensen Fox here on her website or here on instagramYou can find more information about Hannah’s courses hereYou can find the podcast here on Instagram & here on substackThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showRecommendations from this episode:Fleur Recommended:Song Sung Blue - The MovieThe Alchemist by Paulo CoelhoHannah Recommended:Trent Dalton Audiobooks; Lola in the mirror and Love StoriesJulie Recommended:The Get Seen Artist Workbook by Carrie Scott Hosted on Acast. See acast.com/privacy for more information.

To mark the end of the year, I asked past guests of The Creative Kind to share one artwork that stayed with them in 2025. Something that made them pause, something that lingered. What came back were personal reflections on paintings, sculptures, installations, exhibitions, and moments of seeing art that surprised, unsettled, comforted, or quietly shifted something. Some guests spoke about a single work they couldn’t stop thinking about. Others reflected on whole exhibitions, artists they keep returning to, or practices that have reshaped how they work in their own studios.Across the episode, guests talk about scale and intimacy, about seeing work in person versus online, and about how materials, process, and repetition can carry meaning. Several guests speak about light and shadow, hope and heaviness, and the way an artwork can articulate something you didn’t yet have words for. There are also stories about risk, artists trying something unfamiliar, pushing their own boundaries, or committing to daily practice. A number of guests reflect on how these encounters with art have filtered back into their own practices, changing how they paint, build, repeat, simplify, or let go. Being moved by art doesn’t follow a single pattern, and sometimes the works that stay with us do so because they meet us differently each time we return to them.This episode lands in a heavy moment following the events in Bondi. My sincerest sympathies to the victims, their families, and community.All of the artists mentioned in this episode, along with recommendations from our guests, are linked in the Substack here. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we explore the theme of experimenting and how it shows up across different art practices and life stages. Featuring returning guests Laura Brinin, Robyn Rich, Jenni Stringleman, Kate Owen, Ashley Longshore, and Salma Price-Nell, we look at the many ways artists approach play, curiosity, and taking creative risks.Across these conversations, we discuss what experimentation looks like in practical terms, from changing mediums and revisiting older works, to navigating the tension between intuition, commercial pressures, and personal capacity. The artists share how factors such as parenting, time limitations, and energy levels affect their willingness to take risks, and how small acts of play can keep a long or complex project moving.We also cover the importance of staying connected to a sense of discovery, even in established practices. Whether it’s exploring film, returning to ceramics, testing new colour palettes, or seeking moments of flow, each guest offers insight into how experimentation supports growth, confidence, and momentum.Find Laura Brinin at Side Gallery, website here and their instagram here:Find Robyn Rich's website here and on instagram hereFind Jenni Stringleman's website here and her newsletter here Find Kate Owen's website here and on instagram hereFind Ashley Lonshore's website here and on instagram hereFind Salma Price-Nell's website here and on instagram hereYou can find the podcast on instagram hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showIf you've got a question you'd like me to explore- you can ask it here Hosted on Acast. See acast.com/privacy for more information.

In today’s episode, I’m talking with Hilde Lynn Helphenstein, the mind behind Jerry Gogosian, about the current state of the art market and the realities artists are facing right now. We discuss the recent market correction, how quickly prices can rise and fall, and what that means for artists whose work becomes tied to hype cycles. Hilde talks openly about dramatic price fluctuations, pricing as an emerging artist and why artists should build lives that support their practice, not the other way around.We also cover Hilde's thoughts on the unexpected careers people can discover when they step outside the art world, and the false pressure to measure success solely through big-name galleries or institutions. Hilde shares what she would do if she were an emerging artist starting out in 2026, from keeping living costs low to prioritising making the work itself.Resources & LinksYou can find Hilde’s substack here, website here and on instagram as Jerry Gogosian hereYou can find the podcast instagram hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showMentioned in the show:Magnus ReschDavid Sedaris If you've got a question you'd like me to explore- you can ask it here Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Creative Kind, I’m joined by New York-based mixed media artist Ashley Longshore. Known for her larger-than-life personality and equally bold pop-infused paintings, Ashley’s work collides Hollywood glamour, consumerism, and cultural icons.Ashley discusses her defiance of the traditional art world by building her own company to avoid the standard 50% gallery cut, stating that this move was driven by her business-minded approach rather than confidence. The conversation delves into her journey of marketing and selling her art independently, using creative strategies that bypass conventional gallery systems. Ashley emphasizes the importance of grit, resilience, and a strong inner monologue, sharing her experiences of starting out with minimal resources and networking creatively to sell her work. She highlights the role of self-love, authenticity, and the necessity of learning to discuss money openly as an artist. Additionally, Longshore touches upon her charitable efforts, such as the Ashley Longshore Charitable Trust, which supports young artists. Find Ashley here on her website or  here on instagramYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I’m talking to Melbourne based miniatures artist Robyn Rich, whose work captures intimate, tiny worlds in reused and recycled objects. We talk about what it’s like to create art while living with chronic illness, and how limitations have shaped both her practice and her perspective.Robyn shares how art became a way to find her voice, to connect with others, and to make sense of her own experiences. We discuss the emotional power of small objects, the beauty of creating in a contained space, and the ways she’s built community through projects, Instagram, and her own miniature gallery.We also explore resilience, the lessons that come from rejection and illness, and how she navigates the tension between pushing herself creatively and taking care of her health. Robyn talks candidly about the challenges of sharing her work, asking for help, and finding ways to stay connected while honouring her own limits.You can Robyn’s website here and on instagram hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, I sit down with Jenni Stringleman and Frank Gordon to talk about painting, illness, and the practical realities that shape an artist’s work. Jenni shares how her ovarian cancer was discovered, and how it’s changed the pace and priorities of her studio life.Jenni chatted about how that experience changed her priorities: she moved quickly to paint what she wanted to paint, reduced studio output at times because of physical limitations, and now chooses projects with more personal meaning.We discussed some of the coping strategies, everyday rituals and practical support that helped Jenni through this time and the complicated path of finding her new normal.You can find Jenni here and her newsletter here and her earlier interview episode here:You can find Frank Gordon here, and my previous episode with him here:You can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I speak with Kate Owen about the process of finding your market as an artist. Kate shares how trial and error has shaped her approach, from choosing the right galleries to refining the way she communicates with collectors. She talks about the importance of asking questions, and recognising when a particular avenue isn’t the right fit.We also look at the practical tools that support this process, including cataloguing artwork, building a mailing list that rewards collectors with early access to new work. Kate reflects on experimenting with newsletters, giveaways, and social media, and how paring things back over time has helped her focus on what really works. We chat about how her experience has required some experimenting and trying different strategies, seeing what sticks, and honing in on the things that align with her practice and life.Find Kate Owen website here and on instagram hereYou can find the podcast hereResources & LinksGreenhouse InteriorsCory (Corey) Huff — author / The Abundant Artist — Maggi / Maggie McDonald (artist / creative coach) —Louise King — Arlington Milne+1Bluethumb ArtArt Lovers Australia Artwork Archive Artlogic Bravery Co.Jumbled Paper PearThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Creative Kind I speak with Laura Brinin from Side Gallery in Brisbane, who also works at the University of the Sunshine Coast. Laura shares insights into what it really means to approach a gallery, from making contact in a thoughtful and personal way to understanding what galleries actually do for artists. She talks about the importance of fit, the role of community and the value of supporting your gallery as much as they support you.We also dive into the realities of confidence and perfectionism and why action builds momentum. We dip into the logistics too- Laura and I chat about contracts and deadlines. What stood out for me is her reminder that there’s no single formula for building a career, and that the work itself should always remain at the centreFind the Side Gallery website here and their instagram here:You can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showMentioned in the show:Laura Brinin & Side GalleryDesign Front Last episode with Laura Brinin & Andrew Sleeman:Jessica Nothdurft, Kitty horton & Carolyn V Watson'The Gap' quote from Ira Glass Hosted on Acast. See acast.com/privacy for more information.

In this episode I chat to Salma Price- Nell, also known as the Salsa Creative. Salma is a UK-based Cape Malay, South African artist and parent. We delve into the challenges and intersections of motherhood and maintaining an art practice. Salma discusses her primary medium of ink on paper and how her artwork, which often features organic forms like trees, has evolved since becoming a mother. We talk about the difficulties of finding time for art amidst parenting, the shift in priorities, and the therapeutic nature of creating art. Salma shares how she managed her creative practice while caring for her newborn, the importance of self-care, and the need to stay focused and present. We also touch on the impact of social media oand the lessons learned from navigating identity and productivity as a parent. Resources & LinksYou can find Salma’s website here and on instagram hereLetting Go by DavidHawkinsArt of Accomplishment by Jo HudsonYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showIf you've got a question you'd like me to explore- you can ask it here Hosted on Acast. See acast.com/privacy for more information.

In this episode I talk with artist Cindy Rizza about the realities of having a creative career while parenting. We cover how becoming a mother shifted her perspective on time, discipline, and the need to treat her practice as a career. Cindy speaks about the pressures that come with both roles and how comparison and stereotypes can be hard to shed and often get in the way when every artist’s circumstances are so different.We also talk about asking for help and why that can feel so difficult, the role of community and support, and how boundaries can protect space for making. Cindy shares her thoughts on managing expectations, both internal and external, and the importance of small, consistent steps.We talk about the guilt, uncertainty, and Cindy reflects on the parts of her practice are grounding and why art-making is “that one space that is mine.”Resources & LinksYou can find Cindy’s website here and on instagram hereYou can find Cindy’s episode with the Artist/Mother podcast hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showIf you've got a question you'd like me to explore- you can ask it here: Hosted on Acast. See acast.com/privacy for more information.

In this episode I chat to Danielle Krysa from The Jealous Curator and artist Alexis Mixter about the shifting landscape of how artists share their work and connect with audiences.  Danielle has built a big and engaged community on Instagram and Substack and Alexis is spending less time on Instagram and in its place, finding time for a blog and more in person experiences.  We talk about the role social media plays for us in building community and an audience, what’s working, what’s not and what’s next. We talk about:Seeing art in person vs online: why some work doesn’t translate digitallyRediscovering permission to create: embracing your own style without rulesBalancing making and sharingThe joys of Substack and in person meet ups for deeper engagementBuilding community through small, supportive groups Planning and researching a strategy based on how your work is best seenCreative alternatives to the gallery wall, from art hotels to one-on-one collector connectionsThe vulnerability that comes with promoting your practiceWe all chatted about the realities of sharing on social media and explored how we are each carving out different ecosystems around our practice.My first chat with Danielle on Imposter Syndrome can be found here on apple and here on spotify You can Find Danielle & Alexis here:The Jealous Curator website and blog, Art Delivery The Jealous Curator Instagram and Danielle Krysa’s art page and websiteAlexis Mixter’s website, her substack “If Not Art” (and her instagram, just for funsies)I wrote a reflection on Substack to go with this episode, you can find it here!You can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showIf you've got a question you'd like me to explore- you can ask it here: Hosted on Acast. See acast.com/privacy for more information.

What does it really mean to take your painting practice outside? In this episode I’m joined again by Australian artists Johnny K and Carly Le Cerf to talk about the realities of working en plein air - from capturing a horizon line to the challenge of painting in wind, snow, or heat.We talk about:How working outdoors shapes their recent projectsThe difference between gathering research in the field and resolving a work back in the studioThe role of memory, scent, and even sound in building a connection to placeThe physical demands of painting outsideThe value of working alongside another artist and how those conversations push their practiceHow being in new environments diversifies their workThis is a wide-ranging chat about the ways we carry the outside world into our work.You can find Caly Le Cerf’s work here through Michael Reid Gallery and on instagram hereYou can find my previous chat with Carly hereYou can find Johnny K’s website here and his instagram hereYou can find my previous episode with Johnny here and hereMentioned in the podcast:Read more about One Thousand Kilometers of Hope hereSee Johnny K’s works with Day Gallery Blackheath hereJulz Beresford at Michael Reid Amanda Penrose Heart at King Street GalleryArchibald, Wynne and Sulman Prizes 2025John R Walker at Utopia Gallery at Sydney ContemporaryJason Cordero at Lennox St Gallery You can find the podcast here Hosted on Acast. See acast.com/privacy for more information.

In this episode we dive into the topic of taking breaks, exploring the 'whens,' 'whys,' and 'hows' of stepping away from work. Joined by returning guests Anna Gibbs, Michael Fox, and Brandy Salmon, we discuss various perspectives on breaks, including the importance of planning downtime, financial and tax considerations, and personal strategies for recognising when it's time to pause. From mental and physical self-care to the impact of breaks on creativity and productivity, this episode highlights how artists balance their professional commitments with the need to recharge. We also explore practical advice on transitioning back to work post-break and the evolving landscape of the art world.Find Anna’s website here and on instagram hereYou can find Michael Fox's Accountant and Art Valuation website here and the Fox Galleries hereFind Brandi here on her website or here on instagram Find her wedding painting instagram page hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

This podcast episode discusses taking breaks. This season's guests Laura Brandon, Sally Bulling, and Maria Stoljar share their different perspectives & experiences, including the differences between planned and unplanned breaks, and their impacts on professional and personal well-being. The conversation delves into the necessity of taking intentional breaks to avoid burnout, the benefits of physical and mental rest, and practical strategies for reengaging with work after a hiatus. The guests share personal anecdotes and how they manage their time and breaks. We talk about the importance of recalibration, and how breaks can lead to renewed creativity and productivity. Find Laura Brandon’s website here and on instagram hereFind Sally here and on instagram hereIf you want to find out more about Maria Stoljar & Talking with Painters, go and check out:her instagram or website  Podcast on apple, spotify (plus all the others) And her You Tube channelYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

Hey art lovers, I'm putting together a special end of year episode of the Creative Kind, and I would love your input!For this one, I'm thinking about hosting a Q&A. So if you've got a question for a gallerist or artist, now is the time to ask. It could be about making work, navigating the art world, or anything you have been curious about.You can tell me if it's for a specific guest who's been on the pod, and I'll do my best to get them on to answer it, or it could be a more general question for anyone. If you can send me your question, preferably as a voice note or even just as a quick message.I've left the details in the show notes. The regular end of season episode will be back in your feed next week. Thanks so much for listening and for being part of the creative kind.I can't wait to hear from you. Chat soon!Submit your questions here through the google formYou can email me through your voice note or question as a message here: [email protected] you can just send me a voice note through a Creative Kind Instagram message Hosted on Acast. See acast.com/privacy for more information.

In this episode, I chat with Brandi Salmon, a Wiradjuri and Tongan artist based in Lutruwita Tasmania about commissions. We talk about the ups and downs of working on commissions, from pricing and client expectations to protecting your creative energy and building long-term confidence.Brandi shares how she approaches work including landscapes, murals, portraiture to live wedding painting, and how the mix of commission and personal work has helped her grow artistically. She also opens up about the emotional and logistical sides of working with clients, why written boundaries are essential, and how she uses forms and automation to stay sane. We also dig into the impact of mentorship and the importance of finding peer support, especially as a young or emerging artist.Mentioned in this episodeArts Law- Artists in the BlackNgarrimili Find Brandi here on her website or here on instagramFind her wedding painting instagram page hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I’m talking about commissions with NZ artist Sally Bulling, who specialises in mirror paintings incorporating a variety of materials like paint, resin, and stickers. We discuss the delicate balance between commissioned work and personal pieces,and the ways commissions can push an artist’s practice in unexpected and rewarding directions. We talk about the financial upside of a commission and how they can allow experimentation with new materials and ideas. We also chat about the importance of maintaining relationships with galleries alongside commissions and Sally shares insights on managing client expectations, communicating clearly, and the benefits of taking time with commissioned pieces.Find Sally here and on instagram hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Creative Kind, I talk with Michael Fox, an experienced Australian arts accountant and director of Fox Galleries, about tax and accounting issues specifically for artists. We discuss the importance of treating an artistic practice as a business for tax purposes. Michael clarifies the tax reporting requirements for artists in different circumstances, including when activities transition from hobbyist to business status. The conversation also touches on common mistakes artists make in tax reporting, the significance of claiming expenses correctly, and the practical steps for managing receipts and bookkeeping. Michael emphasizes the critical role of good record-keeping and timely submission of tax returns to avoid penalties. We also explore topics like superannuation for self-employed artists and the nuances of GST for artists. We talk about the importance of clear communication between artists and galleries about financial transactions and practical advice on navigating the complexities of tax systems tailored to the arts sector.You can find Michael Fox's Accountant and Art Valuation website here and the Fox Galleries hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Creative Kind, I speak with Sydney-based art consultant and educator Laura Brandon about artist opportunities beyond the gallery wall. With over 20 years of experience across public art, education, archiving, and exhibition development, Laura brings deep insight into how artists can meaningfully connect with new platforms, spaces and collaborators.We talk about everything from public art projects and artist statements to grants, residencies and building your own art ecosystem. Laura offers practical tips for tailoring applications, finding your own voice in written materials, and identifying the opportunities that are actually a good fit for you and your work.We also talk about what makes a strong application, and how to make the most of mentors, peers, and support systems around you.Find Laura Brandon’s website here and on instagram hereResources & LinksHere are a few useful organisations and platforms mentioned in this episode:ArtsHubMuseums & Galleries of NSWCreative AustraliaNational Association for the Visual ArtsArtSupport AustraliaArt Prizes (@artprizes) • Instagram Art Prizes PlannerCouncil websites such as:Opportunities for artists - Inner West CouncilArts opportunities | Bondi PavilionArts & culture - Waverley CouncilYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

This week I’m joined by British-born, New Zealand-based artist Anna Gibbs, whose detailed oil paintings of native birds draw attention not just for their beauty but for what they represent — a deep love for the natural world and a quiet invitation to care more deeply for it.We talk about how emotional connection can lead to change, and why Anna chooses to focus on hope, wonder, and care rather than guilt or shock when addressing environmental issues through her work. Anna shares how her parents sparked her fascination with New Zealand’s birds, the stories behind some of her most impactful pieces and why she’s committed to using real, ethically sourced gold in her art — not just for its visual warmth, but for what it symbolises.Find Anna’s website here and on instagram hereLearn more about Banks Peninsula Conservation TrustYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this studio session I talk to artist Andrew Sleeman and curator Laura Brinin from Side Gallery in Brisbane about preparing for a solo show. Andrew shares his motivations for having his solo show and the learning curve involved, while Laura provides insights into what galleries and curators look for in an artist and their work. The conversation delves into topics such as framing, photography, and the costs associated with putting on a solo exhibition. Both Andrew and Laura touch on the importance of building a supportive community, clear communication, and setting realistic goals for the success of the show.Andrew's solo show, 'Bare' is set to open at Side Gallery in Brisbane on August 14th.Find Andrew’s previous episode hereFind Andrews Instagram here and his website hereFind the Side Gallery website here and their instagram here: Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Creative Kind, I chat to UK based artist Frances Featherstone on the realities of entering art prizes. We explore the opportunities prizes can open up, as well as the importance of keeping them in perspective.Frances shares practical advice on choosing the right prizes for your work, how to photograph your submissions, and the hidden costs artists often forget to factor in. We also talk about how to handle rejection, what really happens once a show opens, and why believing in your work matters more than any shortlist.Frances reminds us that prizes do have some great benefits and one of the big ones is the community built through participating in them.The connections they can help build and what that gives your practice in ways a prize never could on its own. Resources & LinksRoyal Academy Summer Exhibition Green and StoneThe Gallery HoltSouth East Open StudiosJackson’s Art Open Painting Prize You can find Frances Featherstone’s website here and on instagram hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I chat to Maria Stoljar, a painter, YouTuber & host of the acclaimed Talking with Painters podcast. We discuss Maria’s experience with interviewing hundreds of art prize winners, and also as a painter herself having been an entrant and a judge. We talk about the significance of art prizes in an artist's career and Maria shares her insights on the motivations behind entering art prizes, the benefits of being shortlisted, and the importance of exposure. We also discuss the role that art prizes play in elevating artists' profiles, the impact of social media, and how to handle rejection. We also chat about the balance between authentic creation and catering to judges, gender balance in the art scene, and the broader implications of art prizes for the art community.If you want to find out more about Maria Stoljar & Talking with Painters, go and check out: her instagram or website   Podcast on apple, spotify (plus all the others)And her You Tube channelDiscussed in the podcast:art-prizes.comThe National Emerging Art Prize & Amber Cresswell BellCountess Report Ross Jones episode on Creative Conversations podcastJohn McDonald’s : Everything the Art World Doesn’t Want You To KnowTalking with Painters episodes: Every episode seemed relevant to this chat! But I had to limit it to those we referenced!Ep 115: The Archibald WinnersEp 120: Robert MalherbeEp 110: Robin EleyEp 65: Nicholas HardingEp 80 : Ben QuiltyEp 45 : Wendy SharpeEp 41: Megan Seres Hosted on Acast. See acast.com/privacy for more information.

In the season finale of The Creative Kind, we’re joined by Sarah Jane Moon, Rita Stella, Petrina Jose, and Sarah Lubcke, who all share their perspectives on understanding and identifying an audience., We chat about the nuances of ‘audience’ versus ‘market,’ the importance of showing up in person, and how social media and online platforms fit in. We talk about how we each navigate our creative paths while thinking about who connects with our work and how we communicate our work effectively. Find out more about this episodes guests:You can find Sarah Jane Moon’s website hereSarah Jane Moon, has an upcoming show called ‘Nature/Nurture’ 16th - 21st July (10am - 5pm) PV: Tues 15th July (6 - 9pm) Downstairs, The Department Store, 248 Ferndale Rd, London SW9 8FRYou can find Rita Stella’s work through Art to Art GalleryYou can find Petrina Jose’s artwork here and her Branding & Design page Hearts & Eyes hereYou can find Sarah Lubcke here & here website hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this Studio session I’m joined by Jenny Stringleman and Amanda Billing for another casual and varied discussion. We talk about our evolving work routines, differences in working styles, and the concept of chronotypes. We touch on online art criticism, & explore the impact of social media on artists and the differences, connections and reasons behind the art we create and the art we collect. Recommendations :Bianca Bosker's book 'Get the Picture' The contemporary British Contemporary Portrait Painters group, Mark Fennell’s podcast  No One Saw it Coming and film ‘The Mission.Mentioned in this podcast:Sarah Jane Moon’s episode on The Creative KindEverything The Art World doesn’t want you to knowJustin Bua’s instagram pageAndrew SalgadoCharlotte RobinsonYou can find Amanda here, her newsletter here and her earlier interview episode hereYou can find Jenni here and her newsletter here and her earlier interview episode hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showxJB Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by Mandy Jakich—artist, educator and founder of Creative Matters & Creative Connections Podcas—to talk about the role of community in a creative life.Mandy shares how her need for connection as a self-taught artist led her to start building her own audiences early on, from hosting exhibitions at home to developing wider educational initiatives. She reflects on her time at Auckland Art Gallery, the role of the Muriwai Artists Collective, and the evolution of her podcast and art education business—all of which have centred around creative connection.We talk about how artist communities can provide accountability, emotional support and practical motivation, and how small acts of collaboration can create unexpected ripple effects. Mandy also shares how she’s carving out time to return to her own art practice, and the balance between leading others and holding space for herself.You can find the Creative Connections podcast (previously Creative Matters) here, here on apple and here on spotify Creative Connections show at Kumeu Arts From June 23- July 19thMentioned in this podcast:Interview with Sara Langon on Creative ConnectionsInterview with Sefton Rani on creative ConnectionsYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, I sit down with Richelle Byers & Liz Fraser from Gallery De Novo in Dunedin. Richelle and Liz reflect on how a gallery space can create community and connection when it’s open, conversational, and unintimidating.We chat about the idea of community and connection and how that can be built and shared through a commercial gallery—what they look for in artists, how relationships form between artists, gallerists and collectors, and how taste, instinct and storytelling shape the work they choose to represent. We talk about what it means to truly “fall” for an artwork, how personal and emotional that process can be for collectors. There’s also reflection on what it means to see work in the flesh — why scale, texture, and presence can’t always be captured on a screen — and how that in-person experience helps galleries stay grounded in community.You can find Gallery De Novo here and here on instagram - Their 20th anniversary show opens on the 28th &29th of June so go along and congratulate them if you can!Mentioned in this episode:- Ana Teafilo- Lee Byford-Daynes- Ewan McDougal- Jasmine Middlebrook- Maria Kemp- John Badcock- Marilyn WebbYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

n this episode, we dive into the powerful intersection of art, culture, and community with Lissy and Rudi Robinson-Cole, the duo behind Wharenui Harikoa. From creating spaces that encourage introspection and connection, to collaborating across cultures, Lissy and Rudi share the deeply personal and healing process behind this transformative art installation. We explore the impact of Wharenui Harikoa as a vessel for emotional release, where visitors share their most intimate wishes—a practice that calls to mind the ancient Matariki rituals of letting go and releasing energy into the universe.We also talk about the ongoing evolution of their work, including a new vision for future Wharenui installations and their upcoming projects, like an international exhibition at the De Young Museum in San Francisco. The conversation also touches on the importance of community involvement and the meditative power of crochet, which is central to their practice.This episode is a deep exploration of art’s ability to create bridges of understanding, foster dialogue, and invite both the artist and viewer into spaces of healing and connection.You can Buy a Ball & support to Lissy & Rudi hereYou can find their website here: and their instagram here:Lissy & Rudi Have a Show  on from June 12 - July 5 with Time Melville Gallery in Auckland, Whiria Ngā Kanorau – Weave the Many Colours/Seeds You can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, I chat with Melbourne-based artist Rita Stella about navigating the complexities of the emerging artist. We talk about how Rita found gallery representation through a local art prize, why she’s cautious about prints and commissions, and the value of trusting her own pace—even when the art world seems to demand more, faster. We cover the realities of finding time for art around parenting and work, learning to define success on your own terms, and how to tune out the noise and just make what you want to make.Rita shares what it was like to leave a stable career and commit to painting, and why she’s deliberately resisted pressure to scale her art business too quickly. We also chat about pricing work, and the importance of creative community.You can find Rita herePeople mentioned:Art to ArtDavid Hamilton from Melbourne Art ClassMedeline Simson episodeWentworth Gallery episode on PricingEbony TaylorYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode, Carrie Scott, an art dealer, shares practical advice for emerging artists. She stresses the importance of tracking sales, clients, and works right from the start, which helps when approaching galleries down the line. Carrie also advises artists to price their work carefully and avoid pricing themselves out of their market.Carrie talks about the need for persistence in the art world, emphasising that success doesn’t happen overnight. She also highlights the importance of knowing when and how to approach galleries.The conversation also touches on the complexities of social media for artists. Carrie acknowledges its usefulness in discovering and connecting with audiences but points out that it requires a significant amount of effort and can push artists out of their comfort zones. This is a conversation about how patience plays a bigger role than most people expect, and how underneath the labels and everything else, it's about doing the work and not rushing the process.You can find Carrie Scott HereYou can find the Seen membership hereYou can find the Seen Podcast here on apple podcasts or here on spotifyYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showDiscussed in the episode:AirtableYou can find Carrie’s interview with Lubaina Hamid hereMentioned in the episode:Amy SheraldCelia Martine PickeringLindsay Young Lubaina Himid CJ HendryChris Proctor Ryan Gander Hosted on Acast. See acast.com/privacy for more information.

In this episode Fleur Wickes and Fleur Woods join me for a casual studio session. We discuss the unique challenges and costs associated with pursuing a career in the arts, such as the financial pressure of maintaining studio spaces, the impact of life changes on creative work, and the constant need to balance personal and professional boundaries. We chat about the value of perseverance, the importance of adaptability, and the various ways we have tailored and changed practices to fit our evolving lives.You can find Fleur Woods website here, previous epsiodes with Fleur Woods here & hereAnd Fleur Wickes website here, previous episodes with Fleur Wickes here and here.You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showRecommendations from this weekThe Creative Act: A Way of Being by Rick RubinUpstream by Mary OliverPoker Face (TV series)The Quilters (Netflix documentary)The Seen Podcast with Carrie Scott Have You Seen? Annabel MerrettCindy Rizza’s new show Taking Care at Galerie Mokum Hosted on Acast. See acast.com/privacy for more information.

In this episode, Sarah Lubcke discusses her journey into portraiture. Sarah reflects on the many stages of her portrait journey: learning anatomy and likeness, finding a supportive community of portrait artists, and developing an eye not just for faces and skin tones, but for the emotional life inside each image. She also opens up about the challenges of painting backgrounds—and how she’s learning to consider the whole composition, not just the figure.Sarah also touches on the importance of building a supportive network and finding the right mentors who can help you progress. Sarah talks about the importance of feedback in her artistic growth, discussing how connecting with trusted peers helps refine her work and overcome challenges. She also opens up about the value of self-belief and perseverance, especially during tough times when the work isn’t going as planned. You can find Sarah Lubcke’s website here and on Instagram hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the showPrevious conversations with Kylie King-Hazel and Penelope BoydRomance Was BornTeresa Barnard David KassanShana LevensonChroma Brush Cleaner ( I think I called it Chromacryl, no idea why..)Georgia Loring Hosted on Acast. See acast.com/privacy for more information.

In this episode I interview Sarah Jane Moon, a UK-based painter originally from New Zealand. Sarah Jane's work explores themes of identity, gender, and connection to place, and she is known for her bold use of colour and dynamic compositions. We discuss her journey to becoming a full-time painter, her studies at Heatherley portraiture school, and her experiences working in various places including New Zealand, Japan, and London. The conversation delves into Sarah Jane's process, the challenges and rewards of portraiture, such as balancing visual style with capturing a likeness. We also touch on the practicalities and emotional aspects of creating commissioned portraits, as well as Sarah Jane's thoughts on self-portraits and the influence of her physical painting environment on her work. We also discuss the importance of developing a unique style and the impact of personal connection and narrative in portraiture.You can find Sarah Jane here:Sarah Jane’s Website Mentioned in this episode:Heatherley’s School of Fine ArtDr. RonksTom CroftYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Creative Kind, I chat to artist and graphic designer Petrina Jose to discuss the importance of brand identity for artists. Petrina emphasises the personal and evolving nature of an artist's brand identity and explores the challenges of branding personal art, the role of consistency in brand elements like colour and fonts, and practical tips for artists starting out. We also discuss the balance between authentic self-representation and maintaining professional cohesion, and the impact of social media presence on brand identity.You can find Petrina Jose here , her website here and her Branding & Design studio ‘Hearts & Eyes’ here and it's website hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode of 'The Creative Kind', Pip Brett from Jumbled shares her insights on developing a strong and authentic brand identity. Pip discusses her journey from starting a clothing store called Igloo 18 years ago to evolving into the multifaceted brand Jumbled, which includes an art, fashion, and interior store, business retreats, and a new holiday home, Sona Molong. She emphasises the importance of staying true to oneself and one's passions, rather than trying to please everyone. Pip touches on the challenges and benefits of managing multiple brands, the significance of social media in connecting with the audience, and the evolution of her brand over time. She firmly believes in the power of authenticity and how it helps in building a loyal community and offers practical advice to artists on balancing personal expression and professional branding.Find Jumbled here and on instagram hereFind Sona Molong hereFind Jumbled loves fashion hereArtists mentioned:Whitney Spicer Annie EveringhamLottie Rae You can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In part two of end-of-season wrap-up, I delve into the topic of overwhelm again with Laura Horn, Nic Dempster, Rach Mayne, Penny Boyd & Kylie King-Hazel from season four. The discussion covers definitions of overwhelm and burnout, personal experiences with these states, and practical strategies for managing them. We talk about the emotional and cognitive states of overwhelm, insights on finding solace in creative work amidst chaos, the importance of taking breaks and setting boundaries & the guests share approaches schedules, calendars lists and timing! I hope you enjoy these reflections on how goals and expectations evolve over time and the importance of self-care in sustaining a creative practice.See you Next Season!Please sing out if you’ve got a question, you can email me at [email protected], or Dm me on instagram here. Or submit a question online here: Mentioned in the pod:Laura recommended these four podcasts:The CEO Collective PodcastOff the GridThe Amy Porterfield ShowSusan Nethercote Studio Insider PodcastKylie Discussed these two artists:Kehinde Wiley Elisa AnfusoThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this end of season episode we hear from 5 of this seasons former guests to explore the feeling of overwhelm. The episode features candid conversations where each guest shares their personal experiences, coping mechanisms, and strategies to manage overwhelm. Guests include Fleur Wickes, Sarah Birtles, Andrew Sleeman, Cass Deller & Dr Lou Cooper , who talk about structuring time, setting boundaries. the challenges of balancing multiple projects, dealing with external pressures, mental exhaustion and the importance of self-care practices like meditation and breathwork (and so much more!). Part two coming soon!Mentioned in this episode:Fleur Wickes mentioned : The Art Show by ABC Listen ‘CJ Hendry and who gets to decide 'what is art'Cass Deller mentioned OwakenJulie Mentioned : -The breathwork club Dr Lou Mentioned : “I’m Scared of Therapy”You can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I talk to Cass Deller, a surface pattern designer about her unique approach to business, productivity, and creativity. Cass shares her journey of building a creative practice, she discusses the challenges and rewards of balancing multiple roles, including managing courses, licensing designs, and experimental creative work. Cass also touches on the practical aspects of running a business, such as using administrative help, leveraging social media organically, and trialing new marketing strategies like Facebook ads. She highlights the importance of continuous learning, community support, and embracing her unique way of working for long-term success. I really enjoyed hearing about how Cass has built a successful creative business by following her intuition and playing to her strengths, I hope you do too!You can find Cass’ Website hereYou can find her instagram hereYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I interview Laura Horn, an artist, podcaster, YouTuber, and teacher, discussing organisational tools and mindsets. Laura emphasises the importance of a flexible approach and learning from both successes and mistakes. She shares her experiences in building systems for her business, including the use of virtual assistants to streamline tasks and free up creative time. The conversation highlights the value of thinking big, simplifying ideas, and breaking them down into manageable tasks. Laura also talks about strategies for email management, the importance of having a good email provider, and using tools like Flowdesk for segmentation and automation. Additionally, she touches on the balance between business tasks and creative work, suggesting approaches like dedicating specific days for admin or creative activities. Laura discusses the use of social media schedulers and shares her methods for switching between business mode and creative mode and the constant juggle to maintain momentum in an art practice. Finally, she offers insights on how these organisational tools ultimately support more creative freedom and time.You can find Laura’s Website hereYou can find her instagram hereYou can find her podcast hereAnd her vlog hereTools that Laura mentioned in this episode:FlowdeskSaneboxCoScheduleYou can find the podcast hereThanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information.

In this episode I speaks with Sarah Birtles, an art dealer and the founder of Sarah Birtles Art and Advice. With over a decade of experience in commercial and public galleries, Sarah has built a business that connects individuals and businesses with original artworks through art fairs, online sales, and in-home consultations.Sarah shares her insights into the different tiers of art fairs in Australia, the risks and rewards of participating in them, and how she selects which artists and artworks to bring to different locations. She also discusses how collectors engage with her artists and provides valuable advice for artists considering selling their work at an art fair.Sarah shares her thoughts on maintaining confidence, avoiding common pitfalls, and presenting artwork effectively. We also discuss the role of galleries and dealers at fairs, the etiquette for artists approaching them, and how the art fair industry is evolving in Australia and New Zealand. Mentioned in this episode:Sarah BirtlesBen TankardFiona SmithThe Affordable Art FairThe Other Art FairSydney ContemporaryMelbourne Art Fair Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Creative Kind, I sit down with Nic Dempster, a painter from Ōtepoti Dunedin, New Zealand, to discuss NZ art fairs. Nic shares his journey of entering the art fair scene, providing insights into how he chooses which fairs to attend and some of the challenges he’s faced. We discuss the different types of art fairs in New Zealand, the importance of exposure, and the logistical aspects of participating in these events. Nic also shares practical advice for artists, including the importance of having business cards, preparing spiels, handling constructive feedback, and staying energised throughout the fair. The conversation delves into the benefits of community and networking within art fairs, highlighting both the opportunities and obstacles that come with this unique marketplace.You can find Nic here:You can also find his artwork at: DeNovo, Flagstaff, Mobile Art, Art on Thames, ArtBox and  Soul Gallery. Hosted on Acast. See acast.com/privacy for more information.