The Culture Agent: Sander Roscoe Wolff, columnist for LBPost.com

For those of a certain age, Judy Tenuta was, is, and will always remain the "Petite Flower and Love Goddess" who wielded an accordion, and embodied a spirit of optimism with her catch phrase, "It could happen!" With nearly 30 years in the entertainment business, she's done it all: TV chat show appearances, the club circuit, tours in large halls, HBO comedy specials, film roles, repeated collaborations with "Weird Al" Yankovic, and the founding of her own religion: Judyism. In this conversation, Judy is in a pensive mood. She reads from her new book, talks about guns, and is generally cordial and entertaining. I tried not to be a stupid awe-struck fan boy.

Tomorrow, Saturday, September 1st, the Queen Mary is hosting the Shoreline Jam, an all-day all ages Reggae festival starting at 11 AM and ending just before midnight. The organizers did a great job of combining local, national, and international talent, including the masters of Jamaican dub, Black Uhuru, and the band whose name is perhaps most synonymous with Reggae, The Wailers. The Wailers are best known for backing Bob Marley and, since his death, they've continued to work as both an entity unto themselves, and also with a number of other artists. Even when Marley was alive, the band's name sake, Neville Livingston (aka Bunny Wailer), and Peter Tosh both left the band, and Aston Barrett and his brother, Carlton, became the backbone of the group. Today, Aston 'Family Man' Barrett is the last remaining musician from the 70s era group, but he's surrounded himself with a group of talented young turks. Front and center is Koolant Brown, whose career as a solo artist was doing quite well when he got the call to audition for the job of singing for The Wailers. In this interview, Koolant speaks about his childhood, the thrill of meeting many of his musical heroes, the crazy pace of the current tour, and the significance of sharing Marley's genius with a multi-generational audience. Our conversation lasts about 16 minutes. For more information about Koolant, visit http://koolantmusic.com/. For more information about The Wailers, visit http://wailers.com/For tickets, and information about the festival, visit http://www.shorelinejamqm.com/

Tricia Allen has been traveling the world for more than 20 years, studying and working to preserve Pacific Island tattoo traditions. With a background in Art History and Anthropology, and early encouragement by the famed tattoo artist Ed Hardy, Tricia has created unique works for nearly 11,000 people. Tricia, who lives in Hawaii, will be working with clients at the Pacific Island Ethnic Art Museum today, Wednesday May 9th, through Sunday. After that, she'll travel South to Oceanside. She's also scheduled to return to PieAM in September. In this interview, which is nearly an hour long, she talks about a wide range of subjects, from her early work on Rapa Nui (Easter Island), to helping Tahitian artists reconnect with their lost native forms. Tricia is a knowledgeable and passionate voice for this ancient and thriving art form. Whether you're an enthusiast, or just curious, I think you'll find this conversation to be both enjoyable and informative.

The Beat arose in England in the late 70s and concocted a unique amalgam of punk, ska, and pop into an explosively popular style that, by the early 80s, swept the popular charts. With smart and sometimes caustic humor they catalyzed a generation of teenagers fed up with strident punk ire. 30 years later, Dave Wakeling lacks pretense, but knows that good music is timeless. In fact, in this interview he takes some pleasure in pointing out that several of his songs, now more than 30 years old, have significant relevance today. This 30 minute conversation is a great peak into the vast talent that Wakeland embodies. For fans, it will be a treat, and for those just discovering his music, it will serve as an excellent primer.

Spring is in the air, the Grand Prix is over, and the third Saturday in April is nearly upon us. One can almost feel a palpable sense of excitement as the anticipation of this year's Record Store Day grows. It isn't an old tradition. It started, more or less, with a performance by Metallica at Rasputin Music in San Franscico. Still, every year, independent record stores around the world pull out all the stops, with special sales, offerings of limited edition merchandise, and presenting in-store appearances and performances. Rand Foster, owner of our beloved Fingerprints Music, takes Record Store Day very seriously. "We will have nearly 300 exclusive releases," Rand said, "including releases from Flaming Lips, Leonard Cohen, Bruce Springsteen, The Pharcyde, David Bowie, Edward Sharpe & the Magnetic Zeros, Animal Collective, Miles Davis, and so many more."Not only does he open the store at 6 AM to allow rabid bargin hunters to scour the bins, he's also presenting three in-store performances. World Party is playing at 7, and access to that show is still available. The 5 PM performance of M. Ward is sold out. At 2 PM, the legendary and remarkable Beach Boy, Al Jardine, will perform songs from his new solo release, A Postcard from California, as well as songs from the Beach Boys. (He's an original member!)I had the good fortune to see Jardine when he joined Brian Wilson on stage at the Terrace Theater a few years back. Jardine is probably best known for singing the lead on 'Help Me, Rhonda,' but he also wrote and produced music for the Beach Boys.Yesterday, I had the good fortune to speak with him by phone about his album, the many celebrity collaborations it features, his love of the sea, and the new 50 city Beach Boys tour that's starting on the 24th. If you're interested in getting into Fingerprints to catch World Party or Al Jardine, call the store at (562) 433-4996 and RSVP. No purchase is required but, if your name is not on the list, rest assured that you're not getting in. If you do buy something by the in-store artists, Rand will give you a poster made especially for the event and, if you ask, the artist may sign it for you.

The Downtown Residential Council, which represents 6 neighborhood associations and has 150 members, hosted a 2nd District Candidate Forum at the Museum of Latin American Art on Monday, March 26th. Participating candidates included Janet Ballantyne, Mike Kamer, and incumbent Suja Lowenthal. The conversation was lively, and everyone was on point. Questions came from the DRC, and from members of the audience.

Peter Frampton, as part of his 35th Anniversy tour in celebration of the release of Frampton Comes Alive!, will be performing tonight at the Long Beach Terrace Theater. Frampton assembled many of the original musicians who played on that Grammy nominated album to join him.Stanley Sheldon has a long history as a professional musician. He's performed along side folk-pop icon Melanie, and played with Warren Zevon, Lou Gramm, and Foreigner. He will always be best known, however, for his role in the now legendary 1976 recording, Frampton Comes Alive!With just 11 dates remaining in a tour that began in June of last year, Sheldon took a few minutes to speak with me about how he came to play with Frampton in the mid-70s, and what it has meant for him ever since.

While Ulrich Krieger may not be a household name, he's a star in the world of experimental music. By day, he is a mild mannered professor at the California Institute for the Arts, teaching composition and sax. When he's not teaching, he works with luminaries like Lou Reed, Lee Ranaldo, LaMonte Young, Christian Marclay, Ensemble Modern, the Berliner Philharmoniker, and the Soldier String Quartet.In fact, the reason why I got an opportunity to speak with Ulrich is that, starting this Friday, music he helped create is being featured in an immersive multi-channel audio installation at the University Art Museum. The installation is titled, Lou Reed - Metal Machine Trio: The Creation of the Universe. Krieger's relationship with Reed goes back decades, to when he began the unlikely task of notating Reed's 1975 recording, Metal Machine Music, for a performance ensemble using traditional Western instruments. Reed himself was, at first, incredulous. Still, after hearing a performance demo, Reed saw this as a genuine opportunity to transform his original studio creation into something performable. In this interview, Krieger speaks about many aspects of his work.

Many know Al Williams as the owner of the Jazz Safari, which opened in the shadow of the Queen Mary in 1976. Some know him as the owner of Birdland West, which was hailed by critics, fans, and musicians as the best jazz club in the country. He's also known as the mastermind of Rainbow Productions which, for 24 years, has produced the Long Beach Jazz Festival and, more recently, the Long Beach Bayou Festival. Others know Al as the leader of the Al Williams Jazz Society, a straight ahead quintet that's played huge festivals across the country. This Saturday, the Al Williams Jazz Society will be playing a rare local performance in the very intimate setting of the Seabird Jazz Lounge, located right next to Roscoe's Chicken and Waffles on Broadway. The show kicks off at 9 PM, and is scheduled to run 'til 1 AM. This is a show not to be missed!Mr Williams and I had an opportunity to speak and, in our conversation, we covered lots of ground, talking about playing with many legends, the evolution of music, and his planned tribute to the great American poet, Gil Scott-Heron, who passed away in May. The recording lasts about 20 minutes.

Norton Wisdom arose, as an artist, from the tumult of the late 60s, when everyone was finding new ways of self expression, and of connecting with others. Through a series of experiences, he discovered the power of painting as a subversive, political act, one that called people to question their beliefs about what art is, and its roll in culture. Much of his current work in ephemeral, taking place on stage with musicians as they perform. He works on an illuminated mylar surface, sort of like a huge light box. Images emerge, evolve, and dissolve throughout the performance and, on a good night, his efforts come into alignment with those of the musicians and, together, their collective creation is greater than the sum of its parts.His list of collaborators is impressive. He's worked with with members of Jane's Addiction, The Rolling Stones, The Red Hot Chili Peppers, Beck, The Grateful Dead, and DJ Nobody, but he's also deeply connected to the L.A. Improv Jazz scene, and specifically famed guitarist Nels Cline. Cline and Wisdom performed together as Stained Radiance, and a documentary of their efforts was recently released to great critical acclaim.The great thing about Wisdom, though, is that he's a true egalitarian, in that he brings his boundless energy and enthusiasm to performances with new and emerging artists as well. This interview is a bit less than 30 minutes long, and I think you'll get a sense of his character and charm.

Lee Ferrell is one of those working musicians who may not be famous, but has played with everyone at one point or another. From his early days with Dick Dale, to his years on the road with The Righteous Brothers, to regular stints at the big Las Vegas lounges, he's at ease in any context. A consummate entertainer, his love of music and performing is plainly evident. In this interview he talks about his travels, his kids, and what it means to be a man on the road.Lee performs regularly at McKenna's on the Bay, located in Long Beach, CA.

Denise Clayton-Leonard, founder and CEO of Artful Healing, is the Artist in Residence at Miller Children's Hospital in Long Beach. In this interview, she speaks about the work she does at the hospital, and an exciting partnership with the The 26th International City Bank Long Beach Marathon, which will be using art created by hospital patients on the mile markers used throughout the race. These mile markers will be auctioned at the Marathon's free Health and Fitness Expo at the Long Beach Convention Center in Hall C, which is accessed via the main Arena entrance. The Expo is taking place on Friday from 12 - 7 PM, and on Saturday from 9 AM - 6 PM.

It is almost unbelievable that yesterday was the 'official' five year anniversary of Hurricane Katrina. While governmental officials made speeches, much of the devastation that swept through the region has yet to be addressed. Still, there were signs of hope, and recovery. Then, on April 20th of this year, the Deepwater Horizon oil rig exploded and effectively destroyed one of the few industries still flourishing in the Delta region: Fishing.Michelle Mangione is a singer, songwriter, and multi-instrumentalist who has been working as a professional musician since she was a teenager. She answered her phone one day and on the other end was her friend, Grace Slick, best known as the lead singer for the Jefferson Airplane. She was upset by the suffering of Gulf Coast residents, and had written lyrics about their plight. Thus began the adventure known as "The Edge of Madness."In this audio podcast interview, Michelle speaks about how she reached out to a diverse group of professional musicians, including Bill Medley (Righteous Brothers), Tom Dumont (No Doubt), Billy Zoom (X), Martha Davis (The Motels), Kid Ramos (The Fabulous Thunderbirds), Larry Hanson (Alabama), Terri Nunn (Berlin), and Steven Hodges (Tom Waits, Smashing Pumpkins). Together, they produced what ultimately became a high energy 'fun-raiser' for Gulf Coast fishermen, and musicians. The track is available for download from the GRAMMY Museum's website. A portion of the $1.49 purchase price will be donated directly to the The Greater New Orleans Foundation's Gulf Coast Oil Spill Fund that offers aid to fishermen and their families, and to the MusicCares Foundation®, which provides emergency financial assistance to members of the music community across the U.S., and continues to offer support to music people and their families in Louisiana.Michelle will be hosting her monthly First Fridays artist showcase on September 3rd at the Mirage Mediterranean Grill, located at 539 East Bixby Road but on this particular Friday she'll be hosting a remote Q&A with Grace Slick. Admission is $6.

The Long Beach Opera is presenting three performances of John Adams' celebrated opera, Nixon In China, at the Terrace Theater. The first performance takes place this Saturday, March 20th, with a matinee and evening performance the following Sunday. On the surface, it tells the story of Richard Nixon's landmark visit to China in 1972. He arrived with high hopes but soon it becomes clear that his great ambitions for normalization are unrealistic. Mao, aged and infirm, speaks indirectly, and little progress is made. According to Adams, the opera "is part epic, part satire, part a parody of political posturing, and part serious examination of historical, philosophical, and even gender issues." John Duykers defined the role of Chairman Mao in the original production, premiered at the Houston Grand Opera in 1987. Since then, he's performed the role many times. He's worked with many great modern composers, and performed countless classic operas. In our conversation, he speaks about his childhood, his college years, and the many great roles he's played over the years. Our conversation lasts about 45 minutes.

When I sat down to speak with Enrique Arturo Diemecke, I had some idea that the Long Beach Symphony Orchestra was in trouble. There had been rumors, and the occasional press release, hinting at real problems, and few solutions. Still, my intention was to speak with Maestro Diemecke about music. Although incredibly active, leading 3 orchestras, and guest conducting around the world, his whole being radiated a deep and abiding love of music. As we talked about the opportunities and challenges of being a 21st Century conductor, I found myself amazed at his energy and enthusiasm, despite having flown in from Holland the day before. In the conversation, he talks of his childhood, his many travels, and his love of Mahler. The recording is just a bit more than 45 minutes.On Friday, Maestro Diemecke presents a lecture, "Beethoven and His Symphonies," part of the "Discovering Beethoven" lecture series. Tickets for the lecture are $25. On Saturday, Maestro Diemecke will conduct what may be the LBSO's final performance. The show's starring feature is Beethoven's 8th Symphony, described as "good-natured, cheery and humorous." It is book-ended by Handel's Royal Fireworks Music, and Antonin Dvorák's Symphony #9 or 'New World' Symphony. Ticket prices for the concert start at $18, quite affordable, actually.

Lee Adams has more talent in the tip of her pinky toe than most amass in a life-time of effort. From her early days as a child performer, singing and dancing in a top hat and tails, to her later work as singer/songwriter/bandleader, she has brought artistry, intelligence, and class to everything she's done. Her work as a novelist is no exception. On Saturday, November 14th, at 7 PM Lee will be celebrating the release of her second novel, Nighthawks. Join her at Porfolio Coffeehouse, located on the South East corner of 4th & Junipero, to hear her read, answer questions, drink some delicious coffee, and get your copy of the new book signed. Even though it arrives just a bit after Halloween, Nighthawks is all about ghosts. It picks up about a year after her first novel, 5th and Vanguard, ends. Julie Page, still recovering from the whirlwind celebrety of her book about the enigmatic Maxene Montego, tries to make a home for herself in the run-down outskirts of her hometown, Berle.

I met Rychard Cooper back in 1982, when we were both enrolled in the Electronic Music & Audio Engineering programs at Long Beach City College. He and I would spend hours in the lab, programming the huge Moog modular synthesizers they had, and exploring various recording and tape manipulation techniques. Good times. Flash forward to present day, and he's teaching at CSULB's Cole Conservatory of Music. He also played a significant role in the on-going exhibition of Brian Eno's 77 Million Paintings at the University Art Museum, helped facilitate the recent Circuit Bending and Slow Sound Festival performances and, this Saturday evening at 7 PM, he is giving a multi-media lecture at the UAM titled "Complexity and Beauty: The Art of Brian Eno." This is something he often shares with his students, but this is the first time he's presented it to the public. This interview was recorded prior to the opening of the exhibition, the Slow Sound Festival, and the Circuit Bending concert. In it he talks about the recent events, his own work as a composer, and his work as an educator.

Christopher Scoates, Director of the University Art Museum at California State University, Long Beach, has worked diligently during his four and a half years there to present works and artists that reflect a kind of modernity not often seen in established art exhibition spaces. Works that blend technology, interactivity, and narrative are often featured. In this audio interview, Scoates talks about the exhibition of Brian Eno's 77 Million Paintings, which includes a series of prints, and real time displays of new works being created. He speaks about the process which led to this show, and the other events surrounding it, including a Circuit Bending workshop and concert, a panel discussion featuring a number of forward thinking artists, the Slow Sound Festival, SoundWalk, and Eno’s only public appearance in the United States this year, at the Carpenter Performing Arts Center. A few words about Brian Eno, for those unfamiliar with his work: It is almost impossible to conceive of modern music without Eno. He has worked in collaboration with innumerable music artists: Roxy Music, Devo, U2, Coldplay, David Bowie, The Talking Heads, Peter Gabrial, Paul Simon, Robert Fripp, John Cale, Ultravox, James, Geoffrey Oryema, Elvis Costello, Laurie Anderson. The list (he has 6 pages of credits on AllMusic.com) goes on and on. These working relationships weren’t casual, either. More often than not, Eno's participation led directly to a huge growth in artists' popularity and creativity. He's also released more than 30 genre defining solo albums, and almost single-handedly forged a new genre known as 'ambient.' Eno has also worked in the visual arts, creating early and award winning music videos for the Talking Heads, and a variety of mixed media installation works. He's been a significant participant in the Clock of the Long Now project, which will build a 10,000 year clock to help illustrate the risks associated with short-sighted actions. He's active in the area of generative creation, a systems based process that uses simple tools to create music, video, and static art filled with wonderful complexity. Tickets may still be available for his lecture at the Carpenter Center, but they’re sure to sell out. The opening and reception for the museum's exhibition takes place on Saturday, September 12th from 6-8 PM. Scoates will open the reception with a gallery talk.

For more than a decade, Larry Bott has been a driving force behind the East Village Arts District. Through investments in artist live/work spaces, and the creation of the first cooperative gallery in the district, he helped shape the concept and the reality. Larry recently announced his resignation as Director of Gallery 117. His departure creates a void that, hopefully, will be filled before the gallery closes it's doors permenantly. I met with him at his home in the East Village, and we had a wide-ranging conversation about the history of the Arts District, the gallery, the unique challenges associated with supporting the arts in Long Beach, his own work with wood, and his ideas about what the future holds.

Since the inception of Long Beach record label Sounds Are Active, mastermind and musician Chris Schlarb knew that musical diversity was its cornerstone. Free Jazz, Hip Hop, Noise, Punk, Progressive Rock, and Electronic genres live happily side by side and, occasionally, merged into new amalgams. Artists on the roster include Soul-Junk, Bizzart, Viva Voce’s Kevin Robinson and, in September, a CD release from legendary guitarists Nels Cline (Wilco) and G.E. Stinson (Shadowfax) titled Elevating Device. Schlarb’s recent solo release, Twilight and Ghost Stories, received wide-spread critical acclaim and led to his performing live with assorted local musicians in Athens, Manhattan, and San Francisco. Also, he received a grant from Meet The Composers, through the MetLife Foundation, for a three-day stint in Austin.Schlarb met me at a local Pizza restaurant where, with classic rock blasting in the background, we talked about the label’s evolution, his various recording and performing projects, and his work as a producer.

From his early Jazz explorations with brother Alex to his work in support of artists such as Willie Nelson and Rickie Lee Jones, Wilco guitarist Nels Cline has constantly pushed the boundaries of his abilities as an instrumentalist, composer, and improviser. Named by Rolling Stone Magazine as one of the top 20 guitar gods, and "World’s most dangerous guitarist" by Jazz Times, his work is consistently diverse, adventurous, and really good. G.E. Stinson was a founding member of the influential, genre-defining, and Grammy winning group Shadowfax. Known for their world music influences, well crafted arrangements, and evocative melodies, the band helped shape a whole generation of music artists. For the last 2 decades, Stinson has been exploring other aspects of Jazz and improvisation, including recent forays into ‘bit crunching’.The two have played together, on and off, since the mid 90’s and, in the upcoming Sounds Are Active release titled “Elevating Device,” they bring every bit of their attention to bear for 40+ minutes of concentrated creation. The two sat down with me and talked about their collaboration, the process of creation, their gear, extended technique, and the addictive nature of fuzz. What emerges is a glimpse into the hearts and minds of two very talented artists, with some laughs (and interjections from Vlad the Dog) along the way.

Patrick West, City Manager for the City of Long Beach, talks about the current municipal arts funding model, some of the successes, opportunities, and challenges that face the Arts Council for Long Beach, and explains the cuts in the upcoming budget.

Transformation II is a unique multicultural art exhibition featuring work created by artists from Cambodia, and the United States. The opening reception, taking place on Saturday, April 11th, from 6-9 PM at the 2nd City Council Art Gallery + Performance Space, showcases sculpture, photography, painting, mixed media, and installation works. The show coincides with the celebration of the Cambodian New Year, and will include a second reception on Friday, April 24th, that includes film screenings and a Cambodian book forum, with signings by the authors. Long Beach is home to the largest population of Cambodians outside Cambodia. The exhibition will serve as a bridge between the Cambodian community here and the creative community in Cambodia. It will also create and sustain connections between the local Cambodian community and the non-Cambodian community. Co-curators Lydia Parusol and Denise A. Scott took time out of their hectic schedules to chat with me about the show, its origins, and some of the featured artists. Lydia lives in Phnom Penh, and is the Art Manager and curator for Meta House, part of the Meta Art Center. Denise is an internationally known installation artist. The running time is just under 13 minutes.

On Saturday, March 28th, The Arts Council for Long Beach, in conjunction with the Economic Development and Cultural Affairs bureau of the City of Long Beach and the Los Angeles County Arts Commission, presents "Create Long Beach," a community forum that's seeking community participation in formulating the City's Cultural Master Plan. This document will help guide municipal leaders in advancing existing cultural and artistic assets, and in using them to improve the quality of life for everyone. Robert Swayze, manager of Economic Development and Cultural Affairs, has been a leader in formulating a vision for the City's cultural future. He took time to speak with me about the upcoming event, the formulation of the Cultural Affairs division, and the opportunities and challenges that await us. "Create Long Beach" takes place from 9 AM - 12:30 PM at the Museum of Latin American Art, located just South of 7th Street, at 628 Alamitos Avenue. Parking is free. Please plan to arrive a few minutes early so the event can start on time.The conversation runs 48 minutes and 32 seconds.

Artist and curator Lisa Wibroe walks me through a gallery show featuring 12 artists whose works span a variety of media and styles. At the end, we're joined by Mary Grace, a ceramic artist, and host of the show.

Robin Cox is on the faculty of the Bob Cole Conservatory of Music at California State University, Long Beach. For more than 10 years his ensemble, which features cello, marimba, vibraphone, bass clarinet, and Cox on violin, has performed original and commissioned music that defies easy categorization, but is consistently pleasing to both the novice and discerning ear. As part of the Faculty Artist Series, The Robin Cox Ensemble is performing this Friday, January 30th, at 8 PM in CSULB's Gerald R. Daniel Recital Hall. Tickets are $10 at the door. Plan to arrive early.Joining them is world renowned composer, conductor, arranger, and violinist Todd Reynolds. Perhaps best known for his work with Bang on a Can, The Steve Reich Ensemble, and Yo Yo Ma's Silk Road Ensemble, Reynolds will be performing with The Robin Cox Ensemble, and doing some of his solo works as well.Robin took some time to speak with me about his work, Todd, and the upcoming performance.

Raindog Armstrong is a poet, publisher, and pied piper for poetry. With his Lummox Press, he published the Lummox Journal as a monthly magazine, which showcased artists from around the country, and around the world. Publishing both poetry and in-depth interviews, the Journal has now moved onto the internet. This has freed him, at last, to publish the first of several volumes of his own work, the first of which is called Fire & Rain. It reaches back to some of his earliest work, and spans nearly 15 years of creativity.Raindog joined me for a free wheeling, and wide ranging, conversation that includes three poetry recitations, discussions of 9/11, and his past and future musical efforts. It is 50 minutes of honest talk with one of our fair City's creative icons.

What do jazz greats like Luis Conte, Lee Ritenour, Eric Marienthal, Tom Scott, and Ernie Watts have in common? Long Beach native son David Witham has lent his talent and artistry to each, and many more. He’s the principal pianist for Wicked at the Pantages Theatre in Hollywood, and was the long time band leader for George Benson. He recently released a CD of original compositions titled Spinning The Circle on the Cryptogramophone label. The playing is stellar, and the writing diverse: In turns expansive, reflective, and joyous. Supported by top musicians like Nels Cline (Wilco, John Zorn, Geraldine Fibbers), Jay Anderson (Maria Schneider, Frank Zappa, Tom Waits), Jon Crosse (Captain & Tennille, Michel Columbier, Paul Anka), Greg Leisz (Willie Nelson, Beck, Joni Mitchell), Scott Amendola (Pat Martino, Charlie Hunter, Nels Cline), and legendary percussionist Luis Conte (Queen Latifah, Diana Krall, Eric Clapton), David’s playing and writing glistens and shines. David’s not a one trick pony, though. In addition to his full time music work, he also produces a public access show called Portable Universe. With more than 100 episodes, he’s showcased a wide variety of artists, musicians and, with the help of Neon Hunter, explored his other passion: Neon art. David took some time to speak with me about his work, and performed two songs. Click on the Podcast link to hear the interview, and on the video player below to watch the performance. Watch Portable Universe Fridays at 8:30 pm on Long Beach Community TV (ch. 65/69/95 in LB and Signal Hill if you have cable) and 24/7 at www.portableuniverse.tv.

Steven Glaudini, Associate Creative Director and producer for Musical Theatre West, talks about the 08/09 season, and shares some insight into the opportunities and challenges of presenting great musical theater.