Writers Talking Screen

2023 WGC Screenwriting Awards winners Kurt Smeaton (CHILDREN RUIN EVERYTHING), Marsha Greene (THE PORTER), and Veronika Paz (ASTRID & LILLY SAVE THE WORLD) talk to Amanda Joy (AMELIA PARKER) about how to handle rejection (and success), the state of the industry, tips for moving up from a script coordinator position to a staffed writer, what NOT to do in a job interview, and so much more.

2023 WGC Screenwriting Awards winners Christine Mitchell (THE GUAVA JUICE SHOW), and Ben Joseph and Mike D’Ascenzo (DINO RANCH) speak with Michael Foulke (ELINOR WONDERS WHY) about the craft of writing for pre-school and children’s audiences, and the ups and downs of their career journeys.

Clement Virgo (BROTHER) and Michael McGowan (ALL MY PUNY SORROWS) discuss their approaches to the craft of filmmaking. From their different takes on dialogue and structure, to how they think of themselves as artists, it’s a fascinating conversation between two of Canada's most talented filmmakers.

Screenwriters Carley Smale (GINGERBREAD CHRISTMAS) and Kirsten Hansen (A TALE OF TWO CHRISTMASES) talk to Sonja Bennett (PREGGOLAND) about how they got their start writing holiday movies-of-the-week, how they structure their scripts, what it's like to work with networks like Hallmark, and so much more.

Showrunners Anthony Q. Farrell (RUN THE BURBS, SHELVED) and Marsha Greene (THE PORTER) talk to Richard Young (OVERLORD AND THE UNDERWOODS) about what it takes to run a writers' room, navigating tough conversations, lessons learned throughout their careers, protecting mental health, and so much more.

Featuring creator and showrunner Floyd Kane and series writers Lynn Coady and Ellen Vanstone discussing the groundbreaking CBC series Diggstown. Diggstown centres around big city lawyer Marcie Diggs who gives up her practice to work in a Dartmouth, N.S.-based legal aid clinic where the team of lawyers confronts issues of racism, poverty and gender bias on a daily basis.

Showrunner Fabrizio Filippo discusses his critically acclaimed CBC Gem series Save Me, which follows the (mis)adventures of a team of paramedics in Toronto.

Expert horror writers and WGC members Aaron Martin, Jackie May, JP Larocque and James Hurst share their “Tales from the Script-Keepers” at the 2019 fan event.

Join co-showrunners Tassie Cameron and Marsha Greene as they discuss the third season of their show, Mary Kills People, with host Noelle Carbone.

Join showrunner Jennifer Whalen and series writers Jen Goodhue and Monica Heisey in conversation with host Jeff Biederman.

Showrunner Shery White is joined by host Lienne Sawatsky to discuss working with Joel Thomas Hynes on their show Little Dog, airing on CBC.

The WGC is pleased to put the spotlight on Killjoys, created by Michelle Lovretta, at Fan Expo 2018. Showrunner Adam Barken and some of the show's writers speak with moderator Jeremy Boxen and answer fan questions.

Host Mike Kiss chats with the creators of the new animated series Wishfart: Dan Williams, Lienne Sawatsky and John Hazlett

Co-showrunners Adam Pettle and Ley Lukins discuss their show and screenwriting craft with host Bruce Smith.

Host Patrick Tarr has a chat with Smith Corindia about Hard Rock Medical, the critically acclaimed show set in Northern Ontario.

Showrunner Brad Wright discusses his new show, science-fiction, and his creative approach to storytelling.

Co-Creator Carol Hay and showrunner Cal Coons discuss their CBC hit and their working relationship.

Showrunners Kevin White and Ins Choi discuss their CBC hit, their working relationship, and their process in adapting the play to television.

Showrunner Jane Maggs discusses mystery, drama, and her unique approach to storytelling.

Showrunner Michael Amo discusses writing a limited series, true crime research, and the importance of fighting for your ideas.

Showrunner Aubrey Nealon discusses adapting a novel to TV, how to craft a crime show, and why writers should always be interested in what makes people tick.

Showrunner Emily Andras discusses creating a genre series based on a comic book, why its important to work with people you like, and the value in always trying to make your work awesome.

Showrunner Aaron Martin discusses mixing mystery with horror, his writing style, and how to juggle multiple character storylines.

Showrunner Joseph Kay discusses adapting a French-language series, writing compelling character drama, and crafting stories that resonate.

The Canadian comedy legend talks about growing up in Canada in the 1980s, making the transition to Hollywood, and coming back home to tell stories that focus on more than just jokes.

The panel of kids TV veterans offer advice on starting out, pitching projects, and making connections in the industry.

The Next Step team discuss evolving stories, dealing with fans, and transforming dancers into actors.

Coming with an extensive background in comedy, Frank van Keeken discusses how to find the drama in youth stories, working in a non-traditional format, and why a writer should never forget the importance of hope.

The Sunnyside duo offer a glimpse behind the curtain of their hilarious comedy series, discuss sketch writing, and remind us why funny shows should be fun to make.

The superstar showrunner duo discuss their new CBC series, the challenges of shooting in Europe, and how to let your stories breathe.

Cynthia Knight shares her journey, from being a development writer to becoming a first-time showrunner, and how she approaches writing strong female aboriginal characters.

Showrunner Laurie Finstad-Knizhnik discusses dark drama, strong characters, and offering a different voice at the CBC.

Film writer Elan Mastai offers insight on lengthy feature development, working in Hollywood, and how to breathe life into a scene.

Hear what showrunners of some of Canada’s hottest TV series have to say about building relationships with fans.

Join some of the WGC’s leading independent web series creators as they explore new developments in monetization, particularly innovative crowdfunding ideas, and the growing role of broadcasters.

Join showrunner, Sarah Glinski, and her writing team as they discuss their relationship with Degrassi fans, and talk about how the stories and characters are influenced by the Degrassi community.

Showrunner Daegan Fryklind discusses staying on the scent of a good story, trusting your pack of writers, and the meaning of floof.

Showrunner Greg Spottiswood discusses the hospital show genre, why he looks for stories with emotion, and how no one makes a TV show alone.

Showrunner Bruce Smith and the WGC's Doug Taylor discuss adapting the francophone hit, 19-2, with a Montreal audience.

Co-showrunners Bruce Smith and Jesse McKeown chat with Jill Golick about their approach to adapting the hit francophone series, 19-2.

Co-showrunners Brebner and Pettle discuss the challenges and rewards of running Saving Hope and the importance of writing a story you can connect with.

Showrunner Peter Mitchell discusses his decades-spanning career in television, managing a long-running series, and how Canadian TV doesn't have to be all that mysterious.

Showrunners Mike Kiss and Phil Ivanusic-Vallee discuss the world of 2D and 3D animation, the Canadian animation landscape, and dangerous garden tools.

Showrunner Graeme Manson joins us to discuss his show's unique development, and what it's like when things go right.

Showrunner Graeme Manson joins us to discuss his show's unique development, and what it's like when things go right.

We are joined by web series creators Scott Albert (Tights and Fights), Regan Latimer (BJ Fletcher Private Eye), and Jason Leaver (Out With Dad) to discuss showrunning for the web.

The Continuum showrunner discusses his hit sci-fi series, pitching for the US market, and the future of television broadcasting.

The Lost Girl showrunner offers her thoughts on being a good leader, injecting fun into a script, and why you should marry a civilian.

The Arctic Air writers discuss network notes, advice for aspiring writers, and knowing when to panic.

Gero shares insight on breaking into the industry, taking your characters to dark places, and what happens when you get the job you never thought you would.