072. Hirokazu Kore-eda: Monster episode artwork

EPISODE · Feb 21, 2024 · 45 MIN

072. Hirokazu Kore-eda: Monster

from Deep Cut: A Film Podcast · host Wilson, Ben, and Eli

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a sprawling conversation about the film and its connections to his larger ouevre. We debate the film's visual treatment, the limits of its Rashomon-esque structure, and share our thoughts on what kind of story the ending is really trying to tell. Find refuge from the storm in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Links: Jessica Yeung's Review Kore-eda Interview with Filmmaker Magazine (2009) Ben's Video Essay on Still Walking (Spoilers!)

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a sprawling conversation about the film and its connections to his larger ouevre. We debate the film's visual treatment, the limits of its Rashomon-esque structure, and share our thoughts on what kind of story the ending is really trying to tell. Find refuge from the storm in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Links: Jessica Yeung's Review Kore-eda Interview with Filmmaker Magazine (2009) Ben's Video Essay on Still Walking (Spoilers!)

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072. Hirokazu Kore-eda: Monster

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This episode is 45 minutes long.

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This episode was published on February 21, 2024.

What is this episode about?

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a...

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