110: The ‘Why’ is Much More Interesting

This week, Bill’s recent viewing of Tim’s Vermeer inspires a discussion around the technical nature of creating art. If we allow the process to be augmented by technology, at what point is the art in the making and not in the end result? Also, we discuss an interview with Cartier-Bresson and wonder if he would embrace modern changes in photography such as Instagram. Andreas Gursky (Rhein II) is our Photographer of the Week. Links for this episode:Tim's Vermeer on AmazonHenri Cartier-Bresson: 'There Are No Maybes'The Online Photographer: My Somber Day YesterdayInstagram Develops Into Career Path For Photographers - ForbesApple announces OS X 10.10 Yosemite with refreshed design, available for free this fall | The VergeiOS 8 adds third-party access to camera data via an API | iMoreThe Death of Film Is Felt Hardest In the City Built on Kodak's ReignFile:Kodak Instamatic 104.jpg - Wikipedia, the free encyclopediaLeica T review: form minus function | The VergeGallery | Julian Wasser's Photographs of the California Dream, and its UnderbellyManufactured Landscapes - Wikipedia, the free encyclopediaOn Taking Pictures - Community - Google+Andreas Gursky - Wikipedia, the free encyclopediaMoMA | The Collection | Andreas Gursky (German, born 1955)Gursky - Selected WorksAndreas Gursky on artnetWhy is Andreas Gursky's Rhine II the most expensive photograph? - TelegraphAndreas Gursky on AmazonSponsored by Squarespace Use the coupon code OTP at checkout to save 10% on your order.