EPISODE · Jun 25, 2014 · 1H 33M
113: A Day Late & A Dollar Short
from On Taking Pictures · host Bill Wadman & Jeffery Saddoris
This week, we begin with a discussion about gear - specifically how newer crop-sensor cameras compare to full frame and why more megapixels leads to bigger, but not always better images. Plus Tom Cruise as a metaphor for refining yourself away from a borrowed life. This week we’ve got two Photographers of the Week - Robb Kendrick and David Stoecklein - both shoot similar subject matter, yet their results are at opposite ends of the spectrum. Links for this episode:On Taking Pictures - Community - Google+Sony A7s First ImpressionsTINYProcess Driven #01: David duChemin - Faded + BlurredFilm photography still popular at Boston-area schools | BetaBostonAvedon on the App Store on iTunesBBC News - New chemical iris for tiny phone camerasAnandTech | Manual Camera Controls in iOS 8Bernard Voïta - an album on FlickrJonathan Hoefler & Tobias Frere-Jones - YouTubeROBB KENDRICKDavid R. Stoecklein: Photographer of the American West
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This week, we begin with a discussion about gear - specifically how newer crop-sensor cameras compare to full frame and why more megapixels leads to bigger, but not always better images. Plus Tom Cruise as a metaphor for refining yourself away from a borrowed life. This week we’ve got two Photographers of the Week - Robb Kendrick and David Stoecklein - both shoot similar subject matter, yet their results are at opposite ends of the spectrum.
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113: A Day Late & A Dollar Short
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