122. Subtle Satyajit episode artwork

EPISODE · Oct 27, 2020 · 1H 11M

122. Subtle Satyajit

from The Filmlings · host The Filmlings

As a contrast to the majority of Indian film covered on the podcast so far, today Alex and Jonathan look at the works of Satyajit Ray in Pather Panchali (1955), Charulata (1964), and Nayak: The Hero (1966). We discuss what makes Ray stand out from other Indian films we’ve covered, how Ray is able to capture the specific and universal aspects of Indian life, and the importance of studying a broad range of stories. Skip to: 7:46 – Pather Panchali 24:40 – Charulata 39:17 – Nayak: The Hero 58:44 – Overall 1:06:30 – Coming Attractions Coming Attractions: Rififi (1955) Ocean's Eleven (1960) Inception (2010) For more information, visit the blog: https://thefilmlings.wordpress.com/2020/10/27/satyajit/ Support the Show! Patreon: https://patreon.com/thefilmlings Ko-fi: https://ko-fi.com/thefilmlings

As a contrast to the majority of Indian film covered on the podcast so far, today Alex and Jonathan look at the works of Satyajit Ray in Pather Panchali (1955), Charulata (1964), and Nayak: The Hero (1966). We discuss what makes Ray stand out from other Indian films we’ve covered, how Ray is able to capture the specific and universal aspects of Indian life, and the importance of studying a broad range of stories. Skip to: 7:46 – Pather Panchali 24:40 – Charulata 39:17 – Nayak: The Hero 58:44 – Overall 1:06:30 – Coming Attractions Coming Attractions: Rififi (1955) Ocean's Eleven (1960) Inception (2010) For more information, visit the blog: https://thefilmlings.wordpress.com/2020/10/27/satyajit/ Support the Show! Patreon: https://patreon.com/thefilmlings Ko-fi: https://ko-fi.com/thefilmlings

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122. Subtle Satyajit

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This episode was published on October 27, 2020.

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As a contrast to the majority of Indian film covered on the podcast so far, today Alex and Jonathan look at the works of Satyajit Ray in Pather Panchali (1955), Charulata (1964), and Nayak: The Hero (1966). We discuss what makes Ray stand out from...

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