Welcome back to Sports Radio, I'm Ryan Dodds. Along with me today, I've got Mr. Buckville, Will Hickey. How's it going mate?
Oh, it's going good mate, how's it going over there? Lovely mate, lovely. Nice. We're pretty excited.
We've got a nice skate companion to get stuck into. We've got the Wader-Samo Thundertrucks part. Oh yeah. And if Wader-Samo puts a part out mate, we have to...
We've got to be somewhere close. Oh, of course. This video came out on the 12th of October, 2023. It's only short on mate, but it's a truck company.
So there are only two minutes, you know, two or six seconds. And this is for the release of his Holo Light Truck, his pro Holo Light Truck with his name on it. You can't knock it. I'll just give the song before we get into it, mate, just so we've got a couple of the bases.
The song is from Dipset, I haven't heard of them before, and the song's called No Days Off, which probably represents Wader-Samo's kind of mantra of skateboarding, you know what I mean? We can't get that technical without having... He ain't having many days off mate. Oh, no, no, definitely not.
So we may as well get stuck into it, mate. Oh yeah. Classic skate companion, so what we'll do, we'll get the video lined up. I've got it up on YouTube now.
If you type in Wader-Samo on YouTube, it'll be the first one that comes up. Click in there. I've got the video lined up. So where were you?
We're all ready, we're all prepped up. And then we'll count 3-2-1 and then we'll press play. And we can all press play together and listen along and watch along together. So here we go.
So 3-2-1 and press. It's nice to get there. Fund the trucks logo in there, straight away mate. Nice way to Samo logo back up as well.
We like that. And then we're just rolling. And then putting something like that, mate, switch flip, nose grind, 1-8, yeah. Straight away, you know, line.
Too good, mate, too good. I mean, some of these tricks, we're really going to have to break down after the video part, because it's too technical to keep up with. Yes. Lovely.
But heel back tail, mate. Big front side heel flip over. Lovely. Over a bin.
Lovely spot. And then back up with switch back side, mate. Oh, that's the both worlds, mate. In this image, switch heel.
Back five, though. Back five, though. And then spins it all the way around into the nose grind. The silky nature of his skating mate and how precise everything is.
It's mesmerizing. Sikey's got a personal body gyro. Yeah, nothing. It doesn't seem like anything, his body's never in the wrong position.
Yeah. And we'll get stuck into the manuals later, mate. That was my mate. But we were talking about before we came on.
His manuals, he doesn't move. He's got a lot. He's got the chip code on, mate. What are you thinking to the vibe of the part already, mate, the music and everything?
The music's working great. Really love the shops. Beautiful. A trick that isn't used very much, is it?
No. Thank you, Barry or mate. Flip, sorry. It's not used a lot.
That was it. Wadey has... He'll pull out a very off-line. He's one of those guys who can just use it.
How it's supposed to be used, mate. And we were talking about it probably a couple of episodes ago about how to do the Barry or Flip. He's still doing a pop-shop with that spinny, nice little kick-flip inside it, but it's a pop-shop at first. Yeah.
Yeah, the way it pops up there, could have just done a fakie pop-shop with a bit of flair. Yeah, I really enjoyed that, mate. The song, the way it was filmed, the close-up, fisheye, with the big city towers in the background, mate. Loving it.
There was film produced in a way that was authentic to him. Yeah. And his brand. You know what I mean?
Thunder, primitive. You know what I mean? Yes. It just flows.
It's really, I like this word, but it is harmonious. You know what I mean? It just seems to just marry up nicely. And for a two-minute video part to be, mate, you can watch this 10 times.
And you keep seeing more, you know, you get so mesmerised by some of the tricks you see, that the next one happens, and you're still trying to figure out how well he'd done that instead of a trick, and switch that the next trick just flew by. Yeah, yeah. Let's start breaking some of these tricks off, mate, and these lines off. So we started in fakie, lining up to a ledge backside, hits the shove, fucking lands in pretty much, you could say nose grind, you could say switch, switch by bow, to start a line off, mate.
Yeah, just to start, just to start. It's quite a technical trick. So, you know, everyone, it's not to say that like a fakie shove or anything like that is a super technical trick, but try aiming and getting that trick up high enough onto that ledge. Yeah.
It's gonna be a different game than just popping a fakie front shove behind you. Oh, yeah. It's completely, I mean, I don't know about you, Will, but have you ever, I'm not sure if I have, have you hit like a fakie front shove to 50-50 or something? Have you ever tried, have you ever tried that?
I have tried this trick and I, I don't think I got it, but I've had a couple of close ones, not trying it to 50 because it may be easier to just sneak out the nose grind 5.0 sort of thing. But it's so, such a blind trick, like even just a fakie front shove can be a bit blind if you're, depending on how you're positioning yourself and to get onto that ledge behind you on your hillside is so blind, it's really one of those, just trusting where you are, knowing where you are. Yeah, because I mean, I'm just gonna try and freeze frame over it. Is he looking down, when you do it, are you looking down?
Once you've, once you've popped the rotation step and you're ready to kind of stop it from rotating and put your foot down on it, are you looking down at that? Or are you just, are you just feeling it? So, with the, it doesn't look like he's looking down. Yeah, with that, less if we just take the shove out, we're going to the fakie ollie fakie nose or switch 5.0.
You're almost looking at your, your front foot, your, you know, your switch back foot if you like. And you're almost looking at where you, you know, when you, you know, Popchart Manny kick flip Manny, anything like that, obviously he's in fakie. But you're watching the board come back to your foot pretty much and you're watching just your foot position when you're on, you're on it, you know, and it's kind of one of those things. You're not, you can't really look over the shoulder or behind it as much.
So you're kind of looking straight down, I guess. Straight down, yeah. Yeah, you just got trust, I suppose you got trust that you are getting your distance and angle of kind of approach, right? It's almost, sorry, I can't.
I was just gonna say, with that trick, that trick normally travels quite a lot. So you need to be, you need to be adjusting that trick. So it doesn't probably travel as much. And then you can hit a groin rather than fucking slip out on the nose groin.
Because that could easily happen. Because a fakie branch up does travel a lot. For most people. Yeah, you're gonna be on the ledge.
Yeah, yeah, and slipping out and landing on your teeth. Oh yeah. Yeah, it's almost like when you're doing like a crook or a nose grind, you're looking at that foot point as you drill it in. But this time you're traveling that way.
So you need to keep that stance to roll away fakie or switch sort of thing. Yeah. And then to back that up mate, same line, first line. Oh, lovely.
He's in switch, doesn't look like he's in switch at all. Fucking primed. Shotgun kick flip. Yeah.
I've got it paused just as he flips into the nose grind. And it is his picture perfect, mate. Have you got 15 seconds? Yes, yes.
Ladies and gentlemen, pause on 15 seconds. You'll see how tweaked this nose grind is as well. He is a lot. Ah, and just such a solid connection with both.
Both combined maneuvers of the kick flip lock into nose grind. And then the revert when he out is can be useful. Yeah, the speed of your brain mate to be able to not only do that in switch and hit a very technical trick in a switch flip nose grind to then have because you've got to have that in the back of your mind when you're approaching his trick, you've got to just free style afterwards. That is not how it works.
That has to be already loaded up. So he's as soon as he hits that nose grind, he is. And the shoulders are turning ready to go without affecting his switch flip. Oh, yeah.
Super tech. Ridiculous, mate. Ridiculous. And then does he hit that switch?
Very real flip to like no slide there, mate. Back to regs on a second trick. Is that what we're seeing? Yeah.
Yeah. At first it's hard to tell if it. Yeah. Yeah.
That's it. Yes. It could have been to a tail slide. Well, I mean, it kind of is a tail slide, right?
Yeah. So regs, it's a goofy tail slide. And it looks like he's in tail slide. I don't even know what you call that.
It's a... I reckon you got it right with the first one, like a... Yeah, very or flip nose or whatever. Switch, switch, no slide.
Yeah. It's almost one of those tricks you know. If you just, you hit one way or the other, and it looked like you could have almost done both. He was just so smooth with how he made that happen.
And I love his, his landing mate, because a lot of people always, you know, they like to land on a boat. And so do I, you know, a boat's land is a boat's landing. But if you pause on the 22nd mark mate, he's just on a tail, but it's a... it's a delicate little...
He's just popped out of it. It's a tail slide. Yeah. He's been in a tail slide.
He can just delicately do that without jeopardising any land. Oh yeah. Foot back on the tail, spring loaded and ready to go mate. That's it.
And then we're at the half cab flip to no slide. That was a nolly flip out, right? Yeah. We're 20 seconds in.
I'm a very short part. And we've already got pretty much four super tech tricks. Oh, super. And quick.
Oh, mate. Again, the landing mate of that trick. How he just just readjustes, catches the back tryps, just pulls it around. That's, you know, he's doing that.
That's a part of the trick. He's not freestyling there mate. That's exactly how he wanted that to come around. Just a nice little pivot point for him.
Oh yeah. Yeah. Just pointed that thing right where he was going. And it's nice seeing a pair of...
S's mate. Well, a few different pairs of S's. Just look good on the streets. Nice colorways.
Looking great on the streets. I think that's a swift that shoe there. I'm sure it's a swift. And it's a really, really nice shoe.
Like that. They've got a black gum colorway of that at the moment. And I'm tempted by him. Nice.
But after buying a railway, he's only to chill out on the shoe purchases at the time being mate. I hear you on that one mate. I hear you. Happens all too fast.
I'm just carrying away very easily. Yeah, just watching this again. The next trick up is that another pair of Swiss in a different colorway for the trick after. We've got the front shove kind of big spin.
Yeah, I think it is a pair of Swiss. That's a cheeky colorway mate. Nice red heel on there. Yeah, front shove, front bigy nose slide, flip.
But a nolly heel out. Perfect mate. Beautiful nolly heel out as well. Really nice, slower rotation.
But yeah, just hits the ground beautifully. Patches us in with the little bling, bling of the trucks and the primitive board there. It's a nice shiny shot. It is nice.
I like it. And then then just hits a nice, classic, classically trained switch 180 mate over like a proper bumped bar wooden kind of set. It's a measured bumped bar made all out of wood. It's nice.
You've got to put that extra pop in there definitely and do some decent size frontside 180. And then backing up mate with one of the most technical heel flips you're going to see how that heel flip looks like a switch heel. That's how lovely it looks. Yeah, let's not beat round of bush.
The switch heel does look better than the fucking regular heel. 100%. But that heel flip looks like a switch heel to SSPS TS. How's he making regular look even better than it should be?
I think even though we all know he's goofy, and every time I think of way D, I think of how goofy he is, it's skating. But the fact that he can do a trick in reg or switch. And your brain still has to double check because of how good it was. Mate, before we kept, so I've watched apart a couple of times before we came on.
I still had to go and double check. I still went on to the skate parker time beside whatever where it shows the stats of the skaters. And I still made sure, because he's from Ontario in there. Yep.
So I wasn't checking that much. Checking out, I had to make sure. I mean, you know, he wouldn't be throwing out a 180 over that thing. It'd have to be a switch, 180.
But when you hit something like that, when you make that, I don't know how you make that look like that, mate. Who else is doing a heel flip? It's a heel flip, so it's not always a nicest looking trick. 100% Yeah.
It's hard to make look good. It's really hard to make look good. I'd say you're probably one of the only people that I skate with that make a heel flip kind of look good in a technical sense. I mean, people can have a good heel flip, mate.
But you kind of, because you blend the two, you like a heel flip of many variations and you like a manny. So it kind of already falls into play. But there's not many skaters that just try to make their heel flip refined. Yeah.
Because I didn't, like I used to have a really decent heel flip. It could always, and it's still always hit a decent heel flip. I've only to throw it down something. But you kind of, I didn't ever kind of train it into being a perky number, which I mean, like you might be a bigger number, might be a slower thing.
And it might have, sometimes you catch it right and it'll spin nice before you make it. Oh yeah. I'd never kind of trained it the same way as I would train my kickflip. I never put any of the time into it.
No, I neglected the heel flip over the kickflip. So it goes sometimes, mate. You know, you've got two pills to choose from there. Yeah.
But yeah, how, how fucking precise and yeah, just the position and doing that heel flip, bringing it round into that, into that back tail just make it, could it have been a perfect? Yeah. Check the 35 second mark, mate, landing. Look at the fucking steeze coming out of your shoulders.
That arm coming across the body. Like you can't, that's authentic. That is so authentic steeze that he's just, he knows he knows the landings just sunken. Squared right off.
Oh, yeah, that's perfect. So good. Then yeah, hits the spot where he hits the massive front side heel flip, which is such an awesome trick when you can throw it like this. Oh yeah, it's a power.
It's, you know, it's Tom Penny hit a front side flip, but he's put the technical heel within there. Oh, mate, yeah. That's how he's throwing that. And then to bless up back to back with the fucking backside switch heel just as perfect in what are those shoes, mate?
Because they are an awesome colorway. What one's of those? Well, that gum with a little bit of weight in there, that's, I mean, I could have a pro model, mate. They probably look something like that.
They don't like, you know, the one they've got the in the toe cap, the like some of the old muskers, what would be like the vents in the front sort of thing? I forgot what they're called. Yeah. I don't, I don't, I don't say any.
Yeah. Let me see if I can, I'll quickly get, I need to give the shoe a shout out. I'll just go into the shop, mate, real quick. Yeah, we've got to do it because, uh, bugging me now.
Great looking shoes with the gum. Is it a Quattro? Yeah, that's it. Well, the Quattro, I think they might be like a certain type of a Quattro, maybe.
Yeah. So they are the new, the new Quattro. I don't know the colorway. I've got a different colorway up here.
Mate, they got a lot of those Quattros and different colors looking pretty nice. Yeah. They got like the all black one as well. They've got the navy and gold with the white soul.
That's a quite cheeky little number. I got a white one here. It makes it look nice. That's fresh.
Yeah. I've just got that in front of me now as well. White and blue. Yeah.
That's a nice shoe, mate. Really nice digging that one. Then he comes in, mate, with the cargo shorts on, straight in with the switch heel FIVO. Yeah.
Accurately, as you could do that trick. So it's perfectly drawn straight line. Obviously, the way you get into back 50, back 50, you know, it's a diagonal to straight Ollie. So you've got to get that angle right pretty much in a straight line.
You've got to put him on a little piece of string there, mate. And he just went straight across it. Yeah. I'm doing a switch heel as well, mate.
The switch heel can be completely nice before. You can stay in a nice shape with it. To still have the poise to stay up, wait for connection. You know, like you're in a switch grind, mate.
It's a different being in a switch grind than rolling switch. You don't feel like the comfort fucking goes straight away. Oh, so yeah. It's totally different.
And then rolls up in Faky. The ledges behind him basically just throws round a front side Faky 180. And then into nose grind or Fakie FIVO. And it is probably like a decent sized ledge, just around the knee height, maybe just below the knee.
Huge. Thank you, front side to nose grind or Fave O where you want to call it. Fucking really pucked. All inside out, but absolute perfection.
And talk about lines, mate. Yeah. The way exits that trick is just bolts, bolts and forward. Yeah, super squared off, shoulders and hips and line.
Oh, and then next clip, mate, where a nice grey hoodie and a beanie, you know, maybe chilli or Weber, hitting the switch heel, switch crook. I suppose kind of like a little outledgy sort of thing from a little curb. Again, super tech, but it's a big ledge. Yeah.
It's a big ledge that goes out on. Goes further away from the stem. Yeah, just a lovely little, lovely little hop out of that switch crook as well, mate. Mate, that dismount was technical.
Oh, yeah. That was, yeah, it's just that rhythm. How you can get that pinch, that heavy foot and just make that just a delicate little number, just to swing you out, get your shoulder back in the game. Just place it nicely on the ground.
And you see, he kind of blesses himself when he lands it. He gives, I love that. Because he knew it. He knew that he's like, yeah, that's the one.
Yeah, that is the one. That was it. And then we got a lovely, lovely picnic bench, mate. Yeah, beautiful picnic bench.
That's what we want to see. A nice switchback nose grind. Faggy hill out. Lovely flopped.
Hit it right. Oh, yeah. Hit it too fast. Rotation was just coming at the right speed, mate.
So we can just plunk it nicely. It doesn't catch you too high. Let's it still be a nice flowy finish. Hands down on the roll away.
Oh, hands right now, mate. Real down. Tom Penny down right there. Oh, and then the next trick.
They start, I mean, this is where the crescendo starts happening, where the tricks just start getting a bit fucking silly how sexual they are. There is, oh, they're just orgasmic sort of levels of trickier where he's picked out two kind of tricks together here. A nice combo anyway, mate. But then hit it to perfection.
Switch nose, man. Flowing. Faggy tray out of that. Flowing a little bit of a, you know, gains a little bit of momentum out of that.
Flows up a little bit. Lovely. Lovely. Yeah, almost cut up holds him a little bit, doesn't it?
Yeah. He's got a spring. He doesn't just fall off of that. There's a little bit.
It's hit just right. And then blesses us with a faggy. Wait, no. Yeah.
Faggy tray, fakie manny or switch nose manny. Okay, fakie manny on that. And then still have the good pop out as well, mate. Love it.
I mean, saying he's in control of that. He's in control of that. And absolute, you know, perfect manny, just both of them, absolutely perfect. There's no balance, mate.
He's locked and he's at one with that wheel. He knows how that's rolling. He just, that sweet spot, mate, is just right there, every time. And then again, on a pretty cheeky, smooth marble sort of block here, manny pad, comes in with a fakie heel.
Yeah. Fakie manny. And again, you can heal. You can, you can, you can, you can fakie here.
We can manny, mate. Have you ever tried that trick, even on a curb or is that so awkward to get that kind of, get that fakie heel into something that controlled is? Yeah, never even, never even thought about it. And again, to, we know what's dancing is, ladies and gentlemen, but to make it look like a gnollie heel knows manny.
Making, you know, regular tricks looks switch. Generally, that's not a compliment, but in this is a hundred percent, anything that looks like anything is a compliment because he is, that's the style he's perfection is what he's going for. And, you know, you normally can clearly see when something's in fakie and something's in Nali and on here, just the squareness and like, when you're doing a fakie heel, you're normally looking fakie. He's not.
And it is just beautiful. Mate, a fakie heel is one of those tricks that's like, you can make it look bad, easy. Oh, yeah. Really bad.
Like, you're almost opened out too much because you want to kind of, you know, the boy's going to naturally going to try and start to like, rotating that way. So you know, you were catching, you know, that 10, 20 degrees it's going to start spinning. So it's a hard trick to keep that shoulder, you know, that, that, that rear shoulder down and just just out, just, just keep it down there rather than open up and ruin the whole aesthetic of the trick. I mean, most people do it that way.
Most people flop them over and they look pretty ugly. And it looks like a fakie heel, fakie manny or whatever, you know, and even how he comes out of this, I just got it paused on like 127, like, doesn't look like he's well and away. He doesn't look like, you know, when you're when you pop out of a fakie manny, switch nose manny, whatever, this was, you know, fakie, fakie heel. Generally, you are, is a fakie pop out like it looks like a fakie pop out and that just look, you know, just, just a little chill, no liho knows manny off, you know, no big, no big deal and probably a little bit of an awkward, uh, ledge to manny.
You got to be, you know, right in there, you got the rail on your side. You can't wibble wobble about on this thing. Well, and he doesn't make, he doesn't know wibble wobble there at all. He is just, he's so assured that he knows how to roll on a board that he doesn't even have to worry about that.
Yeah. So he just has to be precise in his, in his movements, but it's such a nice, because it's, it's a slick ledge mate. He's going quick on that. Yeah.
That's not a slow manual. He has a high five off the old boy on a bike. Yeah. Let me come around with the, uh, Nolly backside flip over over rail.
Did we get a second angle on that? I think that would have deserved it. No, we don't. That would have deserved the second angle just to see the height of that rail.
So I think it would be for you to think, then, then it looked from that angle. Yeah. And just the, uh, how are you, how are you going to approach him and like that would be interesting to watch. You get closer to see, see his foot is Nolly foot through his business.
You know, so you see the technique because you don't get to see the whole technique from the angle and the way he's gates is so smooth. You almost don't see any of the power put into half of these tricks. You know, sometimes on hill flips or front side hills, you can see the outreach of the front foot. But it's something like this.
It's just, just floating over there, mate. Yeah. I mean, he's got some, he's got some powerful calves mate. I mean, they're all the way, you can tell their prime.
That's, that's his primary energy, uh, creation point in his body. That is, you can always see him. You can see like from his Achilles to his car. They're, they're ready to go.
It's prepped locked and loaded mate. You know, a beefy old boy at all, but he's, you know, he could have probably played a lot of sports. Yeah. It's kind of that sort of field where he could have just played.
Definitely athletic, but like, yeah. So what we are now, mate, we're in switch hit the switched, switched tail or suppose. Yep. Switch front tee, switch front heel.
And then pings the heel flip out, pushing a long nice couple of little, little relax pushes, adjustment of the trout with the short there mate as well, which I like. Quick little pull up. And then fucking the execution of this trick is just, there's not many people that do like the Nolly in would heel, no slide. Chris Cole hits them.
Yeah. That's one of his, one of his moves. But it's not many people that can do it. And he doesn't even look when he's landed on the 144 mate.
I'm on there right now. That doesn't look like he's in his natural stance. No. He looks like he's in switch there.
Yeah. And that's a compliment. And it's almost like, you know, maybe not Chris Cole, but some of the people doing this trick would go around with it and take it, you know, to fake it or whatever. And the way he just did that, you know, took it the right way round, just made it that, that much better.
And it's a nice technical trick to kind of lead up to the ender. Yeah. You know, it's a really, it's like, this is super tech, but then I'm going to just, just bless you with a really nice kind of like aesthetic spot landscape composition board. They put this together really nicely.
Yeah. You know, quite a static shot as well. And just a, just a absolutely fly that, that very, that fakey burial flip up over that rail mate, such a explosive pop on that. Really nice that they slow mode it, slow mode it down for us because it was, it's really snappy as well.
Like he's really the land, the land like it, 152 on the time, the time code here, mate. Yeah. You wouldn't know he's just landed a technical trick over like a railing down. You know what I mean?
Like he's just landed it, but he's just nestled in that board, mate. He's just the nice, easy knees down, hands down. Yeah. Lovely, mate.
And you know, as you're talking, you know, you love a knowledge, you know, it's almost like, you know, how you're doing a pop to knowledge shove or a fakey shove. Yeah. It's just like he's done a mash of one of those, but he's just, you know, just quickly added that flip in there. And that is hard, mate.
That is hard. I've tried it. You know, I can, I can hit a really big, gnoll-y shove and fakey shove. The kitty shove is the easiest trick to get.
That's probably one of my biggest tricks I've ever done on record. If I measured it, I think the tuck that you can get on that is probably even more than a pop shove because it's all weight. There's arse weight down there and you've got all of that power that you're generating it. And all you've got to do is just bring your legs up.
But to put a kick flip in that, because a fakey very, um, flip is a nice trick and you do it right. Yeah. But it's still really hard to do it right and to do it tall, you know, to get it higher up and get that flip in there at the right moment because you could ruin everything. It could look terrible.
Oh, yeah. That's what's happening to early, mate. It needs to be an efficient, a really efficient kick flip within that, within that pop shove it. Yeah.
And he just makes it look like he does it. He does it every day, mate. And then the razor of the people's eyebrow mate when he, uh, when he lands it, which I really like, you know, that's what I even say. I think the camera man says, that's the one that's got to be the one.
And that was Jordan Moss who, who filmed and edited that, mate. Yeah, really nice, mate. Additional footage from a few other people on there in the credits. Great tune as well.
Really enjoyed the music. It worked so good. Yeah. And then we did this video part, mate.
It's a really good truck video part. That was it. Hats off to Thunder, putting their name out on this and putting Wade's name on the truck. I'll put you on a spot here, mate, but you don't have to go for it if you don't want.
Have you got a turbo rate for it? Or are you thinking because it's a two minute truck part? It's hard to kind of give it a rating. For a truck, for a truck part, it's a five out of five, mate.
For a truck part. Because you don't normally see very many. And if you do, it's not necessarily a truck part. It's normally more of a minute or two edit.
This was a little, a little two minute section that we've just spoke about for 37 minutes straight and every, you know, sometimes it's all you need is certain tricks done. You know, it's all about the quality, not the quantity in this sort of sense, mate. You just arrive at the skate park. You set yourself up, add this on your lap, quick hyper with your coffee or whatever.
You're rolling, mate. That's it, mate. You're hitting all flips to work. Right.
You know, throwing down a couple of fakey burial flips in Chai off the ground, but you're soaked on it. You're feeling your way deep. Exactly. When do you ever start a session off of a fakey burial flip session?
You never do it, right? But maybe today, if you're listening to this on a sitting on a curb, you've just got to start us on your lap or watching a video. It's like, get your fakey burial flips in there, mate. You might hit a real nice one.
Right? Suck that motherfucker up. Let it do his thing. If not, get your shads on, mate, and just, you know, just pretend.
Just pretend, mate. Just pretend that a flipping them out. Just blag it, mate. Just blag it.
Just tell everyone you did one. Tell everyone you did 10. Get your mega, get your mega manis on. Get your switch push on.
Yeah, what about you, mate? You're going to give it a little sneaky, mate. I would agree for a truck part because normally you're a little, you know, we like the truck parts, but they don't always give us the, we can tell that they're not giving us the goods. In this one, I think because it was kind of like so well put together, you could tell that it wasn't like a way to footage that they're just mashing up together.
He's put a part out there. Yeah. So I would, again, I'd go five star on it. There's no wasted trick in that, mate.
No. There's no wasted trick at all there for a reason. And like you said, you know, a couple of just quick, quick one tricks throughout that thing as well. You know, we could have had a couple slow modes.
They could have exaggerated this and put some buddy clips in there and had a full section, which I'm not mad they didn't do because weight is just so good. And I'm sure they could have put more time out to doing an edit, but sometimes mate, you got power what you got. And you know, it's a truck part. It's not, you know, it's a primmy board sponsor.
It's not anything else. So, you know, they're not going to be up on the peckiness for all these, you know, for first place and they fucking got some shit done, mate. Really, really enjoyable. If you haven't, if you haven't watched it, it's two minutes, it's two minutes.
Just go and watch it. You won't be disappointed. You'll probably watch it twice. And if I'm positive that you're going to wind back a few of those tricks just, just, just, just, you know, let's switch, what's that regs?
Wait, is he regs? No, he's good. Just remember that. Yeah, just remember that.
Well, I think we'll leave it there, mate. That was a lovely little skate companion for the way to Sarmo. Lovely, mate. Hopefully got some more footage coming soon, but that'll keep us going in the meantime.
You know what I mean? We'll always go back to that. Well, you know, sometimes you always, you know, you can always never get too much weighty, but too much would be a bad thing because, you know, you can't, can't give us too much perfection, you know, we'll just be expecting it then. But, um, not a big, I'm sure he could deliver, but I'm not here wishing there was more.
I'm really happy I've just seen that, mate. You know what I mean? You couldn't have said any better, mate. So, we'll leave it there.
Thank you very much for listening, and we'll see you all soon.