160 - Tom Wood episode artwork

EPISODE · Sep 1, 2021 · 1H 47M

160 - Tom Wood

from A Small Voice: Conversations with photographers and filmmakers (complete member-only archive)

Tom Wood was born in 1951 in County Mayo in the west of Ireland. He trained as a conceptual painter at Leicester Polytechnic from 1973 to 1976. Extensive viewing of experimental films led him to photography, in which he is self-taught. Between 1978 and 2003 Tom lived in New Brighton, Merseyside, where much of his most famous and celebrated work was produced. He left Merseyside in 2003 for North Wales where he still lives today. Tom has published numerous books, including Looking for Love (1989), All Zones Off Peak(1998), Photie Man (2005) and Men / Women(2013). His work has been included in many group exhibitions, has been the subject of solo exhibitions at ICP, New York; Recontres d’Arles, France; Multimedia Art Museum, Moscow; MoMA, Oxford; FOAM, Amsterdam, The Photographers’ Gallery, London and the National Science and Media Museum, Bradford amongst others, and is held in the collections of major international museums. He has also worked with video on a daily basis since 1988, accumulating hundreds of hours of footage of family life. More recently he published Women’s Market with Stanley Barker, 101 Pictures, with RRB books and has another book of Irish Work soon to be released also by RRB. Tom’s first major British show, Men and Women,was at The Photographers' Gallery in London in 2012. His first full UK retrospective was at the National Media Museum in Bradford in 2013 and his landscape photographs were exhibited for the first time in 2014. On episode 160, Tom discusses, among other things: Presenting people in the right lightHis first move to New BrightonMaking notes from physist Richard Feynmann and James JoyceThe ‘accessibility’ of his workHis forthcoming book of Irish workHis first cameraBuying magazines and postcards from charity shopsThe influence of found photosThe DPA workWorking in the chaosHaving the support of Martin ParrThe importance of his enduring collaboration with Padraig TimoneyMaking the work out of love and not wanting to seem ‘professional’‘Not Miss New Brighton’Having hundreds of hours of videoThe influence of underground filmThe Termini bookDog pictures Referenced: Thomas ZanderRichard FeynmannJames JoyceSean HughesAugust SanderBill BrandtJosef SudekPaddy Summerfield<strong

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160 - Tom Wood

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