Thanks for tuning to the first one that popped up for us. Hit some heel nose like me. We'll figure out what that's a hurricane. Yeah, wearing a dunk is a heavy.
Lovely, lovely scenery. Beautiful blue skies. Don't you love? Yeah, this is the sort of skating growing up.
You watch on a skate in America. But I love that he hit that blunched side inside that plant. I've always loved that sort of deal. You're going to dip into an obstacle.
You're going outside of it. You're going inside of it. Then come out. Beautiful lady there.
Blessings of everyone mate. Yeah, about a good bit of a... Giovanni, Bioni. We will pronounce the name one day.
Oh, really good vibe for friends section here mate. We're not friends team section, but you know what I mean. Yeah, great team section here. Oh, lovely.
Oh, Frankie. Cheeky. Give us a nice little casual line here mate. Hit a front shove.
Oh, crusty. You never know what's going to come out with Frankie. No, but no one else can do it. Oh yeah.
Beautiful. Textbook backside flip. Oh man. That was a great two piece.
Oh. That's a pop out as well. Next to a wall mate. Rail next to a wall.
Danger zone. Danger zone. Big danger zone. Here we go.
Robert now. What's he going to bless up with? Lovely. Huge.
Huge. Here we go. Carlos Roberto. Nice.
Did Nolly 180 switch grip. That's it mate. Back out. Solid those grind.
Yeah, go. Switch by blunt. Yeah, on a rail. Lovely.
And on business mate. Yeah. Nice second angle there mate. That's awesome.
Yeah, real close up. Other side of the rail as well which is cool. Yeah, in the danger zone. Yeah, yeah, definitely.
Yeah, someone literally, someone trying to do that front blunt where you just looking at it there. It's like, to get bored to the face. Oh yeah. So I think we're setting ourselves up now mate for Johnersky Yamashita.
Nice. Don't know loads about the lad. Yeah, me too. I've seen him in some bits.
He's definitely been sprinkled about but not paid enough attention to him. So hopefully this will put him on a pedestal for us and we'll be able to remember his name and look out for his next. Oh, beautiful. Massive tray for a double set.
Swung that round mate. Yeah. Cheeky. Oh, what?
Oh, beautiful. Yeah, dainty feet there mate. That was a really nice little selection of combo. Oh, what's going on?
Yeah, what's going on mate? Wait for this one. Yeah. Tell me when you're skipping it and I'll skip it.
Oh, I've got another right, but okay. Grandma Patek. Find a trail for forestry England. Let me know when you're ready.
Yeah, I'm ready now. You ready? Yeah. Cool.
Oh, there we go. Got his name coming up. Yeah. Here he comes.
Some quick feet there. Nice. Back lip flip out on a ledge. That's Ollie North their mate or whatever you want to call it.
Real cool little bumper bump. Oh, kick with over. I mean, he looks like he's picking Japanese style spots. He's picking the quick feet.
Nice heel. Lovely. Scoop that round as well, that impossible. Wall ride.
Really nice. Really nice. Nice. Nice.
And just keep him with the really nice filming. Oh, nice. He's charging mate. He's charging.
He's running. Nice. Hey, nice Ollie. Yeah, boosted Ollie.
Nice pick. Switch back one. Get himself round. Was he blessing us?
Nice. Back blunt. Still riding. Oh man.
Oh, very clean. He's got some tack here. He's got a really interesting style mate. Yeah.
Because he's super technical, but it's a raw technical. Yeah. 100%. It's not just locked and loaded.
It's a bit wild with it as well sometimes. But he's got control and that was a lovely full cab. Oh, that Ollie mate. That was a boost.
Yeah, really held that. Oh, thank you very much. Very nice. Awesome.
Yeah, he does a good little line there. Thank you for that. Thank you, Manny. And a line.
Just showing off his power slides and a B-roll mate. That's quite a cheapy little. I like those. He's a little manny combo.
He's got ice. Lovely. He's got a really cool free style mate. I really like it.
It's refreshing. We like the night time lines as well. And there's a manny man himself mate. He's messing you up.
Pop-shelf manual back when he down like a nice set. Street line there. Oh, well, he fakie Manny just throws himself down the three block. I think that was.
Haven't spoken too much about the music mate, but they're still keeping the vibes going. Nothing too kind of impactful, but just almost just picking the tune, just to represent the skate. It's nice and flowy. It's nothing too overbearing.
It's going to work. Oh mate. No splunning. Oh, so he's having a lip?
Yeah. Switch to 70 lip. Yeah. Switch off that board.
Yeah, perfect. Nicely done. Oh, that's a cool spot. Thank you frontside.
Flip mate. It doubles that proper trick. Oh mate. I didn't think he was going to be hitting a 360 there.
Switch 360. I thought I could be a bit freer to that bank. Yeah. Out of nowhere.
Beautiful. Lovely volcano. Lovely burial hill. Oh, he's got a sweet hard flip, mate.
He's got a lovely hard flip. The really interesting, it's not a typical hard flip. Oh, fakie another side of that switch backside. Massive.
That's a big switch back hill. That was huge. Yeah, it's hard. It kind of pings in a weird trajectory.
It's almost kind of perfect angle, but we still want some more mate. Sorry. Oh, what the hell? Huge kick flip.
Yeah. Hillbomb. All the over a rail into a bank. That's legit.
Kick them off the flat. This guy, that was a sweet section. Yeah, it's hard flips. Almost like a pressure hard flip, but we're pop.
Yeah, it's like the way I kind of hit my pop sharpits, they kind of ping in that sort of that kind of inside trajectory. But he's doing it with the hard flip. He's getting a ping and it there. So isn't necessarily there's no like kick flip in it.
It's just kind of just pinging, which is cool. It's awesome. Yeah, it looks good. We've got some young Dylan J for a chair.
It looks like. That's it. Just warming us up. Just showing the boys chilling the spot.
Yeah, the B roll on this is done really tastefully. Yeah. It's not sucking its own. You know, it puts a little bit in there.
Maybe you need a little bit in there. Yeah, nothing too overindulgent. You know, it's still kind of keeping it real. And here we go.
Roll them. And Dylan J is one of my favorite skaters at the moment. Any clips that he puts out are fakie and gold. Lovely.
Sorry mate. I've got a part of it. Oh, you're true. Music has.
Are you ready to skip now? Yeah, just skip through there. We've got Dylan James name coming up. Yeah.
I'm probably a second behind you, but whatever. I've got his name up. Oh. Man.
Sound of that as well, mate. Is he is he regs? I think he's regs. Yeah, that's a switch tray.
That's a obvious switch tray. But he pings him. Yeah, that's definitely a fakey hard flip. Beautiful fakey hard flip.
Oh, mate. Frontside flip. Switching him shortly. Lovely.
Yeah. Give this a second angle. Nice big spin. Into a bit of a back there as well, mate.
At the bottom of those steps. Yeah. A little bit of crust. Nice low.
Trafe up off that. A little bit of quick fire. It is a bit, yeah. Slightly more shotgun edit mate.
Oh, lovely switch back. He does make those nights look good. He really does. Is that a fakey heel then?
Down the set, yeah. Beautiful switch tray. Oh yeah, that's nice. Man, he's not going to be am for long.
I mean, how did any of these boys going to be am for long? I mean, this is, this is pro shit. Just a way he holds himself on that board mate. Oh, that switch.
Oh, that fakey tray. We'll come back and break that down, people. Don't worry. We'll get back to that.
Just so clean. Some of these tricks here. Oh my God. Not only half-cap flip.
Take him any when he hit you out. Oh. He throws that switch tray like it's nothing. That was a line.
That was a really good line. Nice. Flip back lip. Switch crook.
Huge front heel. What a trick to throw down that mate. That's all guns blazing. That's probably, you know, what a hard sort of tricks you could throw down.
Yeah. Much prefer to do a frontside flip down it wouldn't you? You feel safer doing that? Yeah.
Lovely switch. Bunch of barre. Lovely. And actually quite a short ramp there mate for the size of the barre.
Yeah. Really yeah. Pops that out quick. So what's he saying here then?
Switch 50. Nice switch young around around there. And try not to twist it too much mate. There's a bit of a twist but I think that's because he's just in switch.
Yeah. I think he's purposely trying to go for a twist at 50 there. Awesome trick though. Oh mate.
Yeah. Lovely frontside flip. Can we have the second angle? Yes we can.
Until a bank. Yeah. Nice. Yeah.
Dylan J. But he's a man after my own heart mate. I'll tell you. He must be after all those manuals.
He's got a talking of manuals. Oh my God. Flip it out. Thank you.
Flip out. God. And now he's at Wallenberg. Oh shit.
Big fakey flip. Through it. That was a fast. Fast fakey flip there.
Well that's daydreamer, preventative out of video. So we're going to get some credits now maybe a bit of... Oh I second angle of that. Fakey flip.
It might even be less than a third mate. Oh. That was a beautiful catch. Still plenty of weight in it you know.
It was just the flip speed was almost perfect. Slow enough to let it happen mate but still enough to give it a good old. Not very often you see a long fakey flip down some. I mean you know mate.
I know. I'm a fakey flip down much shit. Maybe like that was something you know. They're hard.
It's a lot to do with. Especially Wallenberg. Yeah. But even if you rate your fakey flip mate you can hit a nice fakey flip.
The timing and everything like that is just with central. Oh. And especially on that speed. How early are you telling yourself to pop?
Yeah. To not with that. Yeah. I'd have to have a mental market or something like that.
Yeah. I'll be getting a tape out mate. I'll be getting some chalk out or what you know. Yeah we've got a good little outro here.
Yeah. Just showing a bit of some of the struggles and I suppose just different angles you know. Yeah. But great to see.
Great to see the process and seeing the pros and M's of the big companies going through the same struggles as you do. Yeah definitely. But the camera work in this video mate is so good. Yeah.
It's definitely 2024 and premiered right now. Yeah. And I suppose this is a marker as well mate. 2024 our M's have just put this out.
Yeah. You know. And then prove it. Yeah.
And then step up boys. Because who's? Well like really? Yeah realistically.
A better am part. I don't think there really is any but like Mike Mo was probably the last one when you know for his first real appearance when he was am and then went pro not long after. And it's on the same sort of level you know really on the super skater path right here. Yeah you can say it and you better mate.
Definitely these are all these are all super skaters. These names are not going to just fade off into obscurity in the next five years. I don't know. Again I haven't seen enough of old.
Can you just kill us okay. Yeah. Yeah if you can keep getting some stuff out like that mate. It will keep going his way.
Yeah. But the other two you could easily see five, ten years down the line hitting skater a year. Yeah. Okay.
You know or just or just being recognized. You know. You know. You don't have to get skater a year but to be recognized as a top tier.
Yeah. He's definitely going to be one of those. One of those names you know not necessarily a household name but your skate shop name where. And you hope they stay on primitive you know it's a tough one.
You know we were talking about the other day when we got to learn. I think we already knew of it. K just getting for that. He wasn't in Baker as a death wish and kind of with a penny drop with us.
He's on that purple brand or whatever it is. Yeah. And then it's you know we spoke about Tyshaun having his own king skateboards whatever it is. And I get why these lads want to have their own thing.
But if you keep hold of her and stay intact with a legacy team. You're going to go down in history. You know as long as it's if penny. I mean I even think sorry jumping.
I know you sorry wanted to get his video put a joke for the alien workshop video. But that didn't help him. I didn't think it helped his legacy. Jumped.
Just jumping over there at all. The same with Mark Appleyard. You know. Jumped obviously was an element and he's probably getting a good paycheck now mate.
But jumping doesn't necessarily help an upper yard. Different cat the fish. You know. But of course completely you know you can do whatever the fuck he wants.
But I do think you stay around and you get that logo in your name on a board together. It turns iconic. You know really I was actually listening to the room. In the other hand.
And Clifford was saying about his first pro board was the the Colesburg because obviously I was from Copenhagen. So the Colesburg fun with with Clifford on it. And just and like that is iconic. Yeah.
But no one else can kind of do that now. You know if he would jump which is not going to but like that's kind of a that's a flip board. Everyone knows it's a flip board. Oh yeah.
So yeah I don't know. I just feel like if they all these lads stick on this team get their name on that board staying at the 10 15 years you know. Because you think about it. Obviously Paul's going to be hanging around for a long time mate and still going to be hitting some SSP STS is.
Oh yeah. But he ain't going to need to be thrown out all the big shit anymore. You get to a point where you don't need to throw down. He'll be still doing some super tech and don't get me wrong.
There is there's going to be some more P-Rod video parts. Of course. He is not going to. You know what I mean mate.
He can't stop. No. No. No.
It's the same with Tony. Tony's throwing up part out. Yeah. The end of last year was a great part.
So I just these lads they're in a very good position to be on this on primitive. Of course. It's that one we spoke about before you know when they first kind of start and I remember it mate when we were on the first. I'm a little skate together when you're talking about this team.
So they are they're going to be the super team. This is the next flip. This is the next element. Yeah.
Yeah. Yeah. Exactly. It's all the greats and even some of the greats that we almost thought were out of the game.
But you know because they're a super skater of people these people were you know basically pro when they were fucking young teenagers. Staid pro and just got better you know they're the pros that we all talk about that you don't get as many of these days. Those ones that are just that next level of everyone else. Consistency style trick selection everything in it.
These guys are they're there already and if they can stick around they'll just keep going. Yeah. I can agree more. These three in particular as well.
They've all got their own style. They're very different skaters. If you think about free pay mottas that is the kind of like the more baggy dunk wearing but fast footed switch skating motherfucker. Leg heater but still hits the rails flipping flip out on rails and all that.
You've got the Dylan J more like the longer ganglier sort of freer and it does work with the nikes as well. It just kind of hits it in a dip obviously wearing the blazes and things like that. Do you know what I mean with the brown trousers? Ties it right in.
Yeah. Yeah. Exactly. Can I say with more of that kind of he's like that.
They look like the Hessia Japanese skater. He's a he's a little combo skater. So we still got the the tech of a Japanese but he ain't it. Yeah.
No, personally he's throwing that. Yeah. And I think he's he is really good streets skater like he knows how to use those street spots. And I'm sure in Japan there's a lot of adapting to certain street spots that you got to do.
Yeah. Yeah. Well, I mean, we know about anyone who's skating ox but we're fucking cobbles and shit that everywhere. Sometimes you got to be got hold your weight differently in certain circumstances.
And I think Mr Yamashita he would be that skate if you watched him first hand skating sketchier spots rougher spots. Yeah. I think he'd still be you know laying it down. Yeah.
Yeah. Sure. Should we have a little kind of a little look at some of our favourite little bits in there, mate? Yeah.
We'll jump into Felipe Mottas part and I just want to try and find a couple of those. Obviously with it so many good tricks in it. Clips down, clipper clips down. I mean, let's think let's just touch on Clipper and Hollywood Highmate.
Laying the law down on famous spots. Someone's in some is in area telling them what to do, right? Oh, yeah. It's like if you lay the law down on those famous spots, it will last forever.
Well, it's just like so many people know Clipper. So many people want to see what else can be done on Clipper. And yeah, like you said, if someone's just letting these guys know that these are the good places to go. It's going to be so much more memorable.
Yeah. In such a unique trick, mate, seeing the heel back tail down, you know down clippers. I just I like that approach because obviously he could probably flip back tail at piece of piss. No problem.
No questions asked. And it is, you know, it's easier to it depends who you are, you know, but I would say surely flip back tail. You know, leave me for a few days, mate. Might get might get close to landing on a tail.
I'm not landing the trick. I'll be fucking powered by myself at the end of the ledge. But here flip, there's no, you know, we have an asset like if you go on a lot of Instagrams and watch some fairly good skaters. We're going to see some flip back tees.
But he'll flip back tees. Probably not. No, because to get your heel flip in and we spoke about this many a time, but to get your heel flip, regular heel flip, your stance heel flip, perky and technical, is fucking difficult. You see a lot more tackle, than you do your heavy footed fucking standard stance heel flip.
Well, yeah, I know I've seen a fuckload of switchback tees, post skate packs, flipback tees on rails, ledges, quarter pipes, all of that shit. I don't think I've seen one heel flip back tee. And if anything, I'm more likely to see a back tee heel flip out because it's a little bit easier of a foot adjustment. But you just don't see it, do you really?
And if you do, obviously, it's more in a video. But yeah, I could get myself on a flip back tee. I might not slide much, but heel flip back tee? I don't think so.
I don't know, but you are a heel flip man. I think if you want to do it. Hill flip front tee, different story. But I'm not really a backside tee, let me switch.
Probably. Yeah, definitely a solid trick for Clipper. Yeah, yeah, awesome clip. And obviously backing up with the Hollywood high.
Ah. Was that flip? Yeah, that was flip front blunt. Yeah, that's a rather kind of five minutes, 80 seconds.
Just done some perfection bolts. I'm just going to have a little scroll through to see if there was any other little clips that really kind of worked for me in the flip face part. I mean, there was so many. Just clarify that.
It was the most of the bigger ones were the hurricanes we see. I just did a quick bit of giggle in there. So a hurricane is that's front side approach, back side. Back side.
Back side. You're doing a back side one eightie. Yeah. You're doing a back side one eightie and hitting your rear truck.
Yeah. That's but that's going first. That's going down the rail first. Yeah, I think the other way round is is the other one.
So yeah, there's sugar cane and there's candy cane, maybe. That's that same. Yeah, candy cane. Yeah.
Nice. That's just I'm just. Oh, yeah. We'll talk about his.
His feebles mate or his Smith's depends. He's kind of approaching pretty straight on this. So it's quite hard to tell. I think it's a people, but it's like a little, they've rigged a little ramp up to a flat bar in the streets at three minutes and six seconds of a free phase part.
And he just the way he kind of extends his foot for the. Yeah. For the the feeble mate is just just holds it enough to keep that pop out. Yeah.
Yeah. I mean, it's a more a new school approach, you know, but I do like it. Yeah. He pulls it nicely.
Yeah, very nice, very clean. Yeah. And hitting that, you know, we, it's a backtail shove out on the looking out ledge or two 70s shove sort of things swings it all the way around. Yeah.
Really, really nice. But just showing that he has got the flip in. Flipping on big, big boy spots mate. He's, it's no problem.
Yeah. Yeah, definitely something else. And really liked his hop. It's kind of his no slide hop up crook.
Yes. He's got a few of those in his section. He don't often see loads of them. But it's so cool that they are parts as well, mate.
You know, broken it. Everyone's got their own space. You know, we've a music kind of hitting their gimmick, you know, keeping. But again, nothing to like I said at the time, nothing's dominating the skating.
No. It's, it's closest, you know, to ambient kind of music, you know, it's just, just there. We're a little bit of a nice little beat behind it, making things going. But.
Yeah, I really like how the music was done throughout this video. It's not over power at all. They've got the skate noises just a little bit louder. Which is what you want.
I really like for, uh, just going to, uh, canos. I can't say his name. I wrote it phonetically for myself earlier, mate. So you could, uh, so it's John Oscay.
John Oscay. Yeah. So it's, even though it's a weird one, because like, uh, there's a lot of Japanese names that say, like, Suke at the end of it. Yeah.
You don't say Suke really, but yeah, Kia or Noshkay. Kia or Noshkay. But we can, I'm calling him Mr. Yeah, but she had to get me out of trouble.
Lovely perky trafer at the start, mate. Down that double set. Oh, yeah. Ten, uh, ten, ten, ten, ten, ten, ten, ten.
Get in common in there. Just after that, ten, sixteen. Or ten twenty six, sorry. Yeah.
Yeah. Down the, uh, but the alleyway sort of deal. Yep. Through it.
And then I just want to say, following that. The pop shove knows Manny Downhill to like, drop back five-oh, down the little, says. That's, that looks like a really cool street spot. Like, you don't always see shit like that.
It, it, it, it, it, it, it could almost be a bit silly, mate. But you still kept that as a legit trick. Yeah. You don't mean, rather than a firecracking the five-oh down there, because you could have ruined the whole thing with that.
Uh, but you just kind of keeps it strong. It's just, it's still a strong trick. Yeah. It just keeps, keeps it clean.
Has the control. So I really like that. Yeah. Or really good kick-blip, mate.
He throws a few big, big kick-blips. Yeah, definitely some big, big kick-blips. He's got some unsuspected pop here and there throughout this part. Yeah.
Just, just like his approach to a lot of his, a lot of his, uh, spots in the skating. I just, you can see there's that, there's still a freedom. You know, he knows what he wants to do, but there's a, there's a freedom to escape him. Yeah.
And he edits so well, done, mate. It's just perfect. The tune just dinging away. But again, just keeping you just upbeat.
Yeah, that's it. Highlighting him rather than, you know, picking a heavy hitting tune that might suffocate him. Yeah. No, I don't, I don't think any tune would suffocate any of these skates, in fact.
Yeah. No, I think they can really hold their own. But yeah, it just worked. They've played it really well.
Yeah. The, um, the switch varial here will just a varial here over that volcano, mate. Like that brick to volcano. It's switch, isn't it?
Yeah, switch. Yeah. Cause I think I'm pretty sure it's rags. Mm.
Yeah. He kind of runs it and then does a little quick, uh, body varial on his board. It's at, uh, about 15, 15 minutes in, 1510. Just getting it up.
Well, 1510 was the fucking switch 360. Oh, yeah. It's down the bank. Everything's just after that.
Yeah. Oh, yeah. Quick little foot change. Didn't see that.
Yeah. Beautiful varial here. Couldn't have, couldn't have asked for a better one for that spot. Oh, yeah.
Then he pins the half lip, doesn't he? Then he hits that beautiful half lip, but, uh, run the 1530 mark and backs it up with the huge switch back. Huge. Yeah.
And a slow, the second angle, really. Yeah. Let's, uh, we'll work backwards from, uh, on, on Dylan's part here, mate. Unless you've got a couple of other things.
No, I'm happy to. But happy to work. Thank you. Thank you.
Thank you. Thank you. Thank you. Flip down Wallenberg.
That is a coming of age, mate. That is, that's a marker. That's putting the marker down. You know, the way that Felipe was hitting Clipper and Hollywood high, respectively, he's, he is going to legends, legend spots, you know, that only a few people touched Wallenberg.
Yeah, definitely. Just barely rarely see it these days. And if you do, it's from the OGs being reposted or whatever. Yeah.
So really fucking cool to see some shit going down in Wallenberg. Yeah. I suppose it was the last big one we saw, um, the switch half lip. As far as I'm aware, I feel like there may have been a trick or two, but nothing that stands out.
I suppose we've had Shana and Eel's, uh, Nollipax on Hillflip. Was that the Brandon Turner switch half lip? That was Brandon Turner switch half lip. Yeah.
And that's just impressive as fuck because he is one of the OGs. He's not. Oh, yeah. He's, he's better than what people think.
Yeah, there's so many, so many cheeky little manual pieces in this that it's, it's hard to kind of really break down every single trick, but we'll have a little, we'll have a little go because there's so many little pieces that are, yeah. Oh, I got that one. What you said we're going to come back to. It is a 1933.
We got the little switch flip switch, Manny, and then the, the fakey tray, the fake tray out. What a cool spot, little man, two, two piece. Just imagine, mate. Just imagine you're in switch and you need to ollie up Manny and ollie up Manny.
That is, that's tough. Because it's, you're going to have to go fast and you want, you'll be heavier, you know, if you don't, you know, lighten your feet in that middle section, they're really kind of ready to go again. Because not, you know, I mean, there's a reason why he's going to be a fucking pro primitive, but I'm not. But like, I'm dropping down at next bit to keep myself high and to be ready to go again on that second one, mate, and then still ping a prime, prime of fakey, a fakey tray out of that switch, nose, Manny, mate.
Ah, and you haven't got, you know, it's not like they're quick, Manny. So it's not like you can get into the Manny, adjust your foot position and like just get into a fakey Manny or a switch, nose, Manny. No, you got to pretty much be on there where you're foot ready to flick. You know, you know those, there's like a loop account on Instagram where it's the same trick and it over and over again.
If they don't, if they don't put both of these tricks, like, I'm just looking at the switch, Manny, Manny, just on its own. It is absolutely perfect. I just love it. It's flowing.
He's got, he's got a step in genoscaning, mate. Yeah. And it's just, it's just so clean, so quick, precise. Yeah, you could definitely watch that on a loop for a long time.
Yeah, just hit 19, 1930 and just watch it over and over again. I'm just mesmerised by it. Yeah. Too good.