17: Kultureller Kannibalismus. Sophie Everson-Baltas über Como era gostoso o meu francês als Historiophotie

from Fabulari. Der Wissenschaftspodcast zu Literatur und Film in der Romania · host Romanistik Wien

Die Geschichte als Konstruktion, die abhängig von ihren Quellen unterschiedliche Interpretationen über Vergangenheit zulässt oder ausschließt, ist seit Ende des 20. Jahrhunderts ein stark diskutiertes Thema. Einen Beitrag hierzu liefert Hayden Whites Begriff der ‚Historiophotie‘, welcher die Darstellung und Imaginierung von Geschichte durch audiovisuelles Material beschreibt. Insbesondere experimentelle Filme wie Nelson Pereira dos Santos‘ Como era gostoso o meu francês (1971) birgen in diesem Zusammenhang großes subversives Potenzial. Sophie Everson-Baltas bespricht mit uns, wie der Film als audiovisuelle Geschichtsrevision fungiert. Interview: Stefanie Mayer

Episode metadata supplied by the publisher feed · Published Nov 24, 2022

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17: Kultureller Kannibalismus. Sophie Everson-Baltas über Como era gostoso o meu francês als Historiophotie

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