EPISODE · Apr 8, 2016 · 51 MIN
17. Potluck Power Out
from Up and Overcast · host Shorn Media / Windwalking Arts
In this episode, we are confronted by a tapestry of disaster. William motorboats through a disaster of an opening segment, as Scott, juiced on java bean elixir, patiently explains the finer points of multi-track editing. William plays “Shoot Right for the Dumb” with a rant about underhanded Discovery Channel tactics before we dive headfirst into a discussion of our staggering Wendy Carlos ignorance. Moral of the story? We are the ones who are out of potatoes. We break the stupid loop of perpetual correction by checking in on the hairstylings of the local delousing treatment center, the amazing word technology that is “Carplay”, and William’s misguided plans to bulk purchase Tesla automobiles. Goodbye, combustion engine! You were a gas! Then, surprisingly, we go beyond the porch as the Horns set their cat alarm and take a Family Duty Spring Break at a state park lodge that promises all the dry snack food you can eat, wandering hallway moose, and a very shaky notion of fire safety. As the howling wind and darkness force the Horns into the cold, we all know this can only be William’s fault. Time to find Someplace Interesting. In a full-blown potluck panic, William faces an intense obligation to supply a Midwestern-sized feast, the sickening potential of cod roe, and the desire to attempt a daring IKEA meatball heist. At least he beat Sherlock Holmes at his own game. Scott isn’t worried. He’s a potluck wizard, and sounds the whooo alarm to begin Music in Rearview. Disaster abounds with the soundtrack of Airport. Also abounding, much illicit sexy times, Oscar-winning stowaways, and a shortage of track-naming ideas. We end as we began, with Scott patiently explaining the concept of two-dimensional media, and with a disaster of a close as William forgets where he is and what is is doing. Sound the Klaxons, Moneypenny, and join us for Up And Cumberbach! Who’s the Dope Now?
What this episode covers
In this episode, we are confronted by a tapestry of disaster. William motorboats through a disaster of an opening segment, as Scott, juiced on java bean elixir, patiently explains the finer points of multi-track editing. William plays “Shoot Right for the Dumb” with a rant about underhanded Discovery Channel tactics before we dive headfirst into a discussion of our staggering Wendy Carlos ignorance. Moral of the story? We are the ones who are out of potatoes. We break the stupid loop of perpetual correction by checking in on the hairstylings of the local delousing treatment center, the amazing word technology that is “Carplay”, and William’s misguided plans to bulk purchase Tesla automobiles. Goodbye, combustion engine! You were a gas! Then, surprisingly, we go beyond the porch as the Horns set their cat alarm and take a Family Duty Spring Break at a state park lodge that promises all the dry snack food you can eat, wandering hallway moose, and a very shaky notion of fire safety. As the howling wind and darkness force the Horns into the cold, we all know this can only be William’s fault. Time to find Someplace Interesting. In a full-blown potluck panic, William faces an intense obligation to supply a Midwestern-sized feast, the sickening potential of cod roe, and the desire to attempt a daring IKEA meatball heist. At least he beat Sherlock Holmes at his own game. Scott isn’t worried. He’s a potluck wizard, and sounds the whooo alarm to begin Music in Rearview. Disaster abounds with the soundtrack of Airport. Also abounding, much illicit sexy times, Oscar-winning stowaways, and a shortage of track-naming ideas. We end as we began, with Scott patiently explaining the concept of two-dimensional media, and with a disaster of a close as William forgets where he is and what is is doing. Sound the Klaxons, Moneypenny, and join us for Up And Cumberbach! Who’s the Dope Now?
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17. Potluck Power Out
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