#199 - DJ Haram INTERVIEW episode artwork

EPISODE · Jul 30, 2025 · 1H 19M

#199 - DJ Haram INTERVIEW

from The Rap Music Plug Podcast · host The Rap Music Plug

In a society as broken as today’s, where the power gap between regular working people and the ruling class is expanding on a daily, finding a way to navigate your life and career is challenging. Particularly, when you aim to live your life according to your moral compass, in a way that shows solidarity with those in need, and combats oppressive systems. That’s one of the reasons why artists like today’s guest, DJ Haram, are important… because they pave a different path that takes the power back. This is the kind of impact that would be vital on its own, but is amplified when in the hands of an artist as skilled as Haram, who blends club, dance, hip-hop, electronic, and noise into a uniquely electrifying mixture. She’s been responsible for some of the most cutting-edge music in recent years, as 1/2 of 700 Bliss with Moor Mother, lacing experimental rappers like E L U C I D and billy woods with wildly creative beats, and is now fully coming into the spotlight as a solo artist with her fantastic debut solo album on Hyperdub, titled Beside Myself. This was a very fascinating and fun conversation that hopefully demystifies one of the most interesting figures in all of music. The Plug (1:17). The Interview (3:25). The initial response to Beside Myself (5:47). DJ Haram’s affinity for defying convention and norms (10:03). How Haram engages in ‘media manipulation’ (19:25). The role of an artist (27:41). Blending Middle Eastern sonics with experimental dance, electronic, hip-hop music (40:33). DJ Haram’s inspiration to use her voice more on Beside Myself (46:45). The central statement behind Beside Myself (53:37). The dynamic sound of Beside Myself (1:02:11). The connection between Armand Hammer and DJ Haram (1:07:41). Upcoming projects / tour dates / merch (1:11:25). A recent sign of hope for DJ Haram (1:12:30). Buy/stream Beside Myself here: https://djharam.bandcamp.com/album/beside-myself  Read DJ Haram's Substack here: https://substack.com/@punchlinemaiden  Follow DJ Haram on Twitter here: https://x.com/premiumharam  Follow DJ Haram on Instagram here: https://www.instagram.com/djharam/  Intro/Outro beat by: BLOODBLIXING -- Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/ Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast  Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at [email protected]

In a society as broken as today’s, where the power gap between regular working people and the ruling class is expanding on a daily, finding a way to navigate your life and career is challenging. Particularly, when you aim to live your life according to your moral compass, in a way that shows solidarity with those in need, and combats oppressive systems. That’s one of the reasons why artists like today’s guest, DJ Haram, are important… because they pave a different path that takes the power back. This is the kind of impact that would be vital on its own, but is amplified when in the hands of an artist as skilled as Haram, who blends club, dance, hip-hop, electronic, and noise into a uniquely electrifying mixture. She’s been responsible for some of the most cutting-edge music in recent years, as 1/2 of 700 Bliss with Moor Mother, lacing experimental rappers like E L U C I D and billy woods with wildly creative beats, and is now fully coming into the spotlight as a solo artist with her fantastic debut solo album on Hyperdub, titled Beside Myself. This was a very fascinating and fun conversation that hopefully demystifies one of the most interesting figures in all of music. The Plug (1:17). The Interview (3:25). The initial response to Beside Myself (5:47). DJ Haram’s affinity for defying convention and norms (10:03). How Haram engages in ‘media manipulation’ (19:25). The role of an artist (27:41). Blending Middle Eastern sonics with experimental dance, electronic, hip-hop music (40:33). DJ Haram’s inspiration to use her voice more on Beside Myself (46:45). The central statement behind Beside Myself (53:37). The dynamic sound of Beside Myself (1:02:11). The connection between Armand Hammer and DJ Haram (1:07:41). Upcoming projects / tour dates / merch (1:11:25). A recent sign of hope for DJ Haram (1:12:30). Buy/stream Beside Myself here: https://djharam.bandcamp.com/album/beside-myself  Read DJ Haram's Substack here: https://substack.com/@punchlinemaiden  Follow DJ Haram on Twitter here: https://x.com/premiumharam  Follow DJ Haram on Instagram here: https://www.instagram.com/djharam/  Intro/Outro beat by: BLOODBLIXING -- Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/ Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast  Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at [email protected]

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#199 - DJ Haram INTERVIEW

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Big Old Life: Heather Blackbird interviews people on planet earth. Heather Blackbird loves asking questions. This podcast is a learning experience. Join me, Heather Blackbird, as I talk to people about their lives. Frequency of new episodes is a little all over the place and I'm learning as I go. Big Old Life is a small way of talking about the vastness of life, one person at a time. If you are reading this or found this podcast it's probably because someone you know gave you a link to it. :) Explicit Tales Of A Superstar DJ The Insomniac Spun seemingly out of nowhere from her complacent life in the corporate world, turned seemingly overnight from 16-Hour shift work and into the life of a literally starving artist and working musician, The Protagonist navigates her supposed rise to fame and superstardom on a journey through spiritual awakening, coming-of-age, and intimate self-realization--guided by an omnipresent force and equipped with the power of love, magic, and music. {Enter The Multiverse.} [The Festival Project] The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science. The Festival Project™ and its subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosop Explicit Bitcoin Is Dead Trey Carson Welcome to Bitcoin is Dead, the ultimate Bitcoin variety show where host Trey takes you on a journey through the ever-evolving world of Bitcoin. Each episode brings new personalities, fascinating locations, and insightful conversations with politicians, educators, and innovators shaping the future of Bitcoin. Whether you're a seasoned Bitcoiner or just starting your journey, tune in for thought-provoking discussions, unique perspectives, and a deep dive into the ideas and people driving the Bitcoin revolution. Explicit The Sacred +Profane Podcast nephtaragrace The Sacred + Profane Podcast is a provocative conversation dedicated to cementing a better future for all. We specialize in unpacking the nuances of what is considered sacred and profane, particularly focusing on sex, death, and all that pertains to the circle of life. Our aim in focusing on such ”taboo” subject matter is to demystify what is unconscious, bring to light what has been known for centuries as ”the occult,” and empower the rapid transformation that is occurring on the Planet. Explicit

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This episode is 1 hour and 19 minutes long.

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This episode was published on July 30, 2025.

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In a society as broken as today’s, where the power gap between regular working people and the ruling class is expanding on a daily, finding a way to navigate your life and career is challenging. Particularly, when you aim to live your life according...

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