EPISODE · Jan 26, 2021 · 1H 13M
2.1: Up and Coming Filmmaker Peshawn Bread
from Radicle Narrative · host Mylan Tootoosis
Peshawn Bread is a screenwriter, poet, and cinematographer from the Penatʉkʉ (sugar eater) and Yapurʉkʉ (root eater) bands of the Comanche tribe. Her writing capitalizes Indigenous women, sexuality and humorous experiences. In the winter of 2015, she was introduced and welcomed as one of Sundance Institute's Full Circle Fellows. She was a 2015-16 recipient of the 4th World-Indigenous Media Lab Fellowship supported by SIFF (Seattle International Film Festival) in partnership with Longhouse Media, Sundance Institute and ITVS. Peshawn also participated in a Screenwriter's "Designed Obstacles" workshop led by Joan Tewksbury (Thieves Like Us, Nashville). Throughout the years she has worked on many sets, including Drunktown's Finest (2014) and Mud (Hashtl'ishnii) (2017). Recently, she had the honor of receiving Sundance's Native Filmmakers Lab Fellowship where she had the opportunity to workshop her script "The Daily Life of Mistress Red" a mockumentary short film about a Native Dominatrix for hire who whips apologies out of white supremacists. The Daily life of Mistress Red is currently in post-production. Listen in as we talk about living in Santa Fe, New Mexico, Art School, Acting, Producing and Directing films, the portrayal of queer peoples and women in film, and just in general about natives making and acting in films. Show Notes: Peshawn Bread Instagram Write up: ‘I Was Afraid I Wouldn’t Be Accepted’: Episode Music: Carry On My Friends Written By Michael Thomas Geiger Performed By Mikey Geiger Produced By Mikey Geiger https://app.soundstripe.com/songs/11061
What this episode covers
Peshawn Bread is a screenwriter, poet, and cinematographer from the Penatʉkʉ (sugar eater) and Yapurʉkʉ (root eater) bands of the Comanche tribe. Her writing capitalizes Indigenous women, sexuality and humorous experiences. In the winter of 2015, she was introduced and welcomed as one of Sundance Institute's Full Circle Fellows. She was a 2015-16 recipient of the 4th World-Indigenous Media Lab Fellowship supported by SIFF (Seattle International Film Festival) in partnership with Longhouse Media, Sundance Institute and ITVS. Peshawn also participated in a Screenwriter's "Designed Obstacles" workshop led by Joan Tewksbury (Thieves Like Us, Nashville). Throughout the years she has worked on many sets, including Drunktown's Finest (2014) and Mud (Hashtl'ishnii) (2017). Recently, she had the honor of receiving Sundance's Native Filmmakers Lab Fellowship where she had the opportunity to workshop her script "The Daily Life of Mistress Red" a mockumentary short film about a Native Dominatrix for hire who whips apologies out of white supremacists. The Daily life of Mistress Red is currently in post-production. Listen in as we talk about living in Santa Fe, New Mexico, Art School, Acting, Producing and Directing films, the portrayal of queer peoples and women in film, and just in general about natives making and acting in films. Show Notes: Peshawn Bread Instagram Write up: ‘I Was Afraid I Wouldn’t Be Accepted’: Episode Music: Carry On My Friends Written By Michael Thomas Geiger Performed By Mikey Geiger Produced By Mikey Geiger https://app.soundstripe.com/songs/11061
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2.1: Up and Coming Filmmaker Peshawn Bread
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