2. Our Cuatro (And Why It Makes Us Cry) episode artwork

EPISODE · Feb 10, 2026 · 40 MIN

2. Our Cuatro (And Why It Makes Us Cry)

from La Brega: Campeones

When the musician Luís Sanz showed up for a mystery recording session last year, he didn’t know that he’d be playing a cuatro solo for “Lo que le paso a Hawaii,” a lament about the dangers of statehood. Benito’s instruction was simple yet heart-wrenching: “play the cuatro as though it’s bleeding out.” In this episode, cuatristas show us that the cuatro is more than a musical instrument: it’s the soundtrack to the Puerto Rican experience. We follow the cuatro as it travels all over the world with the diaspora, as it fights against displacement, and as it adapts to a new global spotlight.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts futuromediagroup.org/joinplus. Hosted on Acast. See acast.com/privacy for more information.

When the musician Luís Sanz showed up for a mystery recording session last year, he didn’t know that he’d be playing a cuatro solo for “Lo que le paso a Hawaii,” a lament about the dangers of statehood. Benito’s instruction was simple yet heart-wrenching: “play the cuatro as though it’s bleeding out.” In this episode, cuatristas show us that the cuatro is more than a musical instrument: it’s the soundtrack to the Puerto Rican experience. We follow the cuatro as it travels all over the world with the diaspora, as it fights against displacement, and as it adapts to a new global spotlight.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on La Brega and all our podcasts futuromediagroup.org/joinplus. Hosted on Acast. See acast.com/privacy for more information.

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2. Our Cuatro (And Why It Makes Us Cry)

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This episode is 40 minutes long.

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This episode was published on February 10, 2026.

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When the musician Luís Sanz showed up for a mystery recording session last year, he didn’t know that he’d be playing a cuatro solo for “Lo que le paso a Hawaii,” a lament about the dangers of statehood. Benito’s instruction was simple yet...

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