207: Emojis Don’t Count episode artwork

EPISODE · Apr 12, 2016 · 1H 46M

207: Emojis Don’t Count

from On Taking Pictures · host Bill Wadman & Jeffery Saddoris

This week, we start out talking about how as our creative goals change, our gear needs often change along with them and how the concept of “good enough” is nothing if not fluid. Also, The Next Rembrandt has us wondering how connected to your work do you have to be for it still to be yours? Can machines create art? Or is the human experience a necessary and fundamental component to make art? John Minihan is our Photographer of the Week. Links for this episode:On Taking Pictures - Google+ - Assignment - #travellingThe all new Hasselblad H6D presented by Karl Taylor - YouTubeThe Century of the Self - Wikipedia, the free encyclopediaThe Fashion of Art History Reimagined Through Instagram | AnOtherVirtual Reality Is for ArtistsDave Lefner | Linocuts and Paintings by Artist Dave Lefner at Skidmore Contemporary Art | Los AngelesWhat people look like after 1, 2, and 3 glasses of wineThe Next RembrandtMove Over, Rat Pack and Brat Pack: Here Comes the Snap Pack - NYTimes.comJohn Minihan (photographer) - Wikipedia, the free encyclopediaJohn Minihan's best photograph: Samuel Beckett | Art and design | The Guardian‘You don’t just photograph a man like Samuel Beckett. You offer him something’John Minihan: Samuel Beckett

Episode metadata supplied by the publisher feed · Published Apr 12, 2016

This week, we start out talking about how as our creative goals change, our gear needs often change along with them and how the concept of “good enough” is nothing if not fluid. Also, The Next Rembrandt has us wondering how connected to your work do you have to be for it still to be yours? Can machines create art? Or is the human experience a necessary and fundamental component to make art? John Minihan is our Photographer of the Week.

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207: Emojis Don’t Count

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This episode was published on April 12, 2016.

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This week, we start out talking about how as our creative goals change, our gear needs often change along with them and how the concept of “good enough” is nothing if not fluid. Also, The Next Rembrandt has us wondering how connected to your work do...

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