EPISODE · Jul 5, 2016 · 1H 18M
219: Bell Curve of Adoption
from On Taking Pictures · host Bill Wadman & Jeffery Saddoris
This week, an article in the New York Times about Richard Avedon’s project “In the American West” has us discussing legacy. Who really owns your work after you’ve gone? Also, can you overshoot your own “creative sweet spot” only to end up in uncharted waters? We use the work of fantastic painter Andrew Salgado as an example. Plus, when do you give in to technology, even if it means changing a workflow that has worked for years? Janette Beckman is our Photographer of the Week. Links for this episode:OTP G+ Group - Assignment: #trajectory Dia Art Foundation - Wikipedia, the free encyclopediaRobert Irwin: All the Rules Will Change - Hirshhorn Museum and Sculpture GardenAvedon, Unsigned - The New York TimesAvedon on the App StoreAndrew SalgadoStorytelling on VimeoDavid Korty Example #1David Korty Example #2Janette Beckman – PhotographerJanette Beckman - Wikipedia, the free encyclopediaLeon Bridges (@leonbridgesofficial) • Instagram photos and videos
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This week, an article in the New York Times about Richard Avedon’s project “In the American West” has us discussing legacy. Who really owns your work after you’ve gone? Also, can you overshoot your own “creative sweet spot” only to end up in uncharted waters? We use the work of fantastic painter Andrew Salgado as an example. Plus, when do you give in to technology, even if it means changing a workflow that has worked for years? Janette Beckman is our Photographer of the Week.
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219: Bell Curve of Adoption
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