#234: Mirth, Wind & Fire, Pt. 1: A Mighty Wind

Christopher Guest's 2003 folk scene parody has moments of real feeling - something it shares with Will Ferrell's new Eurovision comedy.

Episode 234 of the The Next Picture Show podcast, hosted by Genevieve Koski, Keith Phipps, Tasha Robinson & Scott Tobias, titled "#234: Mirth, Wind & Fire, Pt. 1: A Mighty Wind" was published on July 7, 2020 and runs 58 minutes.

July 7, 2020 ·58m · The Next Picture Show

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Summary

The new Netflix comedy EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA sneaks moments of real pathos into its parodic look at a highly specific music scene, a sly approach it shares with another classic of the musical-spoof form: 2003’s A MIGHTY WIND, the third in a series of improv-heavy comedies directed by Christopher Guest and starring a cast of ensemble players. In this unfortunately “Ja Ja Ding Dong”-free half of our pairing, we dive into A MIGHTY WIND to examine the source and efficacy of said pathos, and how it aligns with Guest and co’s approach to both folk music and improv comedy. Plus, feedback on our recent Studio Ghibli bonus episode prompts further discussion of the oft-ignored Isao Takahata and the sub-vs.-dub debate. Please share your comments, thoughts, and questions about A MIGHTY WIND, EUROVISION SONG CONTEST, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Outro Music: “A Mighty Wind” Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Description

The new Netflix comedy EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA sneaks moments of real pathos into its parodic look at a highly specific music scene, a sly approach it shares with another classic of the musical-spoof form: 2003’s A MIGHTY WIND, the third in a series of improv-heavy comedies directed by Christopher Guest and starring a cast of ensemble players. In this unfortunately “Ja Ja Ding Dong”-free half of our pairing, we dive into A MIGHTY WIND to examine the source and efficacy of said pathos, and how it aligns with Guest and co’s approach to both folk music and improv comedy. Plus, feedback on our recent Studio Ghibli bonus episode prompts further discussion of the oft-ignored Isao Takahata and the sub-vs.-dub debate. Please share your comments, thoughts, and questions about A MIGHTY WIND, EUROVISION SONG CONTEST, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Outro Music: “A Mighty Wind” Learn more about your ad choices. Visit megaphone.fm/adchoices

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