237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece episode artwork

EPISODE · Feb 13, 2025 · 59 MIN

237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece

from The Screenwriting Life with Meg LeFauve and Lorien McKenna · host Meg LeFauve & Lorien McKenna

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so It's no secret that plays and movies are entirely different mediums, so how do you give the cinematic treatment to a play as celebrated as "The Piano Lesson" by Pulitzer Prize-winning August Wilson? From the start, co-writer and director Malcom Washington came in with a very specific take on the material, and was incredibly grateful when Oscar-nominated "Mudbound" co-writer Virgil Williams came on board to help nurture that take on the page. In today's conversation, you'll hear how the two of them wrote together in the desert, creating a routinized approach to the material, while still leaving space for discovery. Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so It's no secret that plays and movies are entirely different mediums, so how do you give the cinematic treatment to a play as celebrated as "The Piano Lesson" by Pulitzer Prize-winning August Wilson? From the start, co-writer and director Malcom Washington came in with a very specific take on the material, and was incredibly grateful when Oscar-nominated "Mudbound" co-writer Virgil Williams came on board to help nurture that take on the page. In today's conversation, you'll hear how the two of them wrote together in the desert, creating a routinized approach to the material, while still leaving space for discovery. Learn more about your ad choices. Visit megaphone.fm/adchoices

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237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece

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JOIN TSL WORKSHOPS: https://tslworkshops.circle.so It's no secret that plays and movies are entirely different mediums, so how do you give the cinematic treatment to a play as celebrated as "The Piano Lesson" by Pulitzer Prize-winning August Wilson?...

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