#25 Bylo vidět, že se Lynch na výstavu těší, říká o výstavě Davida Lynche Up in Flames kurátor Otto M. Urban episode artwork

EPISODE · Jun 30, 2025 · 39 MIN

#25 Bylo vidět, že se Lynch na výstavu těší, říká o výstavě Davida Lynche Up in Flames kurátor Otto M. Urban

from ParaDOX · host Centrum současného umění DOX

V červnu otevřelo Centrum současného umění DOX výstavní událost roku. V hlavním výstavním prostoru představuje uměleckou tvorbu amerického filmového mága Davida Lynche. Ve výstavě Up in Flames je k vidění na 400 výtvarných děl – od kreseb, fotografií, litografií, dřevorytů a akvarelů až po krátké experimentální a animované filmy, které režisér vytvořil. Díla pokrývají všechna Lynchova tvůrčí období – od jeho počátků na konci 60. let až po současnost. O méně známé výtvarné tvorbě slavného amerického režiséra přišel do studia promluvit kurátor výstavy Up in Flames Otto M. Urban. V podcastu vzpomněl na pocit z prvního setkání s Lynchovou tvorbou, na přípravy výstavy i na osobní setkání s režisérem v Los Angeles. Výstavu David Lynch: Up in Flames navštivte do 8. února 2026. Více informací najdete na www.dox.cz/program/david-lynch-up-in-flames.

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#25 Bylo vidět, že se Lynch na výstavu těší, říká o výstavě Davida Lynche Up in Flames kurátor Otto M. Urban

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All Things Considered by G. K. Chesterton Loyal Books Another delightful and sharply pointed excursion into the topics of the day, and of this day as well, with Gilbert Keith Chesterton. These reprinted magazine articles are filled with his good natured wit, his masterful use of paradox, and devastating ability to use reductio ad absurdum to destroy the popular myths that drive a society driving full-speed into secular humanism. You will come away with a whole new collection of wonderful quotes. (Ray Clare) Ballade of Suicide, A by G. K. Chesterton (1874 - 1936) LibriVox LibriVox volunteers bring you 18 recordings of A Ballade of Suicide by G. K. Chesterton. This was the Fortnightly Poetry project for May 20, 2012.Gilbert Keith Chesterton was an English writer. He published works on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." For example, Chesterton wrote "Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it." (Summary by Wikipedia ) What's Wrong With the World by G. K. Chesterton Loyal Books Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”. Chesterton’s answer at that time was the shortest of those submitted – he simply wrote: “Dear Sirs, I am. Sincerely yours, G.K. Chesterton”. In this collection he gives a fuller treatment of the question, with his characteristic conservative wit. What's Wrong With the World by G. K. Chesterton (1874 - 1936) LibriVox Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”. Chesterton’s answer at that time was the shortest of those submitted - he simply wrote: “Dear Sirs, I am. Sincerely yours, G.K. Chesterton”. In this collection he gives a fuller treatment of the question, with his characteristic conservative wit. (Summary by Wikipedia and Carl Manchester)

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