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#279: Window Watchers, Pt. 1: Rear Window

The new "Woman in the Windown" sends us across the courtyard to the Hitchcock classic.

Episode 279 of the The Next Picture Show podcast, hosted by Genevieve Koski, Keith Phipps, Tasha Robinson & Scott Tobias, titled "#279: Window Watchers, Pt. 1: Rear Window" was published on May 25, 2021 and runs 70 minutes.

May 25, 2021 ·70m · The Next Picture Show

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Joe Wright’s new adaptation of the bestselling novel THE WOMAN IN THE WINDOW is hardly the first film to tip its hat to Alfred Hitchcock in general and 1954’s REAR WINDOW in particular, in no small part because Hitchcock’s film is in many ways a movie about the act of watching movies. But it can also be processed as a film about storytelling in general, or the journalistic impulse in particular, both readings of the film that we get into this week with our special guest, freelance critic Roxana Hadadi, who joins us to discuss REAR WINDOW’s tricky psychological themes and even trickier characterization. Plus, a piece of feedback about our recent episode on BIG TROUBLE IN LITTLE CHINA prompts a discussion that ranges from how we process movie stereotypes to what’s good in Iranian cinema.  Please share your comments, thoughts, and questions about REAR WINDOW, THE WOMAN IN THE WINDOW, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Wright’s new adaptation of the bestselling novel THE WOMAN IN THE WINDOW is hardly the first film to tip its hat to Alfred Hitchcock in general and 1954’s REAR WINDOW in particular, in no small part because Hitchcock’s film is in many ways a movie about the act of watching movies. But it can also be processed as a film about storytelling in general, or the journalistic impulse in particular, both readings of the film that we get into this week with our special guest, freelance critic Roxana Hadadi, who joins us to discuss REAR WINDOW’s tricky psychological themes and even trickier characterization. Plus, a piece of feedback about our recent episode on BIG TROUBLE IN LITTLE CHINA prompts a discussion that ranges from how we process movie stereotypes to what’s good in Iranian cinema.  Please share your comments, thoughts, and questions about REAR WINDOW, THE WOMAN IN THE WINDOW, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices
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