281 DC Creators Panel

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You guys need that, I will love you forever. Thank you very much, but I want to start with Steve's instruction. What are you guys working on now in DC, what in our space is that? Alright, so I'm here in the community, but I went on there already, so I was working here.

Um, in three years and then I didn't part of the community, but I did a job at home, but I got a job at home, but I got a job at home, and I wanted to, and I'm working on one for now, and I'm helping with that, but I'm on the phone, and I'm going to be able to do that, because that's what we're going to do, so that's what we're going to do. So that was a fun, but yeah, I'm really cool, and I'm going to be doing that, and I'm going to start running right now. And we'll see. That's what you're on the side, but you just asked fast, and I see you are working here.

I'd like to ask you the same question. We're going to have the next night. No, we're going to last night on Earth. Yes.

Yes. The University of Michigan. Yes. What do you do?

Did you like it? Yes. Why do you mean if you didn't? Learn all these remember, if you don't care for it, it's all Scott's night or so.

Yes. Yes. Now I'm just going to say, because it's our last matter, and I'm sorry, and we began to call it out. So be sure to pick up this look again, this is the period at the end of our sentence, and you're in for about right now.

First, this is just the one moment. So enjoy. Woo! I'm just finishing up.

I hope you guys have seen it. I don't know how many have. This is going to be a warmer stop. Can you actually have it?

Exactly, will we? Yeah. But the re-branding of the right marks to you guys to see it just on the front. But anyway, I'm having a few more reasons.

I'm paying for it. It's great stuff. And I'm going to be asking. OK.

Yeah. We've got a five-time period going up, and then... That gets left. That gets off, huh?

Like what did we say? It was almost going to ask you to play, so why do you have to play? Because you can't play. OK.

Yeah. I'm pretty sure. Oh, thank you. I've reached the point.

You're good. I'm good. See, I knew you were working on a Martian Air under now, where I'm getting entrenched. As the JLA's, I'm calling you out.

But that's what we played in the comics. Are you established that character away from how he's entrenched as a Unity player of the Airway? I mean, you, you're watching it every year. You never said that why he is a city company on Selzino.

You've already been working on it every year. It's sort of a Martian Air one. It's also here 100 years ago on Mars. But we're getting into the place.

We're getting into the place where we're at. And we're getting into that. It's very good that there's a heat field company that we need in the greater communities. And we need that.

And that's the strength. Well, we're really giving in this thing. The warranty with the pride that you see in this specific region. And it's very good to bring this effort.

That's the hard fact. We're showing how we go through that person's loss. Everything. Truly loss, everything.

And honestly, it's a fabulous job. It's been brought up to protect other Martians. At the University of Hino, it's steadfast. And in the shoulder, they need these other houses to be a crime.

Whoo! As there's no mistake in your work on that role, I would probably have been a client-samp on the character. How much freedom did you have? More than any action.

He's always found a good violin. It was not for the end of the year. It's always, always just some trends. That's it.

I've definitely got that drawing. There was a comps of work at role. And I've heard that my passions are like fashion, one, confidence, isolating drawings. And just having the same story that I've been trying to tell, running a camera.

And that's a long do. I don't know how else it's someone who's got calls for a sense of like, or other, but she's got calls for a sense of like, oh, you're sorry. I'm sorry. I'm sorry.

What about you? No camera, how those? He had this like, she had like the sides and moves and the snaps would be, but I knew both of them had that other character, but he's just got a four-way side. But I had a couple of questions on my jacket and I had my snap.

We're never going to get other people down in this year. So like, two years from year to year, you're a young girl, you're not going to get a little puppy. But he's just a sassist. And you have to come up right up then.

You're good. You should be sassist. Thank you. Woo!

Thank you. Great. Batman has the most, I kind of say, stable villain in the comic history. You guys helped create the Fort of Owls, which stands among the children, the writers, like, all of those who own city love.

How much did you have on that and walking up a little bit of that great process of work? Well, I mean, you know, everything starts with, starts right, obviously. I just want to say, it's not just because we're really both friends right here. I think it's one of those Jim's things that's been through the Batman, all the time.

Batman is so grounded at this, you know, the understand how the movie knows better, that he knows, and for a shot, the injectors thing where the gorgeous the owner knows, and it's been a 400 years on that, or at all, on the seat and in that way, to be able to just really get down. So, I mean, I got to just get close to that, but it's not. I mean, that's just a genius idea tonight. And so then the end, you know, he's like, he's getting started with a seat, you know, to talk about the flames of the mask, you know, just the eyes on the preview.

And so then, you know, my job is to review different things that are, you know, inspired. I used to get a particular vision for a gatula and white masks, but down, that was pretty much a lot of that. This is my reason. And, you know, I don't know how much I was trying to get to buy, so we went to town and we got to have a little big and birds and vlogs and all that stuff.

So, you know, the scene line, the scene line, the view is down, the feel is better. You know, they're not, they're due to you wide and flowing. I used to try and have those little elements, and to bring that flavor in. I don't have to have any, I don't have any, I don't have any power in it like that.

I just, you know, the idea is like, what are we trying to do? And I just, you know, you said, it's a little bit of a joke, you said, you want to know what it is, and you just, you know, sometimes, you know, not just gals, but then you go create that, is new, it's a hill start, but it seems like you're having a last. Maybe you don't see your eyes, you know, they'll say something like that, and you're really tired. I'm really tired now.

And so, you open that, you open that conjure and my head. And so, I just sit down and start sending it. As it comes out, it's unimaginable. For me, it is when you're a little kid, and you just have to go like this and open it.

So, using my first idea is going to come out. So, I'm going to be able to see it. I just want to go pop up. Push back with the twirl.

I can get back to the back. We're not really going to hear this next. I got a lot of push back for the cover ones. They really didn't want to do that cover.

Yeah, they really hit this with your boy. And they don't want to do that with yourself. So, I know what they were at. It's the same color that we've all seen and that's a starboard move.

And I'm trying not to hear all of them. Yeah, I know what you want that, right? There's a words in that part. You can do it for me.

So, for three days, I heard a few of those, and I think I was on the top of the table. I'm going to go with this from a different angle. And I was on the top of myself. I came home with this.

I raised a therapist. I was on the work time. I was on the top of the idea. I was outside of the box.

I didn't do that. I didn't do that. I was on the top of the box. I was on the top of the box.

I said, listen, you're paying all this life. And you tell me, you know, you want to come up with new ideas and you don't understand what they're doing. You're going to go right now. You're going to take a record, and start in the way that people saw that.

So, you don't hold a hat. You don't establish anything new. They say, well, I'm the same trail. But that trail worked out.

That's why it's a beating ball. But you don't get anything fresh first. They have that hat. They're playing that seat ball.

So, I fought about it. And Jimmy actually put it in and said, the day that he goes, if ours feels this wrong, you've got something you've got. He's going to get out of the way and let him do it. And so, then the thing began, again, the right hand.

Yeah, he's going to get the right hand. Okay, we're going to get the right hand. Okay, we're going to get the right hand. So, we're going to get the right hand.

So, we're going to get the right hand. So, you know, so anyway, he let me go through and then there are all people who are going to understand what was the start. He's going to always get it. And obviously, I've got to see what is happening.

So, I have to realize after it's all finished, that I would like to include Aquaman. So, that's why you see Aquaman's pride as a tattoo. And the rest is like, oh, that's all I'm going to hear. That's so mad.

I thought we saw that one. We can't tell that. Any of the other families were very long time. That's all I had.

I normally pick up an easier, but on a dark night three, I'm in the first race. I look at the park. I give you a drawing, but I saw a lot of influence from Frank Billard. She worked on yours.

Talking about putting your own sample on something that is high on against the dark night. All of us are locally playing with this. All of us are locally playing with this. All of us are really difficult.

Very much. So, when I first started on that, and I was sitting right in the accident, I hope you don't do this. Anytime you sit right there, you have no idea what to do or how to look at it. Oh, yeah, I'm just going to go with it.

And that's what you see is the way you can act. A lot of it when I was first starting out, I was like, you were a lay-ass person. I wanted to make sure that you were on all the same thing. Frank, when I was a lay-ass, you would tell me a couple of key things.

That really just rang over my back. I actually withdrew out of eight after I thought. He said he told me one thing. He was going to really keep in mind through his.

He used to be in his face. I was really successful in his original work. He used it a lot in his city. And he showed me where.

And it almost stayed in places where I knew. And I was like, pull back on it. They don't have a certain thing. I was like, wow, that really works out a lot.

And that's what the whole 12, the week, the whole series. They really have a lot. But as far as doing it, I was like, you know, I was like, you can try the amount, I was like, this is just the way it came out. And a lot of that too was the capacity.

And a lot of that final okay through was the process. I had a lot of other forms of the law, a sort of a private search. A private space, a private private space, a private private space. And they did what was from a private spot.

They didn't want to stop together and try to get out and find what they would. It was very cool. They didn't do it. They didn't want it.

Right. And we're in the collaboration of people. We were as a private as mine at the New York. But we got to meet the private box.

And, yeah, it was very much about race. But I would interject a lot of myself. Like there was one scene in the first issue, or even though it was very extra given to the cops. And the line just sort of, they just didn't know I just wanted to have a flash between the kids' time of the week, and it was very difficult to do.

So that, I kind of dug into the breaks, since city stuff was amazing, and that helped me out through that part of it. But, you could get back here as a question. That might happen just again. It wasn't my choice, it was just how I saw it.

Let me get you guys, you guys have any questions? Put your hand up, I'll voice you. Let's ask you guys to ask your questions. Right there.

Right, like, metal is some of the most insane stuff I've ever read. Was it? And any point when Scott, like, did you some of the ideas, did you do everything? Like, how many of them pull this off?

One of them got pulled off, you know, it's just what I did. Oh, I like it. Oh, no. So, you know, the cars in the pitch came, you know, I wasn't really trying to get out.

So, I had to do that. And I had thought of the re-order, the part on the bar, the bar, the always the bar, is the sun. And it sounds cooler, so keep your go look yourself. Thank you.

So, keep your time playing with me working back. And you know, I want to look at you back as you're swimming in. You're like, go ahead, see what you mean. You're like, have your galasses go right?

And you're like, a sugar gagging? Right, so that's like, that's like, that's what I saw. And what you saw, I saw, I was going back and forth. And then, I got the other guy.

So, then I got the structure, they're just getting more and more escalated. I'm sure they're crazy crazy. And then, then, then, they'll point my gal. Certainly, things are more labor-intensive.

But, then, then, they'll make me say, how do I do this? You know, when the train, they just, you know, they just, you know, they just, you know, leave it, and I'll leave it, and I'll leave it, and I'll leave it, and I'll leave it, and I'll leave it. That was exciting. I was like, I'm swimming more excited because it's in.

So, everybody like that? Yeah! Yeah! Okay, you know, why do you please take the bomb?

I like, maybe. Oh, come on. Yeah. You're going back.

You're going back. I don't want to do that. I absolutely don't want to do that. I really like, look at my gal.

I really like the look that I'm going to be back. I'm wondering if there's any characters you've kind of drawn that you would like to go on, maybe. Oh, um, I'd love to be like a sirens book. I think I'm going to show you a little camera.

I'm going to draw in my photo of my alley. I've got to be a couple of covers on my inside, and some covers and stuff, but I would love to draw this. Thank you. Thank you.

Thank you. This is for today. I'm not going to let you know, you know, you know, you are kind of, you square. I don't need a turn here.

We're going to be better. We'll be back. We'll be back in the evening, okay? I just want to see you first, So, the problem is obviously, it applies as well as the way all the way up like it's fast.

So, you don't want to know about the exact same road, as I was saying earlier. So, what other symbols of speed can I use to spell that out with this character? It's always thinking more about raising cars and jet-tires and stuff. So, that's why it always spins and spoils on them, because those were other elements that I had to exhibit so fast.

So, that's how I ignored them. And also, the very other. It's all very sharp and dangerous. It's like straight through.

So, that was on the tip. So, that was my other favorite. Actually, about that in last. And you've looked on every character that you think of.

The art style. You can tell us, you can also tell it changes. I'm curious if there's a time where you worked on a character or a story and it changed you and it changed how you approached you, how you draw. Definitely, right?

Definitely. When I post a project, it's, I don't make it, you know, it's nothing's intentional. It's just the way I see it. You know, it's important.

I think one of the, the thing that didn't influence me the most was the anything that I had only wrote. That one I just wanted to go into the direction with it. And, because like, a watch, there's a lot, a lot of arts and things I want to do with it. Just a little, I don't know what you're calling it.

Just a very much something. And it's a little, I don't know what you're talking about. But that was pretty much the way, you know, without the light outside, you're supposed to go into that. But it's, it's not to say, like, right, it's like you wouldn't handle it.

I want to do a story about it. Really? Yeah, a lot. That's true.

A lot of art. It's something like that. It's something like that. It's something like that.

It's something like that. It's going to be like, I'm wrote. But, but what I want to do is this. It's not to the same.

I don't want to do it like that. I don't, I can't do it like that. I have to go into a different direction. But I don't even, that kind of guy down here with the different rights I want to go through.

So, it really depends on the project. I don't know what's going on. So, but it's the question. Are those characters you're wanting to read as it later?

I mean, I gladly read as though they have stories right now in the last room. So, I think that's everybody's attention to what they like to read the moment. But, you know, I, I, I love having interactions with the members. If there's something I would let me go back.

I'll focus a lot of other ways that I don't read the music of the universe as well. You know, I've been trying to get, I've been trying to really, really, really work in and savor into books for a long time because they are really kind of long-lived. I think it's common, and they're really, really, really, really, really, really, really, really, really really, really, really, really, really, really, really important. So, yeah, I would have to go back.

But, I also have a lot of others who are going to be sort of going east, I'd like to come down as well, while I'm working east-western. Great. I'm not going to ask you about some of the other stuff you brought back to. All right, good everybody here.

I'm not going to go back and talk. Just want to be able to read. Well, I mean, I'm going to do the last night. I've got to go, I mean, you said we're going on 300, and I really want to evolve.

It's a little or as much as you can be. Because he thinks he goes, you want to make it special. And he goes, I can't think of any of the special things that happen to you, who are not going to do it. And so, I mean, the midst of this stuff.

And I'm very nice guys to tell you, honestly, the offer is full of money. And I'm sorry, I'll get to the end of the day. I was there, you know, same as my head. He's going to help, but he's going to help, just because he's going to stand, listen, and you've got to try to move things around, schedule it, and the last night goes, I'm going to do a small three hundred, and it's very cool, because he's going to make it.

And so, I did interview for Syfy and my house, and he's going, yeah, and I put a great offer on on the Indian, how much, and then I go, the reality is he's got to be a lot of money. But, you know, that's what we have to do. And I do see that. But the thing is, I said I have to go back for that, because that really is cool, but I will, it's a kind of issue, and he's only the second book, and he'll be able to make it to that number.

The other way, Sarah said, I think that the other guy, and Todd's actually going to be just doing a nice bit. So, for me, not to be part of that, it's all just seemed wrong. It seems that I should be. I feel like it's falling forward in mind, because I did so much of it.

And so, it started out, at least on the covers, if you do 10 things, now I'm doing full main story. Todd, eating traditionally. So, it's going to be as old as it was to be, and then I'll tell you, Todd, it's given him the first experience to start working on, and he's been texting me, and he's like, then, you know, I don't know, I'm more than text. I know, it seems like somebody really missed me.

Okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, okay, 300, I'll give you an opportunity, cool. And then I'll just... Just wanted a general question, you know, TV has such a deep stretch of what it's going to be talking about as creative. So, I'll go through the same, you know, the same sort of like, you know, what it's going to be talking about.

And then I'll just go through the same, see, see, see, see, see, see. As far as the city's incentive, I hate drawing the same stage, but my wife loves them, and I hate them, and she really likes my drawing, but I always hate drawing, so I like, as it's gauged, and so is the edge. But I'll tell you that, and in a certain place, I could be on a very long time, I was in a long time. And when I was in high school, I loved my future.

And I was doing better than it was. And I obviously provided energy into the parks, I think, that I enjoyed it. And less so in the parks that I enjoyed it much. And she said, you have to put as much love into the things that you just like, that you do enjoy doing.

And that lesson from that high school situation. So I do, you know, draw cities. I do all as much love as I can to do, in the next I do enjoy doing. But yeah, snow and snow.

And so, you take it, if you go short, if you take the shortness on cities, you'll go right around there. And you get, they're hard to draw, and take a really hard time. Eat. You want to go straight and take a.

Stay. And notice, those are pretty much like, there's a small types of, I don't do a few Mythos. They're not supposed to. And that's not what I've been doing.

Can you see? No, because it's me up, or it's me up, and it's like a parent to, unto itself. Why? So you can, that's not wrong with yours, it works out either, all respect or talk.

Yeah, you're right. I can't handle this. All that stuff. Yeah, and all of it, it's kind of long, all of this stuff, but the conversation, you could be all, all of it.

I was like, I did, but I wanted to explore more of the city. And he, as I was like, I was like, I'm a like, I was like, this is definitely hell-created. How did they want to have a mental illness, so do we, but I'm going to chat with you over and stuff like that? There's my inside.

Okay, I'm almost there. I think it's all green, so what direction I've got? I'm doing that a lot, and I'm just using all these characters. I think it's all green.

I'm doing that a lot, and I think it's all green. So if we're out here with the next one, it's all green. So we're just going to be able to do that. You guys are exploring the past, but what future do you think you've got to be before?

I think it's very long time to do it. I didn't know a lot about it, I drove my bike. And so for me it doesn't matter, because it's all green, so what direction I've got, it's like doing that a lot. I'm going to use it all these characters, I think it's all up.

So if we're out here, we're going to go with it. It's all random. So it's all random. So it's all random.

And then it's going to be like, well, I would say pop-rock or ever, it's a sideway. Yeah. Yeah. It also brings our closer to you.

And then I'll get those in case. Listen to your friends. Yeah. That's a good one.

Yeah. It doesn't matter. It doesn't matter. It doesn't matter.

It doesn't matter. I believe it's a little bit more than the other. Or initially, I was like the Montessor's story. And the whole time you went up the path.

And I was like, I was, you were like, firstly, I think you were the first people we were like, yeah, I love her. And I said that she hasn't been around recently. I heard about her. So I should say, it's injury because I'm 33.

That's the answer. But my real answer is that I think you should present a really big urban family to that. And we used to do a really cool amazing thing. I would say they do because do closely with the most one I was trying to do.

I don't feel like I have a really not obedient talker to. I think they're all offensive people. And I just do closely with the most accurate people. I don't know why.

So when you hit the water, you hit the water. Oh, we dated. Like, we were dated and we were, I didn't talk, you know, we were a career. I still would like to do.

So we took a question about what we were hearing about. I'm very around about that. Yeah. Like, I'm even though we got a few stories like that.

That would have been a future project to do this. And that's to be all right. Yeah, I guess it can say what it is. It's not me, it's me calling me something.

I'm not going to have to say anything about it. I'm going to do it. I'm going to do it. I'm going to do it.

I'm going to do it. So we had a meeting about it recently. And it was wild to us. I present now some of the most higher ups.

And we all center really hash it up. We have five others. And I've not done that. I just are all image-y on it.

That's what we did anyways. And I work really hard to get at the end of the day. I'm going to be able to say it upfront. They all care about it.

I'm not making that anymore excited. I'm wondering if you're interested. I don't want to say anything about it. I can ask for a new one.

No one talk to me about it like you want. As you can't say, whether you do it is, you also consult. Even brands. That's right.

That's right. That's right. That's right. That's right.

Anyway. Yes, my question is for Steve. So, how did nobody know that we started seeing kind of the new age of care or really kind of the amount that it didn't take so long? I'm just going to, from your perspective, get involved with it.

I expected, why do we think that that was as received as well as it happened when we were holding and kind of creating this new grouping of just a year over 40? Obviously, we all went to be successful, of course, but when we started out, and actually almost everyone knew it was at the village. So, it made us a new community. And you made us a new community.

You made us a new community. So, it's funny to think that they said, and then said, we were there. Some months to be like, when you're in a group, you didn't create all these new things. Oh, right.

You know, the team and the fourth world, and they held back and things, so on and so on. And it's just months, it slows your new characters. And what we didn't even put out the time is, the audit up at the time. And didn't necessarily blow up, and there wasn't necessarily a student's tussle.

We came out the pattern, and we said, we can lock in the Christian piece of the universe. And so, I think that was the main goal of the way to heroes, is to have some of the home, where you have some sort of a crazy community character. So, I'd fully understand that some of you have the time. Some of you have the time to take a moment to find the right focus and find the right place to be in.

And that's okay. You know, we're, you know, today we talk about those integrations in world, because they are our communities. And I think that was the hope of the way to heroes. And you said, you know, that some of them are still going.

They are all, like, I mean, when Silos are getting out, Silos are going to be what I've just talked about, and I've just been writing, and now which is there, maybe I'll have a chance to work with them, and the same goes for the characters I created, the same goes for all these characters. You know, what, what, what they did, the enemies and so on. And so, I think the answers to that, of course, you can be, I would like to work with characters for five years, for six years. But again, today, we're in the DC University, we'll be in places and DC University.

So, I'm pleased to see where they show up next to the non-American, these other books, and how they can be treated on the side of other characters. You guys are great, I don't need to be a tech writer. Alright. All that they were very interested in, are the far-right side of the non-American, so obviously that ends in having a six-day first, so that was already planned to pass through, so I'm kind of seeing it.

I'm going to get a result of the last book, so I'm now visiting our players, but all these comments, you know, I haven't heard anything, I haven't heard anything. I see the, I have also the DC, so. Oh yeah, I just want to be a very event, I'll tell you yes. Oh, I'll tell you, I'll ask people to run for that.

They haven't heard it, so no, my head's in sand. I'll be in third place. Oh, there they go. Oh, fair.

The DC's new plot labels, which are character design, Matthew, and like, okay, or anything. My dream character is about the same man, I think he's a perfect, hyper-black label, like the first books that I wrote and I'm starting my life, and I'm obviously still the same man's two years, and I've been trying to find a way to do some industry years, so that you can see. I hope there's something that I would be scared to better see it for the world, and the story's only, and I'm looking at this as I say. So, always in the AC and who knows how we do it.

I mean, my idea is about what happened with the DC man was about the DC man. I have a question that's sort of a gamer, and also an AC man. This is kind of a question of all of you guys have. Do you guys play DC man's first book with that in hardcore games, and also what you think is sort of a major player?

I don't know why I think some of the later designs are all, but I think we really want to play into the fun, and to have a little more of a thing around the problem. I think it's like, you know, I think it's not easy because I like, grab it, and just grab it, and grab it. I go get you back to the wall and say you're a little out in. Yeah, and like, they're great.

I was a little more about it, but I don't think you play around with the DC man. I have a way through this talk about it. Oh, but I've seen that because I've got to hit it all the place. You play the hockey.

Yeah, so I've seen it go to my ass in school, and I'm walking out in the box and I wish I would. I was a book record of 16, which was one of the lessons that I was going to go to. Was that one of the lessons that I was going to go to? Junior's a meaner, my ass.

The cos-fighter at that time didn't realize what he was getting to his greatest thing. I used to go to school. So he was murdering us. Not only did he just add more and more things to his grip.

All these things would be so labor intensive. It would be more labor intensive to see after another labor deficit. And he wore us a lot. And so at that point, I started sitting down and I'd go like, you know, you can kill an artist on this one.

You've got to be a little bit of time to go to a group and you can't grab. Because you have deadlines. Oh yeah, you understand? No, no.

So I actually just dropped these. And I was determined that this line just took me forever. And this line is what I could do today and keep the deadline. So I started thinking, so you can see what's going on.

And then I told him, I go, what you found out is always important to you? Jimmy, me, all you can find out is actually... And he was saying, you know, and then he was saying, you know, and then he seemed like, you know, and he throws every single bat away like a bat away. And that's cool, right?

And he said, you know, what's wrong with it? So, uh, anyway, Scott is much more useful for him now. So he understands that he only prompts a lot of people. He never do you guys, but he does.

But I'm very proud of the way it came out. But it was certainly the most labor-intensive thing we ever went together in our game. He really does, I think. I think we're going to have a lot of stuff.

Oh, thanks, Mr. Mayor. Thank you. Thank you.

So, I'm glad that there are colors that you don't want to see about the success of Todd. Because Scott, early on, wanted something really fresh, otherwise, not when you're just going to see a big development. And so he was, you know, using the rubber to, you know, he had a pump block by the stuff. And so when he started telling his, you know, that's what we're going for, you know, he was typically going, is this okay?

And then we go, it's awesome. You go and he resumed the open up stuff. Not. And so, here he is, well, he's a water sharder.

He has to have a lot of ocean boundaries of color. And that block is just fantastic. I think he's playing. Anyway, I'd like to...

You guys have the one more estimate here. One thing to argue about here, I'm talking about this one thing, a little bit, and you have to see the upper side of the bubble. I don't know what to say, but I heard you like, see the rest of the characters on the front of the side. You like to see more of them on the whole museum?

Or are you guys there any character on the front of the top of the top? You guys want to think. Well, I'll tell you the story. I got to draw that brief moment with Swamp Thing.

And I just, well, it was like, monster, right? And so I get in there and I go, damn. I want to know how it was Swamp Thing. You go, no, no, no, no, no.

I'm not going to do it. I'm not going to do it. So I went, so I went, to the bottom of the other side. And he's just be down.

And he gives me a long pitch on how he would give you Swamp Thing. Well, he would prefer that I do one more. And so, happened? I got done.

I got, OK. Yeah, I got to see what I want. He goes, big happy. He goes, you can do me with all the swampy covers.

And I'm not a swampy book. I'm not a book writer. And I'm sure in my first swampy company, he goes, how's it going? I need you to do the swampy book.

So I do that quick. So I'm going to do a swampy book. So I already had a swampy story. You might have to do that.

The thing is, I mean, we're a place right now, we were really trying to figure out what direction to go. Because the thing is, I'm going to do that. I'm going to go to the world. I'm going to do this.

So obviously, I'm going to do it. So I had a lot of great old ideas that we want to do. And so, we want to try to figure out where we saw this end. Because we're going last night, we just got to also have one super mega event planned for DC.

We have all those great old ideas. And so I'll leave them as ideas. But Marley has one of the, like, half the pair up. We'll bring those writer team up.

And another old story, which is called smash everything. That's all right. And so we're just going to be going next. What do we do next?

At least 15 years, we're going to run you right in the ground. Keep going. So I'm going to help you. How can you do this if many of these things we want?

And what order do you do that? So I want to be smart. I mean, you go off the line. If you like what you heard, check some of our other shows out like Exotic Liability, Nerd Vomit, Black Falls, and I Hate Kathy Hammond.

We can be found by searching for the VACN on iTunes, Stitcher, and Google Play Music, or at www.vacnpodcast.com. Oh, yeah.