284: Inside Van Holzen’s New Album: Self-Producing "SOLANG DIE ERDE SICH DREHT"

Your next step:Apply for coaching! theselfrecordingband.com/coachingOur coaching program and community is called The Self-Recording Syndicate. It’s the best resource in the world for artists who record their own music.Inside, we work with you one-on-one and connect you with a super positive community of artists and producers worldwide, so you don't have do go it alone. We help you record and finish songs you’ll be proud of forever.👉 If you already have songs written and want to get them release-ready, you can apply now. We’ll show you how to produce, mix, and master your songs. Right in your own home studio. At the best quality possible.If we accept your application, we’ll first have a free call with you. On this call, we’ll make a custom plan just for you. If you don’t love this plan, you don’t have to pay anything and you can walk away.But if you do love the plan and want to work with us, here’s our promise:You’ll have at least one finished, pro-sounding song within 6 months. That’s the minimum, you can do way more! And if it doesn’t happen, we’ll keep working with you for free until it does.Sounds fair?🚀 Click here for all the details:theselfrecordingband.com/coaching--Episode show notes:Van Holzen just dropped a fantastic new record. And it's not just the songs, the production is really exciting and interesting, too.The album is called "SOLANG DIE ERDE SICH DREHT", and today on the podcast we sat down with Flo (Florian Kiesling) from Van Holzen and Phil (Philipp Koch aka Kidney Paradise) from Heisskalt, who co-produced the record.So it is a partly self-produced album and a project that we can all learn a lot from.We went deep into the making of this record. From writing under the Greek sun, to cramming into an 8m² Berlin studio, to locking in drums and bass at Toolhouse Studios.This conversation is full of lessons for self-recording artists:Why they chose to ditch perfection and keep imperfection as part of their soundHow they managed to capture huge, punchy drums without relying on samplesHow they've achieved this dark, low-end heavy sound, without making it dull and lifelessThe thought process behind their clean, punchy bass tone in a genre where most go with heavy distortionHow shifting environments (Greece → Berlin → Toolhouse) shaped the songsThe mental and emotional hurdles they faced starting this record after a difficult couple of years - and how they pushed throughWhat it really takes to co-produce your own band’s record without losing perspectiveThis is not just gear talk (though we nerd out plenty about snares, ribbon mics, and pedals). It’s about the intention behind the sound, the decisions that shaped the vibe of the record, and what other DIY musicians can learn from their process.If you care about authentic performances, raw energy, and making bold production choices, this episode will inspire you to rethink how you approach your own music.👉 Listen to Van Holzen’s new album “SOLANG DIE ERDE SICH DREHT” everywhere music is streamed👉 Check tour dates and info at vanholzen.com For links to everything we've mentioned in this episode, key takeaways, as well as full show notes go to: theselfrecordingband.com/284--Send us Fan MailIf you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]