#3「日本語はミュージカルに不利⁉」

from 飯田洋輔のMUSICAL COMPASS · host 読売新聞ポッドキャスト

▼日本で上演されているミュージカルの多くは、海外で制作された作品を翻訳したもの。日本語・英語での歌唱の違いや翻訳作品の持つ課題、役者としての向き合い方について、20年以上日本のミュージカルの第一線で活躍する飯田洋輔ならではの視点で紹介します。出演：飯田洋輔ーーーーーーーーーーーーー ☆COMPASS WORDS（用語解説） 0:03:46　フレージング…音楽的な表現を豊かにするための呼吸の使い方や言葉の区切り方 0:13:24　リエゾン…単語と単語を滑らかにつなげて発音すること。 0:19:31　ハイトーン…高音域 0:19:37　ロングトーン…一つの音を長く出し続けること ☆COMPASS CHECK（話題に上がった作品・曲名など） ♪「彼を帰して」（Bring Him Home）―『レ・ミゼラブル』（Les Misérables） ♪「メモリー」（Memory）―『キャッツ』（CATS）ーーーーーーーーーーーーー制作：読売新聞社・Vivoyage音楽：『Theme of MUSICAL COMPASS』（作曲：森亮平）ディレクター：髙瀬まりこ公式サイト：https://musical-compass.com/  #飯田洋輔のミューコパ　#MUSICALCOMPASS　#ミュージカルコンパスSupport the show: https://musical-compass.com/See omnystudio.com/listener for privacy information.

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#3「日本語はミュージカルに不利⁉」

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