442: Discussing: Cue Scripts with Lizzie Conrad Hughes

Beyond is sponsored by The Malone Society: The permanent utility of original textsThis week we have a chat about Cue Scripts with Lizzie Conrad Hughes, founder of Shake-scene S*********e about the practice of using cues scripts to produce a show.Find out more about their work - https://www.shake-sceneshakespeare.co.uk/Support their work - https://www.patreon.com/shakesceneshakespeareOur patrons received this episode in April 2026 - a few months early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at [email protected], follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg’s edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan’s edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary’s The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.