Long Gone, Pt. 1 — The Defiant Ones

Stanley Kramer’s 1958 feature THE DEFIANT ONES, a film very much of its time, makes multiple on-screen appearances in RaMell Ross’ new NICKEL BOYS, a film about the way the past haunts the present. Both movies take place in the Jim Crow-era South and engage with that setting’s lopsided ideas about justice, but THE DEFIANT ONES does so from a much more straightforward approach, operating as both a stylish thriller about two escaped prisoners, one black (Sidney Poitier) and one white (Tony Curtis), and an earnest allegory about interracial acceptance. That latter quality makes it easy to lump in with Kramer’s other “message movies,” which are often dismissed from a modern vantage point as stodgy and sanctimonious, so we’re revisiting THE DEFIANT ONES, with an assist from critic and pal Noel Murray, to see whether it earns or defies that reputation. And in Feedback we revisit our WIZARD OF OZ discussion with a reader suggestion of another child female protagonist who rivals Dorothy when it comes to teary helplessness.Please share your comments, thoughts, and questions about THE DEFIANT ONES, NICKEL BOYS, and anything else in the world of film by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.