71. Músicas tradicionales no occidentales (II)

Las músicas no occidentales forman parte del cambio producido en la música en todos sus parámetros. Entre estas puede hablarse del gagaku japonés, de las músicas chinas asociadas a las tradiciones yayue y suyue, y de las ejecutadas por etnias africanas como los pigmeos._____Has escuchadoJapon. Gagaku. Etenraku. Ono Gagaku Kaï Society, intérpretes. Ocora (1987)Pipa: “White Snow in Spring”, performed by Wu Man. YouTube Vídeo. Publicado por The Met, 1 de agosto de 2016: https://www.youtube.com/watch?v=ksiM1wRcutQCameroon. Baka Pygmy Music. Hut Song. Grabaciones de campo de Patrick Renaud y Simha Arom. Auvidis (1990)_____Selección bibliográficaAROM, Simha, African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge University Press, 2004BRANDILY, Monique, Introduction aux musiques africaines. Actes sud, 1997COOKE, Mervyn, “Britten and the Shō”. The Musical Times, vol. 129, n.º 1743 (1988), pp. 231-233*DEMOLIN, Didier, “Les Rêveurs de la forêt: Polyphonies des Pygmées Efe de l’Ituri (Zaïre).” Cahiers de Musiques Traditionnelles, vol. 6 (1993), pp. 139-151*FELD, Steven, “Pygmy POP. A Genealogy of Schizophonic Mimesis”. Yearbook for Traditional Music, vol. 28 (1996), pp. 1-35*FÜRNISS, Susanne, “La Technique du jodel chez les pygmées aka (Centrafrique). Étude phonétique et acoustique”. Cahiers de Musiques Traditionnelles, vol. 4 (1991), pp. 167-187*—, “The Adoption of the Circumcision Ritual Bèkà by the Baka-Pygmies in Southeast Cameroon”. African Music, vol. 8, n.º 2 (2008), pp. 92-113*GARFIAS, Robert, “Gradual Modifications of the Gagaku Tradition”. Ethnomusicology, vol. 4, n.º 1 (1960), pp. 16-19*GRAUER, Victor A., “Concept, Style, and Structure in the Music of the African Pygmies and Bushmen: A Study in Cross-Cultural Analysis”. Ethnomusicology, vol. 53, n.º 3 (2009), pp. 396-424*HARRISON, LeRon James, “‘Gagaku’ in Place and Practice: A Philosophical Inquiry into the Place of Japanese Imperial Court Music in Contemporary Culture”. Asian Music, vol. 48, n.º 1 (2017), pp. 4-27*HUI, Yu y Jonathan P.J. Stock (eds.), The Oxford Handbook of Music in China and the Chinese Diaspora. Oxford University Press, 2023IRLANDINI, Luigi Antonio, “Messiaen’s ‘Gagaku’”. Perspectives of New Music, vol. 48, n.º 2 (2010), pp. 193-207*JINGFANG, Yuan (ed.), Comprehensive Introduction to Chinese Traditional Music. Hollitzer Wissenschafts V, 2023JONES, Stephen, “Source and Stream: Early Music and Living Traditions in China”. Early Music, vol. 24, n.º 3 (1996), pp. 375-388*KEISTER, Jay, “The Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument in the West”. Asian Music, vol. 35, n.º 2 (2004), pp. 99-131*KISLIUK, Michelle Robin, Seize the Dance!: Baaka Musical Life and the Ethnography of Performance. Oxford University Press, 1998KOUWENHOVEN, Frank, “Meaning and Structure: The Case of Chinese Qin (Zither) Music”. British Journal of Ethnomusicology, vol. 10, n.º 1 (2001), pp. 39-62*KUBIK, Gerhard (ed.), Theory of African Music. University of Chicago Press, 2010LANCASHIRE, Terence, “World Music or Japanese - The Gagaku of Tôgi Hideki”. Popular Music, vol. 22, n.º 1 (2003), pp. 21-39*LEPENDORF, Jeffrey, “Contemporary Notation for the Shakuhachi: A Primer for Composers”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 232-251*MALM, William P., “Chinese Music in the Edo and Meiji Periods in Japan”. Asian Music, vol. 6, n.º 1/2 (1975), pp. 147-172*—, Culturas musicales del Pacífico, el Cercano Oriente y Asia. Alianza, 1985—, Japanese Music and Musical Instruments. Tuttle Publishing, 1989MYERS, John, The Way of the Pipa: Structure and Imagery in Chinese Lute Music. Kent State University Press, 1992ROUGET, Gilbert, Ethnographie Musicale: Afrique Noire, Malgache (Musique), Pygmées (Musique Des), Ethnomusicologie. Fasquelle, 1961—, “Musical efficacy: musicking to survive—the case of the pygmies”. Yearbook for Traditional Music, vol. 43 (2011), pp. 89-121*SCHAEFFNER, André, The origin of musical instruments: an ethnological introduction to the history of instrumental music. Editado y traducido por Rachelle Taylor, Ariadne Lih y Emelyn Lih. Routledge, 2020*SHEPPARD, W. Anthony, “Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan”. Journal of the American Musicological Society, vol. 61, n.º 3 (2008), pp. 465-540*YUNG, Bell, “An Audience of One: The Private Music of the Chinese Literati”. Ethnomusicology, vol. 61, n.º 3 (2017), pp. 506-539* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March