87: Hugh Klitzke on the Conversational Read – and Why Most Coaches Are Actually Just Directing episode artwork

EPISODE · May 5, 2026 · 1H 8M

87: Hugh Klitzke on the Conversational Read – and Why Most Coaches Are Actually Just Directing

from The Voiceover Social · host Rob Bee and Helen Bee

Hugh Klitzke on the Conversational Read – and Why Most Coaches Are Actually Just DirectingThis month we're joined by Hugh Klitzke – New York-based voiceover coach, director, and the person behind conversational VO. We met Hugh at One Voice UK last year (we won a pub quiz together, which felt like a good omen) and we've been wanting to get him on the podcast ever since.Hugh spent nearly 15 years directing over 125,000 voiceover auditions at Buchwald talent agency in New York. He now specialises in one thing: the conversational read. Not a genre. Not a style. A way of performing that the industry has been asking for for years – and that a surprising number of experienced voices still struggle to deliver.In this episode, we get into why that is.We talk about what "conversational" actually means technically – and it turns out it's far more specific than "just sound natural." Hugh draws on prosody, tessitura, vowel length, consonant weight, and the emotional centre of copy to explain what's actually going wrong when a read sounds like an announcement rather than a conversation. It's the kind of episode where you'll want to take notes.We also talk about:Why the British relationship to broadcast media creates a genuinely different challenge around the conversational readThe difference between directing and coaching – and why Hugh thinks most coaches are doing the former without realising itWhy cold reading is overrated, and the one question that can shift everythingHow a chance meeting with a speech pathologist changed the way Hugh teachesHugh's Open Studio – a free, live, fortnightly Zoom session where you can watch him coach in real time, no paywall in sightAI voices, mouth clicks, and why perfection is starting to feel like a problemHugh also shares the story of how he ended up at Buchwald – scoring a film for no money, selling phones at Radio Shack, and a favour that changed everything.If you've ever felt like your read is almost there but not quite landing, this one's for you.Find Hugh at http://conversationalvo.com/ and look for Open Studio in the menu to join a free live session.👋🏻 Your hosts are ⁠Rob Bee⁠ and ⁠Helen Bee⁠.•••••••••••••••••📣 For more information about The Voiceover Social visit:– The Voiceover Social Website - https://thevosocial.com/– Subscribe to our newsletter⁠ - https://thevosocial.com/newsletter/– See which events are coming soon⁠ - https://thevosocial.com/events/– Find your closest VO Social group⁠ - https://thevosocial.com/socials/Podcast sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠B Double E⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Theme tune by Rob Bee.All audio production by Rob Bee.

Hugh Klitzke on the Conversational Read – and Why Most Coaches Are Actually Just DirectingThis month we're joined by Hugh Klitzke – New York-based voiceover coach, director, and the person behind conversational VO. We met Hugh at One Voice UK last year (we won a pub quiz together, which felt like a good omen) and we've been wanting to get him on the podcast ever since.Hugh spent nearly 15 years directing over 125,000 voiceover auditions at Buchwald talent agency in New York. He now specialises in one thing: the conversational read. Not a genre. Not a style. A way of performing that the industry has been asking for for years – and that a surprising number of experienced voices still struggle to deliver.In this episode, we get into why that is.We talk about what "conversational" actually means technically – and it turns out it's far more specific than "just sound natural." Hugh draws on prosody, tessitura, vowel length, consonant weight, and the emotional centre of copy to explain what's actually going wrong when a read sounds like an announcement rather than a conversation. It's the kind of episode where you'll want to take notes.We also talk about:Why the British relationship to broadcast media creates a genuinely different challenge around the conversational readThe difference between directing and coaching – and why Hugh thinks most coaches are doing the former without realising itWhy cold reading is overrated, and the one question that can shift everythingHow a chance meeting with a speech pathologist changed the way Hugh teachesHugh's Open Studio – a free, live, fortnightly Zoom session where you can watch him coach in real time, no paywall in sightAI voices, mouth clicks, and why perfection is starting to feel like a problemHugh also shares the story of how he ended up at Buchwald – scoring a film for no money, selling phones at Radio Shack, and a favour that changed everything.If you've ever felt like your read is almost there but not quite landing, this one's for you.Find Hugh at http://conversationalvo.com/ and look for Open Studio in the menu to join a free live session.👋🏻 Your hosts are ⁠Rob Bee⁠ and ⁠Helen Bee⁠.•••••••••••••••••📣 For more information about The Voiceover Social visit:– The Voiceover Social Website - https://thevosocial.com/– Subscribe to our newsletter⁠ - https://thevosocial.com/newsletter/– See which events are coming soon⁠ - https://thevosocial.com/events/– Find your closest VO Social group⁠ - https://thevosocial.com/socials/Podcast sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠B Double E⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Theme tune by Rob Bee.All audio production by Rob Bee.

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87: Hugh Klitzke on the Conversational Read – and Why Most Coaches Are Actually Just Directing

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Hugh Klitzke on the Conversational Read – and Why Most Coaches Are Actually Just DirectingThis month we're joined by Hugh Klitzke – New York-based voiceover coach, director, and the person behind conversational VO. We met Hugh at One Voice UK last...

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