A Technology of Torture Porn

This podcast is part of the Bodily Transgressions in Fantastika Media Symposium. Join the discussion on discord (https://discord.gg/zsMTBcnTcC) or on our Round Table Discussions on 12 November 2022 (https://us06web.zoom.us/j/89173630311). See www.fantastikajournal.com for details Background music by scottholmesmusic.com Podcast by: Derek Thiess A Technology of Torture Porn:Christian Supremacy, Medieval History, and RevisionismContent Warning: tortureIn my first book, Relativism, Alternate History, and the Forgetful Reader (2015), I argued that historical approaches emphasizing “complexity” and “continuity” were apologetic strategies, producing revisionist histories that downplayed the historical violences enacted in the name of Christianity. Early peer reviewers met such claims with denial, and post-publication reviews wondered why I did not focus on race or gender or Nietzsche. Six years later, Matthew Gabriele and David M.Perry published The Bright Ages, what they claim is a “New History of Medieval Europe,” working against a supposed “myth of the Dark Ages” and “weaving together strands of time, culture and place that affirm continuity just as they mark significant change (x). I’m not the first scholar to suggest this work advances Christian Supremacy, but historian Mary Rambaran-Olm’s review “Sounds about White” focuses primarily on the text’s treatment of race. Ironically, Gabriele and Perry also argue that their emphasis on continuity “brings people, traditionally marginalized in other tellings, into focus” (xi) and for this revisionist history asked publicly for the text to be nominated for a Hugo.Taking my cue from the authors, I would put The Bright Ages into conversation with the fantastic, in this case reading it against the germinal work of the film genre known as “torture porn”: Eli Roth’s Hostel films. I suggest that in graphically portraying “medieval” forms of torture, these films highlight the embodied nature of the history in question, and they do so precisely by positing continuity. They urge us to see, instead of the beautiful religious mosaics, cathedrals, and murals of the Middle Ages, the cost: a human, embodied suffering at the hands of actively colonial religious institutions that continues to this day. In figuring this embodied violence, and even in our critical reactions to these films, they emphasize the apologetic nature of our appraisals of medieval, Christian historical violence.About the Author: Derek Thiess is Associate Professor of English as the University of North Georgia. In addition to Relativism, Alternate History, and the Forgetful Reader (Lexington 2015), he is the author of Embodying Gender and Age in Speculative Fiction (Routledge 2017) and Sport and Monstrosity in Science Fiction (Liverpool 2019). Disclaimer: The information and ideas in these podcasts are the property of the speakers. Fantastika Journal operates under the Creative Commons Licence CCBY-NC. This allows for the reproduction or transcription of podcasts for non-commercial uses, only with the appropriate citation information. All rights belong to the author. The views expressed in these podcasts do not necessarily reflect the opinions of Fantastika Journal and its editorial board. Transcripts have been provided by the author and there may be small changes between the written script and audio recording. We apologize for any errors.