About Time • The Next Reel episode artwork

EPISODE · May 10, 2018 · 59 MIN

About Time • The Next Reel

from The Next Reel Film Podcast · host TruStory FM

"All the time travel in the world can’t make someone love you." If anyone has a handle on clever stories and quirky characters in romantic comedy dramas, it’s writer-director Richard Curtis. Whether it’s Four Weddings and a Funeral or Love, Actually or Notting Hill, he’s proven himself adept at writing (and sometimes directing) believable characters in charming situations falling in love with each other. Which is perhaps why his 2013 time travel film About Time is slightly frustrating. Yes, the rules absolutely work for a Curtis film, but when it comes to the time travel rules he sets up, he’s a lot more loose. But does it intrinsically ruin the film? Join us – Pete Wright and Andy Nelson – as we work to figure this out in our continuing time travel series with Curtis’ About Time. We talk about the nature of the rules Curtis establishes and complain at length about them, but make sure to also look at the film from the point of view of those who are likely more Curtis’ audience – perhaps they wouldn’t care as much. We go on and on about Domnhall Gleeson, Rachel McAdams and Bill Nighy, three people all born to inhabit roles like these brilliantly. We debate the nature of the film and look at if Curtis’ story shift from meet-cute rom-com to a much headier family drama works for the film or against it. We ponder Curtis and his insistence to use cliche movie montage tropes. And we talk about the unique restaurant concept of dining in the dark and wonder how effective it was for the film. It’s a cute film that’s got all the feels, even if it’s much sloppier than it needed to be. We have a great time talking about it and you’ll have a great time listening to it. The Next Reel – when the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreelWatch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

"All the time travel in the world can’t make someone love you." If anyone has a handle on clever stories and quirky characters in romantic comedy dramas, it’s writer-director Richard Curtis. Whether it’s Four Weddings and a Funeral or Love, Actually or Notting Hill, he’s proven himself adept at writing (and sometimes directing) believable characters in charming situations falling in love with each other. Which is perhaps why his 2013 time travel film About Time is slightly frustrating. Yes, the rules absolutely work for a Curtis film, but when it comes to the time travel rules he sets up, he’s a lot more loose. But does it intrinsically ruin the film? Join us – Pete Wright and Andy Nelson – as we work to figure this out in our continuing time travel series with Curtis’ About Time. We talk about the nature of the rules Curtis establishes and complain at length about them, but make sure to also look at the film from the point of view of those who are likely more Curtis’ audience – perhaps they wouldn’t care as much. We go on and on about Domnhall Gleeson, Rachel McAdams and Bill Nighy, three people all born to inhabit roles like these brilliantly. We debate the nature of the film and look at if Curtis’ story shift from meet-cute rom-com to a much headier family drama works for the film or against it. We ponder Curtis and his insistence to use cliche movie montage tropes. And we talk about the unique restaurant concept of dining in the dark and wonder how effective it was for the film. It’s a cute film that’s got all the feels, even if it’s much sloppier than it needed to be. We have a great time talking about it and you’ll have a great time listening to it. The Next Reel – when the movie ends, our conversation begins. Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreelWatch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film...

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About Time • The Next Reel

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This episode was published on May 10, 2018.

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"All the time travel in the world can’t make someone love you." If anyone has a handle on clever stories and quirky characters in romantic comedy dramas, it’s writer-director Richard Curtis. Whether it’s Four Weddings and a Funeral or Love, Actually...

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