Action-Driven Storytelling: From Batman Stunt Shows to the Utah Shakespeare Festival episode artwork

EPISODE · Jul 6, 2026 · 1H 36M

Action-Driven Storytelling: From Batman Stunt Shows to the Utah Shakespeare Festival

from APEX Hour at SUU · host Ryan Paul, Geoffrey Kent

Learning Theater as a Trade: Guest Geoffrey Kent details his unconventional path into classical theater, acquiring his performance skills through corporate murder mysteries, renaissance faires, and high-flying stunt shows rather than a traditional classroom setting. The Architecture of Farce: An inside look at directing See How They Run and why structural choices—like compressing multiple acts together—are vital to keeping an audience completely hooked before an intermission. Safety vs. Excitement in Fight Direction: A deep dive into how a risk assessor and Society of American Fight Directors certified teacher crafts dangerous-looking combat that remains perfectly safe for actors to perform eight shows a week. The Instant Feedback of Comedy: A breakdown of how comedic timing requires an acute awareness of the audience, demanding that performers actively manage pacing without letting the room take over the production. Connect with SUU & The Festival: This episode is part of a special partnership between SUU Eccles APEX and the Utah Shakespeare Festival. Discover upcoming speaker events at suu.edu/apex Book your tickets to the 65th anniversary season at bard.org  ***Eccles APEX Website: https://www.suu.edu/apex

Episode metadata supplied by the publisher feed · Published Jul 6, 2026

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Step into the high-stakes world of action-based storytelling on this special Utah Shakespeare Festival edition of the APEX Radio Hour with host Ryan Paul. Multidisciplinary theater artist Geoffrey Kent shares his journey directing the frantic British farce See How They Run and serving as the fight coordinator for the epic tragedy Troilus and Cressida. Discover how learning theater as a hands-on trade shaped his unique perspective on balancing stage safety with raw excitement, engineering complex physical comedy, and mastering the real-time feedback loop of a live audience.

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Action-Driven Storytelling: From Batman Stunt Shows to the Utah Shakespeare Festival

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