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Afro House

Episode 5 of the Pause and Listen podcast, hosted by John T.K. Scherch and Michele Mengel Scherch, titled "Afro House" was published on September 9, 2020 and runs 33 minutes.

September 9, 2020 ·33m · Pause and Listen

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1. Allison Loggins-Hull - Hammers https://youtu.be/ANZrjcAiqPU 2. Valerie Coleman - Shotgun Houses https://open.spotify.com/playlist/2ThyYRZwAsJrYeqtEan5eX Tomeka Reid - Present Awareness, Mvt. III. Radical Hope https://youtu.be/4b4CkxraLXk Panelists: Alisha Patterson is the co-founder and Managing Director of Afro House. Since the organization’s founding in 2011, Patterson has been at the forefront of producing live experiences that are in alignment with its ambitious mission. They incl...

1. Allison Loggins-Hull - Hammers

https://youtu.be/ANZrjcAiqPU

2. Valerie Coleman - Shotgun Houses

https://open.spotify.com/playlist/2ThyYRZwAsJrYeqtEan5eX

Tomeka Reid - Present Awareness, Mvt. III. Radical Hope

https://youtu.be/4b4CkxraLXk

Panelists:

Alisha Patterson is the co-founder and Managing Director of Afro House. Since the organization’s founding in 2011, Patterson has been at the forefront of producing live experiences that are in alignment with its ambitious mission. They include, Cloud Nebula, an Afrofuturistic sci-fi opera-ballet, the Afro House Concert Series, which celebrates Baltimore’s extraordinary maker scene, and the 100 Year Symposium, a conversation about what a community might be like in 100 years.

As one of Afro House’s chief architects, Alisha has successfully secured funding from foundations such as the T. Rowe Price and Robert W. Deutsch Foundations. In addition, she has played an instrumental role in the commissions Afro House has received from both local and regional theaters and the highly acclaimed choreographer Camille A. Brown. She also worked closely with Afro House’s Artistic Director on creating his award-winning Baker Artist Portfolio.

In 2016 Alisha was tapped by Kaisha Johnson, the Founding Director of Women of Color in the Arts to manage the organization’s flagship program. Under Alisha’s stewardship, the Leadership Through Mentorship program has become a highly sought-after career and community building opportunity for entry level, mid-career and seasoned arts administrators of color. Kibibi Ajanku, the GBCA's Equity and Inclusion Director, appointed Alisha to the Urban Arts Leadership Council in 2019. Alisha has an MA in Organizational Management from The George Washington University, a BA in English Literature and Certificate of Concentration in Women’s Studies from the University of Cincinnati.

Scott Patterson is a pianist, composer and librettist of incomparable talent, whose work has been described by the Pittsburgh Review-Tribune as “a masterly blend of virtuosity, singing style and beautiful voicing.” His blend of classical, soul and rock music is futuristic, emotive and luxuriant. Since 2012 Patterson has toured with Camille A. Brown & Dancers. He is contributing composer of the Bessie Award winning Mr. TOL E. RAncE and Brown’s critically acclaimed work, BLACK GIRL: Linguistic Play and ink. His compositions for these have been performed for audiences at venues such as Lincoln Center, The Kennedy Center, Belfast Festival at Queen’s, White Bird, and more.

Patterson is co-founder and Artistic Director of Afro House, a Baltimore-based art house committed to creating disruptive, music culture. Through Afro House, Patterson leads the Astronaut Symphony, a contemporary ensemble that creates symphonic performance art pieces. His compositions for the ensemble include the Afrofuturistic opera-ballet, Cloud Nebula and the sci-fi tone poem Ebon Kojo: The Last Tribe. He also serves as Music Director and Composer for the Afro House Concert Series. 

Patterson is a 2020 Saul Zaentz Innovation Fund Fellow and a recipient of the 2020 Regional Independent Artist Award for Performing Arts from the Maryland State Arts Council. He is a 2019 Baker Artist Award, Mary Sawyers Imboden Awardee, and is a recipient of a Creative Baltimore Fund Grant and Artist/District Grant. He studied under Richard Fields at the University of Cincinnati’s College-Conservatory of Music and Phillip Kawin at the Manhattan School of Music.

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