AIDC 2016 Docbusters Podcast - ACMI Stories & Ideas

What this episode covers

In 2015, a number of very high profile blockbuster documentaries or docbusters showed cinema managers and audiences that it is possible to lure patrons to the cinema in large numbers to experience non-fiction feature length films. The rise and rise of cinema on demand as a way to de-risk the decision to screen documentaries in the cinema has also meant that many more films have a shot at drawing audiences (in large numbers) to the cinema. This session looks at the financial model of cinema on demand and what it takes, in general, to mount a successful theatrical release using crowd-sourced audiences and discuss in particular what it took to make two films – Graceful Girls and Black Hole –two of 2015’s docbusters. Speakers: David Doepel (Managing Director Leap Frog Films and TUGG Australia & NZ), Olivia Peniston-Bird (Producer, Writer and Director of Graceful Girls) and Joao Dujon Pereira (Producer, Writer and Director of Black Hole) Host: Roy Ackerman (Pulse Films UK)

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This episode is 1 hour and 2 minutes long.

When was this ACMI Stories & Ideas episode published?

This episode was published on May 30, 2016.

What is this episode about?

In 2015, a number of very high profile blockbuster documentaries or docbusters showed cinema managers and audiences that it is possible to lure patrons to the cinema in large numbers to experience non-fiction feature length films. The rise and rise...

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