EPISODE · Aug 20, 2025 · 48 MIN
American Gigolo (1980) review / dir. Paul Schrader
from Middle Class Film Class · host Pete Abeyta
The gang learns about the oldest profession this week, as they explore Paul Schrader's LA underground world of male prostitution in American Gigolo. With an original by Blondie, and a wardrobe from a then-not so hot Giorgio Armani, this movie takes the audience into the mysterious life of Julian... the best cocksman in the game. But double crosses, and murder is in store for anyone that gets too close. Watch in the Criterion channel or Prime Video then tune in to find out how the gang liked it, in week 3 of erotic thriller AugustVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/0tMwD_oTAGkhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass Email: [email protected] store - https://middle-class-film-class.creator-spring.com/ Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro Pete Abeyta and Tyler Noe
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The gang learns about the oldest profession this week, as they explore Paul Schrader's LA underground world of male prostitution in American Gigolo. With an original by Blondie, and a wardrobe from a then-not so hot Giorgio Armani, this movie takes the audience into the mysterious life of Julian... the best cocksman in the game. But double crosses, and murder is in store for anyone that gets too close. Watch in the Criterion channel or Prime Video then tune in to find out how the gang liked i...
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American Gigolo (1980) review / dir. Paul Schrader
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