Amplitudes : Spoken word / Vocals

Amplitudes a l'honneur de clôturer l'année de disgrâce 2020 sur Radio Campus Paris, et pour marquer le coup, on a eu envie de bousculer un peu notre zone de confort habituellement instrumentale. Voici donc deux heures gravitant autour du spoken word et des voix en général dans les musiques électroniques, tout en subjectivité et en variété. Poésie sombre, prose hypnagogique, incantations surréelles ou encore MCs du turfu se télescopent joyeusement durant une de nos expéditions radiophoniques récentes les plus mémorables, et on espère partager avec vous le même plaisir qu'on a ressenti en enregistrant ce dernier regard sans regret en arrière. Bon débarras 2020, et bienvenue 2021 ? Tracklist : Mark Pritchard - Come Let Us (The Four Worlds, 2018) Burial - Archangel (Untrue, 2007) Swayzak - Illegal (Himawari, 2000) Machinecode - Urban Drum (Samurai, 2014) Moby - The Lonely Night (Innocents, 2013) Damon Locks Black Monument Ensemble - Sounds Like Now (Where Future Unfolds, 2019) Koenraad Ecker - Between the Desire and the Spasm (Falls the Shadow) (A Biology of Shadows, 2018) Röyksopp - Sparks (Melody A.M., 2001) Ryuichi Sakamoto - Fullmoon (Async, 2017) Samuel Kerridge &amp; Taylor Burch - Transmission 1 (The Other, 2019) Holly Childs &amp; Gediminas Žygus - Blue Carbon, Intertidal (Hydrangea, 2020) King Midas Sound - In the Night (Solitude, 2019) Vex'd - Disposition (Cloud Seed, 2010) Bill Laswell - Káshí (City of Light, 1997) Speaker Music - Amerikkka's Bay (Black Nationalist Sonic Weaponry, 2020) Coil - Batwings (A Limnal Hymn) (Musick to Play in the Dark², 2000) Photo : Boy Singing on Microphone With Pop Filter, par Jason Rosewell

Episode metadata supplied by the publisher feed · Published Dec 30, 2020

What this episode covers

Amplitudes a l'honneur de clôturer l'année de disgrâce 2020 sur Radio Campus Paris, et pour marquer le coup, on a eu envie de bousculer un peu notre zone de confort habituellement instrumentale. Voici donc deux heures gravitant autour du spoken word et des voix en général dans les musiques électroniques, tout en subjectivité et en variété. Poésie sombre, prose hypnagogique, incantations surréelles ou encore MCs du turfu se télescopent joyeusement durant une de nos expéditions radiophoniques récentes les plus mémorables, et on espère partager avec vous le même plaisir qu'on a ressenti en enregistrant ce dernier regard sans regret en arrière. Bon débarras 2020, et bienvenue 2021 ? Tracklist : Mark Pritchard - Come Let Us (The Four Worlds, 2018) Burial - Archangel (Untrue, 2007) Swayzak - Illegal (Himawari, 2000) Machinecode - Urban Drum (Samurai, 2014) Moby - The Lonely Night (Innocents, 2013) Damon Locks Black Monument Ensemble - Sounds Like Now (Where Future Unfolds, 2019) Koenraad Ecker - Between the Desire and the Spasm (Falls the Shadow) (A Biology of Shadows, 2018) Röyksopp - Sparks (Melody A.M., 2001) Ryuichi Sakamoto - Fullmoon (Async, 2017) Samuel Kerridge & Taylor Burch - Transmission 1 (The Other, 2019) Holly Childs & Gediminas Žygus - Blue Carbon, Intertidal (Hydrangea, 2020) King Midas Sound - In the Night (Solitude, 2019) Vex'd - Disposition (Cloud Seed, 2010) Bill Laswell - Káshí (City of Light, 1997) Speaker Music - Amerikkka's Bay (Black Nationalist Sonic Weaponry, 2020) Coil - Batwings (A Limnal Hymn) (Musick to Play in the Dark², 2000) Photo : Boy Singing on Microphone With Pop Filter, par Jason Rosewell

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