ANDRE KOSTELANETZ SHOW "Robert Weede" episode artwork

EPISODE · Apr 1, 2022 · 29 MIN

ANDRE KOSTELANETZ SHOW "Robert Weede"

from www.RADIOthen.network · host RAlan Campbell

From an AFRS transcription around August 23, 1943. Born Robert Wiedefeld in Baltimore, Maryland, Weede studied voice at the Eastman School of Music and in Milan. He made his Metropolitan Opera debut in 1937, as Tonio in Pagliacci. His other roles at the Metropolitan included the name part in Rigoletto (opposite Jussi Björling), Amonasro (Aïda), Manfredo (L'amore dei tre re), Shaklovity (Khovanshchina) and Baron Scarpia (Tosca). It was with Rigoletto that he made his debuts in Chicago (1939), San Francisco (1940), and at the New York City Opera (1948). At the New York City Opera, Weede also sang in Pagliacci and in the world premiere of William Grant Still's Troubled Island, opposite Marie Powers, Marguerite Piazza and Robert McFerrin. In Mexico City, the baritone appeared with Maria Callas in 1950, in Aïda and Tosca. Later, he sang again with Callas in Chicago, in Il trovatore and Madama Butterfly. In 1956, he scored a great success on Broadway as Tony Esposito in the original production of Frank Loesser's The Most Happy Fella, which was recorded by Columbia Records. He was also seen on Broadway in Milk and Honey (1961–63, also recorded) and Cry for Us All (1970).  

From an AFRS transcription around August 23, 1943. Born Robert Wiedefeld in Baltimore, Maryland, Weede studied voice at the Eastman School of Music and in Milan. He made his Metropolitan Opera debut in 1937, as Tonio in Pagliacci. His other roles at the Metropolitan included the name part in Rigoletto (opposite Jussi Björling), Amonasro (Aïda), Manfredo (L'amore dei tre re), Shaklovity (Khovanshchina) and Baron Scarpia (Tosca). It was with Rigoletto that he made his debuts in Chicago (1939), San Francisco (1940), and at the New York City Opera (1948). At the New York City Opera, Weede also sang in Pagliacci and in the world premiere of William Grant Still's Troubled Island, opposite Marie Powers, Marguerite Piazza and Robert McFerrin. In Mexico City, the baritone appeared with Maria Callas in 1950, in Aïda and Tosca. Later, he sang again with Callas in Chicago, in Il trovatore and Madama Butterfly. In 1956, he scored a great success on Broadway as Tony Esposito in the original production of Frank Loesser's The Most Happy Fella, which was recorded by Columbia Records. He was also seen on Broadway in Milk and Honey (1961–63, also recorded) and Cry for Us All (1970).

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ANDRE KOSTELANETZ SHOW "Robert Weede"

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From an AFRS transcription around August 23, 1943. Born Robert Wiedefeld in Baltimore, Maryland, Weede studied voice at the Eastman School of Music and in Milan. He made his Metropolitan Opera debut in 1937, as Tonio in Pagliacci. His other roles at...

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