Antonio Sánchez on Birdman at 10, being discovered by Pat Metheny – and why Whiplash sucks

As Antonio Sánchez releases an incredible new album with the BEATrio supergroup – alongside American banjo legend Bela Fleck and Colombian harp maestro Edmar Castañeda – the Mexican drumming powerhouse looks back on his incredible jazz journey. It’s a story of serendipity. Sánchez discovered jazz when Alejandro González Iñárritu played a Pat Metheny tune on his Mexican radio show; when the film director saw the drummer onstage with Metheney a few years later, he got the idea for the a radical score of nothing but drums for 2014 offbeat cinema smash Birdman – which went on to win four Oscars. He may be a humble guy, but even Sanchez admits after playing with Chick Corea, Herbie Hancock, Wayne Shorter, Gary Burton and Ron Carter – and spending 20 years on the road with Metheney – his bucket list is complete.In this podcast, Sanchez also talks about how he got Trent Reznor and Dave Matthews to guest on his last solo album, Shift (Bad Hombre Vol. II) – and reveals that John Scofield, Bill Frisell, Chris Potter, Joel Ross and Fleck have already recorded parts for its sequel. Before that, he has another supergroup trio album coming out: Ellipsis, alongside Snarky Puppy founder Michael League, and Cuban percussionist Pedrito Martínez. Seriously, this guy doesn't stop. He also opens up about sharing the stage with his wife, vocalist Thana Alexa, and talks about why Damien Chazelle’s controversial jazz drumming movie Whiplash just isn’t the real deal. All in barely half an hour!