Art in a Cold Climate: Ray Hudson on Touching Fire by Carolyn Reed

Writer and historian Ray Hudson considers how one drawing shows Alaskans caught between the fire and the sea: between the state's turbulent natural beauty and the race to exploit its wealth in raw materials. In Carolyn Reed's "Touching Fire", two women stand on the shores of a great sea, their faces lit by a pile of blazing logs. "This fire for me suggests the commercial exploitation that has historically consumed much of the region," says Hudson, who witnessed a massive expansion in commercial fishing during nearly three decades living in Alaska's remote Aleutian Islands. Yet he takes heart from the dignity and determination of the women caught between fire and water. "I know that despite its violent dominance the fire will go out and the women will turn to face the sea," he says. This edition of The Essay is one of a series in which five writers each consider the significance of a work of art to their homelands, as part of Radio 3's Northern Lights season.Producer: Andy Denwood.